Zack Snyder News

Zack Snyder

Discover the creative vision of Zack Snyder, the filmmaker behind iconic movies like Man of Steel, Batman v Superman, and Justice League. Explore articles featuring his latest projects, behind-the-scenes insights, and interviews. From his bold storytelling in the DC Universe to hi Netflix projects and his unique directing style, this is your destination for everything related to Zack Snyder’s groundbreaking work in film.

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Movie News

Zack Snyder Confirms Extra Footage For Batman Vs. Superman IMAX Trailer

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Zack Snyder has taken to Twitter to confirm the Batman Vs. Superman trailer that will be shown tomorrow in IMAX theaters will contain extra footage in addition to lucky fans receiving some super swag.

It was previously stated the Batman Vs. Superman trailer would feature Zack Snyder both introducing and ending the trailer, with fans attending the IMAX event receiving an exclusive mini-poster and perhaps a digitial comic as well.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

Trailer:

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Movie News

Batman Vs. Superman Enhanced IMAX Trailer Rumored & More

Following the leaked Batman Vs. Superman trailer, we now have new rumors to go with it.

With Zack Snyder releasing the Batman Vs. Superman teaser (watch above), fans could go to the official website to sign up for tickets to view the full trailer at select IMAX locations.

It’s now being said that two different versions of the Batman Vs. Superman trailer will officially be released, with the IMAX screening being “enhanced” and the online version being the “non-enhanced” version.

It’s also said that those fans that get to see the Batman Vs. Superman trailer in IMAX will receive an exclusive Batman Vs. Superman print mini-one-sheet (i.e. a small poster) and also a digital asset sent via e-mail (maybe a digital comic book).

Indie Revolver is stating that a source has given them what looks to be a publicity schedule surrounding the release of the trailer.

It’s said the enhanced IMAX Batman Vs. Superman trailer will be a bit longer and feature Zack Snyder addressing the fans before and after the trailer. While the IMAX trailer will be screened Monday, it’s said the non-enhanced Batman Vs. Superman trailer won’t be released online until Tuesday at 9am.

It’s possible the leaked full trailer may be the enhanced version (minus Snyder’s bookends) as it runs about 2:18 and apparently originated from a Brazilian movie theater.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Batman Vs. Superman Trailer: An Intense Breakdown Image By Image

WB and Zack Snyder recently released the Batman Vs. Superman trailer.

Below you can check out some thoughts and speculations on the various scenes.

Overall, I felt the trailer did it’s job by giving us a first look at the Ben Affleck Batman and setting up why Batman fights Superman.

The trailer has been getting mixed reviews online by fans. Personally, I felt it was a bit dark, and I am desperately hoping by the end of the movie that Superman gets looked at as an inspiration and a hero. 

Our movie reviewer, Lawerence Napoli, felt the trailer was trying to be dark and “edgy” similar to Man of Steel, but that it “lacked those certain moments of inspiration and light.” Lawrence didn’t like how “Batfleck, Batman and ‘darkness all over’ highjacked the franchise, and just like that, the whole planet hates Superman.” Lawrence also thinks the trailer means Snyder might be “pulling a Watchmen” again.

Our comic book reviewer, Chris “The Doc” Bushley, felt it was “way too f’n dark!” Chris said Superman needs to offset Batman’s darkness, and that “it looks like they just made an Injustice movie!”

Now on to the breakdown…

 

The trailer opens up with darkness and asks: “Is it really surprising that the most powerful man in the world should be a figure of controversy…” 

Obviously this is a reference to Man of Steel as well as setting up the rest of the trailer (and guessing the movie). On one hand, Superman saved everyone, but on the other, is he to blame? After all, if there was no Superman, there would have been no Zod. In addition, obviously the most powerful man would be the most controversial as everyone will have an opinion as to what he should be and do. Should he be a dictator and tyrant that tells people what they should do? Or should he lead by example? Should he lead at all?

 

The first scene of the movie is of Metropolis and the Superman statue, possibly at the Zod battle scene (similar to World Trade Center site). If you recall, a set image landed online revealing part of the statue – meaning it’s real – and now we know that Snyder used practical effects for the movie.

What this tells us is that following Man of Steel, the city (or whomever) thanked Superman for saving the city and the world, so they erected a Superman statue.

The scene also has the following dialogue: “We as a population on this planet have been looking for a savior” (with “savior” giving an echo sound effect). Again, the question rises: Should Superman be our savior? And in exactly what way? Is he here to take care of every one of us? You could argue this has similar political arguments with those who feel the government(s) should be the savior of the people. The narration concludes leading to this image of Henry Cavill as Superman:

 

Correct me if I’m wrong, but I think this is Superman at a parade for the Mexican Day of the Dead. I think that is what the black and white make-up represents (and not The Purge 2, lol). So we can guess Superman does something super in Mexico, with the people rushing to him. The imagery (at least to me) is also similar from Man of Steel when Superman had the Zod vision of himself in the black suit and all the skulls – obviously signifying death (and from the narrated lead-in above, possibly meaning “Superman our savior will lead to death”).

Next we hear various quotes, with the first being from American astrophysicist Neil deGrasse Tyson: “We are talking about a being whose various existence challenges our own sense of priority in the universe.”

When Tyson states “being,” there is another voice over. I can’t quite make it out, but at least to me it sounds like “Damien.” I’m not sure what that means other than an Omen reference, or “demon,” or Batman’s son, Damien (again, no clue).  Update: It’s “Alien.”

Following Tyson stating “existence” a woman’s voice states: “They are not telling us the truth.”

Following Tyson stating “priority,” it sounds as if voices are stating: “This is our place planet.”

Tyson stating “universe” leads into the following:

 

We see that the image (Superman saving a Soviet rocket) challenges humanity’s place in the universe as it’s shows an alien doing something humans can’t do. This is sort of waking humanity up to the fact they aren’t the center of the universe. This could be representative of humanity once mistakenly believing the Earth was the center of the universe. It’s the sun that is the center of our Solar System – or Superman, the Last Son, is the center of the universe.

Update: The rocket also has “300” referencing the movie.

A man’s voice then states: “Human beings have a horrible track record of following people with great power.”

A female voice says “tragedy” directy after “record of.”

A second female voice states “power corrupts” as soon as the man stated “power.”

This can obviously be read as: following people with great power causes tragedy.

The female voice then states “And absolute power corrupts absolutely” (update: possibly voiced by Holly Hunter) with a second female voice interjecting “terror” and “chaos.”

