Comic Book News

Here you can find our Comic Book News section which includes all the latest and related articles, reviews, trailers and reviews for comic books and more.

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Comic Book News Marvel

COVER SHOOT: The Top 5 Comic Book Covers For 3/19/2014

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1.  Noah (Image):  This movie adaption hardcover not only has a stunning cover by the world renowned, Niko Henrichon, but he does all the interior art as well! The linework and layout of this image exudes desolation, a single man bearing the weight of the world, no one could have conveyed that powerful of a thought more beautifully than Henrichon. This cover is so pristine and epic that it is overwhelming!

 

 

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2. Trinity of Sin: Pandora #9 (DC): From the foreground pose to the choice of illuminating the background in an onslaught of baby blue, Julian Totino Tedesco, made all the right choices to make this cover pop off of the racks! The slightly diluted painting scheme is truly beautiful and helps solidify the main character in her new role of warrior of the light. It is almost heavenly in scope and astonishing to behold!

 

 

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3. Daredevil #1 (Variant Edition) (Marvel):  This variant edition by Paolo Rivera, was originally petitioned as a color piece with Daredevil’s suit in a crimson red. I think this stark black and white version is even more eye catching than the original thought and helps to accentuate the graphic background design that Rivera meticulously laid out. While the foreground image of DD is done very well, it is the background that makes this cover great for me. Not only does it offset with the foreground image but it also represents the story well in regards to acting as a maze. It mimics DD’s disadvantage of being in a new city perfectly, making the whole book something special.

 

 

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4. Harbinger: Bleeding Monk #0 (Variant Edition) (Valiant):  Clayton Henry is a master of mixing digital and painted art to make some of the most outstanding covers on the market today. This one is no different but the layout is done so exceptionally well, that it blows everything else away! The forced perspective is amazing, making you feel as though the focal point is literally floating above you. The central image alone can sell this book, but Henry made the background colors a complete juxtaposition to the foreground, creating a solid piece that is truly stunning!

 

 

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5. Thor: God of Thunder #20 (Marvel):  Do I need to say anything about this cover? Does anyone create a Thor cover better than Esad Ribic? “I say thee, nay!” This image is pure power, pure strength and pure excitement! The detail Ribic puts into “old” Thor is astounding but just look at, even “older,” Galactus in the background!  The eye has so much to take in it’s dizzying! There is not one inch of this cover that doesn’t make the inner fanboy in me squeal with glee. ’nuff said!

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Comic Book News

Review: American Vampire: Second Cycle #1

It has been quite some time since fans have been blessed with an ongoing American Vampire book. A wait that has been filled with one-shot teases that were satisfying, but not something that wholly satiated the hunger of ravenous fans. Today, that longing can finally cease as Scott Snyder and Rafael Albuqueque unleash American Vampire: Second Cycle upon the masses!

This time around, we follow Skinner Sweet and Pearl into the treacherous nineteen-sixties where their roles have drastically changed since the last time we saw them. Pearl has become the “Harriet Tubman” of the vampire world, taking in children that have been hunted and persecuted, giving them not only a home but knowledge and friendship as well. Skinner has transformed into a one man hit-squad along the Texas/Mexican border, amassing weapons and cash from unlucky smugglers before, literally, going underground.

Snyder’s tale is multifaceted to say the least. There is the core tales of both Skinner and Pearl, ones filled with beautifully rendered flashback panels that will inform and delight even the newest of readers, but he also bookends the piece with an unnerving mystery that continues to build the overall mythos of the world he has created. The commingling of different eras and story focuses is where Snyder’s skill as a writer truly shines. More often than not, writers who converge on too many story fronts fail to make the changes coherent enough to hold the readers’ attention, let alone enthrall them! But Snyder holds sway over the reader, making the changes not only smooth but meaningful to all other aspects of the tale. He makes each “solo” tale so rich and detailed that it could resonate completely on it’s own merit, but placed together, they make for a single perfect tale of tension and ferocity that will enamor even the most fickle of readers!

American Vampire: Second Cycle transcends past the label of “horror comic” and lands squarely within the parameters of “great comic!” Although, those looking for something fierce and haunting will be more than pleased as well. Viscousness is intrinsic to this book and with creators like Scott Snyder and Rafael Albuquerque, the “Modern Day Masters of Horror,” at the helm, who could ask for anything more?!

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Comic Book News Marvel

Review: Nova #14 (Duggan)

It’s faint praise but this issue is probably the best of the worst thus far.

I say that only because Duggan mangles the Nova Corps mythos a tad less than usual, and of course, because Rich Rider and Cosmo make cameo appearances.  Also, Knowhere is back to being portrayed as a Celestial head floating in the Big Rip rather than Bendis’ recent portrayal of it as a desert planet in a binary system (ripping off Star Wars’ Tatooine).  Otherwise, this issue is yet another completely forgettable waste of time, money, and paper.

NINO himself remains an obnoxious and thoroughly unlikable disgrace to the Nova Corps uniform and legacy.  As usual, he bumbles his way through situations – implausibly and unbelievably utilizing powers he’s never been trained to use during heavy combat situations that he’s never been formally trained to manage.  And, as usual, the cute sugary coating that overlies this intelligence-insulting series fairly oozes off each page threatening to send even non-diabetic readers into a hyperglycemia-induced coma.  They’re just desperate to turn this tripe into a Disney kiddie movie aren’t they?

That’s one of the things that bothers me most about this despicable series.  It isn’t enough that Loeb, Alonso, Brevoort, and Duggan disrespect and insult true long-term Rider Nova fans by replacing him with an annoying child, they also insist on dumbing down the storylines and concepts to pre-teen level.

Continuing Bendis’ wrong-headed ret-conning of Knowhere into an alternate universe version of Tatooine’s Mos Eisley spaceport, Duggan lifts the Han Solo vs Greedo bar scene right out of Star Wars Episode IV.   Hey Duggan – have you ever actually read a science-fiction novel?  Or does your total understanding of cosmic (like Bendis’) come from being a casual Star Wars fan?  It sure seems like the latter. 

Here’s the main difference between DnA’s Nova/GotG and Loeb’s-Duggan’s NINO/Bendis’ GotGINODnA’s work read like a well-written science-fiction novel that respected readers’ adult mentality, and Loeb’s-Duggan’s NINO/Bendis’ GotGINO read like comic books aimed at children and/or zombies who’ll buy anything.  It’s the difference between DnA’s entertaining, intriguing, imaginative, original, high- quality work that respects the characters and fans, and Loeb’s/Bendis’/Duggan’s pedestrian, forgettable, un-imaginative, derivative, hackneyed trash which disrespects the characters and fans.

In an obvious attempt to “throw a bone” to Rider Nova fans, Duggan et al includes a cameo flashback of Rich Rider coming to BRB’s rescue in a heretofore unknown meeting between BRB and Rich.  Surprisingly, Rich is treated with respect (for a change) by this (so-called) “creative” team.  I suppose this appearance is supposed to satisfy us and make us shut up about Marvel’s shabby treatment of the Rider Nova character and the Rider Nova fans?  Nope.  Not gonna happen.  You’re going to have to do much better than that Marvel Editors.

It was nice to see Cosmo again, but of course Duggan can’t resist turning him into a joke character, and, of course, NINO is completely disrespectful to Cosmo.  That’s another of the reasons I just can’t stand the little “idiot” that is the NINO character.  NINO – much like his patrons on Marvel’s editorial staff – simply doesn’t realize how inferior he is not only to his predecessor whose title he usurped, but to all the other cosmic characters with whom he interacts.

The art and coloring in this issue are certainly acceptable, but they aren’t enough to justify investing one red cent in this series.  If you’re a true cosmic fan and a true fan of Rider Nova, the best thing you can do is leave this trash on the shelf.  If we all continue the boycott of Loeb’s/Marvel’s callous insult to true Rider Nova fandom maybe we’ll be rewarded with the phrase, “Final Issue,” smeared across the cover before issue #20 of NINO hits the shelves.  Better no Nova than NINO.

Nix NINO!

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Comic Book News Marvel

Review: Guardians Of The Galaxy #12

Just when I thought GotGINO couldn’t get any worse, Bendis steps up and pushes it down to rock bottom.

It’s very clear that Bendis doesn’t have any idea how to write cosmic in general and Star-Lord, Rocket, Groot, Drax, and Gamora in particular.  The Guardians are really just used as generic supporting characters for the X-Men – just as they’ve been used as generic supporting characters for the Avengers in several past issues.

With the exception of Rocket – whose rendering leaves much to be desired – Pichelli, Immonen, and Ponsor give us some pretty, colorful pictures that resemble the Guardians of the Galaxy of old (even though I still resent Star-Lord being de-aged by about 10 years).  Unfortunately, Bendis has extracted the heart and soul of the team.  It’s the perfect American product – all style and no substance.  It’s sad really.  Volume II of this book had the style and substance of greatness – but Alonso, Brevoort, and Bendis threw that away in favor of a “Guardians of the Galaxy in Name Only” Volume III made to appeal to children and Avenger-zombies/X-zombies with the mentality of children.  Unfortunately their strategy worked in terms of sales as the zombies keep buying it – so, sadly, we’re in for a lot more of this GotGINO because the exact wrong message is being sent to Marvel.  To them, the sales figures say that this is what comics buyers really want.  I say – it’s apparently what the zombies want – including the handful of cosmic-zombies who’ll buy anything with Guardians of the Galaxy smeared across the cover.  It isn’t what the true cosmic fans want.  Let’s hope that Bendis has to give GotG up to focus on Star Wars now that Marvel will be taking over that franchise.   When he turns Star Wars into SWINO, that enormous group of fans will give him the (figurative) tarring and feathering he deserves for crimes perpetrated against cosmic.

Pretty much nothing happens in this issue except for Scott Summers and Star-Lord’s catharsis about their daddy issues.  What is this obsession with daddy issues?  Are you trying to work something out for yourself Bendis?  If so, please take it up with your analyst and stop inflicting it on the rest of us.  Invite Loeb, Alonso, Wacker, and Brevoort along.  Maybe you can get a group discount.

Of course, more characters return from the dead with no explanation as to how.  Yes – I’m talking Corsair and the Starjammers.  Don’t get me wrong – I ‘m happy to see the Starjammers alive and well.  They and Magik are really the only X-characters I care much about.  I just resent every dead cosmic character being inexplicably resurrected EXCEPT Rich Rider and, of course, Mar-Vell, Genis-Vell, and Phyla-Vell.  Apparently – if you’re a cosmic character and there’s more than one “R” or one “L” in your name, Marvel has some sort of rule stating that you can’t be resurrected.  Not that I want Bendis to have anything to do with resurrecting Rider or any of the Vell’s.  But I would like to see a truly capable cosmic writer (e.g.  DnA, Starlin, Giffen) tell those stories.

Save your money on this one guys.  The GotGINO barely appear in their own book – and when they do they don’t do anything of consequence.  They’re really just Butlers for the A-list X-characters.  Besides, this one is a snooze-fest even by Bendis standards.

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Comic Book News

Has DC Given Us A Clue That Nightwing Will Die?!

Another Death In The Family?

