Cosmic Book News

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Comic Book News

Review: Harbinger #12

Before you read this review you need to ask yourself,” Why do I read comics?” “Is it for the heroes in intense situations?” “Is it for the exceptional writing that makes these situations come to life before your eyes?” “Is it for the depth of character the writer builds upon so that these heroes resonate with us?” “Is it the amazing art that visually draws us into the world the writer has created?”

If you answered,”Yes,” to any of these questions, I have one more for you. “Have you been reading Harbinger?” If you said, “Yes,” then you know how great a book this has been. If you said, “No,” let me change your mind!

Harbinger #12 continues the Harbinger Wars crossover that has been waging through Harbinger, Harbinger Wars and Bloodshot for the last few months. We see Peter Stancheck’s Renegades finally come face to face with the psiots that have escaped from Project Rising Spirit, as well as how these young powerhouses have been dealing with their new found freedom. A clash between these groups is inevitable, children with power to shake the earth are not always welcoming to strangers, but it is the soul, the emotion of this book, not the action, that will truly grip you.

Joshua Dysart writes some of the most compelling characters on the market today. Teamed with the exceptional artistry of Khari Evans, Dysart has not only built visually intriguing characters, but ones that fans can empathize with. These characters have a humanity deeply rooted within their bones, something most super heroes tend to lack. They have fears, hopes and dreams as well as wield godlike powers! They are the everyman living in a scary world with the ability to change it for better or worse.

In this issue we see how manipulation, torture and a life of solitude can change a person. It is unnerving, to see Harada’s early attempts at activating psiots but, it is even worse when Peter meets Chronos and we know the same thing has been done on children! The duality of Chronos and Peter is what drives this tale. Even though Peter did not have an ideal childhood, being institutionalized and left by his mother, he eventually got to live in the outside world, while Chronos did not. Similar to a point, you can see what Peter could have become where it not for his chance for freedom and friendship. Chronos, on the other hand, had no escape until now and the world will pay for the sins committed against him. He is a fascinating character and a true image that Dysart can make every new character as rich and emotionally stirring as the rest!

So, if my little review hasn’t swayed you about Harbinger, I have another idea. For a single dollar you can get yourself the Valiant One Dollar Debut Edition of Harbinger #1. One dollar can open up your eyes to a whole new world of comic greatness. Don’t you think you can spare a dollar to broaden your horizons? I do! 

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Comic Book News

Review: Archer & Armstrong #0

When companies tend to do zero issues, it can become a toss up of whether it will be used as an origin tale or something congruent with a current tale running though the book. In the case of Archer & Armstrong’s zero issue, it is a bit of neither, a bit of both but undoubtedly — so much more!

Fred Van Lente uses this very special issue to minimize the hilarity that usually accompanies each tale, in order to give the reader a solemn look at Aram and his brothers on a quest that will forever change them. Loosely melding The Epic of Gilgamesh with his own “epic” tale, Fed Van Lente has created a mesmerizing tale of brotherly kinship that will resonate with readers on an emotional level. It will make one ponder the everyday aspects of life that truly matter, the single moments that rise above the the rest. The dance, the song, the love are to be cherished, for they will be gone before we know it and they will only live on in memory.

This issue will also have readers seeing Aram(Armstrong) in a slightly different light. He begins in normal Aram style, awaiting five women for nightly festivities, but as he speaks with Archer, a poetic almost melancholy aura emerges from him. As the ancient tale of his adventure with his brothers progresses, we find he is more noble sage than drunken ruffian, a duality to the character that further pushes him to the forefront as one of my favorite characters!

If you didn’t believe Fred Van Lente was a masterful writer before — you will now! 

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Comic Book News

The “DOC’s” Top Of The Pile for 5/8/2013

 

The Top of the Pile

By: Chris “DOC” Bushley

 

This is the weekly “quick pick” of the best 5 comics to hit the shelves! Whether they are riddled with action, have the best dramatic sequences, blast you with a bevy of shock and awe or make you feel like a child again, these are the books EVERYONE should be reading! This “DOC’s” prescription for having the best week possible — begins with these Top 5 books! (In no particular order!)

 

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1.  Uncanny Avengers #8 (Marvel):  Rick Remender is a repeat performer and a constant member of The Top of the Pile, and for a good reason! His amalgam team of Avengers and X-Men are not only at odds with the biggest threats to the world, but are at odds with each other as well. The deception and secrets has made these heroes question the integrity of everyone, leaving the reader with an aura of continual awe and merriment. Plus, who gets to kill a Celestial? Rick Remender — that’s who!

 

 

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2. Batman and Red Hood #20 (DC):  Peter J. Tomasi may be leaving Green Lantern Corps after this weeks issue, but you NEED to check out what he is doing for the Batman mythos as well! Since the death of Damian Wayne, Bruce has been lost, swimming in despair and rage. So, he calls upon the first Robin to have died and they take out their pain on the snipers that attacked Damian on that fateful day! But, what seems to be a reconciliation between Bats and Red Hood may end up destroying their partnership forever! A great look at the emotional side of two great characters that will never be the same again!

 

 

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3. Harbinger #12 (Valiant): The third chapter of the epic Harbinger Wars crossover, this issue shows just how brutal children with massive powers can be! Especially, since these powerhouses have been tortured, belittled and separated from the rest of humanity all their lives! This is a fantastic character piece that showcases the perfect balance of emotion and action on many levels. Stunning!

 

 

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4. X #1 (Dark Horse):  Duane Swierczynski has not only revamped the killing machine, Bloodshot, for Valiant Comics, now he has brought back the most brutal vigilante to ever grace the pages of Dark Horse as well! X is a non-stop menagerie of brutality that will ensnare you in the filthy underground world of Arcadia. Now, with a journalist on his trail, will X let up on his reign of terror he has placed on the worst criminals of the city? Hell No! Great stuff!

 

 

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5. Justice League of America #3 (DC): Geoff Johns has taken a motley crew of “heroes” and made them into one of the most interesting reads every month. This issue sees the truth behind Green Arrow’s attackers come to light and the “team” set up one of their own! Plus, Stargirl gets a dose of reality from Amanda Waller and Catwoman gets a little too close for comfort with Martian Manhunter in a great back-up story by the acclaimed writer of Mind MGMT — Matt Kindt! Two amazing writers for one low price! Who could ask for anything more?

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Comic Book News

Review: The Walking Dead #110

Don’t be mistaken by the cover, you won’t be able to whet your appetite for action in this issue! Although, Kirkman does rectify the situation with an intense look at the expanded world of TWD, a slow burn build up of a larger battle to ensue.

Fans may see this issue as just another actionless issue that doesn’t give you any shock and awe, but it is this type of issue that truly broadens the scope of the book past all the other “zombie” books that litter the racks. It is the building of emotional ties to the characters that gives the biggest payoff when something horrible occurs, the tether that keeps fans interested is built by the issues that rely on characterization and not always the shock!

The book is broken up into three distinct tales, focusing on small individual groups, that merge into one grand overall tale. The first aspect deals with Jesus and ramifications he must endure after having told Kal EVERYTHING about the plan against Neegan! It showcases the fear and hatred that Neegan has bestowed on everyone he meets and just how much others are willing to do to survive.

The second story arc revolves around Rick and his “hit squad” traveling to and eventually meeting with Ezekiel, the “king” of The Kingdom. It deals with the division of the crew and their ideas on the newly acquired “friendship” with Ezekiel. It is a nice piece and well thought out, especially since we get to see wonderment in Carl’s eye again.

Finally, the second arc branches into the third as we see Michonne and Ezekiel find a camaraderie out of their mistrust. Beginning with the drawing of swords and ending with a smile, this was the best part of the book. We receive both Ezekiel and, his pet tiger, Shiva’s origin tale and find this new character quite intriguing. He is a man that has taken the challenge of leadership upon himself in a similar fashion as Rick has, but choosing a higher moral compass.

This is another well written tale that will become a stepping stone for a grander finale, it may leave the “action junkie” in all of us a little depressed. But, all you have to do is look at the cover of June’s issue #111 to get that adrenaline pumping once more!

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The Walking Dead #111

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Movie News Reviews

Da Vinci’s Demons Review: Episode 4: “The Magician”

Da Vinci = Batman

A Show Review of Da Vinci’s Demons Episode 4: “The Magician”

By: Lawrence Napoli

 

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The end of last week’s episode saw Florence all but folding in on itself what with “demonic” possession, spies amongst the ruling family and the flippant Leonardo Da Vinci of all people being relied upon to tip an inevitable conflict with Rome in his own country’s favor.  This episode escalates the situation to the closest we’ve all come to witnessing a field battle along the lines of Braveheart or The Patriot, but to have such a conflict only halfway through such an abbreviated, first season could possibly spoil the finale.  Thus, we are all given a nice tease as to what we may expect when Florence and Rome set their armies against each other.

As a character, Da Vinci becomes more and more difficult to get a grasp of during this episode which is not necessarily a bad thing considering David S. Goyer’s conscious efforts to portray the man as physically incapable of containing and channeling the brilliance within him.  As the title of this review suggests, Da Vinci demonstrates the same DIY, self confidence and determination as a certain Dark Knight.  However, it is Leonardo’s sudden change of heart amidst his constant pondering of the Vault of Heaven, the Book of Leaves, the security of Florence and keeping the Medici’s off his ass where this connection is demonstrated by an oddly timed moment of clarity.  Rome is on Florence’s doorstep which forces Da Vinci’s rumination to a depressing state in which he all but admits the constant and perpetuating destructive nature of man, which leads to a flip flop (of sorts) concerning his own infernal devices and a rash reaction that surprises every single character. 

Da Vinci’s manic nature can be a bit frustrating to accept because he is brilliant and charming and clearly the protagonist of this show, but his attention span is short, his motives still seem a bit selfish and even his own friends are getting irritated by his actions.  No, he’s not as easy to like as Iron Man because Da Vinci’s comedy isn’t nearly as frequent, but Tom Riley continues to evolve this character with peaks and valleys in a way that challenges the viewer.  I love the fact that Da Vinci is in a world of his own to the point where everything could be collapsing around him and he still wouldn’t care less about such a detail if it interrupted one of his thoughts.  It may come off as hubris on steroids, but his unconventional means haven’t backfired yet.

Riario gets back into the direct plot after a brief hiatus last episode to once again come off as the smooth talking sonova-B; he actually is to once again match wits with Da Vinci and the rest of his cohorts from Florence.  I like how each confrontation has escalated in terms of the venue and stakes, but I don’t like how Riario is constantly behind the 8 Ball.  For someone who claims leadership over a network of spies and information control, he doesn’t have very good facts about Da Vinci the man, his propensity for bravado and his excellent showmanship.  As a result, this character is starting to look a little weak to me, and when you factor in his character being handled by Rome in a similar fashion as Florence treats Da Vinci, I expect to see this rabid dog cut loose sooner than later which will make him more threatening and a better villain overall.

This wasn’t a week for special effects of any sort which was kind of a disappointment.  Plot twists involving the spy’s conspiracy and the Medici family’s political agenda ate up a lot of time that could have been used to show us all a little more of “Leo Land” from a visual effects perspective.  Alas, there’s a lot of dialogue and minimal action and how this episode ends doesn’t suggest the promise of more action in the next episode: “The Tower.”  Still, Da Vinci’s pursuit of the Book of Leaves progresses slowly but surely which gives the viewers an explanation as to why this opportunity landed in Florence of all places. 

Overall, this was a decent episode that could have been better had it delivered on any one of its various teases (especially one that involves a rather large set piece).  I’m really starting to hate Lorenzo as a character and wondering if everyone in Florence would be better off if his brother (who isn’t the blathering idiot he usually is for this episode) was calling the shots.  I like what the spy continues to do and I like how any internal conflict about what is being done gives way to self preservation; which yields a more devious character.  As for next week’s episode, I really want to know how Da Vinci’s big mouth is going to get him out of this one.

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Comic Book News Marvel

Thanos Rising #2 Review

It is a crying damned shame what’s being done to cosmic in the vain pursuit of mass market appeal. Well – mass comic book reader appeal to be more precise. Loeb has turned Nova (in name only) into a child-oriented teen Spiderman clone, Bendis has turned Guardians of the Galaxy into an Earth-centric Avengers-like book re-characterizing Star- Lord et al into clichéd and unrecognizable caricatures of their former glorious selves, and now Aaron is apparently turning Thanos into an utterly disgusting run-of-the-mill psychotic serial killer – a Dexter with none of the cleverness or appeal of Dexter. And it’s not even working to attain the desired sales figures – so cosmic is being run into the ground for no reason other than the vanity of Loeb, Bendis, and the other “architects.” Like I said – a crying damned shame.

In the previous issue, Thanos was portrayed as a weird, un-likeable, pitiable little kid manipulated by Death into starting down the pathway toward becoming her avatar. In this issue, that excruciating process continues with Thanos being portrayed as a cruel, callous, brilliant, but psychotic little jerk taking pleasure from the tortured screams of his animal and Eternal victims as he vivisects them over the course of several hours and then whines about how nobody loves him. Death is constantly at his side, flirting with him and using his sexual attraction to her to encourage his sick pursuits while at the same time spurning all his overt sexual advances – an apparent attempt by the writer to explain Thanos’ death fetish. A terribly sexually frustrated Thanos even threatens to rape Death – but Death stops him cold – humiliating him, browbeating him, and otherwise psychologically castrating him as she urges him to kill again and again. Yeah – that Death is a real evil bitch. The torturing of innocents throughout this book was hard to tolerate, but the final scene of this book where Thanos begins vivisecting his helpless psychotic mother so disgusted me that I honestly don’t know if I can pick up and read another issue of this train wreck.