Which leads to:

 

Now there is a lot going on in this image. For one, it shows soldiers bowing before Superman. Notice the Superman shield patches on their arms? They are a part of “Superman’s army.” As I stated in a previous article, I am guessing they are an independent faction who worship Superman or view him as their savior (which references the above: “We as a population on this planet have been looking for a savior.”) They also appear to be wearing black masks to conceal their identity and black clothes. I’m guessing Superman is here to whoop their ass for doing some bad stuff in his name. They see the Man of Steel come down in their bunker and immediately bow before Superman (referencing Zod’s own demand “bow before Zod“). I’m also guessing this is Snyder taking a dig toward the Christian conservative right groups, i.e. they are “militant” and “domestic terrorists.” The image also has a heavy Nazi feeling with the helmets. Perhaps the bigger question: Who is the leader of Superman’s Army? Another interesting aspect of the image is that it’s similar to the Injustice Gods Among Us video game.

Check it out:

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The scene ends and goes dark with: “Maybe he is just a guy trying to do the right thing.”

Next, a closer look at the Superman statue is shown with the following said, which looks to be said by Jesse Eisenberg’s Lex Luthor: “We know better now, don’t we?” Again, this is a reference to the above image being representative of Superman as a dictator (leader of the Nazis, Hitler, or whatever dictator) as “we know better now” because we already lived it (those who forget history are condemned to repeat it.)

The same voices that stated above, “This is our planet,” now can be heard stating, “He’s out of control.” This is the anti-Superman crowd (set pics revealed people picketing against Superman) declaring, “This is our planet. [Superman] is out of control [something must be done].”

Lex Luthor continues with, “Devils don’t come from hell beneath us. They come from the sky.”

Between Luthor’s two statements, what sounds like an elderly man saying, “A brother warrior,” can be heard. More than likely, this is some sort of “priest” that is part of Superman’s army. Superman is their “brother warrior” in their fight against – whatever they feel Superman and themselves are fighting against.

Following Luthor stating “[Devils] come from the sky” the following image appears:

 

Superman is the devil from the sky. He is the false savior, the false god (at least Luthor is trying to convince people that). 

Another voice says: “The world has been so caught up in what he can do” – and then a closer look at the Superman statue is shown – with it questioned, “That no one has asked what he should do.”

This is more repetition of the savior theme: Should Superman be our savior and tell us what to do? Or for that matter: Should we be telling Superman what to do (referencing the end Man of Steel scene with General Swanwick where Superman tells him they will never control him).

The anti-Superman voices then chant,”Go home! Go home. Go home!” –  which means Superman (you alien) go home back to Krypton; with the following then shown:

 

And this is the end of the first half of the trailer, which introduced us to Superman being looked at as the bad guy (though we did apparently get two images of Superman “saving the day” in Russia and Mexico). 

Now it’s the Batman half of the trailer, which is kicked off by Jeremy Irons voice speaking as Alfred.

“That’s how it starts,” Alfred says, right before the above image goes black. 

 

We get our first look at Ben Affleck as Bruce Wayne. Now this is it, our first impressions are made from this image and what comes next. 

Alfred continues, “The fever. The rage.”

The camera zooms in on Bruce – “The feeling of powerlessness,” Alfred says.

Bruce is looking at the Batman costume:

 

Bruce Wayne felt powerless when he couldn’t stop his parents’ death. Batman gives him power (interesting: now that there is a super man, does that make Wayne again feel powerless?).

“That turns good men cruel,” Alfred concludes.

Alfred full words: “That’s how it starts. The fever. The rage. The feeling of powerlessness. That turns good men cruel.”

Now is this just a reference to Bruce Wayne? It probably can be looked at as a reference to how humanity is feeling as well, and especially Lex Luthor

The trailer then cuts away to the Superman shield “in 2016” image:

 

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We then go into the following:

I believe this might be Wayne Manor. Set pics revealed that Bruce Wayne has been staying at a cabin or house by a lake. If it’s Wayne Manor, obviously it’s been vacated for a while as we see graffiti all over the place. Easter Eggs include the Riddler question mark, and maybe “Joe” is a reference to the Joker (Joe being an alias of the Joker in the comics).

Update: There is a Wonder Woman Easter Egg as well with “Aphrodite” (under the Riddler question mark) as Aphrodite was the creator of the Amazons and Wonder Woman. It’s also possible the above scene takes place at an abandoned subway station.

 

Next the following is shown:

I believe what is happening is that the flying object is a drone and not the Batwing. It’s a drone attacking some sort of warehouse on Gotham River. Of course, it could very well be the Batwing, and I’m wrong.

We then see the Batmobile for the first time:

 

The trailer makes it look as if the drone (or whatever) is firing on the Batmobile (maybe they did this intentionally to make us question whether it’s the Batwing above).

 

More of the Superman logo is shown leading to our first look at Ben Affleck as Batman:

It’s not a crystal clear image of Affleck as Batman, but Batman appears to “rising” from the “terror” and “chaos” (recall the above).

 

More Superman logo imagery is then shown taking us to:

Batman on top of the world.

We saw the earlier image of Superman in the sky, and now we see Batman in the sky. This represents the two being rivals and probably also that Gotham is Bruce Wayne’s city.

Remember what Luthor said? 

“Devils don’t come from hell beneath us. They come from the sky.”

Not only is Superman a devil, but Batman is another devil.

This represents, eventually, Lex Luthor against all the superheroes and the “dawn of justice” (the Justice League are devils, too).

We also see that Batman is holding a rifle, another nod to Miller’s The Dark Knight Returns, in which Batman uses a rifle to fire a grappling hook from one building to another.

 

We then see the Batman suit that Bruce uses to battle Superman.

It’s a rather interesting look. Not only is it borrowed from Frank Miller’s The Dark Knight Returns, but what is it telling us? More than likely, Batman is using some sort of night vision. Or is it possible that Batman knows Superman may be able to see different light spectrums – perhaps this is some sort of device that will cloak Batman or interfere with Superman’s vision? We see Batman is heavily armored. Is it made of some special material? Is it armor from the Kryptonians? Batman also appears to be wearing a cape (or maybe some sort of parachute device). Questions: Does Batman even know the extent of Superman’s powers? This appears to be their first meeting – is Batman even wearing this suit because of Superman or is this a chance encounter? Did Batman don the suit and purposely try to find Superman (perhaps creating some false emergency to lure him)?

Another question: Is this even a new suit for Batman? It appears already to be battle-damaged (this is a veteran Batman), and this appears to be first Batman/Superman encounter. This might just be Batman’s “heavy hitter” suit that he uses to take on the big bad villains (i.e. Killer Croc and such).

 

Batman is looking up in the air at a hovering Superman:

Recalling Luthor: “Devils don’t come from hell beneath us. They come from the sky.”

 

“Tell me,” Batman demands of Superman, leading to the following:

Look how small Batman looks. Look how small the human looks from the super man’s perspective.

“Do you bleed?” Batman asks.

