Batman news

Batman

Step into the shadowy world of Batman, Gotham City’s greatest protector. From his iconic battles with the Joker, Bane, and the Riddler to his role as a founding member of the Justice League, explore articles that delve deep into the lore of the Dark Knight. Discover the latest news, movie reviews, comic book stories, and character insights. Whether you’re a fan of his detective skills, gadgets, or unwavering sense of justice, this is your ultimate destination for all things Batman.

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Comic Book News

Watch: Batman & The Joker In McDonald’s Commercial

Check out the neat commercial that McDonald’s currently is running with “Archenemies.”

The gist of the commercial sees various archenemies brought together, with the obvious meaning that sharing McDonald’s will make you friends.

The McDonald’s commercial features various bad guys including:

Movie Mavens: 
King Kong and the Plane & Dorothy and the Wicked Witch of the West & Freddy and Jason.

Cartoon Favorites: 
Coyote and Roadrunner & Smurfs and Gargamel & SpongeBob and Plankton.

Animal Hounds: 
Dog and Postman & Shark and a Swimmer & Grumpy Cat and his Owner.

Gamer Geeks: 
Pacman and Ghost & Rock’em Sock’em & (da) Bears vs. Packers. 

Hero and Villains: SuperMario and Bowser & Batman and The Joker & a Knight and dragon. 

Everyday adventurers: 
Lumberjack and the tree & the Donkey and the Elephant.

McDonald’s will also have a Super Bowl commercial this year. This wouldn’t have been a bad choice to go with.

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TV Trailers

Gotham Episode 11 Rogues’ Gallery Preview

Gotham returns tomorrow night, and FOX has released the above preview for episode 11 “Rogues’ Gallery.”

The Gotham Facebook page also teased with the promo: “There are cities where evil takes hold. Tomorrow in Gotham, even good men falter.”

Gotham airs Mondays at 8pm ET.

Synopsis:

Gotham is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), GOTHAM follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.

Gotham is based upon characters published by DC Comics and is produced by Warner Bros. Television. Executive producer Bruno Heller (“The Mentalist”) wrote the pilot, which will be directed and executive-produced by Emmy Award nominee Danny Cannon (the “CSI” series, “Nikita”).

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Movie News

Awesome 3D Print Of Batman Dark Knight Suit

We’ve seen 3D Print version of the new Star Wars: The Force Awakens lightsaber, now check out the 3D Print version of the Batman The Dark Knight costume (based on the Arkham video game suit).

Cosplayer Crimson Coscrafts commissioned the suit with the help of Tundra Designs and Gauntlet FX (via 3dprint.com).

According to the cosplayer, the Batsuit fits really well with room even enough to bend at the waste.

The price is unknown, but you can commission your own 3D print Batsuit via one of the above designers.

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Movie News

Watch: Michael Keaton & Robert Downey Jr. Talk Batman

Check out a cool round-table interview where Michael Keaton discusses playing Batman in the 1989 movie for Tim Burton.

Keaton starts off by stating how tired he was doing the role when Robert Downey Jr. mentions Michael Keaton was the guinea pig of the Mark 1 version of all those suits.

Michael Keaton then goes on to talk about first wearing the Batman suit, which was finally ready hours before they began filming.

Keaton recently starred in Birdman which has drawn huge critical acclaim leading to the possibility of a Best Actor Academy Award for the actor.

While promoting Birdman, Michael Keaton also let it be known that:

Keaton hasn’t seen the Nolan films, but would play Batman again.

Turned down Batman 3 because it sucked.

Replied to questioning that he is still Batman.

(Note: Player above may not work in Google Chrome for some reason)

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Comic Book News

Has DC Given Us A Clue That Nightwing Will Die?!

Another Death In The Family?

By: Chris “DOC” Bushley

 

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We have all heard the rumors before, “Nightwing is going to die!” As a matter of fact, before the New 52, it was rumored that Nightwing, Dick Grayson, was to perish in a most heroic way. This time, however, there are too many scenarios aligning to make this rumor feel like just another rumor, this time it may actually happen!

In the pages of DC’s big event, “Forever Evil,” Nightwing was captured, tortured and his true identity revealed worldwide to the shock and horror of all the remaining heroes. DC also previously announced that Nightwing will be canceled as of issue #30, arriving on stands April 9th. Just these facts alone don’t truly add up to anything, but DC always has some subtle ways of giving clues as to what may come to fruition!

Way back in November, DC placed a lovely teaser image by Jason Fabok within the pages of its “Bat” books. This was solicited as a teaser for characters and storylines that would take place in the new weekly series, Batman Eternal, that just so happens to debut in April as well. You have all seen this image before, but take a look again. There is one character that seems to be missing, yes Nightwing is not there, or is he? The blonde haired character next to Red Robin appears to be wearing a mask that looks a lot like Nightwing. Did Dick Grayson dye his hair, or could that be Calvin Rose a.k.a.. Talon taking up the mantle?

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Either way, it is still something to speculate, considering what this image has already revealed to us. In Batman #28, which takes place six months in the future, we have already seen the debut of Harper Row as Batman’s new sidekick, Bluebird, as well as the return of fan favorite Stephanie Brown — Spoiler! Both are featured here next to Red Robin and the mysterious blond hero. But there is even more!

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Once you take a good look at Jason Fabok’s cover to Batman Eternal #1, we see something even more intriguing. The cast of characters displayed within Batman’s cape are also from Fabok’s Thanksgiving teaser image as well. There are a few additions, such as the Riddler, Scarecrow, Harley and the female Talon, Strix, but the rest are the same — minus two! Which two you may ask? Both Nightwing AND Talon are missing from this picture, and with both of their series being canceled, wouldn’t one think that they would at least be brought into a book called Batman Eternal? It’s hard to think that Dick Grayson, the original Boy Wonder, would be left out of something as big as a Batman weekly series focusing on all aspects of the Bat Universe! Unless, of course, he is no longer around!

But, maybe it’s all just rumor, we truly never know until the the books hit the stands. Maybe I am just speculating too much, but then again, whose bones are those around the fire in Fabok’s teaser? As Batman stands in the pouring rain on the cover of Batman Eternal #1, whose blood is running down his chest?  Maybe the cover of Nightwing #30 will help give us some answers. You decide!

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Marvel Movie News Reviews

Who Leads DC’s and Marvel’s Cinematic Realities?

Divergent Adaptation

Who Leads DC’s and Marvel’s Cinematic Realities?

By Lawrence Napoli

 

Ah!  What a great time to be a fan of comics and movies.  The cinematic creation of characters once thought far too larger than life to portray on the silver screen due to the limitations of technology has become one of (if not the best of) the marquee staples of Americana Pop Culture in recent years.  Comic book film adaptations have not only set this country on fire, but they have been fascinating the global audience as well, and it shows at the box office.  Those who know DC and Marvel as comic book companies primarily know them for their characters, fewer know them by the individuals that created their respective icons and fewer still know them for the writers and artists that make their characters relevant today.  Regardless of where the comic book industry has been financially from the distant past and/or recent past, there is no question that the movement of Hollywood adaptations of super-heroes continues to be a boom for everyone that owns the rights.  So if these films are so popular and continue to boost the visibility of various franchises, which individual is ultimately responsible?

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We know Christopher Nolan masterminded The Dark Knight Trilogy, we know Joss Whedon is behind Avenger films as well as Marvel’s Agents of S.H.I.E.L.D., we know that Robert Downey Jr. is Iron Man, and we know that Bat-Fleck is happening for Batman vs. Superman or World’s Finest or [insert title here] and we know that both companies are aiming at an expanded universe where their respective characters coexist in an ever-evolving reality.  But who’s really in command?  Who’s bringing it all together?  Sure, all the businesses involved with super-hero adaptations each have their nameless-faceless board of directors that are held responsible for decisions by their stock holders, but the choice to go in one direction or the other, veto power, day to day operations, coordination, communication and unification of this cellular network of films is being made by real individuals.  These individuals bridge the gap between the corporate conglomerate and the artists of production.  Without their knowledge of the material, business savvy, political skills and organizational aptitude, none of these films get made – or rather, none of these films get made well.  These people are the most responsible for pleasing (or inciting) fanboys and girls around the world, and they are also the first to be fired or rewarded when the receipts are all tallied up.

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Marvel’s man is Kevin Feige.  He got his start as an associate producer for the first X-Men film due to his extensive knowledge of the Marvel Universe and has gone on to produce virtually every Marvel character adaptation since 2000: Sam Raimi’s Spider-Man trilogy, Daredevil, the X-Men trilogy, The Punisher, Blade: Trinity, Elektra, both Fantastic Four films as well as all of Marvel’s recent Avenger “Phase X” films.  We could debate the merits and failings of each and every one of these films, but they all (basically) made money and were obviously successful enough for those doing the hiring to continue to involve Feige at the highest level of decision-making for film production.  Simply glancing at his résumé suggests that Feige was thinking about birthing a unified cinematic reality for Marvel’s characters long ago, and he would be one of the few individuals to have enough production experience to think about its creation in practical terms.  When Iron Man was released in 2008, this theory took its first steps into reality.  Despite the fact that the screenplay was written by the collective of Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway, it was this film’s post credit scene that paved the way for The Avengers.  This must be attributed to Kevin Feige because none of Iron Man’s writers have gone on to be involved with any level of production for any subsequent Marvel film. 

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Of course, the eventual wunderkind that would be Marvel’s Avengers was only a glimmer in the eye of anyone who knew Nick Fury and what “The Avengers Initiative” could possibly represent.  But it was also beyond a foregone conclusion for Feige himself because there was no public knowledge of contractual obligation for franchise expansion in any direction outside of Robert Downey Jr. which meant nothing more than more Iron Man films.  Who knows what was really agreed to behind closed doors (and at what point in time?), but the future teasing in the post credits of The Incredible Hulk (2008), Thor (2009), Iron Man 2 (2009) and Captain America: The First Avenger (2011) continued to prove in each film that audiences liked the interconnectivity of these (seemingly) unrelated plots and characters.  In many ways, the teases overshadowed the fact that all of these films from different directors and writing teams were successful by themselves, but had they not been, fewer would care about any sort of unification.  One of Kevin Feige’s best attributes as a leader in this industry is the respect and courtesy he shows for the writers, directors, cast and crew he works with and has done so with the “Phase 1” films.  More often than not, studio execs will throw their weight around to the point that it denigrates the production, but Feige is constantly credited (most notably by Joss Whedon) for providing leadership and direction without slapping on the creative shackles.

Introducing a massive franchise like The Avengers has proven to be successful in being introduced a bit at a time to audiences in a crescendo that built towards a pretty standard-issue “alien invasion of Earth” scenario, but let’s be frank.  The whole movie could have been the Avengers going out for shwarma and people would still have fan-gasmed because there they are: all together.  Big name actors playing big name characters and all in the same movie is a huge deal and completely beyond the minds of studio executives of yesteryear.  Feige organized this effort between multiple films as intuitively as possible and as practically as possible. Simply acknowledging their existence in the same space as in “by the way, this too is happening over here,” is much less maintenance than designing a complex plot from the very first film as the “unifying force.”  This too might have worked, but would unnecessarily marry one film to the other and the problems experienced in one might be inherited by a future production. 

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Yes, that’s right; I’m talking about the Ed Norton recast for the Dr. Banner/Hulk character.  This situation is one likely reason for the audience not having seen a second Hulk film prior to The Avengers, and recasting a major role could have been a significant monkey wrench to the gears of this unified franchise. Who knows if that problem was ultimately money, politics or ego; the man was replaced by Mark Ruffalo, and he did a great job.  Had Ruffalo whiffed, we’d all be hearing no end of it from every critic working in every media outlet in the Western world.  I like Ruffalo as an actor, but I didn’t really have an opinion of him replacing Norton other than I’d rather have established continuity maintained, but The Avengers film put the actor into many successful opportunities for the audience to like his Banner to the point that this recast has been practically forgotten.  This is thanks to Joss Whedon, who in turn thanks Feige, who was knee-deep in the Norton situation, and their combined efforts made the necessary adjustments in the subsequent film to reconcile everything.  That’s some uncharacteristically efficient leadership in Hollywood which is known for dragging its feet through the political muck of “creative differences.”  Kevin Feige may be the unifying force for the Avengers Initiative, but he shows his leadership almost every day with interviews and public appearances and whenever people have questions, he has answers.  I’m not sure his position as President of Marvel Studios requires him to do this, but his visibility and confidence suggests a master plan at work.

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So what about DC?  They have every bit the intriguing roster of characters as Marvel and (so far) have demonstrated an equally high dedication to enlist big Hollywood names and attach them to franchise pillars for multiple films.  This seems to be carbon-copied right out of Marvel’s playbook, but casting news for the Man of Steel sequel and its elusive title is evidence that the strategy for introducing its characters in a unified reality to audiences will be taking a completely different approach than Marvel Studios.  It remains to be seen if audiences will buy into this strategy or not because the first film hasn’t been made, but who’s there to answer that question?  Who’s there to lay our insecurities to rest?   This person was a tad more difficult to track down due to the fact that this DC movement is only in its infant stages and the only news out there to comment on is a growing cast for a film years from completion.  At first I looked at the closest corporate counterpart to Kevin Feige.  Diane Nelson is President of DC Entertainment and President & Chief Content Officer of Warner Bros. Interactive Entertainment.  According to DC’s website, “Nelson is charged with leading the efforts to fully realize the power and value of DC Entertainment’s rich portfolio of stories and characters, including such cultural icons as Batman, Superman and Wonder Woman, across all media and platforms.”

