Joe Quesada Leaves Marvel
Announces the news on Twitter with word he is involved in a short film and has new projects in the works.
Announces the news on Twitter with word he is involved in a short film and has new projects in the works.
The Marvel’s 616 original docuseries will be released on the Disney Plus streaming service in November. Disney Plus made the announcement as part of its Fall release schedule, as Marvel’s 616 debuts Nov. 20. Not to get your hopes up, but the series isn’t from Marvel Studios and Kevin Feige, but seems to be the
Creator of The Walking Dead and Invincible, Robert Kirkman, spills the beans on what it was like to work with Marvel Comics and for then-EIC Joe Quesada. Kirkman spoke with the Comic Tropes YouTube Channel and explained that it wasn’t all hunky-dory, especially when it came to Quesada and an unnamed editor. “Joe Quesada and
Following the ouster of Dan DiDio, it’s suggested there is talk that Joe Quesada of Marvel Comics might be jumping ship to DC Comics as the new publisher. Before we dive into things below, worth a mention before we continue is that Quesada’s good buddy, Brian Michael Bendis, is now over at DC Comics. Worth
Yesterday I posted an article questioning if Disney is contemplating shutting down Marvel Comics, with the thought behind the reasoning due to several factors including that Disney’s Consumer Products division, which includes Marvel Comics, is the only division within Disney to be losing money. In addition, the recent comics retailer summit saw Marvel Comics blamed
We may have some further proof of my theory that the Marvel comics are booting the movie and TV influence from their pages as now Marvel Chief Creative Officer Joe Quesada comes out and actually says the comics should not be like the MCU films. I’ve been stating this for near ten years, and I
With Axel Alonso gone as Marvel Comics EIC, and Bendis bailing as well, also gone is their diversity replacement plans which irked a lot of fans are retailers. It’s just a fact the comics never sold well. Last week saw a slew of Marvel Comics titles canceled including Luke Cage, Generation X, Hawkeye, Iceman, Jean Grey, and The Unbelievable Gwenpool, with
Check out new promo art for Marvel’s The Defenders. Marvel chief creative office Joe Quesada whipped up the image. “Here’s a quick piece I did (sans logo and text) as a cast and crew gift for the Defenders team. This show is going to blow you away!” Quesada posted on Twitter. The art features the
A new piece of Marvel art showcases both the Fantastic Four and X-Men, characters that have been pretty much absent from Marvel Comics for the past few years. Long story short, Marvel CEO Ike Perlmutter is said to have cancelled X-Men and Fantastic Four comics due to a dispute with Fox Studios who owns the
Today sees the release of the Agents of SHIELD digital spinoff series, Slingshot. Marvel has released all six parts, which are directed by Joe Quesada. Watch below. Info: Now that Daisy has returned to S.H.I.E.L.D., Yo-Yo wants to talk to her about a secret the two of them share. In a flashback, we start to
Joe Quesada is directing the Agents of SHIELD digital spinoff series, Slingshot, that debuts today on the ABC App. Following last week's mid-season finale of Marvel's AGENTS of SHIELD, ABC played a short teaser revealing the new six-episode digital series that follows Natalia Cordova's Agent Elena 'Yo-Yo' Rodriguez's secret mission. Agents of SHIELD: Slingshot marks Quesada's directorial
Fans have been asking (begging?) for their favorite television personalities to appear in the Marvel movies.
While you may have heard the reason being that the Marvel TV and movies schedules don’t sync up, the real reason is because of the Marvel Creative Committee.
The Marvel Creative Committee consists of Marvel CEO billionaire Ike Perlmutter’s boy’s club of: Alan Fine, who came with Perlmutter to Marvel through Toy Biz; Marvel Comics writer Brian Michael Michael Bendis, Marvel Comics publisher Dan Buckley, and Joe Quesada, the former editor-in-chief of Marvel Comics and the current Chief Creative Officer of Marvel.