Bruce Wayne’s voice is scrambled through a voice modulator (Arrow did it first!). Does Batman know about Superman’s super hearing? Or does Bruce Wayne always use a voice-changer when he is Batman (and then we never have to hear “swear to me” again!).

Bruce Wayne questioning, “Tell me. Do you bleed?” is an obvious reference to Superman being an alien as well as asking if he is a god (do gods bleed red?) and probably a reference to Shakespeare (“If you prick us, do we not bleed?”). 

 

Superman comes down to the ground.

Now this is another interesting image.

Here we see the back of Batman, with what appears to be the cape.

We see Superman has come down to Batman’s level – they are both no longer in the sky.

We see Superman has come down, yes, he is part of this world and humanity.

What do we also see?

It shows Superman kneeling before Batman. The trailer ends with Superman just about to get up, but not fully standing. I found it to be an interesting aspect as the other image showed the humans kneeling before Superman. Here at least, Superman, looks humble.

 

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The trailer then goes dark, and Batman says, “You will.”

So Batman says: “Tell me. Do you bleed red? You Will.”

Them be fighting words!

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“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie Trailers

Watch: Batman Vs. Superman Teaser Trailer

Thought to be released tomorrow, Zack Snyder has gone ahead and posted the teaser for the Batman Vs. Superman trailer.

In additon, Snyder’s tweets directs fans to the main Batman Vs. Superman website where they can sign up for IMAX screenings of the full Batman Vs. Superman trailer.

Watch the Batman Vs. Superman teaser below or in the above player.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Batman Vs. Superman Teaser Trailer Rumored For Thursday

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Update: The teaser is now online and can be watched below. You can find info on the IMAX locations for the full trailer here.

 

Earlier today saw Zack Snyder post and image of himself with a monstrous-sized IMAX camera.

Now it’s being said Snyder and Warner Bros. will be releasing a super-short teaser on Thursday, with the Batman Vs. Superman trailer arriving some time next week.

Latino’s Review El Mayimbe is the source of the info, which is said to be corroborated by other websites.

If true, the info contradicts a composer on the movie who stated the Batman Vs. Superman trailer is attached to the May 15th release of Mad Max; the composer, Junkie XL, has since deleted the tweets.

It’s rumored that Zack Snyder will be releasing five seconds of the Batman Vs. Superman footage at 9am on Thursday, which is an hour before the start of Disney’s Star Wars Celebration, where it’s also rumored the next Star Wars: The Force Awakens trailer will debut.

If the info is legit, the Batman Vs. Superman five-second teaser will also give details how to view the trailer in theaters the following Monday.

It’s also said the Batman Vs. Superman trailer will run in front of Avengers 2, which is out May 1st (and earlier in international locations).

Update: The British Board Of Film Classification, which is a web site that lists trailer info, has the Batman vs. Superman trailer listed with a run-time of 2 minutes 6 seconds.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Henry Cavill Reveals New Batman Vs. Superman Details

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Henry Cavill was a presenter at the Empire Awards recently where he recently offered up details about Batman Vs. Superman.

Two interesting details come from the discussion in that:

1) Cavill is asked when the last time he wore the Superman suit to which he replied when they filmed in New Mexico. It’s thought the New Mexico shoot, which took place near the end of filming, was for Wonder Woman’s home of Themyiscira. So it’s possible we’ll see Superman with the Amazons in some capacity.

2) Henry Cavill is also asked how badly he hurts Batman in the movie, with Cavill replying, “Unfortunately, I can’t say anything about that [laughs]. I wish I could. Believe me.” The interviewer then mentions “a firm hand shake,” with Cavill confirming: “There is  firm hand shake at some stage. Yes.”

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

David Ayer Teases Suicide Squad Reveal; Zack Snyder Producing

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Something Suicide Squad this way comes.

David Ayer has been tweeting Suicide Squad set images and teasing the fans with mention that the Jared Leto Joker is “majestic.”

Now the latest tweet from Ayer states “Something will happen. Tomorrow” along with the hashtag “#skwad.”

As Suicide Squad is set to begin filming in Toronto, it’s possible we may get a first look at the cast of Suicide Squad or at least members of the cast on Monday, March 2nd.

Ayer also answered questions on Twitter confirming Suicide Squad is set in the same universe as Batman Vs. Superman and announced Zack Snyder is onboard as executive producer.

“Suicide Squad” has an August 5, 2016 release date starring Will Smith as Deadshot, Jared Leto as the Joker, Margot Robbie as Harley Quinn, Cara Delevingne as Enchantress, Jai Courtney as Boomerang and Viola Davis is playing Amanda Waller.

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Movie News

Jason Momoa Talks Aquaman, Batman vs. Superman & Justice League

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Jason Momoa is set to play the King of the Seven Seas on the big screen come March 2016 in Batman Vs. Superman.

Momoa also stars in The Red Road TV series that airs on Sundance TV. While doing press for the series, Momoa talks about his DC slate and Aquaman.

Jason Momoa notes he didn’t shoot any action scenes for Batman Vs. Superman and looks forward to the Justice League movie for that; Momoa also says he doesn’t have a big role in Batman Vs. Superman as it’s their movie (via EW).

No, we haven’t done too much on the action yet. You know, Justice League is still quite a ways away. But I’m looking forward to it. Henry’s a sweetheart, Ben is a badass, so I’m really looking forward to when we all shoot Justice League.

Well, it’s Batman and Superman, it’s not my movie. It’s the first time in history to have them both on the screen together, and I’m just excited to see those two up there.  

Momoa also talks about the big Aquaman poster reveal that took everybody and the internet by storm.

That was a shocker for sure. It was supposed to be a surprise in 2016, so it definitely helps [our show]. I’ve been holding that secret for a long time. Zack Snyder called me up and said, “I’m posting this picture now.” He’s just a genius and I love him to death. He sent it over and we’re in the middle of the editing suite for the thing I’m doing right now, and we all freaked out, man. It was so amazing to see it come out.  

Momoa says Aquaman will be amazing with lots of surprises on the way.

The whole mythology of Aquaman is pretty amazing. There’s so many things to tell, and there’s a whole backstory that’s just amazing. There’s a lot of surprises coming. I think, yeah, he’s been cast aside. But, um [laughs] times are going to change now, buddy.

Batman Vs. Superman has a March 25, 2016 release; Justice League is due out in 2017, with Aquaman in 2018.

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Movie News

First Look At Jason Momoa As Aquaman

Check out our first look at Jason Momoa as Aquaman.

Batman vs. Superman director Zack Snyder shared the image on Twitter adding: “There is only one true King. #unitetheseven.”

Momoa posted the image to his Instagram account as well with: “E hui Ka Hiku! Unite the seven. It’s on kanaka maoli suppa hero. Aloha.aquaman BOOM. Mahalo zack.”