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First, I’d like to point out the order in which “DC’s icons” are placed as per Nelson’s title description (yep, Batman is #1).  Second, her title and description sounds like someone ideal in bridging the gap between the comic book people and the movie making people, right?  As it turns out, someone established more firmly on the Warner Bros. side of the equation will be overseeing DC’s adaptation expansion.  He is Greg Silverman the President of Creative Development and Worldwide Production for Warner Bros. and according to the WB’s website, “In this role, he has full oversight of Warner Bros. Pictures’ development activities, global production and budget.”  He began in Hollywood as a lowly craft services worker for indy films but eventually became an assistant at Tri-Star and Mandeville Films and eventually a production executive at Mad Chance.  He got his start at Warner Bros. in 1997 being a junior production executive for The Matrix, A Perfect Murder and Cats & Dogs.  WB credits him for “shepherding” the success of 300 (2006), The Dark Knight (2008), The Hangover (2009), and Inception (2010).

Silverman’s visibility is still on the low end with only his interview with Variety being his major public comments regarding “Batman vs. Superman?” and/or the franchise moving forward in which he addresses several concerns.

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Regarding Ben Affleck:

“We knew going in that we had more information than the general public had.  We knew what the take of the movie was; we knew what the character was going to be.  We don’t take these decisions lightly.  We thought about everybody – brand new people, established people.  Ben is the perfect guy to play this role.”

Regarding Batman and Superman’s interaction:

“They both will be wearing suits, there are capes involved, there will be action, there will be excitement.”

Regarding Wonder Woman:

“Wonder Woman is an amazing character.  I think it’s a great opportunity both for box office success, but also to have an amazingly powerful female superhero.” 

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Again, I note that this is merely the beginning for DC adapted unification and based on that, Silverman seems to be saying all the right things so far.  Nothing’s too committal, nothing’s specific and everything is going to turn out all right.  It’s your standard politician or rather, executive response.  If however, one is looking for a more personalized commentary regarding this next production, Zack Snyder is your man and has been at every stage of this production because every cast member revealed thus far has been a hot button topic.  Personally, I don’t care for some of the decisions that have been made so far, but I do respect Snyder stepping up to the plate when it really isn’t, technically, his job to do so.  When I first started hearing Snyder defend Affleck, I wondered if Snyder was the guy who really had all the answers or if he was just simply the only guy that had any authority in this new DC filmic reality to date.  If Silverman has been in place prior to Man of Steel and Snyder’s involvement moving forward will only be related to Superman related films then the latter is true and Snyder was the only one at the time to face the firing squad of public scrutiny.  If, however, Zack Snyder’s role expands to even that of a producer for any additional DC ancillary films, the significance of Greg Silverman as an individual directing this movement is greatly diminished and the true maestro will be revealed.

As a fan of movies and comics, I could care less about who’s making what call in regards to which movie, but I do care about seeing good movies, and I care even more when I see bad ones (especially when the potential was there for greatness).  If things go well, the right individuals ought to be praised.  If not … well you know what happens then.  So far, DC’s and WB’s leadership is feeling itself out and being only so forthcoming with the details this early, and that’s as it should be.  However, it still feels like this whole thing rests on Zack Snyder’s shoulders and many out there have him and Goyer fitted for pine boxes (figuratively, of course) should all of these interesting production and casting choices result in what is assumed to be a sub-standard envisioning of the Dark Knight and the Blue Boy Scout getting their hero on in the same movie.  Studio exec’s (unlike Kevin Feige) that stay out of the limelight tend to reap rewards with zero risk because their association with given productions is obscured.  I think Greg Silverman would be doing his own projects and people a big favor by getting out there a little more and putting on the best face he can to charm the pants off some reporters.  Then, if in two years time, whether Batman vs. Superman booms or busts, no one will accuse him personally of not making a better effort to sell the film.  But again, maybe this is what separates the Kevin Feiges from the Greg Silvermans?  It’s not for me to tell him how to run his business, but I don’t want him to fail, I don’t want this franchise to fail, and I certainly don’t want this film to fail.  The Justice League can be every bit as amazing as The Avengers.

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That being said, here is where I personally stand in regards to this Batman vs. Superman film as of 2/8/2014.  This is my unlucky 7:

1) I don’t like most of the cast decisions regarding the newcomers to this franchise.  Everyone returning from Man of Steel is fine and Jeremy Irons couldn’t mess up Alfred even if he showed up completely drunk and high for every day of principal photography (that would sure be a different take on Mr. Pennyworth).

2) I think Henry Cavil is being done a great disservice by having to play second fiddle to a bigger actor and a better character in Bat-Fleck for the sequel that used to be his franchise.

3) I think another chapter in Superman’s tale (solo) would have done more to establish the perils of this new DC cinematic universe than teasing the rest of the Justice League sooner than later.

4) I think Warner Bros. studio executives are forcing this massive cameo extravaganza prematurely because they see the X-Men franchise doing it for 20th Century Fox and the Spider-Man franchise doing it for Sony Pictures – and they want that money ASAP!

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5) If someone were to describe Jesse Eisenberg’s character based on the fact he’s playing it and how he’ll be a tattooed skinhead that will “earn” his wealth and intelligence on the mean streets of Metropolis, there’s no way I would have guessed him to play Lex Luthor.  Every previous manifestation of that character is much higher status than that of a street thug – and then there’s the whole Jesse Eisenberg is playing a street thug, thing (editor’s note: rumored).

6) With each new development, I lose more and more interest with this franchise because decisions are seemingly being made just for the sake of being different: different from Marvel, different from its comic book roots, different from Tim Burton, Chris Nolan and Richard Donner.  

7) I would reiterate Kevin Feige’s advice to the DC/WB powers that be in regards to their adaptation movement and that is: “have confidence in the characters, believe in the source material, don’t be afraid to stay true to all of the elements of the characters no matter how seemingly silly or crazy they are.”  

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers For January 22, 2014

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

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1.  Avengers #25 – Variant Edition – (Marvel): Alex Ross is known throughout the comics field as the man that started the “realistic” comic cover. Covers that depict such high detail that Ross’ characters seem as though they are true to life. Well, this cover is one of the best ones I have seen as of yet! Classic Avengers characters adorn every inch of this cover! Ross’ layout is superb and the colors give it that nostalgic feel of Kirby and Lee at their very best. Simply superb!

 

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2.  Bravest Warriors #16 – Variant Edition – (KaBoom/Boom! Studios): I thought this cover was a perfect example of the Manga Pop craze that is hitting the nation. Mike Holmes gives this cover a brilliant art deco background while placing the Japanese style central character slightly askew in the forefront. This is a great amalgam of art styles and proves that you don’t need super heroes in tights to make a cool cover!

 

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3.  Batman #27 (DC): Greg Capullo is no stranger to creating horrific images in comics, but this cover will certainly draw some attention away from the other books on the rack this week! Bleak in color and tone, this cover will create a vortex for the eye, singling it out amid the myriad of Technicolor laden books. Plus, the central image is so disproportionate and deranged it makes you wonder if this is a cover for Batman or Crossed! Fantastic line work and a great use of dark tones make this one a must have for Bat fans!

 

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4.  Eternal Warrior #4 – Variant Edition – (Valiant): This is an amazing watercolor cover, by the ever versatile David Mack, that I need to get a copy of! Perfect use of line and color off set each other in this masterpiece. The broad water color strokes in the background give it a subtle look while the foreground captures the essence of the main character perfectly. It is a truly beautiful cover for such a brutal character but Mack pulls it off with ease!

 

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5. Harley Quinn #2 (DC): This cover has everything you would expect in a Harley book! Animals, chaos, blood?, a love note to Joker and of course, a beautiful central figure that is more than off her rocker! Amanda Conner captures the pure essence of Harley with this single, multi-faceted image and fans are going to love it. Highly detailed lines and a vibrant color palette make this cover pop off of the stands and would make an exquisite poster to boot! People who say Amanda Conner can only draw “hot babes” need to check out this cover that proves her talent far exceeds their low expectations!

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers for November 13th, 2013

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1. Coffin Hill #2 (Vertigo/DC): This stunning cover by Dave Johnson is not only beautiful but hauntingly eerie as well. The deep purple and maroon background are the perfect complement to the bright foreground figure. It makes it seem that she was cut form another work of art and overlaid to this one, each piece having merit in their own right, but together make something extraordinarily wonderful!

 

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2. X-Men Gold #1 (Variant Edition) (Marvel): John Cassady makes a classic throwback cover to the early days of the X-Men in this 50 year anniversary book of Marvel’s merry mutants! The layout has that perfect nostalgic feel of the team diving into battle, young and innocent, with no regrets. But, it is Cassady’s decision to use pop art style design for the background that gives this cover that Jim Steranko feel, and no one can beat that!

 

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3. Harbinger #18 (Valiant): Matthew Walsh creates an amazingly surreal cover that is compositionally perfect. The way Walsh “bleeds” the tendrils from the Bleeding Monk into the caverns of Peter Stancheck’s mind not only makes for an outstanding effect, but also metaphorically matches the relationship these two characters have with one another. The choice of minimal colors draws the eye away form everything else on the racks today — perfect!

 

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4. Batman: Li’l Gotham #8 (DC): I don’t even know where to begin with this one! Dustin Nguyen creates some of the most artistic and fun covers on the market today and this is just one more awesome piece! There are so many parts for the eye to enjoy, the vibrant colors, the amazingly rendered characters, mermaids, the pirate ship etc. I could go on and on! This piece is not only poster worthy, but gallery worthy. Whomever says “toon” art isn’t art, is too stuck up to know what true art is!

 

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5. Batgirl #25 (DC): As frequent readers of this article know, Alex Garner has been present on this list more than a few times. Is there any reason why he shouldn’t be? This painted and digitally enhanced cover is essentially perfect. The strain and determination on the central characters face sets the pace for what takes place in the interior of the book and helps to bring a glimpse of humanity to an otherwise dark and gloomy city! Alex we NEED posters!!
 

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Comic Book News

Review: Batman #25

Scott Snyder continues to show us all that there are still plenty of amazing stories left to be told to broaden the mythos of the Caped Crusader, whether he dons the costume or not!

Though “the Bat” makes a minimal appearance this issue, Snyder weaves layer after layer of intrigue throughout his tale, building the richness of his two year take on the Batman to an even higher level than before.

The “Zero Year” storyline, that is making it’s way through several books this month, truly takes off in this issue. We have young Bruce dealing with the Riddler’s Gotham blackout and an even worse scenario of twisted death by a new threat that brings Jim Gordon face to face with Bruce. This part of the tale is where Snyder shines his brightest. He adds a level of mystery and intrigue to the tale that cannot be played out soon enough for ravenous readers. A mystery that harkens back to the day Bruce Wayne lost everything, a mystery that changes everything we knew, or thought we knew, about Bruce and Jim’s working relationship. It is something that I found unsettling, not because it is revealed, but because it is not and I NEED it to be!

This is not the only mystery that Snyder opens either. The tale is book ended by another, one that begins with a door and ends in fire, and is no less tantalizing than the other one. Plus, somehow, Snyder sneaks in some action sequences that have been flawlessly rendered by Greg Capullo, satisfying your “need for speed” in a book that is more about the building of a larger tale that pure action.

As the back-up tale goes, it was nice but by no means do you need to have it in this book. It is a subtle tale of a brother and sister having to deal with their own darkened corner of Gotham and realizing there is always a light when you need it most. Subtle and effective but not necessarily needed.

What is NEEDED is next month to get here to see what outstanding tale Scott Snyder has in store for us next!

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Comic Book News

COVER SHOOT: The Top 5 Comic Book Covers For 11/6/2013

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 

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1. Mighty Avengers #3 (Variant Edition) (Marvel): We have all seen album (What’s an album?) cover art depict scenes and characters from pop culture, well, now it’s Marvel’s turn! Salvador Larroca does a fantastic job rendering the cover of the latest Eminem release with a little something extra! The Invincible Iron Man is chillin’ with Marshal Matthews at the ol’ homestead and fans are loving this ridiculously cool idea! I wonder if they’re going for some Shawarma next!

 

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2. Cyberforce #7 (Variant Edition) (Image): Marc Silvestri is creating some exquisite covers these past few weeks and I am loving it! His highly detailed sketch covers is some of the best work I have seen him put out in the past few years. The immense attention to detail, the subtlety of shadow and the crispness of his lines proves that this co-founder of Image Comics is still at the top of his game. Who says you need color to enhance your art?!