To add to that they are all good buddies with head of Marvel TV Jeph Loeb.
Long story short, last year saw Marvel Studios president Kevin Feige part ways with both Perlmutter and the Marvel Creative Committee over interference in the movies and creative differences. Captain America and Avengers: Infinity War director Joe Russo stated the following back in May:
“We’ve been on that [Marvel] journey from Winter Soldier, and it may have been some story points from Civil War that caused the civil war within Marvel. I think that there were years when Kevin was absorbing the pain inflicted on the company. [Marvel Studios is] much healthier, happier” [and is paving the way for] “really compelling choices.”
Regarding the crossover between Marvel Studios and TV not happening, head of Marvel TV Jeph Loeb recently appeared on Nerdist’s Comic Book Club podcast where he was asked about The Defenders appearing in the movies with mention there’s friction because of the Marvel Creative Committee. Via reddit:
When asked if The Defenders would be in the movies, he scoffed and went on and on about how Marvel Television is a 3 year old company and how they want to do their own thing, but specifically mentioned that they’ll see where the company is in 2019.
He then mentioned that Marvel Television projects are still all under the thumb of the Marvel Creative Committee, so that could also cause some friction between the possibility of television and movie crossovers.
Adding in my own two cents, if you have been a fan of this website or any of the Marvel COSMIC comic books, you know the Marvel Creative Committee aren’t fans of COSMIC-type stories. With the upcoming Marvel Studios movies looking like they’re heavy cosmic flicks (Doctor Strange, Guardians of the Galaxy 2, Thor: Ragnarok, Captain Marvel, Avengers Infinity War, Avengers 4, Inhumans, rumored Richard Rider Nova movie), it’s no wonder Feige booted them from being involved (in addition to whatever trouble they caused).
It’s also apparent the Marvel Creative Committee and Marvel TV like to use their comic book creator-driven work as: Agents Of SHIELD is heavily influenced by the Bendis comics; Netflix is heavily influenced by Quesada’s favorites, and Jeph Loeb went so far as to cancel the 2007 Nova comic book and replace the character he now uses in his animated TV series. There’s also the fact that Bendis cancelled and took over the 2008 Guardians of the Galaxy comic book series when word of the movie getting green lit became known (and fired the writers on the Nova and GOTG comics that inspired the movie and new billion dollar Disney franchise).
It also recently became known that Kevin Feige is introducing the Marvel Cinematic Multiverse in Doctor Strange. Is Kevin Feige going to make Marvel TV a part of the multiverse and directly disconnect it from the movies, which would enable Feige to use the same characters, but with different actors?
The premiere of Suicide Squad saw director David Ayer get a little worked up as he echoed a fan who yelled out, “F’ Marvel!”
Ayer quickly took to Twitter to offer an apology.
Word of the Marvel f-bomb has now reached the likes of none other than Stan Lee, as well as Marvel Comics chief creative officer Joe Quesada.
Regarding the latter, Quesada tweeted out everything’s good.
“Hey Marvel faithful I know you’re upset but cut @DavidAyerMovies a break, it was all in good fun. Can’t wait to see SS, best of luck David!”
Likewise, Stan Lee didn’t seem to upset by the comment (via CBM), which also saw Stan Lee link to his infamous “Stan Le F**k You” rant.
“Hey @DavidAyerMovies – Don’t feel too bad about dropping the f bomb. It’s a compliment of the highest order!” Lee said.
Hey Marvel faithful I know you’re upset but cut @DavidAyerMovies a break, it was all in good fun. Can’t wait to see SS, best of luck David!
— JoeQuesada (@JoeQuesada) August 2, 2016
Hey @DavidAyerMovies – Don’t feel too bad about dropping the f bomb. It’s a compliment of the highest order! https://t.co/uSBokELsUB
— stan lee (@TheRealStanLee) August 3, 2016
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Recently, there have been all kinds of rumor surrounding the Marvel Netflix Iron Fist series ranging from Marvel Studios stopping the use of the character, to the Punisher replacing Iron Fist in Netflix Defenders series, to an Iron Fist Netflix movie.