By: Chris “DOC” Bushley

 

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We have all heard the rumors before, “Nightwing is going to die!” As a matter of fact, before the New 52, it was rumored that Nightwing, Dick Grayson, was to perish in a most heroic way. This time, however, there are too many scenarios aligning to make this rumor feel like just another rumor, this time it may actually happen!

In the pages of DC’s big event, “Forever Evil,” Nightwing was captured, tortured and his true identity revealed worldwide to the shock and horror of all the remaining heroes. DC also previously announced that Nightwing will be canceled as of issue #30, arriving on stands April 9th. Just these facts alone don’t truly add up to anything, but DC always has some subtle ways of giving clues as to what may come to fruition!

Way back in November, DC placed a lovely teaser image by Jason Fabok within the pages of its “Bat” books. This was solicited as a teaser for characters and storylines that would take place in the new weekly series, Batman Eternal, that just so happens to debut in April as well. You have all seen this image before, but take a look again. There is one character that seems to be missing, yes Nightwing is not there, or is he? The blonde haired character next to Red Robin appears to be wearing a mask that looks a lot like Nightwing. Did Dick Grayson dye his hair, or could that be Calvin Rose a.k.a.. Talon taking up the mantle?

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Either way, it is still something to speculate, considering what this image has already revealed to us. In Batman #28, which takes place six months in the future, we have already seen the debut of Harper Row as Batman’s new sidekick, Bluebird, as well as the return of fan favorite Stephanie Brown — Spoiler! Both are featured here next to Red Robin and the mysterious blond hero. But there is even more!

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Once you take a good look at Jason Fabok’s cover to Batman Eternal #1, we see something even more intriguing. The cast of characters displayed within Batman’s cape are also from Fabok’s Thanksgiving teaser image as well. There are a few additions, such as the Riddler, Scarecrow, Harley and the female Talon, Strix, but the rest are the same — minus two! Which two you may ask? Both Nightwing AND Talon are missing from this picture, and with both of their series being canceled, wouldn’t one think that they would at least be brought into a book called Batman Eternal? It’s hard to think that Dick Grayson, the original Boy Wonder, would be left out of something as big as a Batman weekly series focusing on all aspects of the Bat Universe! Unless, of course, he is no longer around!

But, maybe it’s all just rumor, we truly never know until the the books hit the stands. Maybe I am just speculating too much, but then again, whose bones are those around the fire in Fabok’s teaser? As Batman stands in the pouring rain on the cover of Batman Eternal #1, whose blood is running down his chest?  Maybe the cover of Nightwing #30 will help give us some answers. You decide!

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Comic Book News

Review: The Walking Dead #122

A “slow burn” tale awaits you this week as Robert Kirkman continues to build to the deafening crescendo of the, “All Out War,” story arc.

Kirkman is known for his “ebb and flow” style of storytelling and this week is all about strengthening the bonds between the main characters to further the tale along. Taking place mostly at the Hilltop, Kirkman narrows his story to just a chosen few, but he exponentially builds upon their layers of characterization with brief insights between the larger scope of the tale. We are privy to some tender moments between Andrea and Rick, we see a confession from Ezekiel to Michonne, a rather sad exchange with Heath and a doctor and the burden placed on Maggie’s shoulders by here decision from last issue.

These short insights into the individual worlds of the characters drives the overall story, one laced with the converging of peoples against a common enemy and rife with despair for what is to come. But, as well written as those small pieces may be, the revelations about the character of Jesus and Neegan’s new choice of weapon, is what fans will be clamoring about around the water cooler tomorrow! I won’t mention the one secret about Jesus( I’m sure there will be plenty of people sounding off on the message boards about it!) but I will reveal that we are finally given his real name! But I have to say, I’ll still call him Jesus! I also won’t reveal Neegan’s new choice of weapon although it is organic in nature, and no, it’s not a zombie bomb!

Horrible things await our heroes in this continuing story arc and I could not be more on the edge of my seat! Secrets tend to hurt those they are being kept from, by the sheer amount of secrets revealed in this issue alone, everyone will be feeling the pain! 

Only two weeks until the next issue!

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Comic Book News Marvel

Review: Nova #13 (Duggan)

As Beta Ray Bill said to NINO, “If you are Nova then you are a disgrace to all those who came before you!”  I could stop writing this review right now and leave it to BRB’s assessment because truer words have never been spoken, and that pretty much sums up not only this issue – but this whole series.  Thank you Mr. Duggan for some rare honesty about NINO on the part of Marvel Comics.  NINO is a disgrace to the uniform and legacy of The Nova Corps.

Duggan continues the NINO trademark of silly, intelligence-insultingly implausible storylines about the inexperienced, untrained idiot, NINO, somehow bumbling his way through situations and even besting a true, highly-experienced, and ultra-powerful hero like BRB.  After you’ve finished joining me in an eye-roll over that astoundingly stupid story element aimed squarely at 8-year-old boys.  Rest your eyes for another eye-roll as NINO’s mother proves once again how unfit she is to parent by sending the minor child, NINO, off to space to risk his life in the company of an alien she’s just met and reacted to with terror.  I guess she’d send NINO over to Neverland Ranch for a sleep over if MJ was still alive. Unbelievable.  Somebody please call Child Protective Services and have her children removed from her custody.  It’s also unbelievable that BRB would invite a minor child to accompany him on a life-threatening combat mission.  BRB is better than that.

But why should any of this surprise us?  It’s not like Brevoort, Alonso, Bendis, and Loeb set out to create a quality product.  They had that with Volume IV and threw it away in favor of this puerile trash.

On the positive side, the art is certainly acceptable and Curiel’s colors are eye-catching.  However, you can find great art plus great writing with other better true cosmic books that actually respect their readers, talk up to their readers, and seek to cultivate their relationship with long-term fans.  I’m talking Invincible or any of the Warlord of Mars books.

Marvel is trying to milk BRB fandom to stop the rapidly falling sales of NINO by guest starring BRB for the next several issues.  Don’t be fooled BRB fans. BRB fans are sure to be disappointed with the shabby treatment given BRB in this book.  One of the variant covers for #16 shows NINO lifting Stormbreaker. As if the little idiot is worthy.  So, BRB fans, show your displeasure and leave this one on the shelf.  Reading it will just piss you off anyway.

It’s clear that Duggan simply needs to go back to writing Deadpool and leave cosmic alone in the future.  In the meantime, he’ll do just fine to usher in the well-deserved end of NINO.  Sales have dropped well under 30K, and New Warriors has debuted to thunderously under-whelming reviews and general indifference.  If we’re lucky, NINO will be gone before issue #20 and NeWINO before issue #10.  Let’s continue the boycott and hasten the little idiot’s demise.

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Comic Book News

Op-Ed: Nova: The Turning Point; Richard Rider The New “Death of Captain Marvel”

The Cosmic Triune

An Opinion-Editorial

Nova:  The Turning Point

 

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The Death of Captain Marvel is definitely among the best and most poignant of comic book stories ever told.  However, it has over time been elevated to “sacrosanct and immutable” status by Marvel’s senior editorial staff.   “Mar-Vell dead” has replaced “Bucky dead” (for obvious reasons) as a term meaning that a character is dead and will be prevented from returning to life only due to editorial intransigence.  I would argue that Mar-Vell’s death story doesn’t deserve “sacrosanct and immutable” status, but that’s a subject for a future op-ed.

In this op-ed, I will address the recent announcement by Marvel Vice-President, Tom Brevoort, that current GotGINO writer, Brian Bendis, will be addressing a sore spot among cosmic fans: how Star-Lord and Thanos escaped the Cancerverse while the true Nova, Rich Rider, somehow didn’t.

As all true Rider Nova fans and true cosmic fans know, Rich Rider wasn’t really killed at the culmination of The Thanos Imperative.  Nova (Volume IV) writers, Dan Abnett and Andy Lanning, have been very clear in stating that they didn’t kill Rich – just merely put him in limbo until they could bring him back and continue his story when his ongoing series was taken off of “hiatus” by Marvel’s editorial staff. Of course, DnA’s Nova (Volume IV) and Guardians of the Galaxy (Volume II) – considered by most cosmic fans as the definitive and penultimate volumes of both series – never got the opportunity to return from hiatus.  As recounted by Marvel President Axel Alonso, it was decided to reboot both series with new writers (Loeb for Nova and Bendis for GotG) in an attempt to integrate Marvel Cosmic into the Marvel Earth universe and make cosmic more accessible to the typical comic book buyer.  As we all know, Alonso succeeded – and ruined both concepts in the process.

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Loeb’s Nova (Volume V) has earned the name, “Nova in Name Only” (i.e. NINO), as the mature and ultra-powerful leader of men, Rich Rider, was suddenly said to have been killed at the end of The Thanos Imperative and replaced by an annoying 14-year-old child bumbling his way through pedestrian “adventures” on Earth in a blatant, creatively bankrupt attempt to re-package yesteryear’s teen Peter Parker for today’s pre-pubescent audience.  In other words, Rich was “killed” via editorial fiat to make room for NINO.  NINO has not been well received, has experienced steadily falling sales, and has earned the ire of long-term fans of the true Nova, Rich Rider.  Likewise, Bendis’ Guardians of the Galaxy (Volume III), termed GotGINO by many fans, has replaced the awe and wonder of the cosmos with a pedestrian, Seinfeld-ish version of GotG – literally a “comic about nothing.”  Whereas DnA’s version of GotG had interesting characters with distinct personalities single-handedly taking on universal threats, Bendis has reduced the characters to generic personalities shouting catch phrases or making lame jokes while bumbling their way through barely defending only minor threats to Earth that are beneath the notice of the Avengers.  Bendis’ GotG are essentially third-string errand boys for the Avengers.  How the mighty have fallen.

Given the hack-job perpetrated against cosmic as described above, Rider Nova fans are understandably concerned about a Bendis-written and Brevoort/Alonso overseen account of what happened to Rich after the events of The Thanos Imperative when he was last seen marooned in the Cancerverse with Star-Lord and Thanos.

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The smart thing for Marvel to do would be to see this for the turning point that it is, and take the opportunity to mend fences with the Rider Nova fans (aka – potential paying customers in a comic book environment of falling sales and increasing competition) by bringing Rich back to be the powerful and mature Nova Prime of the cosmos busy doing what he should be doing – resurrecting Xandar.  Since Dan Abnett is going to be back writing for Marvel, let him write the story of Rich’s return as he originally intended.  To placate the small group of NINO fans and Marvel’s desperation to make NINO the only Nova on Earth, Rich never again has to set foot on Earth.  Earth can be left to the little twit, NINO, as far as I’m concerned.  NINO won’t make it to issue #20, the Ultimate Spider-Man cartoon will be over in 3 seasons, and New Warriors in Name Only (NeWINO) will be DOA despite Marvel’s desperation to make NINO work – so we’ll hopefully see the last of NINO soon if natural selection is allowed to prevail.

But, as already demonstrated by Marvel’s current leadership, we can’t count on them to do the smart thing with cosmic or with the Rider Nova character, and they apparently don’t care about cultivating their relationship with Rider Nova fans.  Given their desperation to make NINO work, the open hostility that members of Marvel’s editorial staff have publicly displayed against any Rider Nova fan publicly objecting to the disrespect Marvel has shown to Rider Nova fans, and Marvel’s consistent message to us, to just “shut up and buy NINO or they’ll be no ‘Nova’ at all.” It doesn’t take a weatherman to see which way this wind is blowing.  Bendis is going to write a story making Rich Rider “Mar-Vell dead” in order to cement NINO in place forevermore.