 

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3. Batman: Black and White #3 (DC): This hauntingly simple, yet compositionally perfect cover from Olly Moss will be hard to pass up at the local comic shop. The lack of color draws the eye away from everything else on the racks, but the cavernous silhouette of the Batman will make you pick it up just to add to your collection of museum worthy covers. It is bold and striking, everything you should expect in a Batman cover! Perfect!

 

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4. Shadowman #12 (Variant Edition) (Valiant):  Shadowman is getting a complete makeover this month and this amazing cover by renowned artist Kekai Kotaki, is just the thing to kick it off! This beautifully painted work of art depicts Jack Boniface cutting a swath through the Deadside. Usually rendered in dark forms and colors, Kotaki’s choice of vibrant blues and striking whites gives it a fresh, clean and yet, eerie feeling that has never been seen before. Utterly fantastic!

 

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5. Spawn #237 (Image): Todd McFarlane may not do a lot of art these days, nor is he fandom’s favorite creator but when he brings something new to the table — he blows us away! This “Dia de los Muertes” style cover is stunning within itself, but as you look deeper into the image it s full of beautiful, intriquette details. The subtle lines and the inverted double image through  the bridge of the nose are stunning and the use of the vibrant purple background makes the image truly pop off of the page!
 

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Comic Book News

Cover Shoot: The Top 5 Comic Covers For 10/9/13

COVER SHOOT

By: Chris “DOC” Bushley

 

This weekly feature will take a look at THE most visually compelling comic book covers on the market today. Whether they be rare variant editions or just your standard fare, these are the top 5 covers that stand out amidst the bevy of books released each week. They say, “A picture is worth a thousand words”  but these covers are worth more than that! No matter the storylines behind them, these covers compel you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

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1. Miniature Jesus #5 (of 5) (Image Comics): This series by Ted Mckeever has had some of the most creative covers in it’s five issue run. Known for his use of bland backgrounds and exquisite line drawings, McKeever has quickly become one of my favorite cover artists! Let it be known that simple lines used with extraordinary skill can trump 3D covers any day!

 

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2. Batgirl #24 (DC Comics): Alex Garner has quickly become a staple on COVER SHOOT and there is no argument as to why! Using both paint and computer enhancement, these Batgirl covers have become fan favorites, warranting cries of, “We need posters!” across all of comicdom. Lifelike and beautiful, Garner tells a story with a single image, melding perfectly with Gail Simone’s tale within the book.  Simply, exquisite!

 

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3. Thor: God of Thunder #14 (Marvel Comics): Though usually done by Esad Ribic, legendary artist Ron Garney has been making fans salivate over his Thor covers the past few months. Explosive and with an “in your face” composition, this cover exudes everything Thor is about! Brutality, fantasy, power and confidence is forced at you, leaping off the cover, and it makes you want to, no, need to know what’s going on in the story. Perfect cover to draw you in!

 

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4. Creepy Comics #14 (Dark Horse Comics): Known for trend setting covers, Creepy, always delivers the goods. Especially, with this gorgeously haunting cover by David Palumbo. With meticulous composition, this painted cover draws your eye from top to bottom, giving you the feeling of descent as you gaze upon it. With it’s two color palette, it is masterfully done, setting itself apart from all the bold colored covers around it.

 

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5. Batman: Arkham Unhinged #19 (DC Comics): Nothing can pull your eye to it better than a cover with graphic shapes, simple lines and a pristine sense of color! With a bleached background and a single image foreground, Christopher Mitten has created something fantastic. Accentuated by simple but exceptional line drawings, this cover pops off of the shelves and makes you take notice. It is simply profound and I would be proud to add this cover to my comic art collection!

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Movie News Reviews

Op-Ed: A Response To Ben Affleck Batman Nerd Rage & Why Heath Ledger Argument Doesn’t Work

This One is for Brandon

Responding to Affleck Love and Nerd Rage

By: Lawrence Napoli

 

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Oh internet; you truly are the last bastion of pure democracy. I suppose it makes sense to turn debating things as frivolous as casting calls into an absolute war of the words where no cheap shot will be left untaken and numerous lines will be crossed. The blanket of anonymity emboldens us all, and though it may give the individual courage to speak up where personal insecurities would otherwise keep the one mute, it has a tendency to inspire reckless behavior riddled with negative energy. Perhaps trashing other people’s opinions and perspectives acts as some twisted catharsis, but I’ve never felt pure glee by engaging in it.

Recently some readers took issue with my op-ed concerning my displeasure over Ben Affleck being cast as Batman for the Man of Steel sequel and presumably, all Justice League tie-ins for the foreseeable future.

First of all, that was (as this is) an op-ed which according to the Online Etymology Dictionary is defined as a page of a newspaper opposite the editorial page, usually devoted to personal opinion columns.
It was not an essay making an argument against sending financial aid to countries that appear to be acting against the interests of the US. It was a raw, emotional, soap box moment where I expressed a personal opinion that Affleck is not the right choice for Batman. A choice like that leaves too many questions for me regarding the future of these DC adaptations because the shear inclusion of that character in Superman’s sequel undercuts Kal-El’s own importance. That combined with the debacle that was Green Lantern plus the lack of some teaser, tie-in or reference to this new DC universe independent of Nolan’s trilogy at the end of Man of Steel makes me think there still is no master plan for the movement. Until that changes, “it’s the end” of those films for me.

Second, pinpointing The Town and Argo as proof positive that Affleck will clearly be an excellent Batman is as opinionated as my use of those examples to suggest the opposite.
In both of those productions, Affleck was placed in multiple seats of power and influence as a co-writer, director and lead actor. Is he somehow not going to use those opportunities to showcase himself in the best possible light? I liked both of those films, and I reviewed them here on Cosmic Book News, but until he has been confirmed as the director of Justice League and every other ancillary title where Batman will appear, he’ll have to start taking direction. Affleck and Snyder will certainly have moments of disagreement in their future endeavor as they are both bringing different experiences and ideas to the table. The danger lies in Affleck potentially responding in the way of the prima donna, and then press releases citing “creative differences” occur, people walk off sets and in the meantime, the production gets sandbagged. The Town and Argo are not proof that he can listen to someone else in authority over him to adjust a performance for the better of the film, not just the actor. He was the authority in those films.

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Third, let’s examine the comparisons with Michael Keaton’s Batman and Heath Ledger’s Joker as further proof positive that Affleck’s Batman will be just as unexpectedly successful.
Tim Burton’s Batman may have followed Richard Donner’s Superman, but it is the Dark Knight’s adaptation in 1989 that created the contemporary model of using big Hollywood names in the active, title roles for superhero films in the future as opposed to only support roles like Marlon Brando’s Jor-El. “Big” defined every level of this production and for Tim Burton, a man whose previous production credits only included Pee-Wee’s Big Adventure (1985) and Beetlejuice (1988), it could be understood that the pressure was on. We could have wound up with Mel Gibson, Kevin Costner, Charlie Sheen, Pierce Brosnan, Tom Selleck or Bill Murray, but producer Jon Peters liked Keaton’s edginess, and Burton’s familiarity with the actor certainly didn’t hurt. Yes, the fans blew up back then as they are now, but the main difference in the situations (besides the history between the director and lead actor) is that the production hired Batman co-creator Bob Kane as a creative consultant. If you can’t trust the character’s creator, who can you trust? Batman/Superman should have similar DC heavy weights like Geoff Johns or Scott Snyder as regulars on set, in the writer’s room and right now researching plot development, but as of now, anyone else’s involvement in these DC films are rumored at best. Sure, Johns failed Green Lantern as a co-producer, but I believe Affleck would respect actual DC writers if not his own film’s staff if push came to shove. This production requires supervision and/or support.

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As for Heath Ledger, the parallels are once again uncanny. Clearly he was cast against type where films like 10 Things I Hate About You, The Patriot and A Knight’s Tale had him on the path of the classic, Hollywood leading man. But then he starred in films like Monster’s Ball and Brokeback Mountain, and those were considerably riskier roles for a young actor who would eventually perish before his prime. Ben Affleck’s filmography is layered with classic, Hollywood leading male roles depicting him as the love interest, the tough guy or the arrogant power monger; i.e. fairly unchallenging work for a good looking dude to pull off. Nothing about the Joker as a role suggests the use of some formula for casting or performance in order for it to be successful, but then news reports concerning Ledger’s preparation process hit the press prior to his death which was equal parts disturbing and impressive. In an interview with Empire Magazine he stated, “I sat around in a hotel room in London for about a month, locked myself away, formed a little diary and experimented with voices . . . I ended up landing more in the realm of a psychopath – someone with very little to no conscience towards his acts.” That diary has since been revealed to the public demonstrating the obsessive immersion he subjected himself to so as to deliver the Joker unlike anyone before. Yes, working out two hours a day is impressive for Affleck to shape up for Batman, but his character will never be a physical match for Superman. I don’t expect his preparation to involve hanging out in caves or interviewing orphans who were victims of violent crimes, but something a little more mundane like researching with LA’s CSI would sway me more as to his seriousness for the role because it would at least get him in the right detective mindset (assuming that’s the kind of Batman we’ll even see).

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Fourth, I’d like to address my opinion of Ben Affleck in general based on his career’s mixed bag of roles, his overbearing personality that comes out in shows like Real Time with Bill Maher and his less than gracious Oscar acceptance speech with Matt Damon for Good Will Hunting.
I also don’t like the fact that his ability to direct has been identified as some transcendent skill set unique from any other director and has nothing to do with the all-star actors that fill his casts like Jeremy Renner, Chris Cooper, Jon Hamm, John Goodman and Alan Arkin. Before we’re all ready to crown Affleck as the next American Auteur, let’s recognize that his opportunity to direct is specifically due to his being cast as the star, and his star equates to very specific dollars and cents for studios. He’s the money choice. He’s the corporate choice, and that above every other reason is why he is the next Batman. You may not agree with any of these statements, but they are reasonable enough to not like anyone or anything in particular.

Not once did I say that I hate him. Not once did I make some bigoted comment regarding him personally. Not once did I incite anyone else to join in on dedicated bashing like signing that petition to President Obama to remove Affleck from Batman. Heck, I never even said he was a bad actor. He’s simply not my cup of tea and I feel he doesn’t have the intimidation factor and mature mind set needed for Batman. That’s not a fact, it’s an opinion. Facts are as follows: He is an actor, he gets paid lots of money and he will make so much more being Batman.

Now I’d like to take this opportunity to thank our live caller, Brandon for his comments and discussion during CosmicBookNews’ first live podcast. He represents the best of what debates over pop culture can be. His comments were intelligent, entertaining, and although we didn’t agree on everything, nothing got personal and nothing got nasty. I’m not even going to reference the negative comments to my own article in order to address real concerns over the death threats being issued on Facebook pages for Man of Steel concerning this casting situation. I honestly do not know what people are thinking by sinking to that level and it clearly represents the worst of what actual nerd rages are capable of. It’s just a comic book adaptation for crying out loud. Even if people are joking, and even if they don’t really mean it, that is totally out of bounds. Commentary like that is an embarrassment to civilized society. Change that. It’s not commentary; it’s verbal vomit. So once again, I say to Brandon good looks, we appreciate your opinions and invite you to join us again for another live podcast.

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Movie News Reviews

Op-Ed: Ben Affleck As Batman Is The End Of DC

This is the END, DC!

Attempting to comprehend “Why?!?”

By: Lawrence Napoli

 

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It’s Thursday night, August 22, 2013, and I just found out that Ben Affleck will be the next Batman in the sequel to Man of Steel as well as what I presume will be DC’s efforts moving forward to culminate in Justice League. Let that sentence percolate for a moment. Ben F*CKING Affleck!?!? Here’s a pro tip: count to ten, take a breath, in the nose, out the mouth. Needless to say, but I am extremely disappointed in this decision. Nothing (and I mean NOTHING) in this actor’s repertoire indicates that he would, could or should be Batman in a serious adaptation of that character’s license on the silver screen. I’ll delve into my opinion about this debacle later, but first I need to make some predictions about what this means for DC shamelessly attempting to recapture The Avengers in a bottle.

1) Established media entities will universally praise this move.
Affleck, love him or hate him, happens to be an A-list, popular name whose attachment to any film production can send budgets through the roof and potential ticket sales of seemingly obscure films in the same direction. He’s a regular on GQ, he’s a tabloid darling, and thanks to Argo he not only has “street cred,” but finally something significant to distinguish himself from Matt Damon’s more esteemed body of work. DC, Dune Entertainment, Syncopy and Warner Bros. are making this decision entirely about money, but the false assumption is that Affleck has this effect for this kind of serious comic book adaptation. In the one, previous stint Affleck had with starring as a superhero: Daredevil, that production had a budget of $78 million dollars in 2003 and its GLOBAL take at the box office was just under $180 million. This is NOT an example of “showing me the money!”

2) Bat Fans, Bloggers, Fan Websites and anything else remotely grassroots will universally pan (or at least raise a serious eyebrow at) this move.
The die-hard fan (a.k.a. fanboy) is instrumental in turning these comic book movies into legit challengers to Avatar’s all time money record. They’re the ones that pump movies they like incessantly (and for free) on the internet, attend multiple screenings and contribute to a fever pitched word of mouth campaign to do the kind of things The Avengers did. Core fans don’t care very much for Affleck because everything about his persona reeks of Shannon who worked at The Fashionable Male in Mallrats. He’s comes off as arrogant, narcissistic, over privileged and completely devoid of an ounce of genuine humility. You know, he’s the kind of guy that beat up the comic book geeks and nerds in high school. Yeah, this decision should go over really well with them.