Now you all know that I like edgy, adult-oriented comic books, and I can even enjoy knife-kill horror stories such as Seely’s excellent and recently sadly ended Hack/Slash series, but this Thanos Rising series is pushing the boundaries in a bad way. If the writer was trying to evoke an emotionally unsettling response, he certainly succeeded – but not in such as way as to motivate me to continue buying the book. There is literally no joy to this book and that makes it a tough read. Plus – it sullies the appeal of Thanos as a villain – making him unrespectable, creepy, and disgusting (like the child murderer he’s being portrayed as) rather than how he ALWAYS SHOULD BE PORTAYED – as a force to be reckoned with.

I get it that Thanos is a tough character to write – full of inconsistencies and contradictions. This storyline is not the way to resolve the inconsistencies and contradictions. It would’ve been better to just deal with them the old fashioned way: don’t think about them too much and write a good adventure story. There is no logic or reason to Thanos’ craziness. That’s why crazy is called crazy and Thanos is called “The MAD Titan.” This attempt to impose a dark psychological background story onto Thanos to explain his madness just feels wrong and stands in stark contrast to the best Thanos stories told to date.

Giffen’s excellent Thanos series was the best portrayal of Thanos since Starlin’s early work with the character. In Giffen’s series, I could begrudgingly like and respect the brilliant magnificent bastard that was Thanos at the same time I was disliking him and hoping he would ultimately fail – all while blithely ignoring every logical contradiction inherent in the character. Now THAT’s the Thanos I want to read. This Thanos Rising portrayal of a confused, easily manipulated, sexually frustrated, psychotic, cruel, sick, whiny little jerk preying on helpless innocents? Nah – I don’t want to read this – I just want to see the Eternals put him out of his misery medieval style and as soon as possible.

The art and coloring of this book are certainly adequate to good, but they are not enough to save it.

Basically, this book is an embarrassment to the Thanos mythology. I don’t see how this is going to make a whole bunch of new Thanos fans eager to see him on the big screen for the second Avengers movie. In fact, the opposite is more likely. Frankly, I’ll be glad when this mini is over and (hopefully) forgotten as it is just one more black eye to cosmic courtesy of the architects.

What a shame.

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Movie News Reviews

Movie Review: Iron Man 3 (IMAX 3D)

Phase 2 Fizzle

A Film Review of Iron Man 3

By: Lawrence Napoli

 

Thanks to Robert Downey Jr. (and him alone), the Iron Man franchise has become a household name for the Marvel/Disney Super PAC that isn’t named Spider-Man, Wolverine, Mickey Mouse, Indiana Jones or Luke Skywalker.  His performance breathes life into the inanimate and has raised the bar substantially for actors taking roles in the contemporary action/adventure/blockbuster film that is more than likely based on a comic book.  Unfortunately, Iron Man is still a man, and apparently Downey isn’t interested in doing these movies for the rest of his career.  Yes, Downey is in for The Avengers 2 (which is what Phase 2 is all about), but Iron Man 3 is clearly the official beginning of phasing out Tony Stark from this film universe (thus confirming the rumor that alpha personalities tied to this franchise are walking away) and this impacts Iron Man 3 in a negative way.  The parallel to The Dark Knight Rises are undeniable and though we can debate over which final chapter was better than the other, both films could have and should have been more than the final product we all witnessed.  Iron Man 3, like Iron Man 2 before it, is guilty of being an average (but expensive) blockbuster.  It isn’t fresh and inventive like the first Iron Man, nor does it approach the greatness of Marvel’s The Avengers.  For this entire movement of putting the Marvel Universe on film with the infinite resources at its disposal, the crime of going through the motions is inexcusable.

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Is Iron Man flying or falling?  You be the judge.

Once enough people fork over the cash to see Iron Man 3 (and don’t you even consider the increased prices for digital DLP projection or IMAX because the 3D effect is 100% NOT worth it), we will finally know what Joss Whedon meant when he was quoted as saying “Now what am I supposed to do now?  What am I going to do in Avengers 2?”  Everyone in the news media press presumed this was some posturing to the effort made by director/co-writer Shane Black by acknowledging that Whedon’s own plot for the next Avengers would somehow pale in comparison to what others have described as Iron Man’s “epic,” “bombastic,” and “incredible,” third installment.  Go ahead and watch the film, then think about that quote one more time.  Whedon wasn’t bowing.  He was pulling the last strands out of his balding dome over the plot and character limitations imposed on him as a result of Iron Man 3.  There are no spoilers here, so if you want to know what I’m talking about, read EIC Matt McGloin’s thoughts.  There are only so many places Whedon can go with the Avengers’ MVP and now those possibilities are cut in half.

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So buddy.  Where do we go now?

Ultimately, the story of Iron Man 3 is a whole lot of blather that involves Tony Stark’s spring cleaning of some trivial domestic issues back in the US.  The Mandarin is blowing up American landmarks and he’s a crazy terrorist that needs to be put down.  I found it hilarious how his buddy James Rhodes actually makes reference to this situation: “Aren’t you running around with the Super Friends now?” as to suggest that his involvement in this plot is a little low-ball for Tony.  What was suggested as a terrorist plot for some sort of world control boils down to a personal grudge between massive egos in this fictitious, scientific community.  What was hinted as Tony becoming an even more devoted partner to Pepper Potts is glazed over thanks to a time consuming, Sherlock-ian investigation and is used as a shameless plot device to usher in what will be the end of Robert Downey Jr. in these films.  What would have been possible in seeing the fallout of the invasion of New York is completely swept under the rug with another convenient plot device of Tony’s frequent panic attacks which allows this script to ignore The Avengers completely. 

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You know, I could have used you in The Avengers.

I didn’t like any of this.  It reaffirms the fact that while Iron Man is a cool Marvel personality, he has the worst rogue’s gallery of every major comic book hero.  It tells me in a world where aliens have invaded and can potentially invade again, terrorism in any capacity is somehow still relevant.  This script only introduces more important, personal issues with Tony Stark (the man) only to ignore them in order to focus on the active plot of pitting Iron Man against some obscure villain.  The story is still funny in that it still shows off Tony Stark as an ego driven, genius, philanthropist, playboy, but there’s just so much of it shoved in your face from start to finish that the audience is left wondering if even Stark is taking any of this seriously even when he gets angry after the conflict hits way too close to home.  The climax and resolution of this film treats the audience like children by presenting us with several brand new toys (plot twists) and then taking them away immediately, never to be seen again.  The bullet points of Iron Man 3 too closely resemble those of Iron Man 2 and nothing that happens in this film (even in the post credits teaser) introduces, suggests or even slightly hints at anything that could be happening for The Avengers 2.  Perhaps this is Hollywood mimicking the comic book industry by employing a lot of writers all in charge of their own projects and are somehow expected to be relevant to the crossover arc the company as a whole is trying to promote.  Whedon was right.  I have no idea what the heck he’s going to do with Tony Stark now.

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Don’t tell me the dream is dead.

Iron Man 3 is not a total loss (despite the fact it is a big disappointment) and most of that credit goes to the action and visual effects on display.  $200 million yields plenty of massive set pieces that get devastated from gun fire, missiles and massive explosions.  It also yields lots of awesome Iron Man aerial maneuvers, combat and technology.  I must say that it was a real treat to see Stark’s ‘Iron Family’ at work during the climax, but my criticism of them is twofold.  First, they only pay off in a minimal way thanks to how they end up (but that’s another writing criticism) and second, the different armors don’t really show off their individual specializations very well.  The only one that stands out is the ‘Hulk Buster’ armor we’ve all seen in the trailers, which is used to do one thing and never seen again.   As a result, the Iron party is more like a lot of copy/pastes with different paint jobs that still look sleek and realistic, but all do the same thing.  I wasn’t the biggest fan of Robert Downey Jr. engaging in a lot more action out of the suit in this film, but those sequences are surprising at displaying Tony Stark’s martial prowess (I’m pretty sure Matt Murdock isn’t his sensei).  I like that the plot forces Tony out of the tin can for no other reason than giving the audience something different to look at which is still stimulating, though not as sexy as the suit.  Eye candy alone will see this film easily double its budget, but it won’t see Avengers money.

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Here we come to save the day.

I have no complaints about the performances in Iron Man 3 because the overall cast demonstrates their veteran prowess.  Guy Pearce’s Aldrich Killian is your stereotypical bad guy/crazy evil genius, and I knew his character was going to be that way because the man’s made a career of playing *ssholes in movies.  Don Cheadle, the man who should have been established as James Rhodes in the first Iron Man, produces another fine performance as the Iron Patriot who secretly pines for a resurrection of War Machine which produces a few memorable laughs amidst Stark’s constant “I’m a needy genius” comedy throughout.  Jon Favreau is thankfully limited to screen time in the beginning of the film as Happy Hogan (ugh, how is he still skulking around the sets of these films?).  Rebecca Hall as Maya Hansen presents a character meant to be plagued by the ethics/morality of science unchecked (which is a plot point that dies before given a real chance to live), but she is hilarious when making reference to her role in Ben Affleck’s The Town in the beginning of the movie.  Gwyneth Paltrow’s Pepper Potts is once again personable, elegant and charming, and I really enjoyed when her character is called upon to get her fists dirty, but that too is muffled thanks to shoddy writing.  Paul Bettany simply does not get enough credit as the voice of Jarvis in all of these films, so I’ll give him a much deserved shout-out now because his dignified delivery is matched only by his brilliant comedic timing.

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Wait a minute!  We can do stuff outside of the armor?

A word on Ben Kingsley as The Mandarin in Iron Man 3: I totally get what they were trying to do with this character, but I cannot fathom how Shane Black lured an actor of Kingsley’s caliber into this film with the red herring his character represents.  Let’s not confuse the quality of his performance with the irrelevance of his character.  Kingsley delivers; plain and simple.  You may think the lines of dialogue we’ve all heard in the trailers may sound annoying thanks to his disjointed delivery, but that goes away to reveal something much more entertaining, hilarious and actually thought provoking when considering the world’s modern experience with terrorism.  Perhaps the uniqueness of the satire is what hooked Sir Ben; that and one fat paycheck.

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I am more (or less) than what I appear to be.

Robert Downey Jr. is Tony Stark.  It’s all been said and it’s all true once again.

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Seriously?  Were you expecting anything less?

This movie was good, but it is not great.  Iron Man 3 is very entertaining in presenting amazing visual effects while coalescing them with uniquely hilarious dialogue and circumstances.  Unfortunately, without any effort to move the Avenger franchise forward with Tony Stark’s individual efforts in this film, it makes this story a complete waste of time.  It’s great that Tony still cares about stuff at home, both in his country and his personal life.  It’s great that he’s still at work doing his innovative Iron-Man-thing.  It’s great that he feels anguish over the invasion of New York.  But let’s expand on all of those plot points, not just leave them behind in the dust.  For a character all about transformation and improvement, there really isn’t a concept of change that matters for Tony Stark.  He’s the same human dynamo that is simply put into another dangerous situation that he can skillfully address thanks to his own efforts.  A $200 million dollar investment should be thinking about doing more than giving me another day in the life of the amazing Tony Stark especially when you consider the future of the character moving forward.  Phase 2 is in like a lamb, and it is left to Joss Whedon to insure that it goes out like a lion.   

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Comic Book News

The “DOC’s” Top Of The Pile for 5/1/2013

 

 

The Top of the Pile

By: Chris “DOC” Bushley

 

This is a “quick pick” look at the Top 5 comics that EVERYONE should be reading this week! Whether it’s rife with astounding visuals, has top notch characterization, is filled with emotional strife, has a bevy of high octane battle sequences or is just a plain ol’ great read — these books belong at the “Top Of The Pile!” (In no particular order!)

 

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1. Shadowman #0 (Valiant): Fan favorite, Justin Jordan, truly out does himself in this melancholy origin tale of Valiant’s biggest bad of all time — Master Darque! From birth to his “re-birth,” Justin Jordan weaves sympathy, angst and hatred into the very fabric of the Master Darque character, creating a book that far outshines everything Jordan has done thus far in his career! Although Shadowman isn’t in the book at all, you are so enthralled with his greatest villain you won’t even mind!

 

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2. Ten Grand #1 (Joe’s Comics/Image):  Written by, CBN creator Matt McGloin’s favorite comic scribe, J. Michael Straczynski and drawn by fan favorite Ben Templesmith, not only is Ten Grand is a moving tale about loss and what you would do to regain everything, it is also the relaunch of the Joe’s Comics imprint created by JMS! Though this style of tale about choices and the ultimate ramification has been done before, it is the art of Templesmith that astounds the reader with every page. Come for JMS’ morality play, stay for a true masterpiece by Templesmith. That’s if you can find it! The buzz surrounding this book has led to instant sell outs at numerous shops, so be vigilant or the world of second printing awaits you!

 

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3. Superior Spider-Man #9 (Marvel):  So, I believe that Dan Slott is actually addicted to controversy! Well, he will definitely get his fix after this issue! By now you have probably all heard about the ending of this book, but that is not the reason it made it on the Top of the Pile. The internal struggle between the consciousness of Peter Parker and Doc Ock is what drives this book — and it is astounding! Peter having to place his memories in the line of fire against his own fears was extremely jarring. Seeing Uncle Ben being shot again and the Green Goblin slaughtering Gwen Stacy with a laser was highly emotional, but it is the frailty of Peter that makes this issue great even if it will drive fans crazy!

 

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4. The Victories: Transhuman #1 (of 5) (Dark Horse):  Dubbed as being “Super F$%#!d Up!,” Michael Avon Oeming’s super hero team tale is exactly that! This second installment of The Victories stories has the team dealing with a new villain that is more powerful than anything they have seen before! Even if they do save the world, are they strong enough to overcome their internal demons in order for all of them to survive? Graphic, vulgar and overtly amazing, this is a book that you should not miss!