Now IGN catches up with Marvel Chief Creative Officer Joe Quesada and asks about Iron Fist.
“Iron Fist is being worked on,” Quesada confirms. “That’s all I can say.”
Quesada is then asked about the rumor surrounding Iron Fist becoming a Netflix movie.
“Where did you read these rumors? Oh, but they were on the internet? So they must be true,” Quesada said with a smile.
While Quesada didn’t specifically shoot down the Iron Fist Netflix movie rumor, we do see since it is being worked on that it’s safe to assume Marvel Studios hasn’t cancelled the use of the character.
You can watch more from Quesada in the video below with talk of comics, Jessica Jones and Defenders:
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Today’s Marvel Animation panel, hosted by Joe Quesada and Dan Buckley, saw the announcement of a new Marvel animated film as well as that Guardians of the Galay Season 2 has been green lit for a 2017 release.
An episode of Guardians of the Galaxy was also shown that featured the Grand Master capturing the Guardians and having Drax vs. Gamora face off in a battle to the death in an arena.
Regarding the new animated movie, it’s geared toward younger viewers and deals with Santa Claus. Details provided were slim but I managed to grab the following pics for Marvel Super Hero Adventures: Frost Fight!
New Marvel animated movie aimed at youngsters dealing with Santa
Posted by CosmicBookNews on Friday, October 9, 2015
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Marvel Chief Creative Officer Joe Quesada has revealed a poster for Daredevil Season 2 that will be available at this week’s New York Comic-Con.
Quesada posted the image on Tumblr adding: “Daredevil concept art, poster will be made available at NYCC this week!”
Daredevil will be a part of the Marvel TV panel on Saturday at the NYCC:
The Netflix Original Series Marvel’s Jessica Jones and Marvel’s Daredevil
Saturday, October 10 – 5:00 PM – 6:45 PM
Join the cast of the new Netflix original series, Marvel’s Jessica Jones, in their first-ever appearance, as they answer questions and reveal secrets from the hotly-anticipated show debuting on Netflix later this year and celebrate some of the greatest moments from season 1 of Marvel’s Daredevil. Moderated by Jeph Loeb (Marvel’s Head of Television), this panel promises to be one you won’t want to miss!
Check out a new Hydra promo for Marvel’s Agents of SHIELD featuring Brett Dalton, who plays Grant Ward in the series, and Joe Quesada, Marvel’s Chief Creative Officer.
Dalton attempts to get Quesada to come up with a new logo for Hydra.
Agents of SHIELD airs Tuesdays on ABC at 9pm ET.
“Marvel’s Agents of S.H.I.E.L.D.” star Brett Dalton feels like Hydra has some brand issues, and calls up Marvel Chief Creative Officer Joe Quesada to help give the organization a new image! Catch new episodes of “Marvel’s Agents of S.H.I.E.L.D.” Tuesdays at 9:00 PM ET on ABC.
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Shots are now fired from both sides and a true Civil War has erupted within Marvel.
Earlier saw news of the split between Marvel Studios and Marvel CEO billionaire extraordinaire and the Marvel Comics Creative Committee.
Kevin Feige has taken the movie branch under his wing, and left Marvel TV and publishing (Comics) under Perlmutter.
Many reports have been hitting the net from a variety of sites lying blame with Perlmutter and the MCC, which consists of Joe Quesda, Brian Bendis, Alan Fine and Dan Buckley.
A couple of the reports suggested Feige had enough with Perlmutter’s frugality and the MCC’s slow process, with it mentioned both the “failure” of Avengers: Age Of Ultron and creative development on Captain America: Civil War were to blame and reasons used by Feige to leverage Marvel Studios away from Perlmutter.
Regarding The Avengers 2, the same site that first reported on Feige using the failure of Avengers 2 as leverage, is now stating sources close to Marvel have filled them in the blame actually lies with Feige.