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3) Superman vs. Batman and Justice League by extension will be out-earned, outperformed and out-classed by the Marvel Films.
DC is already at a distinct disadvantage with making Superman the center piece of their movement because that character’s godlike immunity makes him difficult to connect with contemporary audiences. Green Lantern was so awful that DC would rather have everyone completely forget that it ever happened. Nobody gives a damn about Aquaman. No woman (save for Lucy Lawless in her prime) could do Wonder Woman justice. And no one (outside of “the core”) knows about Flash, Martian Manhunter or Cyborg. DC’s most valuable character is the one they’ve already made seven movies with, and Christian Bale’s performance is recognized by many to be the “best Bat” to date. Oh, and Bale happens to be an Academy Award winning actor.

4) Zack Snyder is going to be constantly hitting every media outlet to pump up Affleck as Batman and tell nay-sayers to shut up. 
“(Affleck) has the acting chops to create a layered portrayal of a man who is older and wiser than Clark Kent and bears the scars of a seasoned crime fighter, but retain the charm that the world sees in billionaire Bruce Wayne. I can’t wait to work with him.”
– Zack Snyder. 

Expect to see unending remixes of this last statement for the next two years. By the way, if you were looking for a translation for that quote, it goes something like this: “Forget your apprehensions concerning this casting call; Ben Affleck is the perfect Batman because the studio told me so, and I couldn’t identify a real actor even if Hugh Jackman punched me in the face.” Okay, so that’s a bit of an exaggeration, but seriously, what was Snyder thinking with that? “Scars of a seasoned crime fighter,” implies the aforementioned humility factor that a career spent personifying arrogant bastards is pretty much incapable of depicting.

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5) Everyone will suddenly pine for Superman snapping Batman’s neck in the movie.
This has a lot to do with prediction #2. Frank Miller’s, The Dark Knight Returns has that infamous showdown between Batman and Superman that has had every comic book aficionado salivating over Batman’s ability to overcome any odds and defeat any adversary put before him. People like Batman because he’s dark, deductive, mortal and flawed, and Superman was depicted as a brain-washed boy scout in that comic. Affleck is not an underdog though; he’s a front-runner and people want to see him get taken down a peg or two. Ergo, Henry Cavill needs to melt his face off with heat vision. Perhaps this is all an elaborate scheme by DC to make Superman their #1 guy in the eyes of the fans: by neutering Batman with Affleck.

I’m sure other things will happen like fans picketing theatres, or petitions to bring back Christian Bale. Heck, I wouldn’t be surprised if people hit up Kickstarter to put real money behind the serious opposition to this decision, but the fact of the matter is that this casting decision is the furthest from a slam dunk and it astounds me that no one calling the shots for DC’s film adaptations gave this a serious thought. Not once did I ever consider Affleck to be a legitimate contender for this role because he’s simply way too high-profile for it. What motivates an actor who’s already made millions and could give two shits if people don’t like his performance? I simply do not know, but actors who have neither of those are more likely to deliver a better performance and that’s what it should really be about.

The one thing I’d really like to know is what Affleck’s boy, Kevin Smith has to say about this. I’m sure he’s polishing his knee pads for the man now that the decision’s been made, and it’s out there for everyone to discuss, but I’d want to know what he’d say behind closed doors before any rumors concerning his casting were ever conceived.

I know I should be a more mature, reasonable and responsible journalist in regards to expressing my opinion on this matter, but I simply never cared for Ben Affleck, any of his films, his association with J-Lo, and his (generally speaking) smarmy attitude. I care even less for him now that he’s been tapped to be my favorite vigilante. I realize I should reserve all judgment until the film comes out, but that would be difficult seeing how I am giving serious thought to boycotting DC’s films from this point on.

Make mine Marvel!

Related: Op-Ed: A Response To Ben Affleck Batman Nerd Rage & Why Heath Ledger Argument Doesn’t Work

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Movie News Reviews

Casting The Batman Reboot: The Dark Knight Then, Now and Beyond

Batman Then, Now and Beyond

By: Lawrence Napoli

 

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Comic book adaptations continue to take the world by storm, and Hollywood’s desperate need to use “superheroes” as a crutch won’t see that trend ending anytime soon.  So we know (think) the Justice League adaptation is coming in an effort to mirror Marvel’s success with The Avengers, but no one seems to know how DC’s team of super folk ought to be adapted to the screen.  Does everyone get their own film to establish origins as well as a following?  Do we present the team first?  Oh, and what do we do about Batman?  Yes ladies and gentlemen, that last question is the one that’s truly plaguing the executive brass over at Warner Bros., and DC because Christopher Nolan’s Dark Knight Trilogy remains too familiar within the social consciousness of the present and a depiction of that character (DC’s most valuable license) that isn’t as proficient will directly translate to millions (if not billions) in lost profit all over the world.  

I’ve never liked the concept of “rebooting” and I never will, but that’s not to say some efforts have been made in good faith to really deliver some marquee entertainment that attempts to show an audience something we haven’t quite seen before.  Nolan’s trilogy is a perfect example of this, but if Justice League is to happen then Batman not only needs a new face to fill out the cowl, but he needs someone who will be as dedicated to the role as Henry Cavill is apparently for Superman, as Robert Downey Jr. is for Iron Man, and as Christian Bale was for Batman before.  If Justice League was truly a project attempting to carbon copy The Avengers, this production should have considered recasting Bale as Batman to maintain some viewer familiarity with that role as Downey Jr. has for Tony Stark.  Not everyone saw the Captain America, Incredible Hulk and Thor films, but most saw the Iron Man trilogy thanks mostly to the performance of the title role.  Bale’s presence could pay similar dividends for JL, but Bale has solidified his Hollywood legacy, he’s won his Oscar and made tons of money; he’s going to take a break now. 

So, what is the corporate conglomerate to do?  Audiences liked Cavill enough through strong showings for Man of Steel at the box office so Superman is set.  Everyone hated Green Lantern (and rightly so), but can JL afford recasting another emerald warrior in the form of a brand new Hal Jordon or swapping him out for Alan Scott, John Stewart, Kyle Rayner or (ugh!) Guy Gardner?  That character is a toss-up.  How about a CG Martian Manhunter?  Possibly.  Is Wonder Woman simply inconceivable to cast due to the need to make her as physically dominant, yet sexy, attractive and somewhat cute at the same time?  Perhaps.  Flash, Cyborg, Aquaman: does anyone even care about these guys?  Maybe not.  The point is that The League isn’t particularly stable, so the two pillars of this fictional franchise have got to work well (butting heads) onscreen.  Whoever is given the power to choose the next Batman better not miss.  

That being said, we will discuss some possibilities for actors who could potentially do the role (ahem) justice, but before we do, let’s glance at some of Batman’s past renditions to see if we can extract the elements of a performance that are vital to bringing this character back to life for Justice League and beyond.
 

Adam West

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What worked:  He helped bring Batman to the mainstream in the late 60s with a very family friendly performance that employed a decent amount of action for television shows produced at that time.  The show kept fresh by employing a number of his iconic rogue’s gallery for several episodes.  Heck, they even all teamed up against him; Legion of Doom style and Mayor Adam West confronted them with as much dignity as he could muster.

What didn’t:  It’s obvious isn’t it?  It was campy and it was foolish, and West had no choice but to play it that way.  Seriously?  Shark repellent Bat spray???  West is only partially to blame as the man was simply following direction and reading off the script, but his smarmy chuckles, warm smile and Little House on the Prairie interpretation of fathering Robin is far off the beaten trail for this character.

What to keep:  Despite the dated nature of this material, West showed that you can generate interest and an audience through shear charisma and the man certainly had that in spades for his Batman.  A suave demeanor and face is the shortest route to an audience’s heart, so the next Batman must have this kind of likability because his clashing with Superman over JL decisions (as well as his personal brand of “justice”) might lead an audience to view him as a villain.  
 

George Clooney/Val Kilmer

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What worked:  I count both men as the same because the only real positive impact they had on this character is the fact that A-list recognition will bring the masses to the box office; completely independent of the story, production value and quality of the performances.  It is the primary reason why “stars” fuel Hollywood’s engine in the first place.

What didn’t:  There’s almost too much to mention here, but let’s try anyway!  Joel Schumacher, anatomically correct rubber suits, dumb stories and stylized settings are only a few reasons why Batman Forever and Batman and Robin ought to remain in the Dark Knight’s closet.  However, the number one, unforgivable offense for both of these actors is that neither truly bought in to this character to give it the seriousness it deserved.  They treated these movies as only paycheck films and it showed onscreen.

What to keep:  Before Robert Downey Jr.’s career took a hiatus thanks to substance abuse and rehab, he was already established, A-list talent that every media entity dubbed as one of the “next big things in Hollywood.”  Of course, blow can derail anyone’s career, but he came back with a vengeance thanks to the Iron Man franchise, and he did it by fully investing in his character and it produced a performance that will forever be linked to this man’s legacy.  Sure, Christopher Reeve did this as an unknown for Richard Donner’s Superman, but odds are that A-list talent has a higher batting average to hit one out of the park in any role for audiences.
 

Michael Keaton

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What worked:  Tim Burton’s Batman in 1989 kick-started the contemporary love affair with and modern adaptations of comic book characters and stories.  It had a big production budget, bigger stars and encapsulated it all within a very dark, brooding and serious plot that brought the character closer to its roots than ever before.  Many were confounded with the casting of Keaton who was more established as a comic (ha-ha) actor at the time, but Burton witnessed this man’s ability when they worked together on Beetlejuice the year before.  Keaton yielded a performance that no one could have possibly predicted thanks to his Bruce Wayne persona that matched the trends of his past roles and a distinct Batman persona that was decidedly solemn, gruff and cold.  He also rarely flapped his lips in regards to anything while donning the cape.

What didn’t:  Hollywood is good at faking a lot of things.  It even made Michael Keaton look like he was some kind of martial arts master; well, kind of.  Keaton never has and never will be described as an action star, but the next Batman will always have the need to be depicted as very physical on the screen through stunt work and combat sequences.  It’s not necessarily that Keaton’s action didn’t work in ’89, but that it won’t work for Justice League moving forward.

What to keep:  Michael Keaton represents the antithesis of the two men who followed in this role.  When it comes to the nature of a performance, there’s clearly no equation to separate “successful” from “unsuccessful,” but this is why casting is a tricky art form in and of itself.  One makes a decision to fill out a role based on an actor’s history of work and the energy he or she brings to an audition.  Open-mindedness is the key lesson in appreciating Michael Keaton as Batman which applies to the casting of either established talent or a new face entirely.  I also would like to see the resume of whoever will be charged as the casting director for Justice League because if movies like the Star Wars prequels, Ghost Rider and Daredevil are credited to this person, we should all brace ourselves for JL.
 

Christian Bale

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What worked:  He’s easily the most skilled actor to ever play this role and outside of his natural talent, has an entire history of completely selling out for just about every role he plays as evidenced by the extremes in physical conditioning he has subjected his body to over the years.  He made me fall in love with Batman again thanks to Christopher Nolan’s more realistic interpretation of the character.  He’s an Academy Award winning actor who kicks ass onscreen.  There really isn’t much of that going on in Hollywood; ever!

What didn’t:  Oh dear, Bale’s “Batman” voice was awful!  He stumbled on to it about halfway through Batman Begins and never let go for the rest of the trilogy.  I understand the need for the character to obscure his identity, but could we get the man a vocal coach for that?  “Swear to me!”  Sheesh!  It makes me cringe even now.

What to keep:  When push comes to shove, the actor must make the character his or her own.  It doesn’t take a great actor to yield a great performance, but it certainly takes a great effort to do so.  JL’s Batman will have some big shoes to fill, and that person had better not be intimidated in the least, otherwise the performance will suffer and sour the entire franchise.  Bale’s confidence as an actor is nigh unmatched, and while the next Batman doesn’t have to be as proficient, I’d like him to at least be on the same path as an accomplished actor.  Desire and dedication are absolute musts here.
 

Kevin Conroy

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What worked:  What?  A voice-over actor you say?  What’s he doing here?  True Bat-Fans know this man as one of the most iconic voices for comic book characters next to his co-star Mark Hamill’s rendition of the Joker.  He’s voiced the Dark Knight in Batman: The Animated Series, Justice League, Arkham City and Asylum, DC Universe Online, and most of the direct-to-video DC animated features like the most recent Justice League: The Flashpoint Paradox.  The best voice-over actors are masters at manipulating their voice, and one of Conroy’s often overlooked skills was his distinct differentiation between Bruce Wayne’s voice and his alter ego’s.  His voice brings so much life to Batman that it would be remiss to disregard his contributions to the character and is easily one of the best portrayals of Batman ever.