Let’s stop that from happening by accelerating the process of natural selection in regard to NINO.  NINO needs to be a demonstrated failure so there will be no temptation to make Rich “Mar-Vell dead.” Since all Marvel understands and respects is dollars, the message is going to have to be sent via that route.  I know some think the “collaborator” approach is the best way.  That is, some think that supporting NINO will bring Rich back.  Nope.  Buying NINO and GotGINO will only get you more NINO and GotGINO.  Sometimes you’ve got to burn the village to save it.  If you’re still buying NINO, stop immediately.  And don’t buy NeWINO either since it features NINO.  Stop watching the USM cartoon and if you’ve set your DVR to record it – stop that immediately to help drive ratings down.  Don’t buy any NINO merchandise.   Spoil Bendis’ intention to make Rich “Mar-Vell dead” by talking about it on every forum you visit.  Then go to Bendis’ Tumblr page or twitter feed, Brevoort’s Tumblr page or twitter feed, and Alonso’s twitter feed and tell them about your displeasure with NINO, and why you’re not buying their products.  Make it clear that the same thing will happen to GotGINO if Bendis kills off Rich Rider.  That makes more of a difference than you think – and even if they don’t publish it, they still read it.  Make them understand why their choices about cosmic are losing them customers (i.e.  money).  And even if this strategy doesn’t bring Rich Rider back, it’ll at least sink NINO.  As I’ve always said, better no Nova than NINO.

DISCUSS THIS IN THE COSMIC BOOK NEWS MARVEL COSMIC FORUMS

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Comic Book News

Review: The Walking Dead #121

Robert Kirkman is the master of “ebb and flow” storytelling!

In the wake of last issues all out barrage on Rick’s quaint little community, Kirkman takes the time to reflect on the changes thrust upon his characters. He sets up some well crafted character driven moments that show how much damage has been bestowed upon them both physically and emotionally, while delving ever deeper into Neegan’s bipolar threats. I don’t care what critics say, the character of Neegan is so much fun to read that it’s almost mesmerizing! One moment you are shocked by the string of vulgarity that flow from his lips, the next you are lulled into a false sense of security as he ensures you he would never hurt a fly and then — BANG — he bashes in your best friend’s head with a barbed wire baseball bat! Insane? Too over the top? Of course! But, there is also an intriguing factor woven into the character, a synergy of opposites that transcends past the level of shock to create a character that is both comedic and horrifying! 

This issue lays the groundwork for what is to come in the future of The Walking Dead universe. Some have fallen, others have had their desire for battle washed away and others still, face an uncertain future in the hands of Neegan. It is a time to regroup, a time to mourn those that have been lost and most of all, a time to move on. Fans of the AMC television show never got the true importance of this object, but the comic fans will give a slow nod of remembrance as Rick finally “hangs up the phone.”

Great issue!

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Comic Book News

Review: Forever Evil #5

WARNING: SPOILERS DEAD AHEAD!

 

Geoff Johns has given DC fans a well executed tale that shines a spotlight on those we normally see through the eyes of the superhero. Villains tend to be a one trick pony but, in Forever Evil, we have the chance to delve deeper into certain individuals machinations as to why they do what they do and in this instance, see them as not so much villains but heroes no matter what their grand scheme may be!

So far, Johns’ mini series has been laced with some subtle and not so subtle nods to past storylines, the inclusion of Otis from Donner’s Superman, the creation of B Zero, Batman wearing the Yellow Lantern ring, this issue however forgoes those subtleties and focuses more on the all out action! The tale straddles two fronts, Luthor’s legion in Wayne Enterprises and Sinestro’s battle with Power Ring. Although Johns begins his story with Luthor’s monolog, it is the sheer viciousness and unyielding might of Sinestro that truly drives the story and in the end, leaves the Crime Syndicate reeling with the loss of a core member! 

Johns doesn’t strictly rely on death and destruction this issue either. Power plays are exchanged, roles are reversed and an uneasy alliance between Luthor’s legion and the Bat and Cat emerge. Johns creates a well played chess match that unfolds before your very eyes, one that will leave you rife with questions and an eagerness for what is next to come! My only qualm, regarding this overall story, is that it does not unfold into other DC core books to further enhance it. There have been so many interesting pieces to Forever Evil that it would only benefit by reaching into other books, besides the Justice League titles, and emerge from just an isolated mini into an epic event!

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Comic Book News

Guardians of the Galaxy #11 Review (Bendis)

There were two high points in this issue.  First, a Gamora imposter was beautifully portrayed in Gamora’s Annihilation-era costume by artist, Sara Pichelli.  Second, Rocket and most of the rest of the team hang-up on an annoying “phone-call” from Tony Stark – thus ending Stark’s involvement in Guardians of the Galaxy.  Aside from that, this issue drove right off a cliff and landed squarely in a pile of boredom.  Basically, Bendis uses this issue as one long commercial for his X-Men series and advances the saga/characterization of the Guardians not one iota.  If I was a new reader, I’d be wondering why the Guardians were such a big deal because they don’t do much of anything and are portrayed as marginally competent second-fiddles to everyone else in the Marvel Universe – especially any Avengers or X team.  They have “B-List rapidly slipping to C-List” written all over them in Bendis’ characterization.

Bendis’ continued fascination with the lackluster “Galactic Council” is beyond comprehension.  They come across as a bunch of incompetent, scheming, generic, cardboard villains who never agree on anything and work at cross purposes to each other.  Why do they bother to meet?  How come this bears no resemblance to the Galactic Council as portrayed in the past?  If these heads of state are all so incompetent, how do they keep from being deposed?  I know this is Bendis’ ham-handed attempt to set up and advance stories – but frankly it’s bad writing and a bad technique reminiscent of some of the worst examples of storytelling from 50’s-70’s-era popular televised juvenile science-fantasy.  And that’s the problem with Bendis writing cosmic.  His entire understanding of cosmic seems to come from watching TV as a youngster.  That much is obvious from his handling of Guardians of the Galaxy thus far with its obvious turn to the juvenile and the implausible.  Add to that that, Bendis has written implausible super-heroic fantasy for so long that he has no idea how to write science-fiction or even science-fantasy that must by definition contain a modicum of plausibility to earn the “science” brand – and you get the mess that is his Volume III of Guardians of the Galaxy.

I really hate it that Star-Lord is portrayed as a bumbling, skirt-chasing, 25-year-old easily taken down by an obvious Skrull imposter with the old “drug in the drink” trick.   I much preferred the colder, more mature, more calculating middle-aged manipulator who chased the occasional skirt.  DnA’s inspiration for Star-Lord came from a softened version of his original portrayal with some Han Solo mixed in.  Bendis’ inspiration is apparently Adam West’s portrayal of Batman with some young Charlie Sheen mixed in and dumped into the body of a 25-year-old.   I don’t see this version of Star-Lord as anyone to be respected, feared, or admired.  In fact, his “leadership” in Volume III has been lackluster at best.  If I was the Galactic Council, I’d just ignore him and let him self-destruct via his own incompetence.

Knowhere (complete with a barely noticeable cameo from Cosmo) is now inexplicably portrayed as a dirty spaceport on a planet with a binary star system (i.e. a rip-off of Star Wars’ Mos Eisley).  When did Knowhere move out of the Celestial head floating through the Big Rip?  Did Bendis just decide to ret-con the whole Knowhere mythos?  What gives?

Though Pichelli gets kudos for her portrayal of Gamora in the Annihilation-era costume and for her portrayal of Angela – the rest of the team leaves something to be desired – especially Rocket and Drax.  Rocket looks like a dog’s plush toy and Drax is portrayed as a generic, barely-defined muscle-man.  Ponsor does  his usual fine job with colors – but admittedly he doesn’t have much with which to work.

I’m reminded of what William Shatner told J. J. Abrams about the new Star Trek.  Shatner told Abrams that it portrayed all the classic characters and had some whiz-bang special effects – but it lacked the real heart of Star Trek.  I agree with Shatner, and I’ve said the same about Bendis’ Guardians of the Galaxy Volume III from the start.  Look back through my reviews.  Bendis writes characters who carry the name and image of DnA’s version of Guardians of the Galaxy, but Bendis has excised their hearts and souls.   Bendis writes caricatures of the Guardians of the Galaxy aimlessly wandering around inexplicably/implausibly obsessed with one miniscule fraction of one galaxy (i.e. Earth-space) acting like inferior versions of any of the way too many Avengers teams – that is, when he’s not using the Guardians of the Galaxy as butlers for The Avengers and now the X-Men.

Just as I’ve said from the start, Bendis doesn’t understand science-fiction, and he lacks the talent to capture the heart and soul of the characters that made Volume II of Guardians of the Galaxy a modern day classic.   The best thing he could do is step aside and let a better writer – preferably one with SF street cred – take over.  Sadly, we already know that’s not in the cards as the Avengers-zombies (and the old Volume II Guardians of the Galaxy fans who vainly hope for a glimpse of the past glory to seep into Volume III) keep the sales up around 60K.  Sadly, we also know that Bendis didn’t learn from the stupid and disastrous addition of Iron Man to the team as Cable is slated to join the team soon in a shameless ploy to attract X-zombie dollars to the book as is Venom in a shameless ploy to attract Spider-zombies.  This Bendis-led integration of Guardians of the Galaxy into the greater Marvel Universe to attract more (juvenile and casual) buyers has really weakened the concept and is not a good lead-in to the upcoming movie.  Cosmic was substantially better when it was niche-audience oriented and adult-oriented. Sadly, the powers that be in Marvel Editorial show no signs of waking up and correcting their bad decisions.

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Comic Book News

Review: The Walking Dead #120

We are only halfway through Robert Kirkman’s latest storyline, “All Out War,” and the casualties are already piled high!

This latest issue sets the stage for the future of the Alexandria residents, or what little future they may have left. Riddled with action, this issue is brimming with intensity from the opening sequence all the way to the final page, with enough shocking moments in between to keep you on the edge of your seat!

Kirkman shows us the final fate of Holly, Neegan’s retaliation on Rick and the rest of the residents of Alexandria and the return of a fan favorite character that will have TWD fans cheering! This particular piece to the bigger story, is sprinkled with some miniscule character development, not including Neegan’s fascinating discussion to his favorite weapon, Lucille, but chock full of jaw dropping moments that will leave any reader clamoring for more. I found myself muttering a hushed, “No,” throughout most of the tale, a tribute to Kirkman’s raw talent for weaving these characters into the hearts and minds of the reader more and more with every passing issue. He has created characters that are relatable, but most of all, breakable. In a genre where character death is a dime a dozen and six months is the normal window until said character returns form the grave, Kirkman’s characters are finite and mean so much more to the reader because of that fact. This is the end for some but just the beginning for others!

Chaos tears through the very fabric of Rick’s life and there is no end in sight to Neegan’s lust for revenge. This issue is the beginning of the end of another chapter in the world of TWD, but at least it is going out with a resounding BANG!