 

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5. Abe Sapien: Dark and Terrible #2 (Dark Horse):  Mike Mignola and Scott Allie converge on this unnerving tale of Abe Sapien’s journey to not only find where his altered form fits in to this new and frightening world, but also to see how far this world has changed humanity in it’s wake! Rich and deeply jarring, this tale of fear of the unknown will make you question just how “human” humanity can be in a mob mentality. Fascinating! Plus, be sure to check out the CBN exclusive interview with Scott Allie regarding all things Dark Horse with our very own managing editor, Byron Brewer!

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Movie News Reviews

Movie Review: Pain & Gain (2013)

Mischief.  Mayhem.  Steroids.

A Film Review of Pain & Gain

By: Lawrence Napoli

 

[Readers, please humor me by reading the following paragraph]

You’ve just finished a 3 hour work out and you’re sore all over.  You’ve put in the work, but now you want to max out on a final bench press before you call it a night.  You start off real slow, just to make sure what’s left of your muscles can take it and then you speed it up.  Just as you start to pick up the pace, the gym manager shouts out 5 minutes to closing; you keep going.  That babe you were trying to impress all night finally cuts you a look and a smile and your adrenaline spikes; you go faster.  You notice some fed up mother dragging her screaming children out of day care and then she curses out loud, calling her kids rotten bastards.  It all pisses you off and you go even faster.  The cleaning crew starts making their way to the main area of the gym, but while one talks the other doesn’t notice the free weights left out on the floor; he trips and falls flat on his face which gets you to snicker.  You’re feeling a good burn now, but the manager shouts your name to get the hell out and he stomps over to your direction only to collide with a six foot blonde, taking both to the ground.  Turns out she’s a transvestite (because mesh shorts + no underwear was too revealing as she went down) and she proceeds to spill a giant bag of dildos she was smuggling out of the gym (where did she get them in the first place?).  Everything just got weird, but you’ve never felt stronger or lifted more in your life so you still keep going.  A homeless man then stumbles through the front doors, drops ‘trow and defecates right there on the spot.  The lactic acid rushes over you, you’re way past pure exhaustion and you feel the dry heaves of vomit curdling up only to realize your arms have already given out.  The weights crash down on your chest and roll to your throat, effectively choking you out.  The paramedics revive you and you feel lucky to be alive, but you don’t feel particularly good right now.

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We’re here to pump you up!

I just spoon fed the entire experience of watching Michael Bay’s Pain & Gain, a true crime story of muscle heads turning to kidnapping, torture and murder in Miami in pursuit of the American dream.  Of course, there are no spoilers here, but imagining someone’s final set of the day with all the distractions I mentioned combined with an ever increasing pace is exactly what the viewer will see, hear and feel when they buy a ticket to ride this crazy train.  Every aspect of the filmmaking process: the camera movement, the soundtrack, the dialogue, the action and the lighting mimics the relentless pace of “the final set” in such an undeniable way that I have to admit that this film is Michael Bay’s most artistic film.  Please understand, however, that Bay has always been the stereotypical “Hollywood Guy” that could only tell a story if there were explosions here, explosions there; explosions everywhere!  I am certain this film takes several liberties with some of the facts regarding the exploits of Daniel Lugo, but in moments where viewers couldn’t possibly believe what they were seeing was true, the film reminds the audience that this all still happened.  Bay shelves his love for pyro with a slight over-abuse of the slow motion visual effect, but there is no mistaking the “bigness” of this film as anything other than a Michael Bay production even without the presence of giant robots or Sean Connery.

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There’s gotta be at least 1 explosion.

The actual plot of Pain & Gain is relatively straight forward and as basic as crime stories get, but screenwriters Christopher Markus and Stephen McFeely apparently binged on Neveldine and Taylor’s Crank franchise prior to writing this script.  As a result, manic characters, perpetuating stereotypes, absurd plot twists, and vulgar tone mixed with pure adrenaline turns the crimes committed by Lugo and co. into one hell of an entertaining adventure.  Comedy is the key element that pushes the plot forward through a combination of ridiculous dialogue and absurd slapstick.  But here’s the catch.  These crimes still happened in reality and they ruined/ended the lives of many real people.  I cannot help but think that making such a spectacle of Lugo’s exploits in this particular way diminishes the real life tragedy.  The counter to this sensation is the fact that Lugo and his crew are depicted as little more than stereotypically dumb body builders who are incredibly high on themselves, extremely gullible and view the rest of the world as somehow owing them more simply for being as awesome as they are. 

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This scene was probably more serious in real life than in this film.

Satire is certainly at work here, but as I mentioned earlier, this film never lets up on the single-minded/self-minded nature of the story which disallows the audience to reflect on the utter horror of the crimes thanks to the fact that these meatheads are constantly making themselves look like hilarious idiots.  If Pain & Gain is trying to expose the folly and corruptibility of ego-maniacal behavior, this message gets lost amidst the spectacle.  The main reason for this is that even when the main characters/antagonists fail, they are never depicted as pathetically low as any of their victims.  The audience had more than 4/5 of this film to understand the fact that these men were denser than lead and the fact that the story does not definitively shift to a serious tone pulls back on punches at the end of the film that should be going for a climactic knock out.  For a film to be as true of a story as this was, no other was in more need of reality checks.

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I’m as grounded as any character gets in this film.

Pain & Gain is a character driven story and without good performances all around, no film can claim a true cast of “colorful characters.”  The one actor the audience would never expect in a film such as this is Ed Harris who plays P.I. Ed DuBois and his presence exists to lend some of that grounded seriousness I just complained that was lacking throughout.  As great of an actor as Harris is, his character is simply not important enough in terms of screen time to allow his dialogue and demeanor to leave a lasting appeal.  Tony Shalhoub does a solid job as target #1 Victor Kershaw, but he isn’t asked to lift anything heavier than the token scumbag that doesn’t deserve an ounce of sympathy from anyone.  Ken Jeong and Rebel Wilson use their specific talents of awkward/absurd comedy to ratchet up the laughs, but neither are given true moments to perform outside of those boundaries. 

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Are you a “do”er?

The one performance I was actually disappointed in was that of Anthony Mackie as Adrian Doorbal.  I’ve made note of his promising performances in films like Real Steel and The Adjustment Bureau, but he easily stands in the shadow of his other two co stars.  A large part of the problem is the fact that he’s playing a body builder and although he’s significantly larger than the skinny body type I’ve always seen him as, he simply doesn’t have the tone and definition of any other muscle head he stands next to (including extras).  This takes a large chunk of credibility away from his character and it could have been compensated with a truly marquee performance, but comedy is not Mackie’s strength; it’s drama.

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I look better in Falcon’s armor anyway.

Marky Mark hit the gym a bit more than Mackie prior to filming as his arms certainly showed an upgrade, but the trailers to Pain & Gain made it seem as if Wahlberg was juicing for years.  Much of the film is narrated from Daniel Lugo’s perspective as he is technically the main character of this sordid tale of excess fitness.  What can I say?  Wahlberg knows how to portray flawed confidence, gullible ignorance and absolute absurdity with a straight face.  This is vital to Lugo as a character because communicating his disconnect from any traditional morality/ethics in favor of a fitness/self-help inspired credo of “simply doing = godly” explains how this real person was more cartoon character than carbon based life form.  Unlike the role he played in The Fighter, Wahlberg is not required to do anything more than play up the meathead in this film and I can only give so much credit to what amounts to a type cast.   Wahlberg must have some kind of unspoken/unwritten/unknown connection with Josh Brolin because he has the same tendency of being overshadowed by some (if not all) of his supporting cast.  And speaking of whom . . .

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Muscles are my reality. Fitness is my life.

The Rock/Dwayne Johnson/The Brahma Bull is the true star of Pain & Gain.  First, being the only true athlete of the cast, he proved that being built like a tank could indeed be improved upon because he looks to have added 20 pounds of pure muscle on top of his already intimidating frame.  The man is in impeccable physical condition, but I don’t want to know how many chemicals are coursing through his veins.  That aside, Johnson as Paul Doyle is the only character that seems to show any sign of struggling with the jaded nature of the crew’s affairs and this works to his advantage as an actor.  He isn’t a talented enough of an actor to actually display a complete shift in demeanor from clueless athlete to tortured soul, but he can keep a straight face while reciting ludicrous lines of dialogue thanks to his experience in the WWF/E.  The result is a specific hilarity that actually generates sympathy for the simpleton he plays and let’s just say that when his character rediscovers cocaine, the audience will experience a comedy level beyond the peak of The Rock’s most famous rants of the mid 1990s.

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My boys can smell it.  Can you?

Pain & Gain was a tricky film for me to digest due to the intense delivery of so much character development & interactivity, action, comedy and absurdity in such a short amount of time.  On a pace rating of 1-10, this film starts at a 9 and exceeds 15 with virtually no time outs.  This film is a constant chain lightning of laughs and grotesquery, so the viewer better beware.  I like that this film seemed to paint the culture of extreme fitness gone way too far as the true culprit, but the script doesn’t do much to address issues like steroid abuse other than in the first 10 minutes of the film.  It appears as though sociopathic tendencies can develop from obsessive devotion to any of life’s sub-cultures and it’s interesting to observe how most involve the “improvement of self” in some way, shape or form.  Had this film shown an ability to shift gears to a more serious drama at the right time, Michael Bay would have had a much better film on his hands than an audaciously entertaining romp through the chemically enhanced purple hills of muscle beach.  Without reading more meaning into it, Pain & Gain is the first comedy of the summer that’s worth your time thanks to decent performances all around, but an inspired effort by The Rock.  That is, of course, if you know what he’s cooking.

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Comic Book News

Advanced Review: Shadowman #0

Justin Jordan and his motley crew of artists, has created an enthralling, sickly sweet and chilling tale that gives fans a definitive origin to the most powerful creature in the Valiant Universe — Master Darque!

Known as the biggest, baddest villain to ever cast a shadow across the Valiant Universe, Master Darque is one of the most dramatic characters created in the past twenty years. Now, with the twisted imagination of Justin Jordan, modern readers can be enthralled once again by a tale that showcases the brutal birth of this destructive character.

From birth to “death”, Jordan and his fantastic artistic team will fascinate you with Master Darque’s origin, a wickedly jarring tale of witchcraft and the hell that parents can render upon their children. It showcases the deconstruction of innocence, the betrayal of loved ones and the forging of true evil through desperate measures. It is the pinnacle of characterization, an enthralling tale that lulls you in with the false hope of a happy ending, that maybe just maybe, all could turn out differently. But, alas, this is an origin tale of true evil and true evil cannot begin without a fall from grace!

Utterly breathtaking, Justin Jordan has truly surpassed everything he has done so far for the Shadowman mythos. This is the new high water mark for the series and I, for one, cannot wait to see what comes next!

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Comic Book News

Advanced Review: Harbinger Wars #2

Fans were blown away with, not only the all out action of the first issue of this crossover, but with the overall ease with which the casual reader can immerse themselves into the storyline. In a market plagued with mediocre crossovers that strive more on gaining your hard earned cash instead of delivering a quality product, Valiant stands as the shinning example of how to please it’s fans! If you were enthralled with the first issue, the second in the series will utterly take your breath away!

Written by Joshua Dysart, with story conceptualization done by both Dysart and Duane Swierczynski, Harbinger Wars #2 is a tidal wave of all-out action that is stunning on all aspects. The reader is given the chance to delve deeper into the seediness of Project Rising Spirit and witness the re-birth of another long forgotten Valiant concept bound to thrill readers all over again! Though I won’t spoil any part of this outstanding tale, I will say that you will see some horrific deeds take place and the true heart of Toyo Harada will forever darken the corners of the Valiant Universe!

Masterfully crafted by Joshua Dysart and crew, Harbinger Wars is bound to become one of the most comprehensive, overtly exciting and reader friendly crossovers ever written. It is steeped in emotional duress, shockingly horrific circumstances and riddled with action sequences that will blow your mind! It is the blueprint as to what ALL crossovers should be like no matter what company employees you!

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Comic Book News

Valiant and Image Present: Dollar Days!

That’s right, folks! Just as the dog days of summer begin to creep upon us, Valiant and Image Comics present one cool deal to help beat the heat and not your wallet! 

To help kick off Free Comic Book Day, May 4th, Valiant and Image Comics have decided to re-release some of the most sought after first issues of the past twelve months — for only a dollar each! Eleven total issues will be re-released on May 1st, five Valiant issues and six Image ones, and you can have them all for a measly ELEVEN DOLLARS! In a market that usually sells comics for $3.99, this is the perfect opportunity for anyone to inquire about books that may have slipped past them the first time around and are now fetching a hefty price for first editions! Below is a list of all the books you SHOULD be reading!

To help celebrate their one year anniversary, Valiant is actually re-releasing every first issue of all their books. Written and drawn by some of the best comic creators in the business, Joshua Dysart, Justin Jordan and Fred Van Lente to name a few, you just can’t go wrong with any of these books. I highly recommend them all, but be quick to grab as many Harbinger and Bloodshot copies as you can due to the extremely popular Harbinger Wars crossover! 

Valiant One Dollar Editions: Archer & Armstrong #1, Harbinger #1, Bloodshot #1, Shadowman #1 and X-O Manowar #1

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Although Image does this promotion every year, this group of books in particular, are some of the best series they have put out to date, including the all-ages adventure series Super Dinosaur written by The Walking Dead creator – Robert Kirkman! Be sure to grab extra copies of Mind the Gap and the insane version of Peter Pan everyone loves — Peter Panzerfaust, too!

Image Firsts: Bedlam #1, Great Pacific #1, Mind the Gap #1, Morning Glories #1, Peter Panzerfaust #1 and Super Dinosaur #1

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With Free Comic Book Day just around the corner and a bevy of comic book movies hitting this summer, there is no better time to become a comic fan! So, get out there, grab eleven books and tell your local comic shop owner, “I’d buy that for a dollar!”