What didn’t:  Animation is limiting due to the obvious nature of the medium, but in Conroy’s case, this is actually a benefit.  The man looks nothing like Bruce Wayne/Batman.  Voice-actors also have less say in the organic evolution of a performance as they are constantly being given direction over the headset in a sound booth.  An actor can only control so much when they are being told to “do it this way,” as opposed to live action where several actors over the years have clashed with their directors/producers over creative differences because their embodiment of their characters gave them more political power during production.

What to keep:  Never underestimate the importance of the voice.  Christian Bale’s weakness is Kevin Conroy’s strength, and the next Batman has got to own intimidation, the bass, the staccato and the diction.  No pressure.

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That was the easy part.  Now comes what websites all over the globe love to get into and that is the theoretical casting call for who the next Batman could and possibly should be for the Justice League franchise on film.  It seems a daunting task because there really isn’t a clear cut choice in Hollywood, but that assumes no one in the current talent pool is capable of a quantum leap in ability and performance.  

Here are five suggestions in no particular order:
 

Armie Hammer (The Lone Ranger, The Social Network)

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Strengths:  I still can’t believe that this is his real name, but regardless, this actor has consistently been in the rumor mill for this role, and it’s pretty obvious for some reasons.  Besides the fact he’s 6’5”, 220 and there’s two of him, the man clearly has the right kind of body to step into the cape.  I felt that the dramatic acting he displayed in J. Edgar is proof enough that he has the ability to be as serious with a role as he wants to be.  His face is also attractive enough to sell billionaire, playboy Bruce Wayne without selling out as a stereotypical Hollywood boy toy that loses Bat-Fans everywhere.

Concerns:  The Lone Ranger tanked and he had Johnny Depp’s help.  This doesn’t bode well for his ability to aid in the helming of a franchise.  Taylor Kitsch knows exactly what I’m talking about, and this leads me to my primary concern for Armie.  How much would he really want this role?  I see desire as somewhat lacking in this actor because he’s already shown the ability to act in different genres, so who knows how much he would want to buy into a franchise that will monopolize his life for a number of years into the future.  Armie Hammer makes a lot of sense on paper for the next Batman, but I’m not sold on his ability to truly commit to this role.  Tonto knows what I’m talking about. 
 

Joe Manganiello (Magic Mike, True Blood)

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Strengths:  This gentleman will be the only member (ahem) of the cast of Magic Mike that should ever be seriously considered to be the next Batman due to the fact that his face, physicality, size, shape, voice and demeanor make him one of the few bodies out there that I could see standing toe to toe with Henry Cavill.  He has all the tools needed to thrive in this role, and he has demonstrated the acting ability to be intense for both action and drama.

Concerns:  But, can Joe pull said intensity inside to yield the wounded loner and solemn respectability?  Can he project intelligence, stratagem, leadership and experience?  Supposing Warner Bros. wants this type of Batman to contrast with Cavill’s youth and inexperience, I’m sure Joe is capable once he puts that costume on, but his repertoire is not quite on par with that of Christian Bale.  Limited experience and ability are the main concerns here.
 

Karl Urban (Dredd, Star Trek)

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Strengths:  Karl has a much better gruff voice than Bale could ever possibly wish for, and he certainly has the acting chops to pull off this role.  His look is also right in line with both the Bruce Wayne and Batman personas.  He also has a very respectable history of work in these types of action and CG-heavy films that would make him that much more comfortable on set.  He owns the concept of deadpan intimidation.

Concerns:  Dredd was not a homerun for me, and that character is pretty close to what most Hollywood productions will make Batman look like.  Karl will also have to hit the gym to buff out a little because being tone might work for Star Fleet, but even Batman’s body armor needs a bit more.  I would love for Urban to use Hugh Jackman’s work out regiment, but that kind of commitment might be outside of this actor’s asking price.
 

Michael C. Hall (Dexter, Gamer)

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Strengths:  This gentleman’s name has been tossed around the internet in connection with this topic for a while, and I didn’t quite see the connection at first, but the shear deviousness he demonstrates in Dexter proves he has more than enough “dark” for the Dark Knight.  He has also demonstrated the ability to project an ordered and scientific persona which relates to Batman quite well.  The overall acting ability is there for Michael to be the next Batman.

Concerns:  Michael has recently been undergoing treatment for Cancer and the disease is now in remission, but the physical requirements for this role may be too much of a burden for this actor.  Even a modest training regiment could be unreasonable and that instantly hurts his chances.  He also comes up a little short in the stature department as well as the look of his face.  No offense to him personally, but I’ll come right out and say it: his ears are just too damn big!  
 

Jon Hamm (Mad Men, The Town)

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Strengths:  If I had to pick one man, right now, to be the next Batman, Jon is it.  He’s got the total package: the looks, the ability and the size.  He’s a little older than some of the other actors I’ve suggested here, but I’ve always felt Batman should be older than Superman because he’s always seemed to represent the voice of experience in the hero game when these two come together.  Jon has the ability to be in any kind of movie he wants which is stunning how his appearances continue to seem limited to me.  It could be he’s genuinely not interested in his offers or it could be AMC’s contractual situation has him chained in their basement.  Either way, if I was casting, the role would be his if he wanted it.  Who knows how to act like a suave debonair better than Don Draper?

Concerns:  As good of shape as he is in; the gym is the first stop for Mr. Hamm.  However, this is usually the case for just about any role in an action film and something to which I’m sure he’s accustomed.  Being well into his acting career might demonstrate a lacking desire and or energy to get involved in such a project, but that would be something for him to decide.  He’s also not had an opportunity to demonstrate physicality in terms of hand to hand fisticuffs in many of his projects, but good stunt choreography could address this.  

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This is not the be all and end all to Batman’s possibilities, and the questions will only begin to be answered when the cast for the Batman/Superman movie is announced.  We can all hope that “the right decision” is made, but whoever gets tapped will only begin their challenging journey because the proof will be in the final product.  For better or worse, this decision will be binding for Warner Bros. who could ill afforded a series of recasting in this iconic role which would be interpreted by the viewing public as stumbling into the Justice League franchise as opposed to marching in with heads held high as Marvel did for The Avengers.  

As for the rest of the rumored actors in line to be the next Batman, I will make short-SHORT commentary in regards to why they should NOT be Batman:

Ryan Gosling (too mopey)

James Franco (too busy looking in the mirror)

Bradley Cooper (too eccentric)

Michael Fassbender (he’s Magneto)

Joseph Fiennes (too old and too British)

Wes Bentley (not enough talent)

Tom Cruise (WAY too crazy, and old)

Andrew Lincoln (too busy with The Walking Dead)

Stephen Dorff (too skinny)

Josh Holloway (isn’t he supposed to be Solid Snake?)

Matt Bomer (too pretty)

Channing Tatum (the male version of Megan Fox)

Sam Witwer (who?)

Hugh Jackman (he’s Wolverine)

Any Hemsworth boy (contractually inaccessible)

Johnny Depp (um, no)

Jason Statham (too bald and too interested in generic action films)

Joel Edgerton (his face is too fat)

Sam Worthington (owned by James Cameron)

Chris Pine (he’s Captain Kirk)

Joseph Gordon-Levitt (must have a Barry Bonds body transformation to apply)

Shia LaBeouf (come on, really?)

Ryan Reynolds (didn’t he already fail at a DC hero?)

Vin Diesel (not enough hair, talent or time)

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Comic Book News

COVER SHOOT: Top Five Comic Book Covers for 7/17/13

Cover Shoot

By: Chris “DOC” Bushley

 

This weekly feature will take a look at the most visually compelling covers on the market today. Whether they be variant editions or standard ones, these are the top 5 covers that stand out amongst the bevy of books that are released each week. They say, “A picture is worth a thousand words,” these covers are worth more than that! No matter the storylines found behind them, these covers draw you to at least check them out, which can be worth exponentially more than just words to the companies that publish them! Enjoy!

 
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1.  Fables #131 (Vertigo/DC):  Joao Ruas continually creates some of the best artistic pieces seen in comics today. This piece in particular, grabs the reader with a myriad of techniques that tantalize the eye. From the bold use of color on the “Round Table,” to the simplistic sketches that decorate the background, this one has it all. But, it is the gaunt and burdened faces of King Arthur and his men that truly grab the reader and make them want to learn more.
 
 
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2.  Superior Carnage #1 (Marvel): Artist extrordinaire, Clayton Crain, makes a stunning rendition of Marvel’s most ravenous psycho — Carnage! No one has made Carnage look more maniacal than Crain! Utilizing the background as dead space makes the crimson spilling forth that much more eerie and the layers upon layers he used to accentuate the sinew and movement of the symbiote, — perfect!
 
 
 
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3.  Batman ’66 #1 — SDCC Variant Edition — (DC): Okay, this one is going to be hard to find but that doesn’t make it any less cool! Done by Mattel, this cover pays homage to the camp and innocence of the “60’s television show while making it a unique collectable that fans will be clamoring for! You may not be able to find it at your local shop, or be able to get it cheap, but it’s worth a try to have such a “swingin” book in your collection!
 
 
 
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4.  Harbinger Wars #4 — Variant Edition — (Valiant):  Juan Doe has been doing his stylized “propaganda” covers for awhile now, but this one will surely stand out above everything else this week. Stark, bold, black and white lines help to off set the violent oranges and reds of the background formulating in a dizzying array of complex shapes and figures. The figurehead of Toyo Harada prominently displayed above all else gives the cover a central, powerful image that commands notice. This one is outstanding!
 
 
 
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5.  Thor: God of Thunder #10 (Marvel):  Esad Ribic is one of the most soft spoken and underrated artists in comics today. For a man that is so quiet, his covers explode off of the racks! This complex image of Thor battling the God Butcher is exquisite in scope and execution. The painted image conveys so much raw emotion and power that you can practically hear the rage bellowing from Thor’s lips. With stark color contrasts and a dynamic visage, this cover hammers the competition!
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Comic Book News

Review: Batman/Superman #1

There are moments in our lives that resound more than others. A special event, a tragedy or a first meeting with someone that will change our lives. These milestones define us, make us better or worse than we once were.

Greg Pak and artists, Jae Lee and Ben Oliver, use these same circumstances to bring together DC’s biggest icons for the “first” time. Their defining moments, shared tragedies along with prolific upbringings, are used to build upon their mythos and create something that is truly noteworthy. Pak portrays their rivalry/friendship in a perfect manner. Bruce Wayne, before the cape and cowl, has an instant dislike towards the future savior of Metropolis. Their brief encounter leads to immediate judgment from both parties, branding each other as the drunkard, playboy and the other, a sanctimonious blowhard. It’s nothing fans haven’t seen before, but the pristine writing form Pak and the beautiful art of Lee, bring it to a level never done quite as well as this. It will become a moment that fans won’t soon forget.

As for the first encounter of the Batman and Superman, I won’t reveal the circumstances behind it but, it is explosive to say the least! Utterly jaw-dropping visuals assault you as you take in the sheer brutality and power of these two individuals. The internal thoughts of our heroes, as they take each others measure, is pitch perfect. Pak makes them come across as arrogant and bold, passing judgment upon their foe again and underestimating each other in the process. The naive nature of the fledgling heroes is what Pak is trying to portray and he does it with panache.

Overall, the story is the perfect portrayal of Bruce and Clark, Batman and Superman, in the early days of their careers as future pillars of the DC Universe. The underlying tale of why these two are strewn together is both intriguing and thought provoking, but it is the rhetoric, both internal and external, between these two that will make this book unforgettable!

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Comic Book News

Review: Batman #21

When a new origin story is announced throughout the comic world, a resounding “Ugh!” can be heard almost everywhere. The venom is spewed even more vehemently when it pertains to an iconic character. So, when it was announced that Scott Snyder would be doing a definitive “origin” story for the New 52 Batman, you could feel the shudder creep across all aspects of the genre. But, in this case, it was a shudder of excitement!

Combined with Greg Capullo’s spectacular art, Snyder continues to build upon his vision of the Dark Knight, one that new readers and the most die hard of fans can agree upon as one of the best Batman runs in the past decade! 

Scott Snyder does not bring a razing to the old origin, in fact, it is done with reverence and integrity and handled with the utmost care. He brings iconic images from the Batman mythos – a coin, a car, a cane – into the tale to give a sense of nostalgia all the while creating his own niche to his ever widening classic tales of the Bat. He does not truly touch upon the continually told tale of the birth of the Batman, rather he weaves a tale within the tales of old to heighten them even further. From a boy’s love of Gotham, a young vigilante’s quest for order, to a hardened hero’s battle to bring life back to a broken city, Snyder creates a “look behind the curtain” tale of the life of one of the most iconic characters ever created.

It is heartwarming to see glimpses into a wide-eyed Bruce Wayne’s childhood, one where a father and son bond within the solidarity of a garage. And it is quite exciting seeing how that same boy grows to be a man fine tuning his driving skills in the back-up story by longtime collaborators James Tynion IV and Rafael Albuquerque. They are fantastic glimpses into the heart of a hero that builds upon the basic origin tale that has been told numerous times. But it is also these same glimpses, these finite moments that push that classic tale further than it has ever been before, stretching it from iconic to epic in a single issue!