Jason Momoa will first be featured as Aquaman in Batman Vs. Superman and Justice League before getting his own solo Aquaman movie in 2018.

Related: 
Batman Vs. Superman trailer getting released next week?

Jason Momoa and Aquaman trending worldwde

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“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Batman Vs. Superman Zack Snyder Set Image

While we didn’t get a Batman Vs. Superman Super Bowl trailer, photographer Clay Enos has released an image of director Zack Snyder from the set.

“Seems like a long long time ago. I miss my carny gang,” Enos posted on Instagram.

“This is a shot that Clay Enos took of me on set I was looking through my pictures and saw it,” Snyder said.

While it’s thought the Batman Vs. Superman trailer may be released this month, DC has confirmed some kind of Batman Vs. Superman news for Februrary.

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“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Batman Vs. Superman Fights Described & More Details

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We learn details about the fights in Batman Vs. Superman from stuntman/choreographer Guillermo Grispo.

Grispo has worked as a fight coordinator on the likes of Zack Snyder’s Man of Steel, 300: Rise of an Empire and also on Kingsman: The Secret Service, Riddick and the Legend of Hercules.

While Christopher Nolan used a form of martial arts known as Keysi for his Batman Trilogy, Grispo is trained in more traditional forms of martial arts including Aikido and Ju-Jitsu, both of which stem from original Japanese martial arts. In addition, Grispo is knowledgeable with the Japanese sword, Russian Sambo, Filipino Boxing, fencing, knife handling and Kempo.

Grispo participated in an interview with the Argentinean website Los Andes. Below are some of the details (translated).

Grispo says Warner Bros. is very strict and he cannot say much, but there should be no surprise if he does say that Batman and Superman face off in the film. He says the fight is one of the most important sequences in the film, which he was actively involved in designing. The Batman Vs. Superman fight features a series of punches/fights and physical movements put together with his partner, Ryan Watson.

Grispo goes on to state that you would think Batman would have no chance, that Superman would crush Batman like a bug. He says, but when you see the movie it will makes sense, and there is a clever explanation behind the Batman Vs. Superman confrontation that at first seems completely disadvantageous for Batman.

Grispo says Batman will fight the way that he has always dreamed to see him fight. Batman is a character so prepared in martial arts that he can do many things, but it’s not usually taken advantage of. Grispo then goes on to state that he wasn’t happy with how Christopher Nolan handled the action scenes in The Dark Knight Trilogy, stating the action scenes “are not very good” both from a technical viewpoint of martial arts – due to the choreography and mismanagement of camera.

Grispo continues stating not to get him wrong, Nolan is a great filmmaker – he takes off his hat to him – but it seems to him that Nolan did not taking the time required for the fights, as they have to be shocking. Grispo says Zack Snyder loves to prepare, which is a luxury.

Grispo then states there will be a big difference between how Batman fights in Batman Vs. Superman compared to the Nolan movies.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

For more news on the “Man of Steel” and related movies head on over to the

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Movie News

Batman Vs. Superman Will be Cinematic History Says Henry Cavill (Video)

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Henry Cavill recently appeared at the British equivalent of the Oscars, with the BAFTAs, where the Man of Steel talked a bit about Batman vs. Superman and Ben Affleck.

In the following interview, which looks to be ripped from the Daily Mail, Cavill notes he hasn’t kept up much with what has been going on in the world due to being in Michigan for Batman Vs. Superman.

“To be honest, I’ve been kind of living in the dark, “Cavill said. “I’ve been in the wilds of Michigan shooting Batman v. Superman, and I have not been up to date on anything, so I’m slowly slowly catching up on stuff.

“It’s Zack Snyder. So it’s going to be a visual spectacle,” Cavill responded when asked what fans can expect from Batman Vs. Superman. “And it’s cinematic history. We are doing Batman. We are doing Superman. And it’s all happening at the same time. Fingers crossed, it turns out to be as exciting as I think it is.”

Cavill is also asked about giving advice to Ben Affleck.

“We are talking about Ben Affleck, here. I don’t need to give him any advice,” Cavill said. “The guy is a legend. The guy does his own thing. He’s great. He’s fantastic.”

So who wins between Batman and Superman?

“I can’t tell you that.”

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

For more news on the “Man of Steel” and related movies head on over to the Cosmic Book News Superman movie hub.

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Marvel Movie News Reviews

Who Leads DC’s and Marvel’s Cinematic Realities?

Divergent Adaptation

Who Leads DC’s and Marvel’s Cinematic Realities?

By Lawrence Napoli

 

Ah!  What a great time to be a fan of comics and movies.  The cinematic creation of characters once thought far too larger than life to portray on the silver screen due to the limitations of technology has become one of (if not the best of) the marquee staples of Americana Pop Culture in recent years.  Comic book film adaptations have not only set this country on fire, but they have been fascinating the global audience as well, and it shows at the box office.  Those who know DC and Marvel as comic book companies primarily know them for their characters, fewer know them by the individuals that created their respective icons and fewer still know them for the writers and artists that make their characters relevant today.  Regardless of where the comic book industry has been financially from the distant past and/or recent past, there is no question that the movement of Hollywood adaptations of super-heroes continues to be a boom for everyone that owns the rights.  So if these films are so popular and continue to boost the visibility of various franchises, which individual is ultimately responsible?

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We know Christopher Nolan masterminded The Dark Knight Trilogy, we know Joss Whedon is behind Avenger films as well as Marvel’s Agents of S.H.I.E.L.D., we know that Robert Downey Jr. is Iron Man, and we know that Bat-Fleck is happening for Batman vs. Superman or World’s Finest or [insert title here] and we know that both companies are aiming at an expanded universe where their respective characters coexist in an ever-evolving reality.  But who’s really in command?  Who’s bringing it all together?  Sure, all the businesses involved with super-hero adaptations each have their nameless-faceless board of directors that are held responsible for decisions by their stock holders, but the choice to go in one direction or the other, veto power, day to day operations, coordination, communication and unification of this cellular network of films is being made by real individuals.  These individuals bridge the gap between the corporate conglomerate and the artists of production.  Without their knowledge of the material, business savvy, political skills and organizational aptitude, none of these films get made – or rather, none of these films get made well.  These people are the most responsible for pleasing (or inciting) fanboys and girls around the world, and they are also the first to be fired or rewarded when the receipts are all tallied up.