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Movie News Reviews

Da Vinci’s Demons Review: Episode 3 “The Prisoner”

Da Vinci = Bill Maher

A Show Review of Da Vinci’s Demons Episode 3: “The Prisoner”

By: Lawrence Napoli

 

Bang! Just as I made an observation concerning the formulaic structure to this show’s episodes, director David S. Goyer goes and throws me a curve ball. Get out of my head, man! Unfortunately, the first couple of minutes of this third episode are no less cryptic, chaotic and curious by cutting to several characters in a sequential order that doesn’t make any sense unless you watch the rest of the episode. Perhaps the purpose of starting every episode in this manner is meant to reflect Da Vinci’s personal thought process which is an incomprehensible collision of ideas that would only make sense to fellow human dynamos. As it is, it’s still somewhat of a frustrating way to start an episode, and even if one were to put the confusing juxtaposition aside, the first moments feel like this entire episode is going to be rushing through some plot. Thankfully, this intro is only a momentary decent into madness.

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The story that is taking form by the end of this episode is certainly branching out to some very interesting places as well as featuring even more established characters and their respective subplots. In fact, Da Vinci takes a bit of a back seat to his supporting cast this time around which makes for more screen time for Giulino Medici (Tom Bateman), Count Riario (Blake Ritson), Clarice Orsini (Lara Pulver) and an as yet unidentified wild card who happens to be introduced in this appropriately titled episode: “The Prisoner.” All that can be said about this new character is that he comes from an older world of wisdom – the very same kind which Da Vinci seeks in his quest for ‘The Book of Leaves,’ and it certainly appears as though “Mr. X” and This third episode unloaded hefty amounts of plot twists and developments that I simply was not expecting: Lorzeno vs. his brother, Lorezno’s wife vs. his mistress, the Pope vs. his enforcer, the enforcer vs. the prisoner and science vs. religion. That last, thematic, conflict is the heart of this particular episode as what appears to be a series of hideous demonic possessions has become quite alarming to the people of Florence so much so that even Da Vinci must take notice and investigate. All right, so maybe Da Vinci isn’t exactly Bill Maher as he isn’t completely dismissive of the devil, but he is still looking at the overall picture as well as the acute details to find nothing but suspicious timing to all of the events he observes.

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I really enjoy the dichotomy this series is delving into between the world of faith, mysticism and religion against the world of fact, reason and science. What’s interesting to think about is that those who are authorities in either world don’t exactly find that much separation between them in how they maintain and utilize their power and influence over others. They also seem to be the kind of people who are so far removed from the trials and tribulations of normal people (i.e. the SUPER rich). This is why Da Vinci presents such a compelling protagonist. At this point in his life, he is only now being recognized for his talents, yet he is still a no-name and is treated as such by those threatened by his abilities (those in power). He is certainly a champion of the people, but this episode is also clear that his own personal demon known only as obsession can get the better of him at times and it remains to be seen if this fatal weakness will be revisited in next week’s episode: “The Magician.”

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Comic Book News

The “DOC’s” Top Of The Pile for 4/24/2013

 

The Top of the Pile

By: Chris “DOC” Bushley

 

This is a “quick pick” look at the Top 5 comics that EVERYONE should be reading this week! Whether it’s rife with astounding visuals, has top notch characterization, is filled with emotional strife, has a bevy of high octane battle sequences or is just a plain ol’ great read — these books belong at the “Top Of The Pile!” (In no particular order!)

 

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1. Uncanny Avengers #7 (Marvel): Rick Remender has crafted a series that has fans debating, completely awestruck and overtly excited! This week he melds a storyline from Jason Aaron’s amazing Thor: God of Thunder into his own tale and the payoffs are incredible! Tensions flare between our “mutant” and “non-mutant” heroes but that isn’t the main draw of this book. If you are a cosmic fan, this issue will give you something you have never seen before! What could make a Celestial ever feel sadness? You have to read it to believe it!

 

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2. Jupiter’s Legacy #1 (Image): Frank Quitely brings his artistic talents to Image Comics to render a book that will become an instant classic! Written by fan favorite Mark Millar, Jupiter’s Legacy, is an up close and personal look at the lives of the children of the world’s greatest super heroes. But, how can they truly become their own heroes when they will always be in the shadows of their astounding parents? For that matter, why would they want to spend their days slugging it out with world conquering villains when they can just relax and let the “old folks” save the day! A very poignant look at the perils of youth, blind obedience and the failing economic climate of the modern world. Fantastic stuff form a fantastic team!

 

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3. Joe Hill’s Terrifyingly Tragic Treasury Edition (IDW): This over-sized extravaganza of horror laced tales by Stephen King’s son, is just the thing to keep you up at night. This $10 book may seem like a steep price tag for reprints of four previously released tales but, believe me, it is well worth it! Inside you will find the “Kodiak” one shot, that will have you never wanting to go in the woods again, the Eisner Award winning tale “The Cape” about a man that chooses to use his power of flight to right a wrong, the Locke and Key short “Open the Moon” and the final off-beat tale of Seth Fisher in “Freddie Wertham Goes to Hell.” Creepy and thought-provoking stuff that will whet your appetite for the release of Joe Hill’s new novel, NOS4A2, about a child abductor that comes out April 30th!

 

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4. B.P.R.D.: Vampire #2 (Dark Horse): Thematically reminiscent of Herman Melville’s classic Moby-Dick, this tale of longing and revenge is turning out to be an instant classic in and of itself! Beautifully horrific art by brothers Fabio Moon and Gabriel Ba helps to solidify Mike Mignola’s tale as a pure masterpiece of cryptic wonderment. Haunted characters, vampire cults and plenty of witchcraft will make you second guess those shadows looming in the corners!

 

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5. Avengers Arena #8 (Marvel): Let’s begin with talking about an ending, shall we? Why would we start at the end you might ask? Because that’s what EVERYONE will be talking about after today! Some fans will cheer, some fans will protest but all fans will get involved with the discussion about the end! Especially, since some endings are actually new beginnings — cryptic enough for ya? Dennis Hopeless has created an outstanding series that is character driven, shocking and enthralling. Plus, there still is that ending that hangs over our heads!

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Movie News Reviews

Review of Da Vinci’s Demons Episode 2: The Serpent

Da Vinci = Sherlock Holmes

By: Lawrence Napoli

 

The tale of how Leonardo Da Vinci fits (supposedly) into the political climate of Renaissance Italy and perhaps a greater global web of conspiracy and control continues with “The Serpent.”  In this second episode, I already see a structural pattern that may be developing for the remainder of this initial season in that substance induced visions set Leo on the path for which his exploits will follow.  The mystery and cryptic nature of Leonardo’s visions dangerously tip toe along the line that separates intrigue and absurdity.  This really puts an unnecessary burden on the viewer to really want to see the episode through to the very end before he or she has decided to make that kind of commitment on a Friday night filled with channel surfing.  Perhaps creator David S. Goyer’s desire to designate substance abuse during this time period as common as drinking wine ought to be shelved in favor of a slightly more traditional hook to begin episodes.  The story of Da Vinci’s Demons is certainly layered with more than enough juicy plot to keep viewers coming back for more that it shouldn’t give them excuses to turn away from the very start.

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Stay with me.  The investigation is just getting started.

As for the plot, Leonardo’s pursuit of a once thought, mythological source of knowledge known only as ‘The Book of Leaves’ continues via baby steps in this episode that certainly comes off as an investigation worthy of Sherlock Holmes.  Da Vinci continues to use his photographic powers of observation and deduction to connect the events that unfold before him in the city-state of Florence to clues that are vital to his fated path of enlightenment.  What makes this episode work a tad better than the first is that other characters are given more opportunities to develop independent of Da Vinci’s presence which not only makes each character rounder, but makes Leonardo’s interaction with them that more meaningful.  I also like how this episode reveals the maestro as more than a selfish artisan, but as a loyal patriot to his native Florence.  It’s an important development that finally establishes Da Vinci as a hero and not simply smarter than everyone else.  Overall, the plot’s progression continues to intrigue as it leaves the viewer with a new destination in mind for our hero which may lead him to entirely new shores.

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It looks like I will be Da Vinci’s nemesis.

It seems as though the budget allotted to each episode via Starz precludes the possibility of having episodes strictly devoted to action and set pieces that require the use of prolonged special/visual effects to get the idea across.  Where “The Hanged Man” episode used sparing visual effects for a couple of Da Vinci’s inventions and his “bullet-time vision, “The Serpent” uses effects for his inventions and a harrowing escape involving a rapid ascent via pulleys.  Yes, budget limitations can be used to a filmmaker’s advantage in that it forces one to rely on spectacle less and writing/performance more.  However, it can also lead to predictability, because if a very elaborate effect is used early in an episode, chances are the audience will not see another.  I understand that this is a very nitpicky criticism, but if the idea is to show Da Vinci’s works as awe-inspiring, then showing more visual effects is an inevitability that the budget may not have accounted for.

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Perhaps one of Da Vinci’s infernal devices at work?

The only other character I’m starting to be interested in beyond Da Vinci himself is Lucrezia Donati, played by Laura Haddock, and yes, my interest goes beyond the regular nudity her character engages in.  Being a secret agent for Rome (which isn’t portrayed in the kindest light), she is meant to infiltrate the ruling Medici family and report her findings.  However, her budding relationship with Da Vinci and her proximity to Lorenzo may have compromised her self-serving nature.  She appears to be showing genuine affection to Leonardo, but it may still be her ingratiating herself into his inner circle for nefarious ends.  Either way, Lucrezia is a woman to watch for her fate may be more closely tied to Da Vinci’s than any of us realize.

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Keep your eyes on the prize Leo; not the thighs.

I enjoyed this second episode, but I am disappointed at the fact that this first season is already 25% complete.  With only 6 episodes left, I feel the show may not have accomplished enough plot-wise to justify a second season which traditionally means a new direction, characters and stakes.  Unless, of course, the “second season” is simply “season one: volume 2,” which would make more sense if released within the same year; along the lines of what AMC does with The Walking Dead.  Too much downtime between volumes of the same season without some evolutionary leap in the storytelling process would lose viewers and ultimately kill the show.  Next Friday’s episode “The Prisoner” will reveal even more, but it remains to be seen how only 8 one hour-long episodes can effectively communicate the conflict between one man of singular intelligence and talent against a sea of corruption, control, greed and violence.

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Movie News Reviews

Movie Review: Oblivion (2013)

Obligatory Obliviousness

A Film Review of Oblivion

By: Lawrence Napoli

 

I appreciated this film as a slightly above average sci-fi adventure.  Initially, I was very excited to see this because I was under the impression that it wasn’t a comic book retrofit or an adaptation of any kind, but the title sequence somewhat dashed those hopes as Oblivion was co-written, produced and directed by Joseph Kosinski based on his (unpublished) graphic novel of the same name.  The movie trailer peaked my interest due to the sleek look of high technology being juxtaposed with nature, and when you add Tom Cruise to the equation (this being his 2nd sci-fi film role) Oblivion seemed like a fresh, new spin on sci-fi that audiences would drool over.  Then the reality of the film set in.  Again, I’m not suggesting that the ultimate execution of this film made the whole experience a wash, but it was a disappointment because the fact remains that it is about as original as your average “zombie apocalypse film.”  As a matter of fact, Oblivion = Independence Day’s general idea + Vanilla Sky’s spoon-fed exposition+ Minority Report’s set design+ Armageddon’s culmination + The Matrix’s mind games.  Wow, this must mean that Oblivion is the greatest movie ever made right?  Let’s just say this film falls well short of that particular designation.

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Just waiting around (for a truly inspired film).

The writing effort behind Oblivion is very inconsistent.  The outline of the story’s plot coupled with the main character’s expository narration lays out an intriguing set up for the first half of this film.  The idea of two solitary humans maintaining what’s left of planet Earth (for whatever reason) is made personal by the constant inflection of every line of dialogue/narration by Jack (Tom Cruise).  The scenario is basic, easy to identify with and the audience cares about Jack because he’s very unassuming; which is a bit of a stretch for an actor like Cruise who has a history of playing more intense characters.  Where the writing falters is in the plot details and regular dialogue amongst the rest of the cast.  At about the midpoint of this movie, the story takes a turn towards convolution and without properly established exposition and character development, the audience is less inclined to make the leaps of faith that this film demands.

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All work and no explosions make Jack a dull boy.

From that point on the plot gaps take over and become more and more pronounced with every passing minute.  Characters are suddenly making decisions and doing things that are completely out of sync.  People and places that seemed important suddenly aren’t (and vice-versa); which leads me to the rest of the dialogue.  Personal connections between Jack and the rest of the cast were meant to occur, but 50% of everything that is said is filled with brand new plot details that need some kind of explanation which dilutes the impact of the emotive words between anyone that’s meant to be significant to the main character.  Writers Joseph Kosinski, Karl Gadjusek and Michael Arndt must have had ideas for a much longer film (think Lord of the Rings), but time and budget restraints must have forced a hasty evolution of the story that is extremely awkward to witness.  I would point to those limitations before outright, literary incompetence because the first half of the film was very well established.  Tougher writing choices in the beginning to alter the plot directly would have yielded a more seamless, cinematic experience along with an ending that was equally surprising AND satisfying.

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Do you know where this story’s going?