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Comic Book News

The “DOC’s” Top Of The Pile for 5/8/2013

 

The Top of the Pile

By: Chris “DOC” Bushley

 

This is the weekly “quick pick” of the best 5 comics to hit the shelves! Whether they are riddled with action, have the best dramatic sequences, blast you with a bevy of shock and awe or make you feel like a child again, these are the books EVERYONE should be reading! This “DOC’s” prescription for having the best week possible — begins with these Top 5 books! (In no particular order!)

 

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1.  Uncanny Avengers #8 (Marvel):  Rick Remender is a repeat performer and a constant member of The Top of the Pile, and for a good reason! His amalgam team of Avengers and X-Men are not only at odds with the biggest threats to the world, but are at odds with each other as well. The deception and secrets has made these heroes question the integrity of everyone, leaving the reader with an aura of continual awe and merriment. Plus, who gets to kill a Celestial? Rick Remender — that’s who!

 

 

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2. Batman and Red Hood #20 (DC):  Peter J. Tomasi may be leaving Green Lantern Corps after this weeks issue, but you NEED to check out what he is doing for the Batman mythos as well! Since the death of Damian Wayne, Bruce has been lost, swimming in despair and rage. So, he calls upon the first Robin to have died and they take out their pain on the snipers that attacked Damian on that fateful day! But, what seems to be a reconciliation between Bats and Red Hood may end up destroying their partnership forever! A great look at the emotional side of two great characters that will never be the same again!

 

 

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3. Harbinger #12 (Valiant): The third chapter of the epic Harbinger Wars crossover, this issue shows just how brutal children with massive powers can be! Especially, since these powerhouses have been tortured, belittled and separated from the rest of humanity all their lives! This is a fantastic character piece that showcases the perfect balance of emotion and action on many levels. Stunning!

 

 

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4. X #1 (Dark Horse):  Duane Swierczynski has not only revamped the killing machine, Bloodshot, for Valiant Comics, now he has brought back the most brutal vigilante to ever grace the pages of Dark Horse as well! X is a non-stop menagerie of brutality that will ensnare you in the filthy underground world of Arcadia. Now, with a journalist on his trail, will X let up on his reign of terror he has placed on the worst criminals of the city? Hell No! Great stuff!

 

 

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5. Justice League of America #3 (DC): Geoff Johns has taken a motley crew of “heroes” and made them into one of the most interesting reads every month. This issue sees the truth behind Green Arrow’s attackers come to light and the “team” set up one of their own! Plus, Stargirl gets a dose of reality from Amanda Waller and Catwoman gets a little too close for comfort with Martian Manhunter in a great back-up story by the acclaimed writer of Mind MGMT — Matt Kindt! Two amazing writers for one low price! Who could ask for anything more?

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Comic Book News

The “DOC’s” Top Of The Pile for 2/27/2013

The Top Of The Pile

By: Chris “DOC” Bushley

 

This is a “quick pick” look at the Top 5 comics that EVERYONE should be reading this week! Whether it’s rife with characterization, filled with emotional strife, has a bevy of high octane battle sequences or is just a plain ol’ great read — these books belong at the “Top Of The Pile!”

 

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1. Teen Titans #17 (DC): In the aftermath of “The Death of the Family” storyline, these young heroes try to see the silver lining of everyday life. Unfortunately, the “Bat” family may not be the only one that is left broken. Things become more difficult as something is amiss with the Titans, plus, we see the return of the New 52 version of Raven — straight from the pages of Phantom Stranger! Great art and a solid read

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3. The Answer #2 (Dark Horse): This quirky, smart and original story will leave you asking more questions with every passing page! It is a book that doesn’t fall into the trappings of the “superhero” genre but expands upon it exponentially through fantastic ideas and whirlwind action. Just when you think you know what lies before you, you are spun into another direction entirely. If you are looking for something that is overtly fun and intriguing — The Answer is your answer!

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4. Uncanny Avengers #4 (Marvel): Rick Remender knows how to write on hell of an engaging story. From hostile social climates and intense political views, all the way down to classic fisticuffs that rock the page — this book is THE pinnacle of “superhero” books. Remender has such a deep knowledge of X-Men history that literally, every issue has some sort of nostalgic nuance to it. But Avenger fans need not fear, there are plenty of Cap shield wielding, Thor hammering and Scarlett Witch chaos magic to make you all happy! This is the best Avengers book on the shelves and you have Rick Remender to thank for it!

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5. Batman Incorporated #8 (DC): Yes, this issue is the death of Robin issue that everyone has been talking about! It deserves a place on your pull list, not only for the death of a great character but because of the general story as well. Full of “little” moments between the “Bat” characters, this issue builds up the emotional dial to eleven before the grand finale! Morrison may be wrapping things up for poor Damian Wayne, but he won’t let him go down without a fight! Cheers to one of the best characters created in the past decade, we’re gonna miss ya!

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Comic Book News

Advanced Review: Batman Incorporated #8

Spoilers Ahoy!

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The cover was leaked and now everyone is talking about the harrowing details about this week’s Batman Incorporated #8! Even Al Roker from the Today Show led a segment regarding the death of Robin in the issue, by the way, Mr. Roker seems very well versed in the world of comics — color me impressed!

So, it is no secret about the death of another Robin, but how is the book overall? Let me tell you, Grant Morrison delivers a grand exodus for the most complex Robin ever created!

A hero is defined by his actions. Damian Wayne may have started out as just another would be assassin aimed at Batman but his growth as a character saw him become a fan-favorite and one of the most intriguing heroes to read. In issue #8 of Grant Morrison’s epic book about Wayne Enterprises and the legacy of Batman becoming a global conglomerate, we see for the very last time why Robin has acquired so many fans. It is a testament to how well constructed this character was, a true hero despite his villainous beginnings.

An extremely tense action drama unfolds before you as almost every Robin that ever was, stands against a barrage of Talia’s henchmen trying to take over Wayne Enterprises. It is a quickly paced tale that will ensnare you from the opening salvo and grab you by the heartstrings as the inevitable begins to unfold. Morrison layers in moments of emotional gold as he focuses in on the kinship of Damian and Nightwing, making the finale that much more devastating and personal to the reader. 

Morrison’s send off of such a fantastic character is nothing less than pitch perfect. It is exactly the way one would perceive a character such as Damian to end, valiant in the face of danger but with a twinge of fear and regret as well. This is a book that will resonate with a lot of fans, regardless of all the hype it has been given — it truly is fantastic!

As the book begins, Damian asks a question, “What would you do without me, Grayson?” In return, I ask Grant Morrison this, “What will WE do without him, too?” Goodnight, Robin — you’ve earned your rest.

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Comic Book News

Review: Batman #17

This is it! The finale of the “Death Of The Family” arc, by the dynamic duo of Scott Snyder and Greg Capullo, has hit the shelves and everyone has been clamoring over just what the Joker has been planning for dinner!

A visually intense and emotionally jarring tale awaits you in the pages of Batman #17, one that fans will be heatedly discussing on whether the tale truly paid off or if it was just an ending filled with mediocrity. Personally, I thought it was a combination of both aspects. Part of me was satisfied with the way Snyder exposed the overall “death” of the family, creating a new and intriguing future for the “Bat” kids that has never been truly done before. Part of me was anxiously awaiting something horrifying and epic in scope that would exponentially change the characterization, tone and over all future for Bats. That part of me is still waiting for something that will never come and lies confused, broken and disappointed with the entire issue.

Portions of Snyder and Capullo’s tale resonate with me deeply while others left me wanting so much more than what was given. The coming crescendo of a masterful performance up to that point, fell flat. The build up to issue #17 was pitch perfect but the tale we were given within the finale seemed like it was done using a completely different character than the one that murdered an entire force of the G.C.P.D.in a matter of minutes! When faced with his obsession, the Joker crumbled into a character that we thought was buried under Snyder’s watch, never to return.

I have mixed emotions over this grand finale. Torn between awe and disappointment, I will admit that the final few pages were outstanding! A wrap up worthy of the entire arc that will leave a smile on your face, and you didn’t even need Joker gas to get it!

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Comic Book News

Batman: Death Of The Family Recap: What Is The Joker Planning?

Just What The DOC Ordered

“Guess Who’s Coming To Dinner?”

By: Chris “DOC” Bushley

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(Before you read this, beware! Spoilers Dead Ahead!)

The Joker has been cutting a bloody swath through the streets of Gotham and no one is safe! The G.C.P.D., Commissioner Gordon, the entire cast of Haley’s Circus, Barbara Eileen (Batgirl’s mother) and Alfred have all felt the wrath of this demonic character. But it’s not just the families and friends of the “Bat Family” that have been forced to kneel before the “Clown Prince” — it is the heroes as well!

Scott Snyder and the entire cast and crew that make up EVERY aspect of EVERY “Bat” related character, has been creating an extremely dark and twisted tale in the last few issues of there respective series. From Catwoman having to play a horrific version of chess in order to get a pass from the Joker, to Damian Wayne having to fight his “father” in a battle to the death; each and every costumed character that has fought beside the Dark Knight has been put through a veritable nightmare recently. The relentless beatings and horrific mind games that the Joker has created specifically for each character have been leading up to a grand finale of sorts — a banquet of blood and hilarity that can only be devised by the Joker. But what is the main course going to be? 

Batman #16, Batgirl #16, Nightwing #16, Teen Titans #16 and Batman and Robin #16 have all had the same style final page to them. Each character groggily awakens in a dark room and the Joker stands before them with a covered dish. (Example: Batgirl #16 final page below)

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The fan pages have been ablaze with speculation as to what could possible be on that tray and we will have to wait until February 13th, when Batman #17 comes out, in order to have our final answer, but let’s speculate as to what it could be, shall we?

The obvious choice would be Alfred’s head! We know that he was abducted by the Joker in Batman#13 and that some appalling things were done to him from the audio tape Bruce found. We also know that the Joker has said that he NEEDS Alfred to SERVE at the party. Whether that’s a play on words or just a statement — only Scott Snyder knows!

Could it be part of Jason Todd’s face? We see in Red Hood and the Outlaws #16 that Joker has done something to Jason’s face and is applying red paint (blood?) to the inside of his helmet before returning it to his face. He then says, “Only a face a mother can love!” as it is reapplied. Now, in Teen Titans #16, we know that the bottom half of his helmet is broken off by Red Robin, but the top is still intact. Could the Joker have disfigured Jason for cheating death oh so long ago? Maybe.

Could it be Commissioner Gordon? We haven’t seen James Gordon Sr. in a few issues but we know that he was the first to be confronted by the Joker. That confrontation has left the Commish reeling, completely taking him out of sorts and shaking the normally strong willed hero. We know his ex-wife has already lost a finger to the Joker’s demented schemes, why not hack away at the Commissioner as well? Plus, we know that deranged killer, James Jr., has already helped the Joker capture his sister, Batgirl, why not make it a family reunion? 

Speaking about family reunions, could it be Tim Drake’s parents? We know that Tim Drake left his family in Witness Protection after messing with the Penguin awhile back, but does that mean anything to a man who killed two of Nightwing’s best friends and Jokerized the entire Haley’s Circus? In Teen Titans #16, we saw that he Joker already used a fake “daddy Drake” to mess with Red Robin, but that could have just been a “red herring” for the main event — “daddy dinning!”

Maybe, just maybe, it is a smorgasbord of “Bat” cuisine! Red Robin, Red Hood, Batgirl, Nightwing and Robin were all knocked out prior to them seeing the tray presented. Joker keeps calling Batman “the King,” and he, his “Royal Jester.” Perhaps the “Jester” has created a gift pleasing enough for a “king,” an array of treats brought from all the different “lands” beneath the “king’s” royal gaze. Could the tray be filled with delectable digits from the “Bat-kiddies” that were removed while they slept? You never know with the Joker — anything is possible!

All I truly know, is that the “Death of the Family” storyline has been one of the best tales in years! Appalling, horrendous and completely unnerving, Scott Snyder and crew have made the return of the Joker an amazing ride that will be talked about for years. At the end of it all, whether Alfred is gone or not, the “Bat-family” will forever be changed and I am excited as ever to see where it goes from here! 

The “Death of the Family” storyline epically concludes in Batman #17, on sale February 13th, 2013! Get a glimpse of the cover below!

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Movie News Reviews

Blu-Ray Review: Batman: The Dark Knight Returns, Part 2

The Return of Robo … er, Batman

A Review of The Dark Knight Returns Part 2

By: Lawrence Napoli

 

Frank Miller’s seminal work in The Dark Knight Returns continues to take on new life in part 2 of the animated adaptation directed by Jay Olivia.  Part 1 certainly set the table with tremendous dedication to the source material in terms of art and tone while giving the viewer an added glimpse in between the panels at some of the action that led to this tale’s most iconic moments.  Part 2 follows suit quite nicely as the stakes for Batman go through the roof with Joker on the loose, the Man of Steel to contend with and lest we not forget the whole possibility of global thermo nuclear war with the Soviet Union looming in the background. 

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It is on like Donkey Kong!