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers For January 22, 2014

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

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1.  Avengers #25 – Variant Edition – (Marvel): Alex Ross is known throughout the comics field as the man that started the “realistic” comic cover. Covers that depict such high detail that Ross’ characters seem as though they are true to life. Well, this cover is one of the best ones I have seen as of yet! Classic Avengers characters adorn every inch of this cover! Ross’ layout is superb and the colors give it that nostalgic feel of Kirby and Lee at their very best. Simply superb!

 

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2.  Bravest Warriors #16 – Variant Edition – (KaBoom/Boom! Studios): I thought this cover was a perfect example of the Manga Pop craze that is hitting the nation. Mike Holmes gives this cover a brilliant art deco background while placing the Japanese style central character slightly askew in the forefront. This is a great amalgam of art styles and proves that you don’t need super heroes in tights to make a cool cover!

 

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3.  Batman #27 (DC): Greg Capullo is no stranger to creating horrific images in comics, but this cover will certainly draw some attention away from the other books on the rack this week! Bleak in color and tone, this cover will create a vortex for the eye, singling it out amid the myriad of Technicolor laden books. Plus, the central image is so disproportionate and deranged it makes you wonder if this is a cover for Batman or Crossed! Fantastic line work and a great use of dark tones make this one a must have for Bat fans!

 

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4.  Eternal Warrior #4 – Variant Edition – (Valiant): This is an amazing watercolor cover, by the ever versatile David Mack, that I need to get a copy of! Perfect use of line and color off set each other in this masterpiece. The broad water color strokes in the background give it a subtle look while the foreground captures the essence of the main character perfectly. It is a truly beautiful cover for such a brutal character but Mack pulls it off with ease!

 

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5. Harley Quinn #2 (DC): This cover has everything you would expect in a Harley book! Animals, chaos, blood?, a love note to Joker and of course, a beautiful central figure that is more than off her rocker! Amanda Conner captures the pure essence of Harley with this single, multi-faceted image and fans are going to love it. Highly detailed lines and a vibrant color palette make this cover pop off of the stands and would make an exquisite poster to boot! People who say Amanda Conner can only draw “hot babes” need to check out this cover that proves her talent far exceeds their low expectations!

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Comic Book News Marvel

Review: Nova #12 (Duggan)

The cover gave me a moment of false hope that NINO would finally get what was coming to him and we’d be mercifully spared any more issues of this ongoing insult to intelligence, plausibility, and the Nova mythos.  Sadly – the annoying little “idiot” survives.

Once again NINO proves to be a disgrace to the Nova uniform and the Nova Corps.  He makes light of the deaths of true Corpsmen – something a true soldier would never do.  He is easily bested by a lame bounty hunter.  He is easily fooled by a pirate/slaver into saving the pirate/slaver from Korbinite justice, and then repairs the pirate/slaver’s ship.  Of course, he skips school to do all of this – and once again his ineffective mother is just fine with that.

I am shaking my head in wonderment at the level of suspension of plausibility that is required for any normal adult to read this book and actually be entertained by it.   It is truly too juvenile and too puerile for most 10-year-olds.  Maybe particularly immature 7-year-olds are dumb enough to enjoy it – but how many of them are buying comic books?  I guess that’s why the latest sales numbers for this rag are well under 30K.

This comic book is proof positive that Earthbound super-hero writers should just stick to writing Earthbound super-hero stories – and leave the writing of cosmic heroes to true science-fiction writers.  That’s right Duggan.  Just go back to writing Deadpool.  Cosmic isn’t your thing.

Let’s talk about some of the particularly asinine weaknesses of the entire NINO concept as perfectly illustrated by this issue.  Some lame bounty hunter just snatches NINO’s helmet off and NINO immediately becomes powerless and helpless.  A Nova is supposed to be a living weapon.  What weapon designer would design a living weapon with such a glaring weakness?   None would.  In fact, in the entire history of Nova mythos, no Nova has been portrayed as being powerless while their helmet was off.  It defeats the entire purpose of having a living weapon to make the power dependent on the helmet.  Other (better) writers recognized that – but not our boy Loeb.  That entire “magic helmet” concept is just another “Lo(e)botomization (i.e. a dumbing-down or juvenilization) of the Nova concepts and mythos.

Since Xandar is presumably still inactive or stone cold dead in the Loeb/Brevoort/Alonso-perpetrated hack-job on the Nova mythos – on whose authority is NINO acting when he puts on his father’s uniform, usurps powers not granted to him by any authority and goes about enforcing pan-galactic law?   Nobody’s authority of course.  He’s immature, untrained to use powers that could level a city, and irresponsible as lavishly portrayed in this issue where he frustrates the efforts of empowered law enforcers and aids/abets criminals.  I liken it to a 15-year-old putting on his father’s police uniform, strapping on a gun, getting into a patrol car, and driving down the Interstate Highway enforcing the law with the same level of seriousness as he would approach a video game.  Would any responsible adult be just fine with that or would responsible adults put a stop to it?

And what is it with the Marvel/Disney glorification of truancy from school, irresponsible use of vast powers, child soldiering, and irresponsible parenting?  Is that really the message Marvel/Disney is sending to the particularly dumb, immature, and therefore especially impressionable 7-year-olds at whom this comic book is presumably aimed?  Heck – this book is even insulting to the single-moms – portraying them as weak, irresponsible, and ineffective.   Tell me – what responsible parent would encourage a minor child to skip school to travel light-years away from home to risk his life using powers he’s not trained to use?

The only highlights of this waste of time, money, and paper are Medina’s art and Curiel’s colors.  Too bad their efforts are wasted on this NINO tripe.  They deserve better material to highlight their skills.

It makes me angry to know that the mature, effective, powerful, decisive, and heroic true Nova, Rich Rider, was replaced by the immature, ineffective, un-heroic, and “idiotic” (Loeb’s own words) NINO due to the misguided decision of Marvel Editorial staff to try to re-capture the magic of 60’s-era teen Peter Parker.  It isn’t working guys.  It’ll never work.  It isn’t the 60’s anymore and that story concept has been overdone from then to present.  It’s hackneyed.  Falling sales are proving that.  Do the smart thing and Nix NINO!

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Comic Book News

Marvel’s Dan Buckley Talks Movie Influence On Comics: Guardians of the Galaxy

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DnA fans, I guess you can blame Marvel Studios for the cancellation of your favorite title as Marvel Comics President of Print Dan Buckley says in an interview that they relaunched the book under Bendis because of the movie.

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The general philosophy is we’re going to try to build some heat around a character 18 months to a year before the movie releases within the comic continuity.  That way we’ll have some fresh trades and collections on the shelves, with high level talent, when the movie releases.  You’ll have some back issues; you’ll have some trades; there’ll be a market.  The books will feel contemporary with the best read and art that we can provide at that time. 

If you go back over the last 10 years, you probably could go through Previews and pick out the #1 that shipped 18 months to two years before the movie came out and track the talent and see what we did there.  Guardians is a great example of it: Brian Bendis and Steve McNiven was last April.

Buckley also believes the new Guardians of the Galaxy is a “fresh product,” and goes on to admit they got caught with their pants down when Thanos showed up in The Avengers movie.

The only time we got caught flat-footed on that was probably Thanos with the Avengers because we didn’t know what the tag was going to be.  They didn’t know what the tag was going to be until very late either.  And that caught everyone kind of flat-footed with the Avengers film.  

And if you are wondering why your favorite comic happens to be more and more like the Marvel Studios film?

In order to help the print business we need to get as many people as possible excited about the content we’re delivering them, and the less confusing it is for them to engage in our product, the more success we’re going to have.

Buckley was also the one who told Bendis to write the new – dubbed by the fans – “Garbage of the Galaxy” series.

Previously, Marvel comics writer Matt Fraction admitted that the movies interferred with his Thor run as well.

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Comic Book News Marvel

Guardians of the Galaxy #10 Review (Bendis)

Well – I have to begrudgingly give this issue a “best of the worst thus far” nod in Bendis’ entire garbage of the galaxy run.  But – that’s only because I have a weakness for old-fashioned “Bad Girls,” and this issue focuses on Gamora and Angela going berserk and killing everything in sight in a real “up close and personal” way.  The fight scenes and near over-the-top viciousness of these two Bad Girls would have been like a walk down memory lane if only the violence had been a bit more graphic, and the viciousness had really achieved over-the-topness

For the first time, I felt like Bendis got Gamora’s characterization right.  I’d also have to say the same about the characterization of the rest of the team; though viewing Star-Lord’s atrociously redesigned uniform did kind of wet blanket the moment of seeing his glimmer of correct characterization finally manifest itself.   Never fear Bendis-zombies and Avengers-zombies – I’m sure Bendis just accidentally fell bass ackwards into getting the characterization right, and next issue Rocket will be back to desperately trying to find a catch-phrase to shout, Star-Lord will be back to channeling Adam West, and the rest of the team will be once again unrecognizable caricatures of their former selves.

The interior art and coloring are vast improvements over the last two atrociously illustrated/colored issues.  What can be said about the cover?  Sigh.  Gamora and Angela were beautiful.  Star-Lord’s illustration was beyond awful. His uniform looks like something from a cheap Japanese cartoon, and his hair looks like somebody dropped a bowl over his head and scissor-cut around the perimeter.  Hey Bendis/Maguire – the mop-top went out in the 60’s!  Pathetic.  And what’s with the smug, self-satisfied little Burt Reynolds smile and chin tug?  Is he really suggesting he’s going to bag one of the babes on either side of him?  Really?  Not this version of Star-Lord.  He might bag Squirrel-Girl – but Gamora and Angela are way out of this Bendis-fied version of Star-Lord’s league.  Now Inglehart’s and DnA’s version of Star-Lord is an entirely different story.  Both at once would’ve been a definite possibility.

And no letter’s page!  What a relief not to have to suffer through anything Wacker writes.  And this should be one of his last issues.

Hey Bendis – do us all a favor and leave GotG to more capable hands.  I’m sure you’ll want to add the Star Wars notch to your belt.  Why not move on and get started on that early?  If you think us Marvel Cosmic fans have been tough on you – just wait until the Star Wars fans start reacting to your situation-comedy-ing of their favorite universe.

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Comic Book News

Bad Dog #5 Review

This is one of the best books on the market, and you’re probably not reading it.  If you’re not, that’s a shame because you’re really missing out on a good time.
 
For those unfamiliar with the book, Bad Dog chronicles the adventures of two Bounty Hunters, Lou and Wendell.  Lou is a Werewolf and Wendell is a fallen Priest.  Currently, they’re on an adventure in Las Vegas.  Let me tell you, none of The Hangover movies can hold a candle to Lou and Wendell.
 
This book is written like one of the great “dramadies” on the pay-cable networks like HBO or Showtime.  That’s what makes it so good.  Kelly isn’t afraid to pull out all the stops to get a laugh or to emphasize a particularly poignant moment in the lives of our protagonists.  The story is fast-paced, the dialogue is snarkily funny, and the story is intriguing.  Kelly plays the supernatural elements as matter-of fact in the daily lives of the denizens of the Bad Dog universe.  So, no one gets too upset seeing a Werewolf walking down the street.  Unlike the current writer of Rocket Racoon who has to keep underlining the inherent joke of the character and thus stumble him through every story, Kelly knows how to let the humor arising from the joke of a Werewolf Bounty Hunter just flow and arise naturally.
 