According to Bleeding Cool, they heard rumors a while back that the “extensive and expensive re-shoots on the movie could have been avoided if Feige had been receptive to notes” — with the notes of course coming from Perlmutter’s Marvel Creative Committee.
The report goes on to suggest Feige’s people have been using various sites to finger-point, i.e. provide spin, that makes it look as if Feige is in the right and Perlmutter is in the wrong.
It’s also suggested Feige surrounds himself by “yes-men” as a former employee in Marvel’s film division is said to have offered: “if you want a target on your back, just say no to Kevin.”
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Earlier saw a report make mention that Kevin Feige used the “failure” of Avengers: Age Of Ultron as reason to oust Marvel CEO billionaire Ike Perlmutter and the Marvel Comics Creative Committee.
Now a second report is stating the blame lies with the handling of Captain America: Civil War.
According to THR, the notoriously frugal Permutter wanted to scale down Captain America: Civil War as he felt the budget was ballooning. It’s stated the Marvel Creative Committee felt the same, which led to Feige booting them both.
It is said the Marvel Creative Committee, which consists of Joe Quesada, Brian Bendis, Dan Buckley and Alan Fine, has not been disbanded, but will have a nominal (at best) effect on the Marvel Studios movies. It was previously said the Committee would still be involved with Marvel TV, which still falls under Permutter, along with the comics division.
“New York had a big say for a long time but hasn’t Kevin earned the right to some autonomy? He’s made the company billions. Why is he reporting to a 72-year-old man who doesn’t make movies?” one insider remarked.
It’s noted other insiders and top agents feel things with Marvel Studios will go smoother without Perlmutter, with merchandise royalties and contracts given as examples.
A while back also saw mention that Perlmutter wanted Robert Downey Jr. written out of the Captain America: Civil War script because Perlmutter didn’t want to pay RDJ the money he would get for the film.
“Captain America: Civil War” has a May 6, 2016 release date directed by Anthony and Joe Russo starring Chris Evans, Robert Downey Jr., Scarlett Johansson, Jeremy Renner, Elizabeth Olsen, Sebastian Stan, Anthony Mackie, Frank Grillo, Paul Bettany, Don Cheadle, Emily VanCamp, William Hurt, Martin Freeman and Chadwick Boseman as Black Panther.
Synopsis:
Captain America: Civil War picks up where Avengers: Age of Ultron left off, as Steve Rogers leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain.
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Update: A second report states the blame lies with the handling of Captain America: Civil War.
Some new details/rumors surrounding the ouster of of Marvel CEO Ike Perlmutter and his Marvel Comics creative committee have come to light that state the reason for the dismissal was the failure of Avengers: Age Of Ultron.
Quick recap: Marvel Studios president and producer Kevin Feige has moved Marvel Studios away from Perlmutter and the comics and TV divisions of Marvel, and more into the Disney fold, which also saw the end of the Marvel Creative Committee (Quesada, Bendis, Buckley).
Now Bleeding Cool is stating a big reason for Feige booting them out is because Disney feels Avengers: Age Of Ultron was a failure due to not making as much money as the first movie and not as good reviews. While the difference was only around $100 million, it’s suggested Disney was disappointed people didn’t go back for second viewings. Internationally, Avengers 2 did better than the first movie, but here in the U.S. saw an almost $200 million drop. I’m guessing Disney expected Avengers 2 to do better than the first at the box office (especially considering how big a factor foreign audiences have become).
It’s said Feige used the “failure” of Avengers 2 as leverage to get rid of Perlmutter and the Creative Committee, which according to the report, was disbanded a few months ago (and may signal they are not as involved with Captain America: Civil War and Doctor Strange).