The art continues to be right on the mark with every character: from the creepy Ronal Reagan-inspired President to the “zombie” Superman surviving a nuclear blast to a one armed Oliver Queen “having one more crack at the boy scout.”  Storyboard artists Brendan Clogher, Christie Tseng and Kirk Van Wormer working with animation checker Justin Schultz outdid themselves by mastering an art style that is unmistakable from the original, static form.  It isn’t a perfect recreation, mind you.  Bruce Wayne’s costume of a bag lady as he stops a convenient store stickup looks a lot like a fat version of Scarecrow from the Batman animated series.  Also, the vehicles depicted in every scene continue to bother me in their blocky presentation and movement.  In addition, I was not as impressed with the background art as much as the quality animation in the foreground.  However, these are all very nitpicky criticisms.  Overall, the art is very satisfying to see and extremely nostalgic to experience.

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Batman is an avid rider.

The voice over work, however, is a bit of a disappointment which is lamentable considering the new characters the audience is being presented in part 2.  Peter Weller, once again, voices Batman and after giving him a chance in part 1, part 2 confirms that I simply cannot accept anyone not named Kevin Conroy as this character.  Weller’s voice hits that one dulcet tone and never, EVER, fluctuates.  You’ll remember Michael Emerson from Lost and Person of Interest and he had the opportunity to voice Joker.  Although he gives a much more emotive performance than Peter Weller, Emerson clearly isn’t Mark Hamil.  How can anyone possibly follow a Mark Hamil Joker?  Just about every other male character: Superman (Mark Valley), Commissioner Gordon (David Selby) and Alfred Pennyworth (Michael Jackson) fail to leave any semblance of an impression.  Who knew Conan O’Brien did VO work for this project as talk show host David Endocrine?  I certainly didn’t because it was a total afterthought.  The best vocal work continues to come from Ariel Winter as Carrie Kelley/Robin.  Unfortunately, Robin has significantly less involvement in part 2 which means the audience gets less of a very good thing.

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Hi!  I’m Conan O’Brien

I highly recommend purchasing the Blu Ray/DVD combo primarily because many retailers are selling them at the exact same price points as the regular DVD this week, but also because the bonus features are very interesting.  The first feature is called When Heroes Collide and it features commentary from the likes of Grant Morrison, Denny O’Neil and Bruce Timm speaking on the historic comparisons between Batman and Superman, how they could ever be set against each other and who inevitably would come out on top.  The segment I found most interesting was when the professionals were discussing classic comparisons to DC’s flagship characters: Superman = Zeus/Achilles vs. Batman = Prometheus/Odysseus, respectively.

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Clash of the titans!

The second feature called The Joker: Laughing in the Face of Death is a character analysis of his popularity over the course of time and how he not only represents Batman’s greatest adversary, but perhaps the greatest villain ever conceived.  The audience will be treated to some fine observations by the man who invented the Joker, Jerry Robinson.  He discusses his preference for overpowering his villains to pose a constant threat to the hero and presents his original art work for the character in the form of the infamous Joker playing card featured in just about every manifestation of Batman in entertainment.  Also discussed is the perceived symbiosis between Batman and the Joker, specifically how Frank Miller’s work presented it almost like a constant lover’s quarrel.  Is Joker really an “omni-sexual being” in The Dark Knight Returns?

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I’m too sexy for these mirrors.

The third feature involves several storyboard walkthroughs with director Jay Olivia.  Olivia discusses his theories and philosophies of character and scene integration as they pertain to the scenes in question and the film in general.  He comes off as a passionate director who clearly wants to do right by this adaptation and has a dedicated vision to what must stay, what must go and what must be altered from the original comics to be successful on video.  This segment is a little longer as his commentary is quite thorough, but I raised an eyebrow when he discussed how he related his thoughts for action sequences by referencing other movies to his artists.  Apparently, the scene that shows Commissioner Gordon embracing his wife in front of his burning apartment was inspired by Silent Hill, the movie; not the best choice in films.

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Handsome super beings like me don’t bother with films like “Silent Hill.”

The last little bonus worth mentioning is the sneak preview of the upcoming DC direct to video project called Superman: Unbound.  This new project is an adaptation of the limited series created by Geoff Johns called Brainiac which involves the bottled city of Kandor, Supergirl, Superman’s overprotection of his loved ones like Lois Lane and the return of a much more threatening Brainiac.  Unlike The Dark Knight Returns, this project will not seek to channel the original art style in ANY way which would be fine under normal circumstances, but I had a specific reservation about one character in particular.  Brainiac is going to look almost exactly like Martian Manhunter (right down to the exact shade of green) and I simply do not understand this choice.  I found it very interesting how several comments during this feature described how this project was going to “new places” with the source material or going “left of the source.”  If this were really true, then why base any of these direct to video projects on existing storylines?  Why not give us something new in the first place?

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Something new always puts a smile on my face.

The Dark Knight Returns Part 2 is very entertaining and totally worth buying so long as it is the BluRay/DVD combo and it’s less than $15.  I was a bit upset over the fact that this movie comes with a $5 off coupon if purchased in conjunction with part 1.  This isn’t so great for someone like me who has already bought part 1, but a fine deal for anyone else.  There is a noticeable increase in the action, blood and violence in part 2.  Joker’s murder spree and the final fight with Superman are very exciting, but the dramatic bullet points of the comics don’t resonate as well in part 2 as they did in part 1.  Perhaps it was Peter Weller’s dull delivery or perhaps it was the greater emphasis on action, but I actually preferred part 1 a little more.  Bat fans will find a worthy investment in The Dark Knight Returns, but be warned, this is still not a cartoon to show to the youngsters in any Bat family due to violence and suggestive content (not even Damien).

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Marvel Movie News

The DOC’s A Year In Review: 2012

“In My Rearview Mirror”

By: Chris “DOC” Bushley

 

It’s late, my wife and daughter are snuggled up in their beds as visions of super heroes dance in their heads. Well, possibly my daughter’s but my wife is probably having visions of Channing Tatum! I cannot believe another year has passed us by and I ponder all the things that have occurred in one of the most tumultuous years comic fans have ever seen. There were the seething fans from the The Dark Knight Rises vs. The Avengers debate, the uproar over The New 52 Alan Scott’s sexuality, the shock over the brutal death of Glenn in The Walking Dead #100, the return of the Joker, Indie comics creating a big buzz with fans, Second Waves, Third Armies and Kirkman becoming the king of the world! 2012 was truly THE year to be a comic fan and my list is only the tip of the iceberg of all the things that occurred last year. So, take a look. Agree, disagree, it’s all in good fun. And remember, my list only contains things that I have personally seen or read so, if your favorite book or movie doesn’t appear here — make your own list in the comments below to share with us!

 

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BEST MOVIE: The Avengers: This summer blockbuster was so full of those classic, fun comic moments that you just couldn’t catch your breath. It was everything that Marvel had been painstakingly building up to for years — and it completely blew me away! The original Superman may have made us believe a man could fly, but The Avengers made me believe that gods live among us!

WORST MOVIE: Ghost Rider: Spirit of Vengeance: Everyone forgot about this Valentine’s Day weekend blockbuster, didn’t they? Apparently, Ghost Rider did so well that they NEEDED to make this steaming pile of a sequel for the six fans that enjoyed it! I will sum this movie up in two words: Flame Urine! ’nuff said! 

BEST “NON COMIC” SUPER HERO MOVIE: Chronicle: This “found” video film about teenagers that acquire super abilities had amazing scope and even better special effects. Though, by the final battle scene, I was finding it hard not to scream out, “Tetsuo!” at the top of my lungs!

BEST MOVIE CAMEO: Sam J. Jones a.k.a. Flash Gordon, Ted: When I first saw this movie, I nearly went into convulsions as “Flash” appeared on camera! Flash Gordon is one of my favorite childhood movies and all those scenes in Ted hit me with a wave of nostalgia. Fantastic!

THE MOVIE WTF!? MOMENT OF THE YEAR: John Blake knowing Bruce Wayne is Batman in five seconds: The Dark Knight Rises was a good movie, but it was riddled with WTF!? moments that I just couldn’t shake off. After three movies, Commissioner Gordon can’t figure out who Batman is but an orphan turned cop can the first time he meets Bruce Wayne as a adult? Crazy!

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BEST “NEW” COMIC COMPANY: Valiant Entertainment: The nineties are alive and well again and you can thank Valiant for that! But these aren’t your daddy’s comics anymore, each series has been laced with some of the industry’s top talents and are making a race for a top spot on your pull list each week! Smart and engaging, each book has it’s own niche in the grand scheme of the Valiant Universe, and if you didn’t get caught up in the “Summer of Valiant,” you still have a chance to catch up with the newly released $10 trades before the Harbinger War begins! Great stuff!

BEST ONGOING COMIC SERIES: Batman: Scott Snyder and Greg Capullo have taken the character of the Batman and completely remade him for a new generation without losing any of the nostalgia that older fans love so much. Not only have they perfected Bats himself, but the entire supporting cast and the rogues gallery as well. Not to mention, creating new villains such as the Court of Owls and their assassin Talons to further cement their names in the Batman mythos for all time. Oh yeah, and they created the scariest version of the Joker I have ever seen!

BEST NEW COMIC SERIES: Archer & Armstrong: Well, if you want to get technical, A&A was around in the 90’s but this “new”version surpasses it’s predecessor by leaps and bounds! Andy Diggle has created an amalgam of Lethal Weapon, National Treasure and part Animal House that will keep you enthralled and amused! There is nothing better than a drunk immortal and a virgin ninja fighting off assassin nuns!

BEST “NON SUPER HERO” COMIC SERIES: Mind MGMT: Matt Kindt stunned fans with his espionage, secret society, psychic warfare book! It is eloquent and atmospheric, creating a world that may or may not be reality but hooks you just the same. Don’t wait for the trades on this one, folks, Kindt has said that the single issues hold clues that WILL NOT be in trade form! GET IT NOW!

BOOK MOST IN NEED OF A MEPHISTO DEAL: Amazing Spider-Man #700: Okay, so everyone has been complaining about this book enough already so I’ll make it short and sweet. How can a villain who has wanted to kill you since issue #3 suddenly change his mind in the last five pages of issue #700 because he saw your memories? Yeah, I thought so! 

WORST CROSSOVER: Avengers Vs. X-Men: With another shameless money grab by Marvel, the fans lapped up this horrible series that promised everything and gave nothing! Well, Professor X died, but besides that everything else went back to the same ‘ol same ‘ol. The Avengers are the world’s favorite again and mutants are hated more than ever! Too bad it cost fans almost forty dollars to get right back to where they started from!

BEST COMIC WRITER: Scott Snyder: Between Batman, Swamp Thing, American Vampire, American Vampire: Lord of Nightmares and Severed, Scott Snyder has created some of the most disturbing and fascinating books in 2012. Every issue is done with a true passion for the characters and an eye for detail that is missing in a lot of books today. He may not be Rob Liefeld’s first choice, but he’s alright by me.

BEST INTERIOR ARTIST: Esad Ribic: Some of the most stunning images have come from the hands of Esad Ribic. Whether it be variant covers for various Marvel books or the interior pages of Uncanny X-Force and Thor: God Of Thunder, Ribic is at the top of the art field. Quiet and reserved, this man let’s his images speak for him!

RETURN OF THE PRODIGAL ARTIST: Mike Mignola: Although Mr. Mignola has never stopped writing both B.P.R.D. and Hellboy, he hasn’t drawn any in quite some time. So, with one month left in the year, Mike Mignola sent the comic world into a frenzy when he returned to art chores on Hellboy: In Hell #1 in December 2012. It was utterly outstanding and made all our Christmas wishes come true!

BEST COVER ARTIST: Joao Ruas, Fables: Joao Ruas creates the most haunting and visually stunning covers you will see on the racks today. Mired in folklore and whimsy, these somewhat disturbing images are the perfect match to the stories found inside his astonishing covers. They are true works of art that everyone should behold.

FAVORITE VARIANT COVERS: Scottie Young’s “baby” covers: Scottie Young, the artist on Marvel’s OZ books, has been churning out very rare “baby”covers for all the Marvel Now! books and they are amazing! Well, maybe I’m biased because my daughter and I have read the OZ books and have a few of Scottie’s posters, but they are very cool collector covers. So, make sure you ask your local retailer if they get any in, you won’t regret it!

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BEST COMIC CHARACTER: The Joker: Scott Snyder and Greg Capullo have created the most sadistic, cunning and scary Joker character I have ever read! They have taken a character that has sometimes been used as a veritable joke in the DCU and made him someone that they should all be afraid of, especially since he seems to be always two steps ahead of everyone! Completely creepy!

TOUGHEST CHARACTER TO FOLLOW: Superboy: So, he has his own comic, he has been in Legion Lost, he has been in Teen Titans and he has been in The Ravagers. He is supposedly on the Teen Titans and the Ravagers teams but he is only there for an issue or two and then he vanishes! No explanation is given, he is just gone and no one knows where the hell he goes! Here’s a tip: put him on one team or none, but please make a decision! It is beyond annoying and he’s not that great a character to begin with — so just decide already!