It’s not all about laughs though;  Lou has many inner demons with which he struggles, not the least of which is depression.  Kelly is able to capture Lou’s moods in such a way that it makes the reader feel for the character without bringing the reader down too.  That’s a rare writing talent and one of the reasons why Kelly is one of the best writers of comic books in today’s market.
 
Greco’s art and coloring are amazingly well done.  He’s the perfect choice to illustrate this book, and whether he’s drawing Lou in the City of Las Vegas or the desert of Lou’s native Arizona, he makes Lou seem right at home.
 
So add this book to your pull list.  Issue #6 is a double-size issue; so this will be a good jumping on point if you’ve not been reading this book.  I can’t wait until this first arc is compiled into a TPB.  Better yet, I can’t wait until Showtime options it for a pay-cable series.
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Comic Book News Marvel

Review: Nova #11 (Duggan)

The degradation of the Nova mythos continues with the truly terrible NINO #11.
 
The first three-quarters of the issue is devoted to the totally un-interesting minutiae of NINO’s personal life where he’s first said to be blind but seems to walk around surprisingly well for someone who can’t see.  Then there’s some warmed-over teen Peter-Parker-ish clichés about dealing with the school bully followed by some equally hackneyed scenes about school problems and babysitting his sister before he goes off into space and fights some spiders in a scene lifted right out of the new Hobbit film.  Yawn.  Personally, I was rooting for the Spiders to win and mercifully rid us of NINO once and for all.  And frankly, the Spiders should’ve won.  It’s pure contrived silliness to believe that NINO could realistically win such a fight.
 
I see Duggan is going to continue the sad precedents of Loeb/Wells in disrespecting and demolishing everything that was good, exciting, and innovative in true Nova mythos – and replacing it with hackneyed, implausible nonsense.  This character is a totally unlikeable, blundering, idiotic, annoying little jerk.   He’s depicted as being rude and boorish to a very nice teacher who is genuinely concerned about him and sincerely attempting to help him.  Not very heroic.  And not a very good role model for the pre-pubescent audience at whom this travesty of a (so-called “cosmic”) comic book is apparently aimed.
 
Once again NINO’s mother proves she’s unfit and needs to be reported to child protective services.  She’s depicted as skipping out on paying a Doctor’s bill, leaving a proven irresponsible minor in charge of babysitting his sister, and once again allowing 15-year-old NINO to go off into space (on a school night no less) and use vast powers he is not trained to use in life-threatening situations.  NINO and his sister need to be removed from her care as soon as possible, and she needs to spend some time in the County Jail.
 
Being rude to good teachers, skipping out on bill paying, having minor children participate in life-or-death combat operations, glorifying ineffective parenting, disrespecting the importance of education?  Exactly what kind of message is Marvel/Disney trying to send to the kiddies anyway?
 
You know what else is annoying?  NINO’s presumptuousness and the level of obliviousness to plausibility that must be exercised by any reader to actually be entertained by this NINO nonsense.
 
NINO has never been inducted into the Corps by anyone in authority to do so.  
Yet – being untrained, undisciplined, and having no empowerment by any authority – he presumes himself a member of a para-military organization and goes about performing police actions.  It’s no different than a 15-year-old child putting on his deceased police officer father’s uniform, strapping on a gun, and driving around enforcing the law whilst claiming that it was his right to do so because his deceased father was a cop.  Would anybody realistically respect that?  Or would some responsible adults put a stop to it?  I think we all know the answer to that question.
 
Medina’s art was an improvement over last issue, but he’s got to do something about NINO’s mother’s eyes!  Why does he always draw her as sporting these huge, round, “bug-eyes?”  Is she really an alien in disguise?  If so, that would explain a lot.  I guess irresponsible parenting is the norm on her planet.  Curiel’s colors are well done as usual and are really the best part of this waste-of-time-and-money comic book.
 
In a scene lifted right out of Return of the Jedi, Duggan gives us a big bad for next issue (that NINO couldn’t possibly beat in a fair fight) sitting on his throne with a scantily clad girl at his feet.  Yawn.  Hey Duggan, maybe you, Loeb, and Bendis should just admit that cosmic isn’t your thing and go back to writing super-heroic fantasy.  Ripping off popular fantasy, science-fiction, and science-fantasy isn’t good cosmic – and neither are constant quotes from Star Wars.  We had actual science-fiction writers on Nova and Guardians of the Galaxy in the past who actually understood, liked, and respected the characters and the mythos upon which the characters were built, and those stories were BETTER than the watered-down trash you’re cynically dishing up for Avengers-zombie consumption.
 
Friends, if you want good and true Marvel Cosmic, leave Loeb’s NINO and Bendis’ Garbage of the Galaxy on the shelves and buy the Star-Lord reprints from the 1970’s that are now available (even though the cringe-worthy covers depict Bendis’ Star-Lord).  Also, check out John Byrne’s new Star Trek comic book.  As for Duggan’s NINO, let’s all be the responsible adults that NINO’s mother isn’t and boycott NINO so that it can come to a quick, well-deserved end in the dustbin of comicdom where it belongs.
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Comic Book News Marvel

Review: Guardians of the Galaxy #9 (Bendis)

I didn’t think it could get any worse.  I was wrong.  It could and it did.

You know one of those situation comedies that you occasionally watch a few minutes of as you flip through the channels and think to yourself, “How did this trash ever get on TV?”  Guardians of the Galaxy #9 is kind of like that.

It’s literally written like a bad situation comedy.  Bendis is trying to be funny and he thinks he’s writing snappy dialogue between Star-Lord and Rocket or Star-Lord and Agent Brand.  In actuality, it comes across as forced, silly, and totally out of character for all concerned.  Yes – Rocket, Quill, and Brand are all smart-asses and their smart-assy-ness can be funny if it’s done right.  In this case it isn’t done right.  It’s like fingernails on a chalk-board.  It’s like silly “G-rated Family Hour” TV comedy.  It’s nauseatingly stupid and hackneyed.  It talks down to the readers.

Of course, all the Guardians do is act as a second-string team to clear the way for the all powerful and all wonderful Avengers to return to Earth and save the day.  Literally – that’s all they do.  The Guardians just act as door men for the Avengers.  And once the Avengers get back to Earth, they start ordering the Guardians around as if they’re second-raters.  Between Loeb/Wells/Duggan writing all Novas as second-rate or less to The Avengers and now Bendis turning the Guardians into second-rate or less flunkies for The Avengers, I’m starting to get the idea of exactly where cosmic stands in the eyes of Marvel Editorial (as if I didn’t already know).  It bodes ill for the future of Marvel Cosmic as long as it’s in the hands of the so-called “creative” teams of Brevoort, Wacker, Alonso, Duggan, and Bendis.  Hey geniuses at the “House of Ideas” – even if you (mistakenly) believe a character/team is “second-rate” or even if they are in fact second-rate you SHOULD NEVER write them that way.  It makes them look like they have a self-esteem problem.  It makes them look unimportant or only marginally competent.  It turns off readers (ie your CUSTOMERS) and makes readers turn elsewhere for entertainment.  Surely you’d like a few more high sellers to bolster all your Avengers titles as inevitably those sales will fall someday.  Let another team shine in their own corner of the universe far away from Earth and The Avengers – you know, like Guardians of the Galaxy USED TO BE prior to Bendis/Wacker and like Nova USED TO BE before you Lo(e)botomized and NINO’d it.

Even the “action” scenes are lackluster and hackneyed.  You’ve seen this story before – in a couple of Star Wars scenes.  Of course, Bendis’ wholly inadequate understanding of SF is limited to popular SF so it’s no surprise he’d “borrow” those scenes. 

Star-Lord and Rocket basically blunder through the situation all to just press a button and lower the force field so the Avengers can get through.  There’s none of the brilliant tactical skills for which both are notorious.  And Bendis just can’t seem to move beyond treating Rocket as a “joke” character.  He has to keep pointing at Rocket and shouting, “Hey!  This is hilarious!  It’s a raccoon carrying a gun!  Get It?!  It’s funny I’m telling you – FUNNY!!!!!!!”  At least he didn’t attempt to inflict any more catch phrases on poor Rocket this time out.  Thanks for that one small favor, Bendis

So Bendis, since you don’t seem to get it – let me tell you.  You don’t have to keep underlining that Rocket is a gun-carrying Racoon.  We all get that joke because it’s inherent to the character.   The best way to write Rocket is to IGNORE the inherent joke and write him as an intelligent, insightful, brilliant, smart-assy tactician and leader of men.  By the way, that’s the best way to write Star-Lord, too.  Star-Lord is not a 20-something feckless imbecile with boyish good looks designed to make the teenage girls swoon.  He’s an approaching middle-aged complex, grizzled, irritable, intelligent, leader of men.  So quit mangling the characterization and get it right for a change.

I know that various comic book snobs at a particularly Craven Bootlickingly Repugnant website’s forums will insist that the art/coloring in this book is absolutely heavenly.  Of course, they’d also defend in like manner a book with art/coloring of the quality typically found on the refrigerators of parents with pre-school-aged children.  While Francavilla’s art/coloring is certainly not refrigerator quality, I will say that it is not well-suited for cosmic.  Drax is slightly more defined than a green amorphous blob – but only slightly more defined.  There’s very little definition to distinguish among the facial features of most of the humanoid characters.  The villains are interchangeable and so poorly defined that I couldn’t tell who or what they were other than just random humanoid-like creatures shooting at the protagonists.  The coloring is jarringly un-appealing to say the least.  For certain books, this art/coloring style would work well.  This is not one of those books.

At least there’s no letters page so we’re spared any grating comments from so-called “editor” Stephen Wacker and we’re spared from carefully selected letters full of fawning praise from persons who have never read Volume II of GotG (aka The REAL Guardians of the Galaxy rather than Bendis’ Volume III cheap imitations).

Once again, I’m sure the Craven Bootlickingly Repugnant website and the Ingratiating Gonad-less Ninny website will fall all over themselves praising this garbage of the galaxy.  But of course, they’re just like Marvel Editorial in only being satisfied with repetitious super-heroic fantasy and failing to appreciate the better quality super-heroic military science-fiction such as that found in Annihilation, The Thanos Imperative, Nova Volume IV, and Guardians of the Galaxy Volume II.   Maybe there is something we can all agree on though.  I think Bendis would be happier writing family hour TV sit-coms for the Disney Channel.  For his own personal satisfaction, let’s all encourage him to move on to the TV sit-coms and leave cosmic to someone else who actually likes and UNDERSTANDS cosmic and the cosmic characters.

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Comic Book News Marvel

Review: Nova #10 (Wells)

Somewhere Marv Wolfman is wailing in agony at the hack-job being perpetrated against his original concepts by the travesty that is NINO.  Somewhere DnA are gagging in disgust at the bastardization and dumbing down of their concepts.

It’s hard to know where to start with this train wreck as there’s just so much wrong with it that it boggles the mind.  Let’s just go through it sequentially beginning with the primary cover art.