My two cents regarding Avengers 2 being a “failure,” I would have to agree as I was really disappointed with the movie. I wasn’t a big fan of how they portrayed Ultron, and I also felt they didn’t give Whedon a lot of creative freedom (as a lot of his stuff was cut). I can recall an interview with Whedon from a while back where it sounded as if Avengers: Age Of Ultron would be an Empire Strikes Back; however, I think we can all agree, Avengers 2 can’t even compare. Whedon said he was going to “twist the knife” and “dig a little deeper” with the sequel, which I don’t think the movie came close to doing at all.
Check out video above of Marvel chief creative officer Joe Quesada talking about his job at Marvel as well as Spider-Man.
Quesada says he has seen the new Spider-Man costume, which will be worn by Tom Holland.
“It’s awesome,” Quesada said. “It looks awesome.
“I’ve seen a lot of design work that’s been done on the costume. I think there are elements of it that are really going to blow people away where they are going to go ‘that’s Marvel doing Spider-Man,” Quesada said.
Quesada wouldn’t confirm if the costume is a new or traditional approach to the Spider-Man look or if Holland will use web-shooters.
“You’re trying to trick me. It’s not going to work. I’ve played this game before,” Quesada laughed. “Things will be revealed as they are meant to be revealed.”
Joe Quesada continued with mention of how exciting it is to have Spider-Man back in the MCU.
“It’s Spider-Man. What’s not exciting about that? I can’t imagine there’s a person on the planet Earth that can’t relate to some aspect of Spider-Man or Peter Parker, and he is for all intents and purposes, he is Marvel’s Mickey Mouse. He is the icon of so much of what we have was built upon, so to create that movie along with our Sony partners it’s phenomenally exciting. I know Kevin Feige and his team have some great ideas. Some wonderful theories that we’ve all chimed in on.”
The new Spider-Man movie has a July 28, 2017 release and is expected to first appear in “Captain America: Civil War” next May.
(Editor’s Note: “The Cosmic Triune” is a series of opinionated articles focusing on Marvel Cosmic.)
The Cosmic Triune
An Opinion-Editorial
By Timelord
Marvel Pseudo-Cosmic:
The Decline of Marvel Cosmic under Alonso, Brevoort, Quesada, Whacker, Bendis, and Loeb
In preparation for this article I re-read the very first Marvel Cosmic comic I ever purchased – The Mighty Thor #227. It was published in 1974 with a cover price of 25 cents and I remember seeing it on the wire spinner rack in my home town’s mom and pop drug store. I was fascinated by the cover art of Thor, Hercules, and Firelord, and the blurb promising me an epic adventure with our heroes and Galactus fighting Ego The Living Planet. If you’ve never read it, it’s a top notch Cosmic story that holds up well to the present day. It’s the story that made me a Marvel Cosmic fan – and – I would point out that the story takes place in deep space, has absolutely nothing to do with Earth, respects the space-based characters, and talks up to the readers as if they’re adults. I also reviewed Nova Volume I, Nova Volume IV, DnA’s Guardians of the Galaxy series, Starlin’s Infinity Gauntlet, Giffen’s Annihilation mini-series, Englehart’s Star-Lord origin story, and DnA’s Thanos Imperative mini-series as I consider these to be some of the best representations of Marvel Cosmic done right.
In February of 2011 I wrote an Opinion-Editorial called “Marvel Editorial to Cosmic Fans: We’re Just Not That Into You” and in August of 2011 I wrote a follow-up Op-Ed called Re-lauching Marvel Cosmic. In “We’re Just Not That Into You” I described how latter day Marvel Editorial has disrespected and disappointed Cosmic Fans with their decisions about handling Nova and Guardians of the Galaxy; prompting a Twitter response from Marvel’s Tom Brevoort objecting to points I made in the article and prompting Mr. Bendis to block CBN from his Twitter feed. In “Re-launching Marvel Cosmic,” which was published in response to Nova and Guardians of the Galaxy being put on “hiatus” with a promised quick return, I made suggestions about how Cosmic could be re-launched to better appeal to today’s Cosmic fans. In response, Mr. Brevoort tweeted that I should just start reading Green Lantern.