Production designer Darren Gilford certainly used his experience with Tron: Legacy well with his efforts in Oblivion.  The elegant, yet simplistic living quarters belonging to Jack and Victoria are deliciously post-modern and tech savvy.  Jack’s jet/helicopter/hover hybrid vehicle is just as sleek and streamlined as his apartment and those aesthetic looks also translate to some practical combat applications.  I also enjoyed the “hominess” of Jack’s lakeside hideaway on the planet’s surface.  Though not as sophisticated, Jack’s earthly retreat has all the amenities, yet provides an interesting contrast to the sterile white, glass and metal elements of his decadent living quarters in the sky.  The look and feel of Oblivion screams high production value in every moment.  Those familiar with Tron: Legacy will notice several aesthetic set, prop and vehicular similarities (if not direct copies) with this film and while critics may frown at this filmmaker’s low-jacking of his own material (thank you Michael Bay), the design choices in Oblivion worked well in this fictional world.

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Home solutions inspired by The Jetsons

I would not qualify Oblivion as an “intense action film,” but it has two distinctly satisfying action sequences that put this film’s CG and special effects departments in the spotlight.  The first is an aerial chase sequence that involves a healthy amount shooting, explosions and maneuvers that seemed eerily similar to the Millennium Falcon’s escape from Hoth in The Empire Strikes Back.  The second is an extended ground assault where Jack’s acumen with small arms is put on display (p.s. there’s plenty of pyro at work here as well).  There is a very small element of hand-to-hand combat, but this isn’t a kung-fu flick.  All in all, the action is not what drives this film forward, but it helps a great deal in keeping the audience in the driver’s seat.

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Action, engaged.

Oblivion is not a film that boasts an ensemble of marquee performances.  Tom Cruise does what Tom Cruise does; which is to say he does his best to make a big budget, Hollywood film look as good as it can from his end.  He looks great, his physicality is in top form, but his chemistry with the rest of the cast is weak and despite diminished opportunities to develop said chemistry in scenes meant to do exactly that, he could have made a better effort.  He’s done so in the past.  Morgan Freeman is the other big name in this cast, but his impact is minimal as his character is basically a Macguffin for the entire film.  Six and a half minutes of total screen time seems beneath an actor of Freeman’s caliber, but then he probably isn’t approached with too many sci-fi roles nowadays.  How far has Melissa Leo fallen since her Academy Award role in The Fighter?  Her very small part in Olympus Has Fallen is followed up with a throw-away as Sally (someone who is only seen via video screen) in this film.  Love interests Victoria and Julia played by Andrea Riseborough and Olga Kurylenko respectively do the best they can at providing polar opposite alternatives for Jack (disciplined soldier vs. loving rebel).  Unfortunately, these women (along with the rest of the cast) don’t have the chance to really make their characters their own.  There’s simply not enough time when considering Tom Cruise must apparently be in every scene.

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Is this where we start acting?

Oblivion, like Avatar before it, is a sci-fi adventure that borrows heavily from many stories, films and fictional scenarios made popular in the past.  The main difference that separates the greatness of Avatar from the monotony of Oblivion is the dedication to character and placing the importance of character relations over the immensity of plot and exposition.  Good characters can cover up many shortcomings in a film production because they are the most direct connection between the moving image and the audience.  As likeable as Jack is, his archetype is as common as his name and with no other dynamic personalities to bounce off of; any perceived potential for his character dissipates.  This film is the first real sci-fi installment of 2013 which is entertaining, but not all that thought provoking (i.e. the essence of the Summer Blockbuster).  This film is worth seeing at some point, but don’t rush out to the theatres for it and certainly don’t even consider seeing it in IMAX or 3D.  Having said that let me explain to the reader what ultimately soured me on this film.

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Oh dear, Giuseppe’s about to get on his soap box.  

There is a scene that is essentially ripped from the rooftop scene in Vanilla Sky where an important potion of Oblivion’s mysterious plot is revealed, explained and resolved in a way that is patronizing to the characters and to the audience for having invested in the story thus far.  This moment instantly invalidated any positive interest I had and insulted me as a viewer for having to be lectured on a left-field, curveball of a plot twist when this movie should have showed me through well planned and executed action.  What highlights this eye-rolling low point is the fact that everything that is said in that instant, actually gets shown not moments later in the film at which point I threw up my arms in frustration.  The first half of Oblivion seemed like a movie that was going to go somewhere interesting, but it really takes you down an avenue of broken dreams that we’ve all seen and heard before in X number of cinematic adventures before it.

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Comic Book News

“Just What the DOC Ordered: Your Summer Movie Reading List!”

“The Book Is Always Better”

By: Chris “DOC” Bushley

 

 

Another comic book inspired season is upon us at your local theater and no fan is happier than I am! With intense blockbuster sequels, franchise dependent re-dos and some obscure independent debuts, it is a cornucopia of genres that is sure to make us believe, cheer and possibly question the reason they are being made in the first place! Comic fans and non-fans alike will be making their way to theaters in droves this summer, but where do these bigger than life movies come from? From the back issue bins of comic shops of course, and I’ll give you the rundown in order for you to catch up on some inexpensive summer reading before you drop $20 a ticket for 3D IMAX seats! Without further ado, Lights!,Camera!,Action!

 

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Let’s begin with a movie that has comic fans heated and Tom Cruise fans jumping on couches in delight! Oblivion! Opening on April 19th, Oblivion is another look at a post-apocalyptic world that portrays Tom Cruise as a human version of Disney/ Pixar’s Wall-E! While this is being advertised as coming from the 2012 graphic novel by indie publisher Radical Studios, written by the movies director Joseph Kosinski(Tron:Legacy), the graphic novel doesn’t actually exist! At the 2012 San Diego Comic Con, “concept art” pamphlets were handed out to fans to promote the alleged book, but it never came to fruition. As a matter of fact, it is questioned if a graphic novel was ever truly going to be in the works or if the “concept art” for it was only to help push Kosinski’s movie idea to the forefront! Looks like it worked! You can find the “concept art” books on eBay for varying prices but don’t get fooled into thinking you are acquiring anything more than beautiful visuals! But, if you are looking to get your hands on a Radical Studios graphic novel that will actually in a more productive manner that just conceptualizing, I suggest you get your hands on the Hercules:Thracian Wars TPB for around $15! You have plenty of time before the Rock lays the smack down next July to get as much reading done as you can!

 

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Next up is Iron Man 3, starring fan fave Robert Downey Jr. and releasing everywhere on May 3rd! By now everyone knows the tale of Tony Stark, even if we do want to forget Iron Man 2, but how much do non-comic fans know about this years two big baddies that will threaten our hero? To help ease you into the  rivalries between the Mandarin, Dr. Aldritch Killian and Tony here are a few “must reads” to get you ready for battle! To find the first appearance of the Mandarin you will have to grab yourself a copy of Tales of Suspense #50 from 1964. Now, you have two choices, you can go for the 8.5 CGC graded version that will set you back $1,245 or you can download a copy from Comixology for #1.99! Your choice! But, if you are like me and like to actually hold a book you are reading, you can acquire a copy the Revenge of the Mandarin hardcover published in 2012 for around $15. Between the covers you will find reprints of Iron Man #8-#14(1998), Fantastic Four #15(1998) and Iron Man/Captain America Annual ’98, and stories that revolve around Tony losing control of his armor, the Mandarin destroying things and War Machine coming to Tony’s aid. I also recommend Warren Ellis and Adi Granov’s stunning Iron Man: Extremis TPB(2007) that gives you issues #1-#4 of the series and also gives the first taste of the Extremis armor that will be featured in the film as well as the depth of Dr. Aldrith Killian cunning to destroy Tony at all costs. This one will set you back another $15 bucks but it’s well worth it!

 

 

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June 14th will be the day that makes or breaks DC and Warner Bros movie franchise! Not only does the Man of Steel have to save the world from battle hardened Kryptonians, he also holds the weight of building a cohesive “movie world” on his shoulders! What looks to be an amazing movie seems too far away for fans to wait. So, until we “believe a man can fly” again you can satisfy every super need with a single book. DK Publishing put out the Ultimate Guide to the Man of Steel in 2002 but has just updated the cover with a more modern picture that reflects Supes New 52 costume. For $20 you can get all the general knowledge you need about Clark Kent and his alter ego. If you are looking for something a little more in depth and see how a a hero goes from boy to “super” man, I recommend Geoff Loeb and Tim Sale’s Superman: For All Seasons. It is a coming of age book that will meld nicely with the more human side of Superman that seems so prevalent in the movie trailers. Also, for something more brutal, pick up Superman Vs Zod TPB(2013) for $12.99. This collection reprints Adventure Comics #283, Action Comics #473, #548-549, DC Comics Presents #97 and Action Comics Annual #10 and contains all the best battles of a pre New 52 DC Universe!

 

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July 19th gives the comic book industry some offbeat indie comics to check out on the big screen. Both are starring a bevy of big name actors and actresses but will that be enough to drive non-comic fans into the seats. It might not be enough to drive comic fans into the seats either! These “off-beat” movies are going to need as much help as they can to beat out the “Big Two” movies this summer, so let’s build their fanbase with a little reading! First up is RED 2. Now, RED 2 doesn’t really have a comic attached to it, and the first movie was so different from the original Homage Comics(an imprint of Wildstorm Productions now owned by DC) three issue action/suspense shooter, by Warren Ellis and Cully Hammer, that it really didn’t matter if you read it or not. So, instead of checking out the goofball comedy/action flick starring Bruce Willis, try the 2009 Red TPB for $15 instead! Then check out the 2010 prequel, written and drawn by Cully Hammer, Red:Eyes Only($4) which explains what horrific event took place to make Paul Moses retire from the CIA. in the first place!

 

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 Second up on this day is the “dead cop” buddy movie starring Ryan Reynolds and Jeff Bridges in a strange time travel, body jumping, demon killing western called R.I.P.D. This comic was an original four issue series that focused on a character named Nick Cruz who was killed and after 100 years of service in the R.I.P.D. was given the chance to find out who murdered him. R.I.P.D. Vol.2: City of the Damned is a four issue movie prequel series that focuses on Roy Pulsipher and his partner Nick Walker as they expel demons in the Wild West and find the true history of Roy Pulsipher’s past. Both are great reads and can be had for dirt cheap! R.I.P.D. Vol.1 (2nd edition) published by Dark Horse, will only set you back $12.99 while R.I.P.D. Vol.2: City of the Damned can be bought as a bundle on Dark Horse digital downloads for a mere $5.99 for all four issues! That’s WAY better than spending $20 for a migraine at the theater!

 

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The Wolverine, starring Hugh Jackman, cuts it’s way into theaters on July 26th and fans are anxiously awaiting anything to purge their minds of the horrendous Wolverine:Origin fiasco! Based on the classic Chris Claremont and Frank Miller’s Wolverine #1-4 solo series from 1982, this movie is getting fans “x-cited” again and July couldn’t come soon enough. There are hundreds of Wolverine stories out there but you only really need to acquaint yourself with a single storyline this time in order to fully immerse yourself in Logan’s Japanese adventure. Considered THE best Wolverine story, you can get your hands on a CGC 9.8 graded copy for around $250 or you can try and find yourself a first edition hardcover reprint of the four issue series for around $50. Me, I think I’ll stick with a newer edition that collects Claremont and Miller’s Wolverine #1-4 for a measly $14! As soon as I get my Barnes and Noble rewards coupon –it will be even cheaper!

 

 

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August heats up with the prequel to 300, 300: Rise of an Empire! Now, this one is going to be a little tricky! When Zack Snyder made the original 300 from Frank Miller’s outstanding graphic novel, he actually had a one stop shop in order to procure Miller’s artistic vision. This time around there isn’t one to get! Well, not really. See, there is no graphic novel for 300:Rise of an Empire, there isn’t even a solo comic series to get all the ideas from either. This time around, Frank Miller and Dark Horse comics released Miller’s prequel story, revolving around the egomaniacal Xerxes, in a series of comics. Beginning in (and helping to re-launch the series in 2011) Dark Horse Presents #1 and finishing in Dark Horse Presents #6, you can acquire the entire story that the movie will be based on. Now, that doesn’t seem too bad, especially since you can still find copies at your local comic shop. The bad part is when you see the price tag when you finish acquiring the story! You see, each issue of DHP comes in at a hefty 80 pages and will cost you around $8 each! That’s $48 for a single story! But, with no collected edition in sight, at least at this time, that’s the only route you have to read the original story. Me, I’ll just pay the $15 at the movies and sit in awe like I did with the first one! 

 

 

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Finally, on August 16th, Mark Millar unleashes his foul, brutal and awesomely good Kick-Ass series on the big screen again! Kick-Ass 2 will show us all how villains can make heroes even better than they were, when the Mother F*#*#! tears down Kick-Ass’ world! Vibrant, funny and extremely violent this sequel actually needed two different comic series to make a single movie! But don’t worry you can still acquire them both for under $50! First you will need to pick up the Kick-Ass 2:Balls to the Wall TPB(2012), in which everything in our hero’s world comes unraveled. A super hero team is formed but the streets aren’t what the need to look after, it’s the past that will kill them. This trade will cost around $15 and can be found at your local comic shop undoubted paired with this next trade. The Kick-Ass 2 Prelude:Hit-Girl hardcover was just released on March 6th and tells the tale between the first and second Kick-Ass series. It follows Mindy in her quest to lead a “normal” life and put the katanas down. It is a great read that shows how socially awkward such a badass character is in the “real” world. This hardcover will run you about $20 but it’s well worth the cover price! You don’t need to read them both in order to enjoy the story but who doesn’t want to know how Hit-Girl handles High School?

So, before you go and spend an ungodly amount of money at the movies, at least give yourself some background information on them before you do. Plus, it’s always more fun when you can enjoy the “Easter eggs” movie studios love to throw into their films. Or, if you don’t get to see them for any reason, at least you will have the knowledge that you have the best version sitting directly in front of you, waiting to be enjoyed whenever you want!