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Marvel’s man is Kevin Feige.  He got his start as an associate producer for the first X-Men film due to his extensive knowledge of the Marvel Universe and has gone on to produce virtually every Marvel character adaptation since 2000: Sam Raimi’s Spider-Man trilogy, Daredevil, the X-Men trilogy, The Punisher, Blade: Trinity, Elektra, both Fantastic Four films as well as all of Marvel’s recent Avenger “Phase X” films.  We could debate the merits and failings of each and every one of these films, but they all (basically) made money and were obviously successful enough for those doing the hiring to continue to involve Feige at the highest level of decision-making for film production.  Simply glancing at his résumé suggests that Feige was thinking about birthing a unified cinematic reality for Marvel’s characters long ago, and he would be one of the few individuals to have enough production experience to think about its creation in practical terms.  When Iron Man was released in 2008, this theory took its first steps into reality.  Despite the fact that the screenplay was written by the collective of Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway, it was this film’s post credit scene that paved the way for The Avengers.  This must be attributed to Kevin Feige because none of Iron Man’s writers have gone on to be involved with any level of production for any subsequent Marvel film. 

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Of course, the eventual wunderkind that would be Marvel’s Avengers was only a glimmer in the eye of anyone who knew Nick Fury and what “The Avengers Initiative” could possibly represent.  But it was also beyond a foregone conclusion for Feige himself because there was no public knowledge of contractual obligation for franchise expansion in any direction outside of Robert Downey Jr. which meant nothing more than more Iron Man films.  Who knows what was really agreed to behind closed doors (and at what point in time?), but the future teasing in the post credits of The Incredible Hulk (2008), Thor (2009), Iron Man 2 (2009) and Captain America: The First Avenger (2011) continued to prove in each film that audiences liked the interconnectivity of these (seemingly) unrelated plots and characters.  In many ways, the teases overshadowed the fact that all of these films from different directors and writing teams were successful by themselves, but had they not been, fewer would care about any sort of unification.  One of Kevin Feige’s best attributes as a leader in this industry is the respect and courtesy he shows for the writers, directors, cast and crew he works with and has done so with the “Phase 1” films.  More often than not, studio execs will throw their weight around to the point that it denigrates the production, but Feige is constantly credited (most notably by Joss Whedon) for providing leadership and direction without slapping on the creative shackles.

Introducing a massive franchise like The Avengers has proven to be successful in being introduced a bit at a time to audiences in a crescendo that built towards a pretty standard-issue “alien invasion of Earth” scenario, but let’s be frank.  The whole movie could have been the Avengers going out for shwarma and people would still have fan-gasmed because there they are: all together.  Big name actors playing big name characters and all in the same movie is a huge deal and completely beyond the minds of studio executives of yesteryear.  Feige organized this effort between multiple films as intuitively as possible and as practically as possible. Simply acknowledging their existence in the same space as in “by the way, this too is happening over here,” is much less maintenance than designing a complex plot from the very first film as the “unifying force.”  This too might have worked, but would unnecessarily marry one film to the other and the problems experienced in one might be inherited by a future production. 

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Yes, that’s right; I’m talking about the Ed Norton recast for the Dr. Banner/Hulk character.  This situation is one likely reason for the audience not having seen a second Hulk film prior to The Avengers, and recasting a major role could have been a significant monkey wrench to the gears of this unified franchise. Who knows if that problem was ultimately money, politics or ego; the man was replaced by Mark Ruffalo, and he did a great job.  Had Ruffalo whiffed, we’d all be hearing no end of it from every critic working in every media outlet in the Western world.  I like Ruffalo as an actor, but I didn’t really have an opinion of him replacing Norton other than I’d rather have established continuity maintained, but The Avengers film put the actor into many successful opportunities for the audience to like his Banner to the point that this recast has been practically forgotten.  This is thanks to Joss Whedon, who in turn thanks Feige, who was knee-deep in the Norton situation, and their combined efforts made the necessary adjustments in the subsequent film to reconcile everything.  That’s some uncharacteristically efficient leadership in Hollywood which is known for dragging its feet through the political muck of “creative differences.”  Kevin Feige may be the unifying force for the Avengers Initiative, but he shows his leadership almost every day with interviews and public appearances and whenever people have questions, he has answers.  I’m not sure his position as President of Marvel Studios requires him to do this, but his visibility and confidence suggests a master plan at work.

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So what about DC?  They have every bit the intriguing roster of characters as Marvel and (so far) have demonstrated an equally high dedication to enlist big Hollywood names and attach them to franchise pillars for multiple films.  This seems to be carbon-copied right out of Marvel’s playbook, but casting news for the Man of Steel sequel and its elusive title is evidence that the strategy for introducing its characters in a unified reality to audiences will be taking a completely different approach than Marvel Studios.  It remains to be seen if audiences will buy into this strategy or not because the first film hasn’t been made, but who’s there to answer that question?  Who’s there to lay our insecurities to rest?   This person was a tad more difficult to track down due to the fact that this DC movement is only in its infant stages and the only news out there to comment on is a growing cast for a film years from completion.  At first I looked at the closest corporate counterpart to Kevin Feige.  Diane Nelson is President of DC Entertainment and President & Chief Content Officer of Warner Bros. Interactive Entertainment.  According to DC’s website, “Nelson is charged with leading the efforts to fully realize the power and value of DC Entertainment’s rich portfolio of stories and characters, including such cultural icons as Batman, Superman and Wonder Woman, across all media and platforms.”

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First, I’d like to point out the order in which “DC’s icons” are placed as per Nelson’s title description (yep, Batman is #1).  Second, her title and description sounds like someone ideal in bridging the gap between the comic book people and the movie making people, right?  As it turns out, someone established more firmly on the Warner Bros. side of the equation will be overseeing DC’s adaptation expansion.  He is Greg Silverman the President of Creative Development and Worldwide Production for Warner Bros. and according to the WB’s website, “In this role, he has full oversight of Warner Bros. Pictures’ development activities, global production and budget.”  He began in Hollywood as a lowly craft services worker for indy films but eventually became an assistant at Tri-Star and Mandeville Films and eventually a production executive at Mad Chance.  He got his start at Warner Bros. in 1997 being a junior production executive for The Matrix, A Perfect Murder and Cats & Dogs.  WB credits him for “shepherding” the success of 300 (2006), The Dark Knight (2008), The Hangover (2009), and Inception (2010).

Silverman’s visibility is still on the low end with only his interview with Variety being his major public comments regarding “Batman vs. Superman?” and/or the franchise moving forward in which he addresses several concerns.

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Regarding Ben Affleck:

“We knew going in that we had more information than the general public had.  We knew what the take of the movie was; we knew what the character was going to be.  We don’t take these decisions lightly.  We thought about everybody – brand new people, established people.  Ben is the perfect guy to play this role.”

Regarding Batman and Superman’s interaction:

“They both will be wearing suits, there are capes involved, there will be action, there will be excitement.”

Regarding Wonder Woman:

“Wonder Woman is an amazing character.  I think it’s a great opportunity both for box office success, but also to have an amazingly powerful female superhero.” 