I have an issue with #10’s cover portraying NINO in a stance of triumph with his foot disrespectfully on the helmet of Rich Rider, a for all intents and purposes “deceased” (via editorial fiat) Corpsman. Since all NINO does is blunder and cheat his way through every situation, at best he should be standing humbly behind ALL of his BETTERS with his head bowed in respect. This cover sums up one of the big problems with NINO, its writers/creator, and especially its so-called “editor.” That is, the lack of respect for the BETTER Nova mythos that preceded it.  The variant cover art is just as bad with Rich Rider being given second class treatment when he appears at all.

Also, the #100 sales gimmick is totally disingenuous.  I count 90 issues of true Nova comic books and 10 issues of Nova In Name Only books.  I’m offended that Marvel Editorial would attempt to conflate the two as Nova Volumes I-IV and Annihilation: Nova belong next to the cosmic classics on the shelves of local comic shops, and NINO deserves to be sandwiched between Archie and Scrooge McDuck in the kiddie section.

This issue of NINO is divided into three separate and truly awful stories.  The first story finishes Wells’ boring, unimaginative, hackneyed arc.  Watchers of the Ultimate Spiderman cartoon will recognize the characterization.  NINO is portrayed as particularly arrogant, ignorant, impulsive, and annoying. In other words, he’s portrayed as the true “idiot” Loeb intended when he misguidedly created this obnoxious character and concept. NINO spends a great deal of this story ignorantly denigrating Rich Rider, The New Warriors, and Rich’s comrades in arms during the Annihilation Campaign while, of course, fawning over The Avengers.  Robbie Baldwin and Vance Astrovik cameo and are portrayed as immature idiots.  Infuriatingly, Rich’s role in The Infinity Gauntlet is denigrated and he’s mis-portrayed as an un-needed second-stringer when in fact he was the only New Warrior chosen to be in the first wave of the strike force against Thanos – and did in fact attack Thanos after Thanos mopped the floor with the vaunted Avengers.  Of course, this sorry excuse for a story ends with a smarmy single mom and son scene so nauseatingly corny that I nearly drained a bottle of Pepto-Bismol for relief.

Pepto-Bismol is no match for the second story.  To tolerate it, I had to break out my finest and most potent Absinthe.  Duggan’s first NINO story carries on the sad tradition of NINO idiocy patented by Loeb and carried on by Wells.  NINO is once again inexplicably involved in kill-or-be-killed combat light years from Earth – but he uses silly video-game terminology to describe and make light of his actions throughout the fight. Meanwhile, his mother proves once and for all that she’s a totally unfit parent as she meets with NINO’s Principal and covers for NINO’s school truancy so he can continue to skip school and participate in kill-or-be-killed combat.  So Marvel Editorial and Disney – are you trying to send a message to the kiddies that playing video games is more important than attending school?  Tell me, if they don’t attend school, how are they going to learn how to read?  Won’t illiteracy negatively impact your bottom line?  That plus glorifying child combatants places your NINO stories in direct conflict with Western Civilization’s values and morals.  How do you justify such reprehensible positions?  Maybe the CCA needs to be revived to look over your shoulders as you’re not doing such a good job of policing yourselves – especially for a book aimed not at the adult audience that can afford to buy comic books, but at the kiddies relying on the adults to fork over money to buy comic books.  Maybe you need to re-examine the demographic you want to reach and then do the smart thing and ditch NINO.

Moving on; the second story begs many questions such as why a “Black Nova” is engaging in police actions usually reserved for “Gold Novas;” who exactly is processing distress calls since the Worldmind is inactive and presumably destroyed, and why does the little idiot go blind at the end of the story when Novas are supposed to have a healing factor?  I can only hope that the blindness is followed by muteness, deafness, and permanent paralysis from the neck down so we can be rid of the little idiot once and for all.  I know it’s a vain hope, but I can indulge a dream of a better world without NINO can’t I?  I think this sorry excuse for a story telegraphs to us what Duggan’s run as writer is going to be like.  In short – more clichés, more dumbing down, more puerile silliness, and continued total disrespect of Nova continuity and established concepts.

Saving the worst for last, Duggan gives us a glimpse of issue #1000 of NINO featuring an adult NINO presiding over his child’s birthday party.  This was truly a disgusting waste of time and paper complete with “art” comparable to that typically found hanging on the refrigerators of parents with pre-school aged children.

Speaking of art, Barberi and Lopez’s art for the first story was barely acceptable, and Medina’s art for the second story was only slightly better.  Medina’s rendering of NINO’s mother in one panel made her so scarily bug-eyed that I had to do a double-take to make sure she wasn’t morphing into some sort of monster.  So even the art – once the only saving grace of this waste of time book – is slipping.  Curiel’s colors are nicely done but aren’t enough to save the day.

Of course, the capstone of the train wreck is insufferable “editor” Stephen Wacker’s letters page.  I rolled my eyes when he disingenuously dedicated this issue to the very fans he so often derides and denigrates in the forum of an un-named but Craven Bootlickingly Repugnant website well known for allowing him to verbally abuse fans but protecting him from the ire of the very fans he has insulted.  Of course, he picks nothing but letters dripping with fawning praise from readers who admit they never read a Nova series before and thus have no basis of comparison.  If they had such a basis, maybe they wouldn’t be so complimentary.  At least the Indie Comic Books have the courage to print dissenting letters in their letters pages.

There was one nice touch – and that was a thumbnail reprinting of all previous Nova series covers from Volume I through Volume IV.  Too bad even that was sullied by the inclusion of NINO covers 1-10.

Marvel Editorial is always quick to dismiss any discontent with NINO as the disgruntled ramblings of a minority of difficult to please fanboys.  Of course, Marvel Editorial is so obsessed with selling formulaic super-heroic fantasy that they truly can’t seem to see how they’ve taken away everything that was good with cosmic and replaced it with street level comic book clichés.  It’s analogous to some insightless executive replacing Star Trek with Lost in Space and then wondering why fans are upset.  And I’m sure some Craven Bootlickingly Repugnant and cosmically Ignorant Gonad-less Ninny websites will fall all over themselves praising the waste of time, money, and paper that is NINO #10 – but those websites have never been able to appreciate well told cosmic tales so their praise should be taken lightly and in that context.  Like Marvel Editorial, those websites are also obsessed with hackneyed “super-heroic fantasy” and can’t appreciate the refreshing difference of super-heroic military science-fiction and science-fantasy that made Marvel Cosmic so special prior to its hijacking and dumbing-down to mundane street-level super-heroic fantasy at the hands of Loeb and Bendis.  We appreciators of true cosmic stories remember how the true Nova – OUR Nova, Rich Rider, was out saving the universe while the vaunted Avengers pettily quarreled amongst themselves in their ridiculous Civil War.  We remember how OUR true Nova, Rich Rider, saved the universe from Thanos and E-Vell; while the vaunted Avengers have made a mess of things in the disappointing Infinity event – an Avengers vehicle thinly disguised as a cosmic story.  And finally, we appreciators of true cosmic stories know that Loeb’s NINO and Bendis’ Garbage of the Galaxy are critical failures and betrayals of the very fans who allowed through their loyal support pre-Loeb/Bendis Marvel Cosmic to evolve into something special and unique among comic books.

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Comic Book News

COVER SHOOT: The Top 5 Comic Covers for November 20th, 2013

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1. Indestructible Hulk #15 (Marvel):  Mukesh Singh creates one of the coolest Hulk covers I have seen in a very long time! This amazing, digitally enhanced image is outstanding on it’s own but when you get to take in all the little details, the veins, the sinew, the S.M.A.S.H. time —  it’s perfect! I am not a Hulk fan in the least, but this cover has made me become a Mukesh Singh fan for life!

 

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2. X-O Manowar #19 (Valiant):  Clayton Crain has become synonymous with brilliant digital art, but this cover is truly bursting with energy. The exploding, the tearing down and eventual destruction of the central character is enthralling! Crain has not wasted a single inch of this cover, everywhere you look their is something going on, the eye has a virtual smorgasbord to take in — Awesome!

 

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3. Wolverine Max #13 (Marvel):  Pop Art has been making it’s way back to comic covers quite prevalently as of late and Jock is at the top of his game with this one! The bold black and white intersecting lines not only make every other book around it pale in comparison, it actually makes a vertigo effect, drawing you in with it’s complex simplicity. Jock has been creating amazing, gallery worthy covers for a long time now, but this one is cut above the rest.

 

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4. The Shadow #19 (Variant Edition) (Dynamite):  One of the best crime noir artists out there today is Francesco Francavilla and this cover is another shinning example as to why. The whitewashed background mixed with the sketch style central character makes for great juxtaposition. The line work Francavilla shows is impeccable, deviating from subtlety to intense slashes of black shadow, it makes the foreground jump off the page as well as help convey that the character is in the middle of a snow storm — something very difficult to pull off!

 

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5. Fables #135 (DC):  Greg Ruth has created my personal favorite cover of the week by painting a solemn image that is overwhelming with emotion. His use of subdued hues and subtle placement of the images on the page help to convey the feeling of loss and longing, and an overall feeling of despair. It is exquisite in it’s composition and let’s us know that sometimes you can’t come home again.


 

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Comic Book News

Review: Harley Quinn #0

It only took 16 artists and 2 over the top writers to tell the tale of Harley Quinn in a way that it deserves to be done! Bruce Timm, Jim Lee, Charlie Adlard, Amanda Conner, Art Baltazar, Sam Keith, Adam Hughes, Walter Simonson, Jeremy Roberts, Dave Johnson, Chad Hardin, Tradd Moore, Stephane Roux, Becky Cloonan, Tony S. Daniel and the incomparable Darwyn Cooke, all converge on one of the biggest artistic line-ups ever forged, to help tell the tale of one deranged woman and her penchant for mayhem!

Amanda Conner along with hubby, Jimmy Palmiotti, write a tale that lets the reader see exactly how disturbed our “clown princess” truly is. Not only do they let her break the 4th wall, they let Harley critique the artists renderings, ask for better plot lines and she even gets to attend Amanda and Jimmy’s wedding!

Yes, some fans are going to compare this issue as a Deadpool rip-off, but it is so much better than simply following suit on another book. The inclusion of so many talented artists truly sets this book apart from anything done before. Not only does each artist get to render their own zany version of Harley but Amanda and Jimmy’s critiquing of their work through Harley’s eyes is hysterical. The tale is laced with inside jokes, subtle jabs (sorry Jim Lee) and an overall lack of formality, which is exactly what you should get from a Harley tale! It is quirky and twisted, letting the blood flow on quite a few occasions, but it is also quite thought provoking regarding the way the comic medium sees as the “correct” way to tell a story. This tale isn’t a story that will get you from points A to B in a concise manner. This tale is a whirlwind of ideas that may seem haphazard but in all actuality, comes to an inevitable, logical conclusion. Without the seasoned guidance of Amanda and Jimmy at the helm, it could have come off as just a menagerie of Harley pin-ups instead of an amazing assault of the senses! It is a tale that is unique unto itself and will pleasantly surprise you with how easily you are swept up into the chaos of it all!

If you need something different, something irreverent, something blatantly hysterical — than look no further than this issue! It’s chock full of all the quirkiness and eye catching art you will ever need!

Op-Ed: The Loeb-otomization of Nova
Marvel Comic Book News

Op-Ed: The Loeb-otomization of Nova

The Cosmic Triune

An Opinion-Editorial

“The Lo(e)botomization of Nova”

 

Lobotomization:  to deprive of intelligence, vitality, or sensitivity.