After reading Loeb’s two Point One “Nova” (in name only) stories, watching Loeb’s treatment of “Nova” (in name only) on his Ultimate Spiderman cartoon, reading Bendis’ treatment of Guardians of the Galaxy (in name only) over the last three issues of Avengers Assemble as well as Bendis’ re-telling of Englehart’s Star-Lord origin story in the latest Point One – and comparing these efforts to the best of true Marvel Cosmic as identified above, I have some reactions to share.
If you take a look at the August 2011 “Re-launching Marvel Cosmic” Op-Ed – which basically identifies the most appealing elements of true Marvel Cosmic – and you compare it to what Marvel Editorial, Bendis, and Loeb are currently doing, you’ll see that they’re basically doing the opposite of everything that in the past made Marvel Cosmic great.
First, let’s consider Loeb’s juvenile treatment of – and I can barely write it without feeling sick – Nova. In fact, to minimize the pain, I’ll hereinafter refer to Loeb’s treatment as “Nova In Name Only” or “NINO” for short. As all true Cosmic fans know, Wolfman’s 1976 conception of Nova was street-level Spiderman-ish at first and toward the end of the run, he was moving Rich Rider toward more maturity and toward being more of a space-based character true to his origin story. That’s not just my opinion or my analysis of The Man Called Nova series; Mr. Wolfman confirmed to me in a personal communication last year that he was going to move Nova to more mature space-based storylines had the series not been cancelled. Later, Nova became the stand-out character in the New Warriors series and had two follow-up series where his earlier street-level Spiderman-ish characterization was retained by the writers of those series. Then, Keith Giffen gave us Annihilation and everything changed for the better.
Giffen is quoted as saying that at first he didn’t understand Nova’s appeal. Then he read through all the previous material and he understood what all us Nova fans – including Dan Abnett and Andy Lanning – had known all along. The appeal was never the teenage Spiderman-ish routine. The appeal was the potential – glimpsed in several Nova storylines and realized in a few – for a space-based para-military character that capitalized on the themes from popular science-fiction franchises of the past several decades such as Star Wars, Star Trek, and various video games. Giffen’s re-characterization of Nova gave us a mature, confident, space-based, powerful para-military leader that the Nova fans wholeheartedly embraced as the realization of the potential we always knew the character possessed. DnA retained this penultimate Nova characterization for most of their Nova Volume IV tenure which has been embraced by Nova fans as the best Nova series since Volume I. So, for any bloggers and any Editors who condescendingly dismiss the complaints of true Nova fans in response to Loeb’s NINO as typical fanboy outrage about re-booting or re-characterization; I say in response that Nova fans have a history of embracing re-booting/re-characterization when it’s for the better; and only complaining when it’s for the worse. NINO is for the worse.
Sad thing is – Loeb’s NINO is worse than re-booting or re-characterization. It’s basically a hi-jacking of the character. He takes some of the more interesting concepts from the true Nova’s history, modifies them in a manner disrespectful to the character’s continuity, waters them down to Earth-based street level, dumbs them down to juvenile level, and transplants them into an immature, obnoxious, un-likeable teenager named Sam Alexander. I’m feeling sick again. Gone is our powerful, mature, confident, para-military leader. He’s been shoe-horned out of the way by bad Editorial decision making and replaced with a teenage Peter Parker-ish, powered down, ineffective teen twit that even the USM cartoon’s Spiderman doesn’t like. Sam wouldn’t make a good sidekick much less a true leader.