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Comic Book News

The “DOC’s” Top Of The Pile for 4/17/2013

 

The Top of the Pile

By: Chris “DOC” Bushley

 

This is a “quick pick” look at the Top 5 comics that EVERYONE should be reading this week! Whether it’s rife with astounding visuals, has top notch characterization, is filled with emotional strife, has a bevy of high octane battle sequences or is just a plain ol’ great read — these books belong at the “Top Of The Pile!” (In no particular order!)

 

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1. Fanboys Vs. Zombies #13 (BOOM! Studios): Don’t have enough space faring heroes in your life? Who can’t live without a little more zombie action? Well, BOOM! Studios solves all of your nagging problems this week as Fanboys Vs. Zombies takes a treck to “where no one can hear you scream!” That’s right, it’s the “all space” issue as three of our heroes get locked in an escape pod with a zombie and are jetisoned to “where no man has gone before!” A fun book laced with enough “geekisms” that no one will be disappointed!

 

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2. Daredevil: End of Days #7 (Marvel): Bendis may have lost the battle with acquiring fans to his lackluster Guardians of the Galaxy book, but he is writing a fan favorite with this future tale of Daredevil. Is Matt Murdock really dead? All signs point to yes, so who is the hero in the Daredevil costume? This is a fantastic read that follows Daily Bugle reporter Ben Urich on a case to find the truth while visiting almost every character in the Daredevil mythos! This is a real treat for any DD fan! 

 

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3. Bloodshot #10 (Valiant): Continuing through the Harbinger Wars arc, Bloodshot must now become more than just an elite weapon of mass destruction. He must become a protector to some of the most powerful and dangerous children ever born! This is a true character piece that evolves the Bloodshot character to new heights of greatness while allowing for all the standard mayhem and bloodshed too!

 

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4. The Black Beetle:No Way Out #3(of 4) (Dark Horse): Sometimes you need to turn the dial back and enjoy some classic pulp heroes in all their gritty glory! Well, you can’t go wrong with Francesco Francavilla’s creater owned Black Beetle series. Evocative in both prose and renderings, this is a series that is a true work of art on so many levels. So, grab a fedora and hit the streets with this amazing book!

 

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5. Justice League #19 (DC): Geoff Johns and Ivan Reis continue to shift the Justice League into new and exciting directions. As new recruits are courted for admidtance to the team, who stole information from the Justice League? Was it one of the recruits or could there be descention in the ranks of the core Leaguers? Tempers flare and the cover says the rest! The seeds of war have been sown and this will lead directly to the Trinity War crossover that begins in July!

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Comic Book News

Advanced Review: X-O Manowar #12

When Aric of Dacia was bonded with the Shanhara, the X-O armor, all he dreamed of was revenge against the Vine that destroyed his life. Seething from the atrocities against himself and his people, Aric vowed to wipe all remnants of the Vine’s touch from the Universe. But, what happens when his vengeance blinds him from everything else, especially since there is a secret that proves Aric may not be the last of his kind?

Continually proving that this book is more than the sum of it’s parts, Robert Venditti crafts a fantastic tale about a warrior that may lose himself in the red rage of vengeance, thus becoming the very thing he hates the most! X-O is a true warrior’s tale that focuses not only on all out action, but the journey of a man that has lost everything. With surprises, plot twists and the general evolution of the character, Venditti has transformed a sci-fi epic into an amazing opus for the ages!

The Planet Death storyline continues to astound readers as the scope of Aric’s rage changes in this issue. Could there actually be remnants of his fellow Visigoth alive even under the Vine’s oppressive thumb? Can Aric refrain from the ultimate slaughter of the Vine in order to learn from them, be worshipped by them and to eventually coexist with them? Or will he become something more horrific, more vicious than the Vine ever where all in the name of revenge?

For the answers to everything, get X-O Manowar #12 this week and prepare yourself for Revolution to unfold next month!

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Comic Book News

Advanced Review: Bloodshot #10

As the Harbinger Wars runs rampant through the Valiant Universe, one man must find himself in order to preserve the lives of the most powerful children in the world. Through massive amounts of blood, bullets and rendered flesh, this man will become more than just a killing machine, he will become — a father!

Duane Swierczynski (X,Punisher,Godzilla) is a master crime novelist and an extraordinaire when it comes to dark, bloody tales revolving around hatred and vengeance. In Bloodshot #10, you will receive more than your fair share of all those things but it is the further development of the Bloodshot character and his supporting cast that will truly grip you.

Though briefly touched upon in other issues, Bloodshot’s quest for his own humanity is what drives this book. When faced with protecting some of the most dangerous and powerful children ever born, this engineered weapon of mass destruction delves inward in order to dredge up every ounce of humanity in order to guide him. Though he is beaten, berated and almost mentally manipulated, he only focuses on the safety of the children. It is this surge of “fatherhood” that shatters his visage of a one dimensional character, creating instead a hero that fans will not only root for but clamor over!

With an amazing cover by fan favorite Mico Sauyan and beautifully vicious interiors by Barry Kitson, this book will become an instant “must have” for not only Valiant fans, but comic fans in general! Plus, the final page will be enough to drive fans ravenous until the next installment of Harbinger Wars hits the stands next week!

Be bold, be determined, be — Valiant!

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Movie News Reviews

Review: David Goyer’s: Da Vinci’s Demons Episode 1: The Hanged Man

Da Vinci = Tony Stark

A Show Review of Da Vinci’s Demons Episode 1: “The Hanged Man”

By: Lawrence Napoli

 

Who ever really knew the genius behind the Renaissance polymath?  A man of art, philosophy, creativity and ingenuity apparently had himself some inner demons with which he had to deal.  At least, that’s what creator David S. Goyer would have you believe for the premium television series debut of Da Vinci’s Demons only on Starz; a show about the mystery surrounding the man, the myth and the legend of Da Vinci as he finds his way in life during tumultuous times.

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Da Vinci, the dynamo.

This debut episode entitled The Hanged Man presents the setting of Florence, Italy during the middle of the Renaissance and the viewer is introduced to Leonardo in the prime of his youth.  His creativity is literally bursting from his mind and his eagerness to extract every thought is just as ambitious.  Despite the inspiration of the period, there are still social and political restraints that the man must contend with and it is in this specific regard where we learn of his first true demon, namely: how a genius such as he is to fit in with the rest of society. 

Tom Riley plays Da Vinci in a manner that directly channels Robert Downey Jr.’s Tony Stark in just about every way.  Perhaps this is the preferred method of portraying a human dynamo onscreen these days?  Riley shows off a decent amount of charisma with the rest of his cast, but his best moments are shared with the mysterious character known as “The Turk” played by Alexander Siddig whom you will all remember as Dr. Bashir from Deep Space Nine.  Riley’s energy matches his arrogance, but it appears that director David S. Goyer has steered Riley’s performance to reserved calm and focus whenever Leonardo engages in painting or drawing portraits; specifically those of beautiful women. 

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Dr. Bashir, I presume?

Oh yes fellow viewers, Da Vinci’s Demons won’t be appearing in high school classrooms anytime soon due to its R-rating for language and nudity and as this is more of a fictional elaboration of the man’s life, it won’t be appearing on the History Channel either.  I get a very distinct Assassin’s Creed sensation while watching this show as not only the set and costume design mirror those used in Assassin’s Creed II, Brotherhood and Revelations, but the concepts of conspiracy and shadow government is a thinly layered veil that obscures the events in which Da Vinci participates.  Being a man of singular talent, he values the freedom to pursue his own machinations above all else so it remains to be seen if the protagonist will be presented as a proponent of social freedom, of social control or simply a man out for himself.

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Da Vinci, the lover.

The only weakness of this debut episode is the fact that the show launches the viewer immediately into a plot rife with betrayal and conspiracy without being thorough about introducing Leonardo himself and what he’s all about.  Goyer is counting on people being somewhat familiar with Da Vinci’s history as he gradually introduces his own unique vision of the man over the course of the next seven episodes.  Honestly, I would have preferred a tad more time (perhaps even the entire episode) devoted to strictly establishing the character of Da Vinci.  The audience is shown a multitude of the man’s talents over a fraction of the screen time which feels like the show is rushing through Leonardo’s key traits and abilities.

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What drives Da Vinci to his multiple areas of expertise?

This show will not suffer from a lack of production value as the visual effects look great, but are used sparingly for wide establishing shots of various cities and provinces in addition to an impressive means of communicating Da Vinci’s photographic memory in the form of bullet time.  This show certainly looks the part of a well developed series, but I still have a question in regards to the cast of characters.  Although those of power certainly could be forms of opposition to Leonardo, no one appears to be worthy of being his intellectual foil.  Perhaps the series will be pitting intelligence against politics and money and that would indeed be a fresh take on what the concept of “true power” means in society and how it pertains to groups as well as individuals.  However, I get the impression that we may be in store for a singular adversary to Da Vinci which would be a tad formulaic and somewhat diminishing of the man’s well established brilliance.  I would equate this potential conflict to pitting Superman against Lex Luthor: there really isn’t a match there.  But, Superman versus world peace, world hunger, climate change, terrorism, etc; that would be very interesting because it pits an individual of infinite capacity against problematic ideas that are self replenishing. 

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Plenty of inventions are showcased in this show.

The Hanged Man was a good first episode, but I really need to see more of Leonardo’s character.  He easily comes off as superior to his peers in every category save for resources, but he needs to generate a tad more sympathy to be “heroic.”  I anticipate next week’s episode: The Serpent, to unravel a bit more of the shadowy plot, even more of his iconic inventions and dynamic applications of his natural talents.  But, I also want to see a better connection between the main character and the audience rather than glazing over the mundane details of his personal relations.

Head on over here for a preview to the next episode of Da Vinci’s Demons, “The Serpent.”

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Comic Book News

Review: The Walking Dead #109

It begins with a solemn look at death in the world of The Walking Dead and ends with what could be the catalyst for ensuring the deaths of many more. What happens between these solemn tent poles is an issue full of drama and characterization that separates it form so many other books.

Rick’s lies to his community begin to catch up with him, making the call to arms against Neegan a more difficult task than originally planned. It also helps set the stage for a threat that looms within the very confines of their home, one that may eventually see Rick in dire straits amongst friends. The build up of the ensuing battle against Neegan is what drives most of this particular book, but it is the “down time” of two extremely different characters that make the book truly resonate with the reader.

Maggie’s mourning of Glenn is a pitch perfect piece that shows that no matter how difficult and jarring life has become in a walker filled world, some things still anchor them to the world before. A burial, a tombstone and the ritual of grieving will never lose it’s meaning to those who hold them dear. In fact, the mere sight of of these things can make someone who has become numb with death realize just how important they are to keep their own humanity.

Secondly, there is a conversation held between Rick and Michonne that truly puts their entire world into perspective. Tired and weary, Michonne let’s her softer side prevail as she expresses her feelings about taking up arms again. It is a brief but compelling moment that makes us believe that beneath her hardened facade beats the heart of a woman that yearns for a moment of peace.

Kirkman’s pacing is top notch on this issue, giving the reader glimpses into possible future outcomes as well as making a well deserved look at the internal workings of key characters. It may not be flooded with walkers nor be riddled with flying bullets, but it is a well built story that paves the way for both of those things to come. So, enjoy the relaxation for the moment because the cringing ending guarantees that it will not last for long!

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Comic Book News

Advanced Review: Archer & Armstrong #9

With the deadliest amongst their ranks possessed by the Last Enemy of the Null, will anyone be left to save the earth?

An amalgam of riveting action, historical situations and all out hilarity, Fred Van Lente continually churns out some of the most interesting and engaging story lines on a monthly basis. From a certain “grassy knoll” to an equally dangerous present, Archer & Armstrong #9 culminates with a satisfying conclusion that will leave their world literally changed!

Completely mesmerizing on so many levels, Fred Van Lente and artist Emanuela Luppacchino, have created a book that mixes complex ideas with an underlining score of humor. This pairing of different aspects can come with disastrous results making a book seem too hokey and lose the reader, but Van Lente knows when to reign in the hilarity and amp up the intrigue enough to appease even the most fickle reader. 

Full of all out action and harboring an ending that will shock readers, Archer & Armstrong #9 has everything that a comic fan could ever want in a single issue! 

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Comic Book News

Advanced Review: Harbinger #11

The Harbinger Wars is upon us and fans have been raving! The smashing debut issue not only helped to knit more pieces of the Valiant Universe together, but it also posed an insurmountable amount of questions! Not to worry though, Joshua Dysart begins to let things unfold further in this weeks Harbinger #11 and things will never be the same again!

Mixing flashback sequences with current story lines, Dysart lets the reader peek at the history of Toyo Harada and Project Rising Securities, better known as Project Rising Spirit. We see their first real interaction together and it is a terse one to say the least! Within these sequences Dysart also let’s us see a more optimistic Toyo Harada as opposed with the opportunistic one we are more prone to. This insight creates a richer depth to the character, making the lines between hero and villain blur, leaving the reader with a moral conundrum on how to perceive his choices.

Not only does Dysart make us question our “villain”, he makes us question our heroes as well. While Peter Stancheck has been having visions of the Bleeding Monk, his Renegades have been contemplating their new found place in the world. Powerful, young and lawless, these “heroes” find themselves in a moral dilemma all their own. Do those that have been beaten down emotionally and physically now have a moral obligation to help others just because they now have the power to? Do they have the right to live above the law since they can simply choose to do so? Do they even have a choice in the matter or do their powers automatically oblige them to do what’s right? The questions posed by Dysart make these characters extremely “real” to the reader and that is what makes this book so brilliant month after month. These characters are all of us, just on a grander scale! They bicker and fight, they have fears and dream of amazing things, they are scared and powerful and they need each other even though they won’t admit it. They are as “real’ as super heroes will ever become, which in my eyes, is truly amazing!

Take the next step into the Harbinger Wars in Harbinger #11 and always remember to: Be smart, be diligent, be — Valiant!