                                                     -Definition courtesy of Merriam-Webster Dictionary

 

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According to Marvel Editorial, Issue #10 of NINO is the 100-issue mark of “Nova” comic books published.  I dis-respectfully disagree.  I count 90 issues of true Nova comic books and 10 issues of Nova In Name Only comic books.   It’s insulting to equate Nova with NINO in any way, but Marvel Editorial’s whole approach to the Nova fans since the “hiatus” of Volume IV has been insulting.  They frequently talk about Rich and NINO in the same breath as if there’s no difference between the history of the two.  Hey Marvel Editorial – they’re not interchangeable.  Rich was great.  NINO is a farce.  And a sub-standard farce at that.

Sure I know it’s just a marketing gimmick to try to improve the rapidly declining sales of the ongoing insult to and dis-respect of true Nova fans that is NINO, but I think this “occasion” calls for an analysis of how the “creative team” of Loeb, Wacker, Bendis, Brevoort, and Alonso took a good concept and ruined it for all the wrong reasons.  I liken their process of turning Nova into NINO to the above defined dis-credited Neurosurgical procedure of lobotomization as popularly portrayed in such movies as One Flew Over the Cuckoo’s Nest and Sucker Punch – and I refer to their process as “Lo(e)botomization.”

 

The Deprivation of Intelligence:

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Loeb himself has been directly quoted in various articles saying NINO should be written as an “idiot.”  I could stop writing this section directly after such a quote, but I think it’s important to detail how this Lo(e)botomization is made a reality and how it affects fans of the true Nova concepts.

Let’s start with a little Nova history.  In 1976, Rich Rider was created and portrayed as a late teen/young adult struggling to learn how to control and use the powers he had been granted by an emergency deputization.  Finally, in the Annihilation event, he was transformed into a powerful and mature leader of men.  Fans both old and new praised this metamorphosis, and Nova Volume IV became the best Nova series to date with its imaginative, intelligent, action-packed storylines and its new and improved hero.  Of course, it received none of the marketing hype and support that NINO has enjoyed, and it was eventually placed on “hiatus.”  What we didn’t know is that prior to “hiatus” it was apparently decided by Alonso et al to declare Rich “dead” even though Volume IV writers, Abnett and Lanning, have been quoted as saying that in their storyline Rich was never dead but merely temporarily “marooned” in the Cancerverse.  Obviously, Rich was declared “dead via editorial fiat” in order to create room for Loeb’s new “idiot” character, Sam Alexander (aka NINO).

Setting aside Alonso’s disrespect for and disregard of Rich Rider fans for a moment, his decision marks the beginning of the “deprivation of intelligence” aspect of the Lo(e)botomization of Nova.  Loeb immediately created a 14-year-old Peter Parker-ish character (without the Parker intellect), hi-jacked and watered-down the look and concepts of the Nova mythos, eliminated all true cosmic elements by plopping the little “idiot” on Earth in a one-horse town, and set out to appeal to a pre-pubescent audience (and to a small post-pubescent audience who just can’t seem to get enough of hackneyed teen angst storylines) with silly, implausible stories involving the “idiot,” NINO, blundering and cheating his way through every situation.  To say that the NINO storylines are juvenile, puerile, un-imaginative, boring, and intelligence-insulting in comparison to Volume IV would be an understatement.

To make matters worse, Loeb has presented no reason why NINO deserves to have or keep the powers other than that the powers are “inherited” by NINO from his drunken father’s “magic helmet.”  Even worse, 14-year-old NINO has had no training to use powers equivalent to the power of a tactical- nuclear-weapon-carrying fighter jet and is continually put in kill-or-be-killed combat situations with the full knowledge and consent of his (apparently negligent and unfit) parents.

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So readers are expected to believe that an “idiot” child can responsibly confront situations on Earth and in space for which he has no prior experience/training; that he can safely handle powers that could level a city without endangering himself and the public; that his parents have no problem with him constantly risking his life sometimes light years from home, and that everyone in the Marvel Universe is completely fine with it?  I don’t know about other people, but I like a modicum of plausibility in cosmic stories.   Loeb’s scenario for NINO is intelligence insultingly implausible.

And there’s a moral issue, too.  Why does Marvel/Disney believe it is perfectly moral to un-willingly induct a minor child into a para-military organization and place said child in kill-or-be-killed combat situations?  The rest of Western Civilization would disagree on moral grounds, and even as this article is being written the United Nations is forming a resolution condemning use of child combatants.  Since Disney makes its money selling entertainment to kiddies, do they really want to send the message that minor children performing combat operations is perfectly acceptable to their company?  If so, I can’t wait to read their official explanation justifying their position.

 

The Deprivation of Vitality

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In Annihilation, Nova Volume IV, and The Thanos Imperative, Giffen and DnA gave us a true Nova – a mature, powerful, effective, true leader of men actually leading other powerful beings to confront and overcome universal threats.   These were big stories with edge-of-your-seat excitement that left the reader anxiously anticipating the release of the next issue.  These stories talked up to their readership with adult themes and high-stakes situations where literally anything might happen.

In contrast, we have NINO stuck in a small town dealing with schoolyard bullies and blundering/cheating his way through the occasional boring confrontation with a super-villain.  Yawn.  Have you read that teen super-hero story somewhere before?  How many times?  Yeah – me too.  Loeb, Brevoort, and Wacker present this hackneyed, puerile non-sense that talks down to readers as if it’s something new and special.  In actuality, it’s old, boring, listless, clichéd, and utterly predictable.  Loeb even made sure to kill off all the “Black Novas,” the only truly innovative and exciting idea he had in putting together the ongoing travesty that is NINO.  Those characters were much more interesting than NINO – and readers said so.  Once again, Marvel Editorial ignored the readership and retreated to the clichéd old angst-ridden teen superhero formula.

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What was vital about Rich Rider’s Nova, and potentially vital about the “Black Novas” had they been developed, was the “military science-fiction” aspect of the characters/storylines.  What made modern Marvel Cosmic (i.e. the Marvel Cosmic of the Annihilation event forward until hi-jacked by Loeb and Bendis) vital, new and interesting were the elements incorporated from both popular military science-fiction/science-fantasy (e.g. Star Trek and Star Wars), hard-core classic written military science-fiction (e.g. Lensmen and Starship Troopers) and written heroic fantasy (e.g. John Carter of Mars).  This was made possible because the pre-Loeb/Bendis Marvel Cosmic was niche-audience focused and largely ignored by the “super-heroic fantasy” selling, mainstream-oriented Marvel Editorial staff.  Once a Guardians of the Galaxy movie was announced and expected to be a big hit, Cosmic suddenly moved from “neglected niche” to the forefront.  It then, of course, had to be made to conform to the “super-heroic fantasy” formula that Marvel sells, so the very essence or vitality of what made Volume IV of Nova and Volume II of Guardians of the Galaxy was discarded and replaced.  In the case of Star-Lord, we went from the Giffen/DnA  “approaching middle-aged,” scruffy Han Solo-ish characterization to a 20-something feckless dream-boat-ish characterization.  In the case of Nova, the powerful, mature, leader of men that was Rich Rider was replaced by an “idiotic,” blundering, immature, obnoxious, teen Peter Parker-ish character sans the saving grace of the Parker intellect.  In both cases, the Cosmic aspects of the characters were made incidental rather than central, and we’re left with un-interesting characters obsessed with the petty and parochial problems of Earth.  Jeez, Marvel Editorial!  Don’t you have enough Earthbound super-heroes to deal with Earth’s petty problems without sucking away the vitality of the cosmic heroes just to make them conform to your comic book selling formula?  Ever consider maybe actually promoting a different approach?  Maybe if you’d supported DnA’s efforts the way you’ve supported Loeb and Bendis’, this article would never have had to be written.

 

The Deprivation of Sensitivity

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I’m not using sensitivity to mean “emotionality.”  Everyone knows Loeb has loaded NINO with enough smarmy, maudlin, and/or puerile sugar-sweet moments to send diabetic readers into a coma.  I know Disney loves that garbage – just watch any of their child-oriented movies if you don’t believe me.  For those of us over the age of 8 though – it just comes across as corny and annoying.

I’m using sensitivity as it’s used in a medical-scientific context to mean “reactivity to external forces.”  I’ve already discussed how NINO reacts to the external forces of plausibility and morality.  NINO gets a grade of “F” in reaction to those two external forces, and I needn’t re-iterate the ground already covered in previous sections of this article.  I touched upon what the fans really want under the vitality section and will cover it in more detail now in this section.

Brevoort has made it clear over on his Tumblr page that Marvel Editorial expected a backlash from Rich Rider fans once it was clear that Rich was to be replaced with NINO.  He has also made it clear that he thinks Rich had so few fans that the backlash would be of no consequence to Marvel or to NINO’s sales.  Alonso made it clear in several interviews that he thought Nova fans would buy ANYTHING with the word “Nova” smeared across the cover and he expected Rich Rider fans to “embrace” NINO.  Loeb simply said Rich’s story was “over.”  And Wacker has never missed an opportunity to insult, denigrate, and otherwise disrespect the Rich Rider character and Rich Rider fans in general over at a Certain Boot-lickingly Repellant website’s forums where he is given free rein to do so and where the moderators protect him from any fan talk-back.  Does that sound like sensitivity to a set of fans many of whom loyal Nova readers since Rich Rider’s premiere in 1976?  Heck – that doesn’t even conform to Disney’s model of hospitality.  Marvel Editorial Staff – you need to go on down to Orlando and undergo Disney’s Hospitality Training course.  You should probably send Wacker and Brevoort two weeks early since they’ll need the remedial (i.e. “slow learner”) version.

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Fact is, NINO is a failure.  It’s a failure conceptually, morally, in entertainment value, and – increasingly – in sales.  Potential buyers are voting with their dollars and for the most part they’re voting thumbs down.  NINO sells less than Volume IV sold without all the hype.  NINO has failed to be embraced in large part by the Rich Rider fans who feel insulted and alienated by the treatment shown them by Marvel’s Editorial staff.  Heck – even the cover to NINO #10 lavishly portrays an insult to long-term Nova fans with “idiot” NINO standing in a pose of defiant triumph with his foot on Rich’s helmet.  There’s a reason why something similar is NOT seen on any of our actual war memorials.  It’s because that’s a universal sign of disrespect to a fallen enemy.  Apparently that’s how Wacker et al view the Rich Rider fans and they’ve not so subtly made that clear with NINO #10’s cover.  If they wanted to show respect, NINO should have been placed standing behind his fallen BETTERS with his head bowed and his hands folded in front of him.  In a way though, NINO #10’s cover sums it all up.  Marvel Editorial isn’t sensitive to the desires of the Rider Nova fans.  Heck – they didn’t even care what we wanted.  They just wanted to dish up some warmed-over and “Lo(e)botomized” Spider-man.

Suggested further reading:

Marvel Editorial to Cosmic Fans:  “We’re just not that into you.”
 

Article by Timelord

Dedicated to Loeb, Bendis, Wacker, Brevoort, and Alonso for their tireless efforts toward making Marvel Cosmic mundane enough to appeal to the lowest common denominator of comic book reader.