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Again, I note that this is merely the beginning for DC adapted unification and based on that, Silverman seems to be saying all the right things so far.  Nothing’s too committal, nothing’s specific and everything is going to turn out all right.  It’s your standard politician or rather, executive response.  If however, one is looking for a more personalized commentary regarding this next production, Zack Snyder is your man and has been at every stage of this production because every cast member revealed thus far has been a hot button topic.  Personally, I don’t care for some of the decisions that have been made so far, but I do respect Snyder stepping up to the plate when it really isn’t, technically, his job to do so.  When I first started hearing Snyder defend Affleck, I wondered if Snyder was the guy who really had all the answers or if he was just simply the only guy that had any authority in this new DC filmic reality to date.  If Silverman has been in place prior to Man of Steel and Snyder’s involvement moving forward will only be related to Superman related films then the latter is true and Snyder was the only one at the time to face the firing squad of public scrutiny.  If, however, Zack Snyder’s role expands to even that of a producer for any additional DC ancillary films, the significance of Greg Silverman as an individual directing this movement is greatly diminished and the true maestro will be revealed.

As a fan of movies and comics, I could care less about who’s making what call in regards to which movie, but I do care about seeing good movies, and I care even more when I see bad ones (especially when the potential was there for greatness).  If things go well, the right individuals ought to be praised.  If not … well you know what happens then.  So far, DC’s and WB’s leadership is feeling itself out and being only so forthcoming with the details this early, and that’s as it should be.  However, it still feels like this whole thing rests on Zack Snyder’s shoulders and many out there have him and Goyer fitted for pine boxes (figuratively, of course) should all of these interesting production and casting choices result in what is assumed to be a sub-standard envisioning of the Dark Knight and the Blue Boy Scout getting their hero on in the same movie.  Studio exec’s (unlike Kevin Feige) that stay out of the limelight tend to reap rewards with zero risk because their association with given productions is obscured.  I think Greg Silverman would be doing his own projects and people a big favor by getting out there a little more and putting on the best face he can to charm the pants off some reporters.  Then, if in two years time, whether Batman vs. Superman booms or busts, no one will accuse him personally of not making a better effort to sell the film.  But again, maybe this is what separates the Kevin Feiges from the Greg Silvermans?  It’s not for me to tell him how to run his business, but I don’t want him to fail, I don’t want this franchise to fail, and I certainly don’t want this film to fail.  The Justice League can be every bit as amazing as The Avengers.

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That being said, here is where I personally stand in regards to this Batman vs. Superman film as of 2/8/2014.  This is my unlucky 7:

1) I don’t like most of the cast decisions regarding the newcomers to this franchise.  Everyone returning from Man of Steel is fine and Jeremy Irons couldn’t mess up Alfred even if he showed up completely drunk and high for every day of principal photography (that would sure be a different take on Mr. Pennyworth).

2) I think Henry Cavil is being done a great disservice by having to play second fiddle to a bigger actor and a better character in Bat-Fleck for the sequel that used to be his franchise.

3) I think another chapter in Superman’s tale (solo) would have done more to establish the perils of this new DC cinematic universe than teasing the rest of the Justice League sooner than later.

4) I think Warner Bros. studio executives are forcing this massive cameo extravaganza prematurely because they see the X-Men franchise doing it for 20th Century Fox and the Spider-Man franchise doing it for Sony Pictures – and they want that money ASAP!

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5) If someone were to describe Jesse Eisenberg’s character based on the fact he’s playing it and how he’ll be a tattooed skinhead that will “earn” his wealth and intelligence on the mean streets of Metropolis, there’s no way I would have guessed him to play Lex Luthor.  Every previous manifestation of that character is much higher status than that of a street thug – and then there’s the whole Jesse Eisenberg is playing a street thug, thing (editor’s note: rumored).

6) With each new development, I lose more and more interest with this franchise because decisions are seemingly being made just for the sake of being different: different from Marvel, different from its comic book roots, different from Tim Burton, Chris Nolan and Richard Donner.  

7) I would reiterate Kevin Feige’s advice to the DC/WB powers that be in regards to their adaptation movement and that is: “have confidence in the characters, believe in the source material, don’t be afraid to stay true to all of the elements of the characters no matter how seemingly silly or crazy they are.”  

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Movie News Reviews

Op-Ed: A Response To Ben Affleck Batman Nerd Rage & Why Heath Ledger Argument Doesn’t Work

This One is for Brandon

Responding to Affleck Love and Nerd Rage

By: Lawrence Napoli

 

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Oh internet; you truly are the last bastion of pure democracy. I suppose it makes sense to turn debating things as frivolous as casting calls into an absolute war of the words where no cheap shot will be left untaken and numerous lines will be crossed. The blanket of anonymity emboldens us all, and though it may give the individual courage to speak up where personal insecurities would otherwise keep the one mute, it has a tendency to inspire reckless behavior riddled with negative energy. Perhaps trashing other people’s opinions and perspectives acts as some twisted catharsis, but I’ve never felt pure glee by engaging in it.

Recently some readers took issue with my op-ed concerning my displeasure over Ben Affleck being cast as Batman for the Man of Steel sequel and presumably, all Justice League tie-ins for the foreseeable future.

First of all, that was (as this is) an op-ed which according to the Online Etymology Dictionary is defined as a page of a newspaper opposite the editorial page, usually devoted to personal opinion columns.
It was not an essay making an argument against sending financial aid to countries that appear to be acting against the interests of the US. It was a raw, emotional, soap box moment where I expressed a personal opinion that Affleck is not the right choice for Batman. A choice like that leaves too many questions for me regarding the future of these DC adaptations because the shear inclusion of that character in Superman’s sequel undercuts Kal-El’s own importance. That combined with the debacle that was Green Lantern plus the lack of some teaser, tie-in or reference to this new DC universe independent of Nolan’s trilogy at the end of Man of Steel makes me think there still is no master plan for the movement. Until that changes, “it’s the end” of those films for me.

Second, pinpointing The Town and Argo as proof positive that Affleck will clearly be an excellent Batman is as opinionated as my use of those examples to suggest the opposite.
In both of those productions, Affleck was placed in multiple seats of power and influence as a co-writer, director and lead actor. Is he somehow not going to use those opportunities to showcase himself in the best possible light? I liked both of those films, and I reviewed them here on Cosmic Book News, but until he has been confirmed as the director of Justice League and every other ancillary title where Batman will appear, he’ll have to start taking direction. Affleck and Snyder will certainly have moments of disagreement in their future endeavor as they are both bringing different experiences and ideas to the table. The danger lies in Affleck potentially responding in the way of the prima donna, and then press releases citing “creative differences” occur, people walk off sets and in the meantime, the production gets sandbagged. The Town and Argo are not proof that he can listen to someone else in authority over him to adjust a performance for the better of the film, not just the actor. He was the authority in those films.