MOST BRUTAL COMIC DEATH: Glenn, The Walking Dead (Image): TWD #100 was one of the most horrific books I have ever read. The utter disregard for human life that Neegan portrays is alarming and what he does to one of the most beloved characters in the TWD universe — completely sadistic. Kirkman knows how to pull on the ‘ol heart strings and that’s why The Walking Dead is no longer the little book that could, but a money making machine!

MOST POINTLESS COMIC CAMEO: Nova, Avengers Vs. X-Men: Okay, so he crashes to earth, mumbles and then falls into a coma. Twelve issues later, he flies out of nowhere punches a Phoenix charged Cyclops and then gets beaten to a pulp. Then Thor asks him is if he wants to join the Avengers? So, if I put on a football helmet, jump off the roof and fall into a coma — I could possibly become an Avenger too? Why didn’t anyone tell me it was so simple?!

THE COMIC WTF!? MOMENT OF THE YEAR: Peter Poctopus/Dr. Octavpider-Man: Oh, you know what I mean! 

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WORST TOY OF THE YEAR: DC two packs of Squinkies: Okay, I know Squinkies have been around for years, but 2012 had some exclusive stocking stuffer two packs hit the shelves at local retailers. Now, can anyone tell me what these squishy miniature versions of The New 52 heroes are good for? They can’t fit as a pencil topper, they’re too light to use as a paper weight. Mostly, I scream Shazam at the top of my lungs and throw them at my intern, D-ROX’s head! If anyone has a better idea, let me know!

COOLEST TOY OF THE YEAR: The Walking Dead Minimates: Now we all know Minimates are AWESOME, but 2012 saw them become even better! With the launch of TWD Minimates, you can now control the fates of little versions of Rick, Glenn and Shane against a horde of four zombies! My desk has never looked better than strewn with “Lego-style” zombie parts!

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BEST TELEVISION SERIES: The Walking Dead(AMC): This series has been top notch since it’s inception and, as a fan on the comic as well, I couldn’t ask for anything more! Human drama mixed with a zombie backdrop, TWD has taken the world by storm and it goes to prove that comics are not just for “geeks” anymore! Plus, any show I can watch with my wife that doesn’t contain a judge’s chambers or cheating senators is a definite win!

BEST REALITY TELEVISION SERIES: SyFy’s Face Off: One of the most creative shows I have ever seen, Face Off, brings make-up and visual effects artists from around the country to compete against each other in a series of challenges. I am astonished by how creative the artist get with minimal time and equipment. Plus, there is always a bevy of quest stars to help judge their work, such as, Kevin Smith and LeVar Burton!

BEST CARTOON SERIES: Ultimate Spider-Man: This series is what I wish the Spider-Man cartoons of my day would have been like! Spidey’s witty banter, great looking art and friends that couldn’t negate each other’s powers! Now, I know Sam Alexander Nova is in there and that might not sit well with some of you, but it really is a great show! And anything I can watch with my daughter is well worth a fake bucket head any day!

BIGGEST MISSED OPPORTUNITY: Cartoon Network’s DC Nation: DC Nation is actually my favorite block of comic cartoon gold, but since Cartoon Network pulled both Green Lantern and Young Justice(my personal favorite cartoon) for no definitive reason, fans couldn’t enjoy their favorite shows! So, without there being any DC cartoons on Saturday, we all moved onto Marvel ones on Sunday, hence my pick for Spider-Man over Young Justice! Horrible idea by Cartoon Network!

MAN OF THE YEAR: Richard Corben: This living legend artist has churned out more books in 2012 than most of the “hot” young talent that the “Big Two” clamor over and he’s 72 years old! Well known for his work in the horror genre, Mr. Corben has seen quite a demand for his talents lately, especially from Dark Horse. He has worked with Mike Mignola on Hellboy, Jan Strnad on Ragemoor and has translated Edgar Allen Poe’s “The Conqueror Worm” into comic form. Mr. Croben was also inducted into the Will Eisner Award Hall of Fame in 2012 for his continued artistic prowess over the years!

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THE MOMENT THAT SET THE WORLD ON FIRE: Disney buys Star Wars: This was one of those events that takes you by surprise and you’re not actually sure if it’s true or not! I remember continually telling EIC Matt McGloin to, “Shut up!,” on the phone because I was so floored! Though fan reaction has been mixed, I personally cannot wait to see what will eventually come of this. At least it can’t be any worse than the “prequels” right?

If you made it this far — Thank You! I hope you all had a great year and we hope to see your ideas in the comments! Now, I have to go find my Squinkies for Monday morning — SHAZAM! 

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Comic Book News

Advanced Review: Batman #15

There are times when a book or storyline will hit you so hard visually that it immediately takes your breath away. There are times when a writer can move you with as little as a single word, captivating you in their world which then transcends everything around you. Then there are times that you get the perfect combination of both aspects and you marvel at how few times this caliber of greatness actually occurs. Batman #15 is such an instance, revel in what great comics look like!

I used the first page of the issue as my teaser image, a bit unorthodox, but I wanted everyone to see just how captivating a single page can be when done to perfection. You are drawn in immediately, first by Capullo’s completely unnerving rendering of the Joker. The image dredges up such deep rooted emotions in the reader in a single second. It appalls, and yet hypnotizes you with the sheer horror of the image. An unsettling visage that seems to stare through your eyes and directly into your soul. As you gaze away, it lingers there deep in the recesses of your mind, turning and forever grinning that Cheshire smile. It is an image that will become as iconic as the the first time he appeared 73 years ago!

Secondly, as you peel your eyes away from the toothy leer, Snyder ensnares you with the written word. He taunts you stating, “Look into his eyes and tell yourself he’s just a man.” He breaks you with but a single phrase, cracking the fourth wall and sending you back for another look at the diabolical creatures face glaring at you. You read on, realizing that it is Batman talking, but not to you. He is speaking to himself, trying to rationalize the creature in front of him exactly as you do the same. Just as you feel safe again with the notion that someone else is here, standing beside you, giving you hope that the lights may soon come on and the thing in the dark isn’t truly as scary as it seems — the hero blinks. He maybe here but he is unnerved as well and your hope slides out of you as chill laces it’s fingers around your heart. 

Dwell on this outstanding page and then realize it occurs another thirty times throughout the book, each page an emotional whiplash of revelation, speculation, fissures and breakdowns. It is a breathtaking whirlwind that solidifies itself as some of the best storytelling in the Batman mythos! Fall into this book and pray that you will have the strength to pull the light switch on by books end. If you can’t — you never will again!

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Comic Book News

Advanced Review: Batman #14

Far too often in the comics world, we see villains repeat past deeds over and over again with exactly the same results. Plan + Crime = the hero thwarting every move and taking the villain down with minimal effort. It is a cycle that is so predictable, fans have become numb to the very thought of the villain getting the upper hand at all. 

Finally, that cliche‘ can be disposed of thanks to Scott Snyder and crew! Not only does this wickedly evil new version of The Joker get the upper hand, he squeezes so tight — he actually breaks some bones!

Batman #14 delves deeper into the twisted world that The Joker is creating, not only for Batman, but for his entire “family” as well. It is a decent into depravity, one that will scar every aspect of our hero’s world and in some cases — make it unrecognizable! There have only been a handful of writers that have ever unnerved me so much while reading a comic book story, that I’ve actually had to catch my breath. Scott Snyder is now one of them!

I will not divulge any spoilers – where’s the fun in that! – but I will tell you that there are scenes in this issue that will hit you hard. There are moments when things will transcend the scope of a mere “funny book” and make you feel uneasy with what is happening. You will feel panic and nervousness for these characters like you never have before, and you will relish just how damn good this story is through all the horrific deeds happening to them. You will smile at how devilishly clever this Joker is and you will ponder why it took so long for him to get there. But above all the pain, torture and maniacally well thought out plans of an amazing villain, you will enjoy ever single page of this stunning work by Snyder and Capullo — and you will crave more!

Nothing is more precious than the private moments we share with the ones we love. The moments when we can let our guard down and truly show who we are. No secrets, no bravado, just a person exposed for the people we hold most dear. But what if, somewhere in the dark corners of our home there were eyes that didn’t belong there? Eyes that leered at our exposed selves and snickered at our weaknesses. Eyes that calculated our faults to use against us, then slowly slinks back into the shadows and made plans of their own. That is The Joker of Snyder’s world and things will never be the same again!

Pick up Batman #14 in stores tomorrow!

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Comic Book News

The Best of The Best: DOC’s Top Five Comic Books For November 14th!

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“The Best of The Best”

By: Chris “DOC” Bushley

If you thought October 10th was a HUGE release date with Batman #13 and the debut of Uncanny Avengers #1, just wait until next Wednesday when we see the pinnacle of comic book hype explode! EVERY company in the industry is offering up some of their best books for you to add to your pull list, but with so many choices, what are the books you just can’t live without? This list is here to help you narrow down just which ones are worthy of the title “The Best of The Best!”

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(Click for preview)

1.  Batman #14(DC):  Scott Snyder’s unnerving tale of the return of the “Clown Prince” to the streets of Gotham continues here! Harley tries to turn Bats into her own version of the Joker and the “family” is in disarray with the disappearance of Alfred. This series continues to be some of the best modern day Bat tales ever created and this one — is sure to keep you up at night! With a bunch of “Bat” books coming out on Wednesday, this one is the MUST have!

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(Click for preview)

2.  All New X-Men #1(Marvel):  The most controversial of the group, Bends’ take on the X-Men is sure to be a sure hit or miss with fans across the board! But let’s face facts folks, he is still a great writer that can bring about some amazing stories! Truthfully, bringing some fresh ideas to the “Merry Mutants” is desperately needed! Plus, we get to see the original X-Men return in this tale without the bickering and animosity that has been strune throughout the X books in the past two years. As they travel to the present, will these bright eyed versions of their former selves be enough to change the outlook of the modern X-Men? I will be first to find out! 

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3.  The Walking Dead #104(Image):  The biggest independent comic book franchise of all time continues to churn out some of the best comics on the shelves month after month! Rick’s secret agenda has put him at odds with the others of the community, but none more so than the person he loves most, his son — Carl. Will his plan lead to Carl trying to step up and be more of a leader? And if it does, can a little boy with a big gun handle the wickedness of Neegan all on his own? By far, this book is Image’s front runner for best book!

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(Click for preview)

4.  Archer & Armstrong #4 (Valiant):  This dynamically different duo have to stop the Secret Sect from forming all of the pieces of the Boon before they destroy the world. But it is no easy path! On the way they must overcome ninja nuns, Nazi priests, former friends and, evidently, themselves in order to survive! Fred Van Lente has made this THE best “buddy” book on the shelves today, full of characterization, brutal action sequences and overall — fun! This is the best book you are not reading!

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5.  The Boys #72(Dynamite):  Garth Ennis has finished The Boys with issue #72. And when I say “finished” I don’t mean just wrapping up his insane book about those who keep superheroes in check, I mean the Boys themselves as well! #72 stars the only remaining team member, Wee Hughie, and we see just what he will do after both his personal world and professional one — are completely destroyed! I will sorely miss this crazy ride of a book, but there is still hope for the movie from Paramount to hold on to! This was the best anti-superhero book you will ever read, so get the trades and hold on for dear life!

So, that’s the best the myriad of companies have to offer — at least in my humble opinion! What books are you eager to see this week? Let us know in the comment section below and start saving your pennies — it’s going to be one massive week for comics fans!

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Comic Book News

Advanced Review: Batman #13

Scott Snyder has done something that has not been done in an extremely long time. He has taken a book, with one of the most recognizable characters in the entire world, and perfected it! This issue is completely devoid of banality, it is the pinnacle of great story making and no one should go without sampling it.

Everyone knows that issue #13 is the “return of the Joker”, we have all heard the hype for months, and it is well deserved! Everything about this book exudes fear. The art, the pacing, the reveal — virtually EVERYTHING — is unnerving! Your heart rate will quicken, palms will sweat and anxiety will rule the day as you tread deeper and deeper into the diabolical world controlled by the Joker. Gone are the hokey gag weapons and the imbecilic henchmen, this is a Joker that likes to get “hands on” with his work — to truly feel is art being perfected! He is more sinister, more lethal and even more cunning, making the Batman’s world a living nightmare that he is always one step behind in. And at the end of the day, the “detective” will fail and brutality will prevail!

Even though the meat of the book lies within the opening story, the back-up tale by Snyder and James Tynion IV, is a quintessential part as well. Revolving around the “Clown Prince” and his love, Harley, we find that their relationship has become as unhinged as the Joker’s face! The writing is volatile, making the conversation disturbing to say the least. You will gape in horror as discussion trends towards the removal of skin and you finally realize that this “Clown Prince” is no longer a joke. It is a menacing look at what the future will hold for Gothamites! 

THIS style of book is what has kept me reading comics more than half of my life! A tale that resonates with you, that leaves you bewildered and breathless. One that melds scenes from classic tales with current ones, building a richness of history and solidifying it’s future. A tale that can truly show how emotional and artistic the medium can be when it is not held down. A book that is pure gold  — tarnished with blood and soot!

Thank you Scott Snyder for creeping the hell out of me! It is amazing!

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