The opinions reflected herein are purely the opinions of the author of this article and do not necessarily reflect the official opinions of CosmicBookNews.

Discuss This In The Cosmic Book News Marvel Comics Forums

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers for November 13th, 2013

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1. Coffin Hill #2 (Vertigo/DC): This stunning cover by Dave Johnson is not only beautiful but hauntingly eerie as well. The deep purple and maroon background are the perfect complement to the bright foreground figure. It makes it seem that she was cut form another work of art and overlaid to this one, each piece having merit in their own right, but together make something extraordinarily wonderful!

 

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2. X-Men Gold #1 (Variant Edition) (Marvel): John Cassady makes a classic throwback cover to the early days of the X-Men in this 50 year anniversary book of Marvel’s merry mutants! The layout has that perfect nostalgic feel of the team diving into battle, young and innocent, with no regrets. But, it is Cassady’s decision to use pop art style design for the background that gives this cover that Jim Steranko feel, and no one can beat that!

 

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3. Harbinger #18 (Valiant): Matthew Walsh creates an amazingly surreal cover that is compositionally perfect. The way Walsh “bleeds” the tendrils from the Bleeding Monk into the caverns of Peter Stancheck’s mind not only makes for an outstanding effect, but also metaphorically matches the relationship these two characters have with one another. The choice of minimal colors draws the eye away form everything else on the racks today — perfect!

 

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4. Batman: Li’l Gotham #8 (DC): I don’t even know where to begin with this one! Dustin Nguyen creates some of the most artistic and fun covers on the market today and this is just one more awesome piece! There are so many parts for the eye to enjoy, the vibrant colors, the amazingly rendered characters, mermaids, the pirate ship etc. I could go on and on! This piece is not only poster worthy, but gallery worthy. Whomever says “toon” art isn’t art, is too stuck up to know what true art is!

 

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5. Batgirl #25 (DC): As frequent readers of this article know, Alex Garner has been present on this list more than a few times. Is there any reason why he shouldn’t be? This painted and digitally enhanced cover is essentially perfect. The strain and determination on the central characters face sets the pace for what takes place in the interior of the book and helps to bring a glimpse of humanity to an otherwise dark and gloomy city! Alex we NEED posters!!
 

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Comic Book News

Review: Unity #1

When it comes to company crossovers, fans are generally more excited by the hype of a product then the final execution of it. There is always something lacking. Weak story, exclusions of characters or just plain horrible endings make the “big event” seem minimal and contrived by the time it wraps up. But here, with Valiant’s Unity, there is no wrap up, there is no “big event” because this ongoing book IS the “big event” month after month!

Superstar writer, Matt Kindt, helms the tale of all the biggest, baddest beings in the Valiant Universe coming together to stop a single, common threat — X-O Manowar! That’s right, Valiant’s flagship character and hero(?) decides that it is time his people have reparations for the hundreds of years they have been missing from earth. He stakes his claim and the world responds with threats of their own, but mere armies are no match for the power of the Visigoth and his armor. So, in secret, other powerful beings unite to stand against such a threat, but are even they enough to overcome the sheer might of the Manowar?! Maybe!

This is how you do “big events” in comics, “Big Two” take note! Kindt lays everything out on the table, A + B =C and we are off to the races! Fans of any Valiant book will be thrilled not only because it corresponds to almost every other book Valiant creates, but because the story is so imbedded in the rich history of their entire Universe! But, the biggest draw, is that ANY comic fan can pick up this series and fully understand exactly what is happening!

Kindt is a master of storytelling, slowing the pace to inform the reader of the background of the characters (giving each their own splash page) before blasting you with all out chaos and carnage the next moment. The tale is rich enough to hold sway over the reader looking for more than just a brawl infused slugfest but not pretentious enough to know when to let go and have some amazing fight sequences. Just like the characters assembled in the book, the story is a myriad of layers that culminate in one fantastic entity that will blow you away!

With outstanding interiors by Doug Braithwaite and a perfect tale by Matt Kindt, this is THE  book every comic fan should be reading. There is no excuse to miss the further solidification of an already honed universe — the Valiant Universe! Where “big events” don’t just happen once a year but everyday!

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Comic Book News

Review: Batman #25

Scott Snyder continues to show us all that there are still plenty of amazing stories left to be told to broaden the mythos of the Caped Crusader, whether he dons the costume or not!

Though “the Bat” makes a minimal appearance this issue, Snyder weaves layer after layer of intrigue throughout his tale, building the richness of his two year take on the Batman to an even higher level than before.

The “Zero Year” storyline, that is making it’s way through several books this month, truly takes off in this issue. We have young Bruce dealing with the Riddler’s Gotham blackout and an even worse scenario of twisted death by a new threat that brings Jim Gordon face to face with Bruce. This part of the tale is where Snyder shines his brightest. He adds a level of mystery and intrigue to the tale that cannot be played out soon enough for ravenous readers. A mystery that harkens back to the day Bruce Wayne lost everything, a mystery that changes everything we knew, or thought we knew, about Bruce and Jim’s working relationship. It is something that I found unsettling, not because it is revealed, but because it is not and I NEED it to be!

This is not the only mystery that Snyder opens either. The tale is book ended by another, one that begins with a door and ends in fire, and is no less tantalizing than the other one. Plus, somehow, Snyder sneaks in some action sequences that have been flawlessly rendered by Greg Capullo, satisfying your “need for speed” in a book that is more about the building of a larger tale that pure action.

As the back-up tale goes, it was nice but by no means do you need to have it in this book. It is a subtle tale of a brother and sister having to deal with their own darkened corner of Gotham and realizing there is always a light when you need it most. Subtle and effective but not necessarily needed.

What is NEEDED is next month to get here to see what outstanding tale Scott Snyder has in store for us next!

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Comic Book News

Review: The Walking Dead #116

After a lackluster 10th Anniversary issue last month, Robert Kirkman redeems himself with an explosion of action and an ending that leaves the reader with both unease and excitement!

This issue, part 2 of the 12 part storyline “All Out War,” gives the reader exactly what they should expect as a swathe of chaos rocks the TWD universe when Rick and Neegan square off against each other. Fans of the hit AMC TV series of the same name, will see some familiar things in this issue but, this time, it is Rick that drops the “zombie bomb!”

Laced with minimal characterization, this issue is all about the action we have all been so patiently waiting for. The first punch in this battle has been thrown, but fans may not want what they have been wishing for by tales end. There is a seething, eerie feeling that will perch in the front of your mind regarding a character that has not been seen in awhile. A fate awaits them that may be worse than death, one that will make any reader cringe as Neegan’s smile stretches across his face. 

But, that is why we love TWD! It is the moments that touch us in some profound way that keep us coming back for more and if the last page doesn’t whet your appetite for what comes next — you must be dead inside!

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers For 11/6/2013

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1. Mighty Avengers #3 (Variant Edition) (Marvel): We have all seen album (What’s an album?) cover art depict scenes and characters from pop culture, well, now it’s Marvel’s turn! Salvador Larroca does a fantastic job rendering the cover of the latest Eminem release with a little something extra! The Invincible Iron Man is chillin’ with Marshal Matthews at the ol’ homestead and fans are loving this ridiculously cool idea! I wonder if they’re going for some Shawarma next!

 

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2. Cyberforce #7 (Variant Edition) (Image): Marc Silvestri is creating some exquisite covers these past few weeks and I am loving it! His highly detailed sketch covers is some of the best work I have seen him put out in the past few years. The immense attention to detail, the subtlety of shadow and the crispness of his lines proves that this co-founder of Image Comics is still at the top of his game. Who says you need color to enhance your art?!

 

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3. Batman: Black and White #3 (DC): This hauntingly simple, yet compositionally perfect cover from Olly Moss will be hard to pass up at the local comic shop. The lack of color draws the eye away from everything else on the racks, but the cavernous silhouette of the Batman will make you pick it up just to add to your collection of museum worthy covers. It is bold and striking, everything you should expect in a Batman cover! Perfect!

 

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4. Shadowman #12 (Variant Edition) (Valiant):  Shadowman is getting a complete makeover this month and this amazing cover by renowned artist Kekai Kotaki, is just the thing to kick it off! This beautifully painted work of art depicts Jack Boniface cutting a swath through the Deadside. Usually rendered in dark forms and colors, Kotaki’s choice of vibrant blues and striking whites gives it a fresh, clean and yet, eerie feeling that has never been seen before. Utterly fantastic!

 

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5. Spawn #237 (Image): Todd McFarlane may not do a lot of art these days, nor is he fandom’s favorite creator but when he brings something new to the table — he blows us away! This “Dia de los Muertes” style cover is stunning within itself, but as you look deeper into the image it s full of beautiful, intriquette details. The subtle lines and the inverted double image through  the bridge of the nose are stunning and the use of the vibrant purple background makes the image truly pop off of the page!
 

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Comic Book News Marvel

Review: Guardians of the Galaxy #8 (Bendis)

Bendis’ “Dark Reign” of Marvel Cosmic continues with the travesty that is GotG #8. The characterization is just bad. That’s all there is to it.  Either Bendis doesn’t understand the characters or he’s hell-bent on creating the perfect antithesis of DnA’s vastly superior characterization. Whatever his motivation may be, he apparently doesn’t understand that what

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers For 10/30/13

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1.  Sandman: Overture#1 (DC): Fans have long awaited the return of Neil Gaiman’s acclaimed series and today, they not only get their wish but this amazing cover to go with it! Done by the talented J.H. Williams III, this cover is filled with a myriad of vibrant colors surrounding the dark and shadowy central figure, creating  a vortex effect that is stunning. This is a true work of art!

 

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2. Captain America: Living Legend #12 (Marvel):  Adi Granov is known for his visually perfect, photo-realistic covers and this one is top-notch. The faded background lets the eye focus it’s attention solely on the central figure, one that embodies all the facets of a perfect Cap picture. Steel nerves, honor and relentlessness in the face of great odds, fans can feel all of it with this single image. Perfect!

 

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3. Witchblade #170 (Variant Edition) (Image):  Marc Silvestri pays homage to himself with this amazing cover! Returning to his early days as an X-Men artist, Silvestri mirrors his fan favorite cover for Uncanny X-Men #251, with this amazing pencil sketch of Witchblade. You can see every detail in this cover, from subtle fades of shade to bold crisp lines. Sketch covers are where you can see the true talent of an artist and this one exceeds every expectation!

 

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4.  Superior Spider-Man #20 (Variant Edition) (Marvel):  Few artists are more well known for drawing the female form than J. Scott Campbell and this cover further proves the reason why. Bringing back Spidey’s favorite “bad girl” would have been missing something if Campbell hadn’t been involved! A stark white background makes you focus solely on the central figure and Campbell’s fun, stylistic sense of the female form. Plus, Halloween is tomorrow and you always need a Black Cat around for that!

 

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5. Infinity #5 (Variant Edition) (Marvel):  Scottie Young covers have become some of the most coveted things out there in recent years. Baby versions of Marvel characters may seem silly to some, but my daughter and I love these things and try to get as many as we can. Not only cute and amusing, Young is a fantastic artist bringing his “cartoon” style to the front of comics today, letting it be known that ALL styles of art should be used in the medium. Plus, read what Cap is saying on the cover, it sums up all of Marvel Cosmic in one blurb!

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