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Movie News Reviews

BioShock Infinite Video Game Review

Stand Tall for the People of America!

“The Good” of BioShock Infinite

By: Lawrence Napoli

Story:

Story is one of this game’s strongest elements because it gives repetitive shooting renewed context in every chapter which motivates the player to plow ahead.  As the protagonist Booker DeWitt, the player navigates the fictional city of Columbia: a floating city in the clouds that is the result of unparalleled technology not present in the real world’s recollection of the American industrial revolution circa 1912.  An ex-Pinkerton (or thug that breaks up organized labor), Booker is no stranger to violence, but he is coerced to go to Columbia himself to extract a girl known as Elizabeth because his employers hold some sort of debt over Booker which he cannot repay on his own.  Upon arriving at Columbia, the player is introduced to what seems like nothing short of magic although it is explained to be the result of otherworldly or rather, other-timely technology.  As Booker infiltrates the city, he is forced to deal with a multitude of armed opposition, a brewing civil war and a mechanical menace known as Songbird with only his trigger finger and Elizabeth herself to aid his quest.  She is somehow at the center of the entire conflict, but the facts are shrouded in deceit and few native Columbians are forthcoming.  Capitalism, communism, civil rights, racism, inequality, and the good old fashioned military-industrial-complex is touched upon during Booker’s journey so get used to the sensation of heavy handed metaphors at work throughout this game.

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“Heavy”

Mechanics:

VigorsBioShock’s most notable mechanic in the form of pairing weapons with superpowers formerly referred to as “plasmids” have returned in the form of “vigors” in Infinite.  These powers function in almost the exact same capacity as established in previous games by giving the player a means of altering tactics to an ever evolving threat level based on differing numbers and abilities of the opposition.  Every vigor has an alternate deployment by holding the left bumper button which engages more powerful versions that usually take the form of traps which the player can lay on any surface.  Some of these powers give the player mastery over fire, water and lightning while others produce defensive or distraction effects that can be more valuable especially on higher difficulty levels where conserving health is mandatory.  Vigors can also be combined to have compound effects when used in tandem.  They are all very fun to use and upgradeable at the various automaton stations littered throughout Columbia.

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Thus I present the vigor known as “Shock Jockey”

EquipmentInfinite is the first BioShock game to utilize an equipment-based combat enhancer that is more in lines with contemporary action RPGs.  The player can assign different clothing to four parts of the body to give bonuses to a variety of in game activity which never hamper the player in any way.  The effects can work together to make new methods of play (like melee) viable in a shooter like this.  If he or she wants to completely ignore them, but on higher difficulties, resources are scarce and the player must look for every advantage possible.  This serves no aesthetic purpose as the FPS format prevents the player from actually seeing the character or any possible costume alterations.  Clothing is well hidden in Columbia so it behooves the player to search every corner and look around every corner to reap the rewards of enhanced prowess.

Infusions– There are three vital stats to track in BioShock Infinite: health, shields, and salts.  Health is self-explanatory.  Shields are an ever-regenerating barrier that the player actually doesn’t begin the game with, but can absorb a variety of incoming damage from projectiles or melee based assault.  Salts equate to a magic or mana meter and this determines the frequency the player can deploy vigors.  The player can find infusion bottles while exploring Columbia which can upgrade any one of these vital stats, but what makes them unique is that the player can choose to upgrade any category whenever a bottle is discovered.  For instance, there is no such thing as health-only infusions.  It is the reason why the bottles are seen as constantly morphing between the colors that represent their respective stat: red for health, yellow for shields and blue for salts. 

Guns– Weapons are easily the most unremarkable combat element to BioShock Infinite, but there’s no way to achieve victory without them.  Machine guns, pistols, shotguns, rocket launchers, sniper rifles and grenade launchers represent the arsenal at the player’s disposal which can each be upgraded in the same way as vigors.  Should the player find an affinity for particular weapons there’s no punishment for holding on to them for the duration.  Unlike vigors, the player can only retain two guns at any point so making wise decisions in regards to weapon range will pay dividends.  Keeping two heavy damage weapons might seem cool, but are slow and you might need a higher rate of fire to keep up with quicker enemies.  I suggest experimentation to discover which guns work best for you, but beware that ammo vendors may not be available at every location in Columbia, so scavenging guns you have neglected to upgrade may be necessary.

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Consider the enhanced range of the sniper rifle.

Elizabeth– Once you rescue her, Elizabeth becomes yet another gameplay mechanic that adds yet another dimension to the shooting action.  There are a couple of things that the player can control in regards to the girl.  One is that the player can control her ability to open up “tears” in space time that bring in a multitude of set pieces that didn’t exist in the regular environment.  For instance, Booker may be walking down an alley and is instantly accosted by enemy snipers.  Elizabeth can be ordered to open a tear that produces a brick wall to be used as cover for Booker.  Whatever gets “torn in” is predetermined by the area the player is actually in so you can’t magically summon a tank to roll over enemy opposition whenever you want.  You can, however, tear in friendly gun turrets, weapons, health boxes and ledges to vertically explore the landscape. 

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Looks like a “tear” in progress.

The player will also run into several locked doors in Columbia which only Elizabeth can bypass, provided the player has the right number of lock-picks to gain entry.  The amount of picks varies from door to door and safe to safe, but the reward is usually a bunch of cash, new equipments and infusion bottles, so unlocking everything is the order of the day.  The other element of Elizabeth that is useful, but the player cannot control is her emergency support throughout the game.  Occasionally, she will find money and toss it to Booker, but only when the player acknowledges her via pressing the correct button.  She will also toss the player ammo, health or salts in the middle of combat if he or she is running dangerously low, but she will not do this (no pun intended) infinitely.  The rule of thumb is that you better be done killing soon after she tosses you support because your lifeline is shrinking.

Money– The currency of Columbia is the Silver Eagle and collecting these will ensure the player is outfitted with upgraded weapons, abilities and ammunition.  Money is also fairly scarce on any difficulty so the player shouldn’t expect to upgrade every gun into its ultimate evolution.  Resource management is the key, so frugal choices will add to the player’s longevity.  Every upgrade for guns and vigors is very costly and if you do not have 100 Silver Eagles to pay when you die on the “1999” (survivor) mode, the game kicks you to the main menu as a form of “perma death.”  Spend your money wisely.  

Death– Booker DeWitt will die plenty of times during BioShock Infinite, regardless of difficulty level.  I like how the game doesn’t exactly punish you for perishing in that every death involves losing some cash and revitalizing you with only a fraction of health while restoring health to enemies you failed to put down.  Multiple deaths can become problematic during boss fights because they absorb a ton of damage and ammo is finite.  Multiple deaths can be a virtual death sentence over the long haul on a “1999” run.  At 100 Eagles a pop, death ain’t cheap and seeing how you scavenge no more than 10 per corpse (if they have any at all), replenishing money to pay for death becomes less realistic.  Consider reloading checkpoints if this becomes an issue.

Music:

Few soundtracks for games are worth purchasing as a separate entity, but let me tell you, it is worth every penny for BioShock Infinite.  The highlights include an exceedingly emotive performance by Courtney Draper (the voice of Elizabeth throughout the game) who sings an adaptation of Will the Circle Be Unbroken that takes on so many parallels when keeping the story of the game in mind.  Another example of emotional, yet metaphoric music is Nico Vega’s song Beast which has been earmarked as the unofficial/official theme song of Infinite seeing how clips of the song have been attached to just about every trailer and commercial you have seen promoting this game.  My favorite examples of shear, musical, genius happen to be the turn of the century covers of several 80s pop hits such as God Only Knows and Girls Just Want to Have Fun.  Several of these tracks occur during standard gameplay and are worth taking a brief time out from digital homicide, to listen to the music of Columbia as it helps to immerse you into the environment that much more.

Gameplay:

Gameplay is what makes a game fun and regardless of the mechanics a game affords the player, the functionality of said mechanics and the fluidity of their execution determines good gameplay from the bad.  Overall movement in BioShock Infinite is fairly satisfying.  You can run, jump strafe and aim with relative ease but with a control scheme that may be a tad foreign to veterans of military FPS games. 

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There’s plenty of shooting involved.

For instance, just about every shooter (regardless of perspective, developer or license) have all assigned the left bumper to allow the player to aim down the sights of whatever weapon they have equipped for more precision.  This cannot be done in any BioShock game thanks to the existence of the vigor mechanic which takes exclusive control over both left bumpers on either controller for XBOX 360 or PS3.  You can, however, switch to “iron sights” by depressing the right analog stick (at least for the PS3) which I didn’t find cumbersome, but shooter veterans might consider such a control scheme as a deal breaker.     

The one dynamic movement element new to this franchise is the use of the skyline system that bridges the various buildings, airships and freight throughout all of Columbia.  It also provides the player with a quicker means of transportation as well as an effective form of evasion during drawn out assaults.  With the simple press of one button, Booker can use his “skyhook” to ride the rails to jump in and out of firefights quickly while picking of the enemy from a distance.  The only drawback is that you cannot use vigors while riding the rails seeing how your other arm is busy at the moment.  Navigating the skylines is actually quite easy from increasing/decreasing throttle, reversing direction, leaping off to safe spots and using the very valuable “skyline strike” that usually leads to instant kills for non-armored adversaries. 

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Riding the rails.

Vigors may or may not be easy to use, depending on the player.  You see, there is no way to aim as precisely with these as with guns so there may be a little trial and error involved.  Trust me when I say that you can completely wiff at point blank range (thank you Shock Jockey).  Their functions are also fairly different amongst them and although they all have a quick ability with a tap of the left bumper, every vigor unleashes greater power by holding the left bumper and then releasing.  Unfortunately, this leaves the player vulnerable should he or she forget that they can still shoot their weapon while charging their vigor. 

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The “Murder of Crows” vigor looks cool, but how useful is it really?

 

 

PART 2

Stand Tall for the Beast of America!

“The Bad” of BioShock Infinite

By: Lawrence Napoli

BioShock Infinite is not a perfect game.  It has its glitches and it has its character flaws, but believe me when I tell you that this really took some nitpicking on my part to highlight what was “wrong” with this game: 

1) Occasionally there will be objects in the environment that you can interact with or collect that are designated by an unmistakable shimmer.  Sometimes these objects cannot be collected despite crouching Booker right on top of it as if it weren’t there at all. 

2) I found that the upsurge in difficulty that occurs when dealing with a “Handyman” to be a bit unreasonable when compared to every other opposition in the game.  These guys absorb a TON of damage, are faster than you and can leap tall buildings in a single bound.  Of course, they also happen to attack you whenever skylines are present so don’t ignore them.

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I hate it when these guys show up!

3) The objective arrow is terrible!  Ugh, I hated using that thing because when I needed course alterations quickly, it either never engaged or the angle of my perspective was not low enough to the ground to actually see it.  If there was anything that the game series of Dead Space did well was their objective arrows.

4) There’s no ability to skip in game “dialogue” cut scenes.  Sometimes you just want to get to killing and although you may have completed the game once before, the game won’t deny you the opportunity to sit through the drama once again, whether you like it or not.

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I’m sorry sir.  Was this your rail?

5) No manually saving stinks and auto-saving to only one slot is worse.  Yes, I know the manual saves (at any point) during the previous BioShock games might have seemed like a broken option, but being irresponsible with it could lead to saves that resulted in instant deaths if they were poorly timed (like in the middle of a firefight).  Infinite’s solution to this problem substitutes a player-controlled safety net in favor of a glitchy AI safety net.

6) Replay value is low.  With the exception of upping the difficulty for those who may need baby steps when it comes to challenges, more than two runs isn’t particularly necessary.  For those who take their time exploring every inch of Columbia, perhaps only once is enough.  Trophy hunting is usually a solid motivator for multiple replays on games these days, but even average gamers will find that they will acquire most of Infinite’s achievements effortlessly.  Perhaps multiplayer would have helped this bad boy out?

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Is Elizabeth interesting enough to warrant another go?

7) Respawns are the bane of this game.  Sometimes revivals will get you right back in the action, not two steps from where you perished.  The only problem is that all the bad guys are still there and aiming at your defeated corpse which can lead to some frustrated profanity on the player’s part so consider reloading a checkpoint before wasting more time and Silver Eagles.  Respawning also has a significant glitch at the most inopportune point in the game: during the final moments of BioShock Infinite’s climactic battle.  This happened to me on my “1999” run as I eliminated the last enemy with an RPG only to be killed by a bullet of his own.  I revived, dropped through the floor, respawned and was frozen; unable to finish my objective (which amounted to taking 50 paces straight ahead) and ultimately finish the game.  I was ready to break many things and as of this article’s writing, there is still no patch for this problem.  Reloading the last checkpoint won’t work because it saves Booker’s “frozen” state as well.  If this happens to you, take a deep breath and reload the previous chapter point: yes, you’ll have to do it all over again, but it’s better than starting a brand new game from the very beginning. 

 

PART 3

To “1999” Mode and Beyond!

Survivor tips and the final word on BioShock Infinite

By: Lawrence Napoli

Although the tips that I will go over in this segment are meant for a “1999” run, they can easily be applied to any difficulty level.  With a little practice and comfort with the control scheme and timing/placement of vigors, anyone can conquer this beast.

1) If you pre-ordered this game, play all of the “Industrial Revolution” puzzle games at finkmanufacturing.com which gives the player some nice in-game bonuses.  Finishing all 59 of them may seem time consuming, but it gives the player a bit more context to the overall story as well as more free goodies towards the beginning of your adventure through Columbia. 

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More powerups make dealing with specialty enemies like this much easier.