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Third, let’s examine the comparisons with Michael Keaton’s Batman and Heath Ledger’s Joker as further proof positive that Affleck’s Batman will be just as unexpectedly successful.
Tim Burton’s Batman may have followed Richard Donner’s Superman, but it is the Dark Knight’s adaptation in 1989 that created the contemporary model of using big Hollywood names in the active, title roles for superhero films in the future as opposed to only support roles like Marlon Brando’s Jor-El. “Big” defined every level of this production and for Tim Burton, a man whose previous production credits only included Pee-Wee’s Big Adventure (1985) and Beetlejuice (1988), it could be understood that the pressure was on. We could have wound up with Mel Gibson, Kevin Costner, Charlie Sheen, Pierce Brosnan, Tom Selleck or Bill Murray, but producer Jon Peters liked Keaton’s edginess, and Burton’s familiarity with the actor certainly didn’t hurt. Yes, the fans blew up back then as they are now, but the main difference in the situations (besides the history between the director and lead actor) is that the production hired Batman co-creator Bob Kane as a creative consultant. If you can’t trust the character’s creator, who can you trust? Batman/Superman should have similar DC heavy weights like Geoff Johns or Scott Snyder as regulars on set, in the writer’s room and right now researching plot development, but as of now, anyone else’s involvement in these DC films are rumored at best. Sure, Johns failed Green Lantern as a co-producer, but I believe Affleck would respect actual DC writers if not his own film’s staff if push came to shove. This production requires supervision and/or support.

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As for Heath Ledger, the parallels are once again uncanny. Clearly he was cast against type where films like 10 Things I Hate About You, The Patriot and A Knight’s Tale had him on the path of the classic, Hollywood leading man. But then he starred in films like Monster’s Ball and Brokeback Mountain, and those were considerably riskier roles for a young actor who would eventually perish before his prime. Ben Affleck’s filmography is layered with classic, Hollywood leading male roles depicting him as the love interest, the tough guy or the arrogant power monger; i.e. fairly unchallenging work for a good looking dude to pull off. Nothing about the Joker as a role suggests the use of some formula for casting or performance in order for it to be successful, but then news reports concerning Ledger’s preparation process hit the press prior to his death which was equal parts disturbing and impressive. In an interview with Empire Magazine he stated, “I sat around in a hotel room in London for about a month, locked myself away, formed a little diary and experimented with voices . . . I ended up landing more in the realm of a psychopath – someone with very little to no conscience towards his acts.” That diary has since been revealed to the public demonstrating the obsessive immersion he subjected himself to so as to deliver the Joker unlike anyone before. Yes, working out two hours a day is impressive for Affleck to shape up for Batman, but his character will never be a physical match for Superman. I don’t expect his preparation to involve hanging out in caves or interviewing orphans who were victims of violent crimes, but something a little more mundane like researching with LA’s CSI would sway me more as to his seriousness for the role because it would at least get him in the right detective mindset (assuming that’s the kind of Batman we’ll even see).

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Fourth, I’d like to address my opinion of Ben Affleck in general based on his career’s mixed bag of roles, his overbearing personality that comes out in shows like Real Time with Bill Maher and his less than gracious Oscar acceptance speech with Matt Damon for Good Will Hunting.
I also don’t like the fact that his ability to direct has been identified as some transcendent skill set unique from any other director and has nothing to do with the all-star actors that fill his casts like Jeremy Renner, Chris Cooper, Jon Hamm, John Goodman and Alan Arkin. Before we’re all ready to crown Affleck as the next American Auteur, let’s recognize that his opportunity to direct is specifically due to his being cast as the star, and his star equates to very specific dollars and cents for studios. He’s the money choice. He’s the corporate choice, and that above every other reason is why he is the next Batman. You may not agree with any of these statements, but they are reasonable enough to not like anyone or anything in particular.

Not once did I say that I hate him. Not once did I make some bigoted comment regarding him personally. Not once did I incite anyone else to join in on dedicated bashing like signing that petition to President Obama to remove Affleck from Batman. Heck, I never even said he was a bad actor. He’s simply not my cup of tea and I feel he doesn’t have the intimidation factor and mature mind set needed for Batman. That’s not a fact, it’s an opinion. Facts are as follows: He is an actor, he gets paid lots of money and he will make so much more being Batman.

Now I’d like to take this opportunity to thank our live caller, Brandon for his comments and discussion during CosmicBookNews’ first live podcast. He represents the best of what debates over pop culture can be. His comments were intelligent, entertaining, and although we didn’t agree on everything, nothing got personal and nothing got nasty. I’m not even going to reference the negative comments to my own article in order to address real concerns over the death threats being issued on Facebook pages for Man of Steel concerning this casting situation. I honestly do not know what people are thinking by sinking to that level and it clearly represents the worst of what actual nerd rages are capable of. It’s just a comic book adaptation for crying out loud. Even if people are joking, and even if they don’t really mean it, that is totally out of bounds. Commentary like that is an embarrassment to civilized society. Change that. It’s not commentary; it’s verbal vomit. So once again, I say to Brandon good looks, we appreciate your opinions and invite you to join us again for another live podcast.

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Movie News Reviews

Movie Review: Man of Steel (2013)

I’m More Than a Man in a Silly Red Sheet

A Film Review of Man of Steel

By: Lawrence Napoli

 

The DC/Warner Bros. alliance begins its rise to challenge Marvel’s Avengers Initiative with Man of Steel, and it certainly was a heck of a way to start.  This movie is big; like Michael Bay on steroids, crack and crystal meth, BIG!  It also looked really expensive to make with the expected cornucopia of CG effects constantly lighting up the screen.  All of the different POV perspectives on these shots as well as the aerial angles kept the audience amazed and engaged.  It also paid homage to the quaint origin story made famous in the Christopher Reeve/Richard Donner films in a way that communicates the drama and exposition without letting it run on for too long.  It also established Henry Cavill as the face of the Superman/Justice League franchise moving forward because the man has serious acting chops, is in peak physical condition and can be as impactful with his dialogue as he is with his fists.

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Impactful.  Bang!

I am no particular fan of Zack Snyder mostly due to his efforts in Sucker Punch and Watchmen, but it’s all good because even he couldn’t screw up a story penned by the likes of David S. Goyer (Da Vinci’s Demons) and Christopher Nolan (The Dark Knight Trilogy).  As fantastic as Superman’s abilities are and as epic a scale as this film presents, there remains a conscious effort in the script to keep the story grounded in reality.  This was certainly one of the concerns when Man of Steel was first rumored to involve the man who created the definitive depiction of a realistic Batman onscreen.  The concept of Batman isn’t as much of a stretch because with enough tech, training and resources, anyone can be Batman (which also happens to be that character’s appeal).  NOT just anyone can be Superman, so how can an alien make a realistic connection with audiences that know full well that he is not human?  You do it by highlighting character relationships, and in the case of Man of Steel, three keys unlock a character we can relate with.  Superman’s relationship with his father, Jor-El, brings out his morality.  His relationship with his human parents, the Kents, brings out his humility.  And of course, his relationship with Lois brings out his determination and inspiration. 