Truth is, Loeb doesn’t understand Nova. He’s just trying once again to re-create Spiderman. It won’t work. In this latest foray with Diamondhead, for the first time in 36 years of Nova fandom I was rooting for Diamondhead to win. And it’s basically the same story as when NINO faced Terrax. He basically gets his ass kicked, accidentally “wins” the fight, then runs off to find The Avengers. Pathetic. Mr. Loeb – you don’t understand Nova and Nova fans. Your NINO is several orders of magnitude inferior to the original 1976 characterization. Your NINO is un-necessary as Giffen gave Nova fans the Nova we had always wanted. Your NINO is the “Nova” that no true Nova fan EVER wanted. Your NINO is extremely disrespectful to the 36 year history of the character and to all long term Nova fans. I used to buy two or more issues of every Nova comic to do my part in keeping sales high and the series going. I won’t buy a single issue of NINO, and I hope it dies a quick cruel death and is quickly forgotten. No Nova is better than NINO.
Now let’s consider Bendis’ take on Guardians of the Galaxy. Or shouldn’t it be re-named Guardians of the Earth since Bendis has now made them Earth-based? Or maybe he should just re-name his take Guardians of the Caribbean since he refers to Ship as a “pirate ship.” Disney would probably love the conflation of two of its properties and see it as a way to make sure the Guardians of the Galaxy movie is a success. I’m being sarcastic so don’t jump me about that last comment in the forums.
Don’t go pointing at the Point One Star-Lord origin story and telling me how good Bendis’ take is. I agree that that story was well done. But that’s a re-telling of a good Englehart story from the 70’s. Bendis’ original take is exemplified in the last three issues of Avengers Assemble where the Guardians of the Galaxy play second fiddle to The Avengers in taking down Thanos who puts in his most bumbling performance as a Cosmic Cube seeking villain since the dreadful and infamous story where he fought Spiderman and Hellcat for a Cosmic Cube while flying in the “Thanos Copter” and ended up being led away in handcuffs by the NYPD. So Tony Stark is smarter than Thanos and The Elders of the Universe? Really? So, Star-Lord, Drax, and Rocket Racoon deliver lines reminiscent of bad 1980’s cop movies/TV shows? Also, stilted dialog, poor characterization, and complete disrespect for the concepts introduced by DnA that made their take on GotG good enough to attract the attention of Hollywood. Did I miss anything? Oh yes – I did. What the hell is Tony Stark doing as part of the team? Stealing the show if I guess right. And again, to bloggers and Editors who would accuse me of DnA fanboy-ism; I invite you to read any of my reviews of their work on Nova and GotG. I think they did the best take on Nova and GotG ever, but I was by no means easy on them. I also did not follow their work on Heroes for Hire, Villains for Hire, or New Mutants, and I flat out didn’t like Annihilators.
Mr. Bendis – you don’t understand Guardians of the Galaxy or Science-Fiction. Your take on GotG would have been average for popular science-fiction in 1955, but it’s not even close to good popular SF now. And by the way sir, science-fiction fans prefer the shorthand “SF” and not the condescending term, “sci-fi.” Keep that in mind for your future interviews with your fanboys at Newsarama who should know better. The galaxy/universe are big places and Earth is an insignificant part of the galaxy/universe. Your reduction of concepts epic in scope dealing with the awe and wonder of the universe to parochial, Earthcentric, street-level tripe is disrespectful of the concepts that made DnA’s GotG take great. There was no need to do this. We already had a version of GotG very different from the original and embraced by the fans. We didn’t want your “Cosmic Avengers.” We wanted “The Cosmic Dirty Dozen.” I won’t be buying your take.
The upshot is that Marvel Cosmic is no longer truly cosmic. It has been reduced to hackneyed Earthcentric, small scope, street level, trite super-hero concepts with the characters just happening to have some connection to space. This is “pseudo-cosmic” at best. So, until Marvel re-embraces the concepts that once made Cosmic great, I suggest that we refer to Bendis’ and Loeb’s efforts as “Marvel Pseudo-Cosmic,” and I urge the 40,000 or so loyal and true Cosmic fans to join me in boycotting Marvel Pseudo-Cosmic. Pseudo-Cosmic is not better than no Cosmic at all. It taints true Cosmic. It corrupts good and true Cosmic concepts. It needs to go away quickly and be forgotten lest it become as much an object of derision as the “Thanos Copter.”