2) Consider using only the carbine rifle and sniper rifle as your exclusive weapon load out.  Just about every weapon gets the job done, but no two does so more efficiently than these two.  It gives the player masterful medium and long distance range as well as being moderately common to find replacement ammunition amidst the ruination Booker leaves in his wake.  The sniper rifle is excellent with one hit (headshot) kills from range, so take advantage of cover because not every ambush will involve 20 angry Columbians charging right at you.  I completely understand switching to some other situational gun or anything else if you’re plain out of ammo, but upgrade-wise; stick with these guns.

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Pistol ammo is very common, but not particularly powerful.

3) Possession and the Devil’s Kiss vigors should be upgraded both times.  “1999” mode does mean enemies deal out more damage so conventional wisdom would dictate investing in more defensive minded or distracting powers.  WRONG!  In this case, a good defense is a great offense and instantly turning your assailants into allies levels out the playing field quickly while you duck for cover and regenerate shields.  Devil’s Kiss can deal massive damage (especially paired with the right equipment), but consider using traps as opposed to tosses.  The only other vigor you should spend 1 second thinking about is Charge.  Late game, this max upgraded vigor will make mincemeat out of the most difficult bosses and conserve minutes, bullets and money in the meanwhile.  Its only limitation is that it doesn’t have as much of an area of effect on mobs as Devil’s Kiss.

4) Infusion strategy: Salts FIRST, Shields SECOND, Health LAST!  Trust me on this one.  The first few chapters of the game are certainly tricky when your health meter is so low, but if you are using your powers more frequently (thanks to a greater salt meter), you are eliminating threats almost as quickly.  You shouldn’t even be thinking of absorbing ANY damage “1999” mode seeing how mishandling even one enemy can put you six feet under.  Later on, there will simply be too many bullets flying around to keep track of, but max your shields completely before putting a single infusion bottle into health because they regenerate.  Health does not.  

5) Use skyline to your advantage during all firefights.  Use the skyhook strike when possible.

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The skyhook is your friend.

6) Going for the “Scavenger Hunt” achievement isn’t as bad as it sounds.  You just can’t buy any ammo, health or lock picks from the “Dollar Bill” vendor, so if you are using your vigors wisely, this shouldn’t be much of a problem.  Remember to take your time exploring in between every fire fight and if need be, back track a bit to stock back up because the items you left behind will still be there.

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Avoid these during “scavenger hunt.”

7) If all that still doesn’t work (and you really like this game) consider buying the season pass.  Not only does this give you a discounted price for all the eventual DLC for this game, but it gives you a MASSIVE advantage during the standard game in ANY difficulty.  You are gifted with superior equipment immediately and you are gifted 5 infusion bottles to distribute as you see fit which brings you half way home to maxing out any stat you like in the first few minutes of the game. 

Conclusion:

Believe the hype, BioShock Infinite is a video game worth your time.  It’s got more than enough guns, action and bloody violence for FPS fanatics and it’s got enough story and drama for contextual enthusiasts.  As far as AAA titles go, this installment of BioShock is worthy of its pedigree as it is worthy of being considered for best Game of the Year before the summer has even begun.  And that’s the trick isn’t it?  Last year was supposed to be Mass Effect 3’s incredible culmination, but a pre-Spring release coupled with fan rage over the fumbled attempt at an ending saw this title go from favorite to fecal matter in months.  BioShock Infinite has one of the best endings I’ve seen in gaming so there’s no problem there, but people have short memories and there are some very heavy hitters coming this fall.  I’m convinced that a steady stream of DLC will keep this game relevant because it certainly has more than enough production value and overall quality to be compared to any.  So the only question remains if you’re willing to lay down for the Beast of America or stand up for the man next door?

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Would you kindly vote for BioShock Infinite for Game of the Year?  Otherwise, Songbird will be pissed!

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Comic Book News

Advanced Review: X #0 (Dark Horse)

Back in 1994, Dark Horse published the original X series, written by Steven Grant and drawn by fan-fave Doug Mahnke, and it instantly became one of my favorite books! Now, almost a decade later, it has returned with an even more powerful team behind it, becoming one of my favorites yet again!

Serialized from it’s three stories found originally in Dark Horse Presents #19-#21, this new take on the over the top vigilante is a blitzkrieg of action and mayhem that will excite any comic fan! Written by acclaimed crime novelist and comic book master Duane Swierczynski (Bloodshot, PunisherGodzilla), X #0 is a dark and brutal book that looks at the underbelly of crime and the sheer horror that will befall anyone that crosses X!

The tale is one of revenge, though the reader never truly knows the full extent as to why, and it’s quite simple. If you do bad things and receive a photo of yourself in the mail with an X marked across it — X will kill you. The premise is easy, the brutality and execution of the slayings is what’s hard. But, not for the artistic talents of Eric Ngyun! His unique visual perspectives makes each panel feel like a well rehearsed dance routine. He draws the eye to every miniscule detail of the page and then slowly pulls back to reveal the visceral carnage before you. It is dark, exquisite and overtly beautiful. Not to pull any punches, this book is intense and not for young readers!  

Swierczynski’s tale puts the reader “behind the scenes” and follows three ruthless thugs through the book, the pigs if you will, and we see first hand how nasty they can be. We also get to see their inner thoughts as to how they will deal with their “big bad wolf” when he comes a’ blowin‘. The book never reveals the thoughts of X nor his actions prior to his attacks, thus making the moment he appears that much more explosive. It is dynamic, vicious and expertly written — everything a “street level” book should be!

Pick up another great 90’s character brought back into the fold by Duane Swierczynski! If you want something intense and amazing, this is the book for you! Though, I have to warn you, you may become a vegetarian after reading it!  

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Comic Book News

Advanced Review: Sledgehammer 44 #2 (of 2)

With so much talk revolving around a certain movie that will have numerous suits of armor featured, I thought it imperative to focus on a different “iron” tale this week. One that features a single suit of armor, Hyperborean armor — the Iron Prometheus!

Mike Mignola and John Arcudi have created their own niche within the confines of tales regarding heroes donning suits of armor in order to save the day. Their tale may have similar overviews with Marvel’s blockbuster hero but that’s where the differences cease. Their tale, one rife with Nazis, gunplay and Mignola’s classic take on tales of the ethereal, transcends that of just a super hero tale. It is a story of true heroism and the internal anguish sometimes caused by it.

Rendered expertly by artist Jason Latour (Django Unchained, B.P.R.D. Hell On Earth: The Pickens County Horror), this issue follows a group of GIs that have just evaded certain death at the hands of the Nazi regime and are now trying to protect their immobile metal savior. As the action sequences berate you, it is easy to get caught up in the moment and believe that you are just reading another WWII battle book. Then, you remember Mike Mignola is a master word smith and the tale becomes something so much more than the sum of it’s parts. It becomes a sad, insightful look at what it takes to be a hero. It is not the suit nor the range of powers that can be derived from it, it is not the man that wields it but, it IS the heart and soul of that man that makes him a hero. It is also the sacrifice that is made in order to overcome fantastic odds for the betterment of the greater good that defines him. These are the aspects that will resonate with you as you complete this fantastic book about sacrifice and brotherhood. 

Mignola and Arcudi have created one of the finest new heroes within the pages of this book. It is a character that I hope to find many years from now, still donning the cover of his own book, in my local shop. This book is simply sublime!

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Comic Book News

Review: Shadowman #6

Justin Jordan and Patrick Zircher have worked tirelessly to create a fresh and exciting “new” Shadowman character that fans have been clamoring over. Now, with Shadowman #6, we get to actually see a true new character emerge from their collective conscience, one that has set his diabolical sights on our hero and won’t let up until death has been claimed for the victor!

The “dynamic duo” of the Valiant Universe, Jordan and Zircher, have been putting our hero through the emotional, if not physical, ringer as of late and this issue brings more of the same style of highly developed characterization to the table. Distraught and emotionally scarred by his actions, or inaction, to save a friend; Jack Boniface gets to do some soul searching throughout the issue. Although he is the title character and has some great developmental sequences, most of this particular tale revolves around the schemes of some rather nefarious characters and brings one of them to the forefront as a dire threat to Jack. We all know that a hero is only as good as his villains make him become, well, by the end of this tale Shadowman will be one the lips of comic fans everywhere! 

The only detraction I have with the issue is with the choice of so many artists. Each of their skill sets are phenomenal, rendering different aspects of the story to give each section its own individuality and scope but, at times it was a little distracting. You get accustomed to a certain flow while following the story the artist unfolds before you and with three different artists, it instead became jarring to transition between the story changes. 

Still, Shadowman is a rare gem of concentrated high level writing and artistry that never fails to excite and entrance each and every month! I am proud to say that I was a fan of the original series and now, with Jordan and Zircher breathing new life into the character — I’m an even bigger fan!

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Comic Book News

Review: Harbinger Wars #1

The spring’s biggest crossover has finally been released and Valiant does nothing more than completely blow you away!

The writers of the fantastic series of books, Harbinger and Bloodshot, have converged to bring you a tale of the past, present and future of the Valiant Universe. This is an in depth look at all the little secrets that have been kept from prying eyes for so long, the revelation of what Toyo Harada and Project Rising Spirit have been creating long before Peter Stancheck even knew he had powers! These revelations will lead to an uneasy alliance between Peter Stancheck’s Renegades and the assassin Bloodshot’s prepubescent gang of human weapons. Though the world of Valiant will soon become a scarier, more dangerous place, there will be a definitive winner in all the chaos — the readers!

Told as a part flashback part present story, Dysart and Swierczynski’s tale perfectly combines the current storylines of both the Harbinger and Bloodshot books while imbuing it with a completely new tale revolving around a captive group of psiots at the mercy of Project Rising Spirit. It is this fresh tale expertly rendered by fan favorite, Clayton Crain (X-Force), that is the most intriguing and carries the weight of the overall story. Through the eyes of these “new” characters, the reader can connect with the pain and degradation they endure and we can empathize with, not only them, but ALL the characters being hunted without even having to read the primary books to do so. It is this attention to not alienate the curious reader, whom may or may not know the outlining parts of this epic story, that makes it the perfect stepping stone for anyone while not disengaging from the loyal fans that wouldn’t want a “rehash” comic in their hands. A truly fantastic effort by some of the most talented creators in the industry!

It is easy to get enveloped into this magnificent world created by so many talented individuals, but I’m warning you, once you step into the Valiant Universe –you’ll never want to leave!

Review: Thanos Rising #1
Comic Book News Marvel

Thanos Rising #1 Review

I had high hopes for this one, but sadly the re-launch of Marvel Cosmic continues to under-whelm and disappoint.

That being said, origin stories are difficult and Jason Aaron has chosen a particularly difficult origin story – that of Thanos the Mad Titan – a character literally filled with contradictions. He seems to be trying to make the character more accessible to the typical non-cosmic-fan comic book reader – and like Loeb’s re-launch of Nova and Bendis’ re-launch of Guardians of the Galaxy – the story and character suffer due to that effort.

Thanos was born to Mentor and Sui-San – Eternals of Titan; Thanos carries the Deviant gene and his appearance is more akin to that of Deviants than that of Eternals. He has never exhibited the Deviant ability to shape-shift. As an adult, Thanos has historically been portrayed as a tactical, scientific, and mystical genius who has boosted his natural powers as an Eternal with bionic implants and sorcery. Thanos has historically been portrayed as having what can best be described as a “death fetish” – being literally in love with the Marvel “abstract character,” Death, and going to extraordinary lengths to please her by sacrificing enormous numbers of lives to her. However, Death has nearly always been a bitch – rejecting almost all of Thanos’ advances.

Why wouldn’t he just kill himself to be with Death you ask? Well – he has occasionally – and in my opinion best been portrayed as wanting to die but unable to die due to his Eternal heritage or, most recently as portrayed in The Thanos Imperative, being the chosen Avatar of Death. His driving force in this portrayal is inability to completely fulfill his death fetish by killing himself to physically be with death, so doing the next best thing and killing others to please Death in the hope that in pleasing her his love for her will eventually cease to be unrequited. If I don’t think about it too much, I can buy that as a motivation – and both Giffen and DnA wrote some fantastic Thanos stories with Thanos being portrayed as a “Magnificent Bastard” with just such underlying dark motivations.

In contrast, Aaron has chosen to portray Thanos as born to a rejecting mother who wants to kill him and is driven insane in being prevented from doing so, and to an absent and neglectful father. Thanos as a child is shown to be bookish, nerdy, and socially awkward. Refreshingly, he is not bullied by the other Eternal children – but is instead shown acceptance and kindness despite his appearance and social awkwardness. Thanos is initially kind to animals and becomes nauseated when dissecting one in school. Then, at the behest of a character that is just suddenly dropped into the story (and who is apparently Death), he is involved in a terrible accident where several of his friends – including the girl he has a crush on – die and are eaten by animals. Thanos survives and is wracked by survivor guilt which Death capitalizes upon, misdirects to rage, and then focuses on the unfortunate animals which ate Thanos’ friends. Thanos then cruelly knife-kills all the animals while Death stands in admiration of his cruelty.

Wow. I can see how this psychological pseudo-drama will appeal to the non-cosmic-fan who has little knowledge of Thanos other than his occasional tussle with The Avengers. As a cosmic fan, I’m a bit perturbed by all the inconsistencies with continuity – both with Thanos in particular and with the Titanian Eternals in general.

In Aaron’s interpretation, Thanos is basically a nerd turned into a typical sociopath by bad parenting and the direct manipulation of the abstract character, Death. At this point, Thanos is neither a compelling nor a sympathetic character. He’s just an enormous bore who is being manipulated. That makes it hard for me to see how he becomes a threat to the universe.

The art and coloring are certainly respectable, but lack the crispness and definition that are the only saving graces of Marvel’s other two “pseudo-cosmic” titles.

All-in-all, unless this title saves itself in upcoming issues, it stands as yet another example of the decline in Marvel Cosmic from its most recent height late in the last decade.

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