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There’s enough Lois & Clark, but there could have been more.

Those story elements were meant to converge on the question of whether a being with such powers should ever present him or herself to humanity, and just about every practical reason to remain anonymous is addressed from several perspectives, not just those within Superman’s camp.  Unfortunately, the story also had to include a significant action element in the form of a bunch of pissed off Kryptonians with an axe to grind with the House of El, so Superman doesn’t exactly have a say in the matter.  It’s a real shame, too, because extending a preemptive olive branch could have expanded the few scenes Superman shares with various American, government officials which gives the audience some laughs and food for thought as a plain speaking super being lays it all out for an organization that personifies the concept of control.  Fighting Kryptonians also cuts into Superman’s relationship with Lois a bit as I feel the romance that clearly gets established right away, was a bit rushed – but I guess all the ladies swoon for the man with the big “S” for “Swag.” 

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Swag.  That’s right.

Clearly, the filmmakers wanted just about every basic element about this updated version of Superman to be firmly planted in the ground as quickly as possible before moving forward with any sequels or expanded fiction.  Part of me appreciates this strategy for being extremely efficient by conveying Clark’s youth via flashbacks, while another part of me feels the drama from those missing moments take a back seat to explosions.  It’s not an easy task to address an origin film in this way, but Goyer and Nolan make enough of the right decisions to error on the side of balance between the drama and action.  Overall, the story is entertaining and intriguing without any significant lapses in continuity while managing to deliver a whole lot more of Kal-El’s Kryptonian heritage and the events that preceded his home planet’s demise. 

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Don’t worry son.  The origin tale will be quick and painless.

Do you know what $225 million tells me?  It tells me that a movie with that kind of budget had better deliver some phenomenal visual eye candy via effects and CG, or else I’m demanding my money back.  Thankfully, Man of Steel delivers the best onscreen effects and action sequences to date in the summer of 2013, and they all begin with the depiction of Superman’s powers.  Not all of his iconic abilities are on display (as he’s clearly still learning to “test his limits”), but the ones he does show like flight, super strength, invulnerability and heat vision are very impressive.  As excellent as they all look, the use of sound, from muffled grunts to the vibrations on the ground and in the air, enhances the guttural effort Kal-El exerts to do the amazing things he does.  Kryptonian combat has a significant presence in the very beginning and end of Man of Steel which delivers fairly standard issue laser blasts, space ships and otherworldly technology at work.  These all looked fine, but presented nothing you haven’t seen before in the likes of Avatar, T2 or (here’s an obscure reference) The 6th Day.  I could say the very same thing for the destruction of Metropolis at some point, which features some pretty scary buildings collapsing all over the place that were inspired from movies like Green Lantern and just about every other disaster film (ahem, pun intended right there). 

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Uh, you guys know I’m on YOUR side, right?

I wasn’t as sold on the entire cast’s performance as our EIC outlined in his Man of Steel reflection.  Actors like Diane Lane as Ma Kent and Laurence Fishburne as Perry White are there strictly for star power as their moments to shine are limited, and they don’t do too much with them when they are front and center.  I was particularly unimpressed with Lane as she seems to overact the crotchety old lady persona a bit to sell her advanced age which the make-up department didn’t exactly hit a home run on either.  Kevin Costner is almost in the same boat for this criticism, but his contributions were worth it thanks to the poignant moment that explains his character’s tragic passing.  The best supporting character, by far, was Jor-El played by Russell Crowe who officially begins his comeback from Les Misérables right now.  I respect that he got into a bit better shape for this film, but his impeccable line delivery, presence and ability to gaze through the camera’s eye resonates with the audience. 

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I don’t wanna hear nothing about no Javert!

I never liked most of Superman’s rogue’s gallery nor the fact that we were going to revisit General Zod in this reboot once again.  The first moment Michael Shannon spoke a single line of dialogue was an instant wash for his performance in my book because I could never get past the awkwardness of his voice.  I don’t know if he was purposely trying to grate his rear molars as he spoke, but he seemed like an over-angry, over-powered, spoiled little jerk who couldn’t lead fish to water.  The real villain that stole the show for me was Antje Traue as Faora-Ul who is fairly attractive in as plain as Hollywood gets, and her diminutive stature wouldn’t seem to pose much of a threat to Superman, right?  Wrong!  Not only does she kick some serious ass, but she delivers the perfect villain’s voice, stare down, threat and general demeanor.  Why these crazy Kryptonians aren’t following her is completely beyond me.

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Explain it to everyone how I’m a superior villain to Zod.

Of course, a Superman origin story ultimately boils down to him and Lois, and although I like the casting of Henry Cavill and Amy Adams in these roles, I haven’t quite bought into their onscreen chemistry which I am completely aware that they didn’t exactly have many opportunities to fully explore here.  Cavill is (unfortunately) another perfectly cast, British born actor for this role thanks mostly to his exquisite physical condition and piercing blue eyes.  He approaches his character with respect and dignity, so it matters not if he delivers dramatic lines in a spandex body suit.  His performance as Superman isn’t going for adorable charisma like Christopher Reeve.  He’s going for a simple man that has great ambitions for the future with even greater powers to accomplish them with.  Adams could take a page out of Cavill’s book and loose a little “adorableness” to revisit the assertiveness she displayed in The Fighter in order to deliver a slightly less girly, Lois Lane.  I like my Lois the way I like my coffee: BOLD!

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I was going for “bold,” but now I need dental implants.

I have no doubt that Man of Steel will probably be the best blockbuster, action adventure film you will see all summer long, so now’s the time to break out those loose dollars you were hiding in the cookie jar.  This is a movie worth seeing on the big screen, but not necessarily on an IMAX screen as (once again) the 3D effect is nice, but it could be distracting to some and doesn’t deliver a game-changing experience.  This movie sets up DC and Warner Bros. quite nicely to move their own franchise forward in a realistic-enough world that rivals The Avengers.  The thing is, I don’t believe they could find a dedicated enough actor who has everything Cavill brings to the table and more (in the form of experience) to project the character of Batman on equal footing as the blue boy scout than Christian Bale himself.  Seeing Man of Steel actually reaffirmed my belief in Justice League working as a film adaptation, but only with that particular Dark Knight.  It’s just too bad that we didn’t get any post-credit teaser at the end of Man of Steel which my natural paranoia interprets as those who control the franchise not having a clear vision for their own future.

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