Ben Affleck

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Movie News

Watch: Ben Affleck Say “I’m Batman”

While we have yet to hear the “regular” Ben Affleck Batman voice (assuming there will be one) for Batman Vs. Superman, Ben Affleck has a little fun with his The Accountant co-star, Seth Lee, as the two actors take turns stating “I’m Batman.”

Check it out:

 

Because, he is batman #batman #benaffleck #theaccountant

A video posted by Seth Lee (@supersethlee01) on

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

Synopsis:

Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.

Batman Vs Superman Trailer:

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Movie News

Batman Vs. Superman Costumes & Batmobile At Licensing Expo Images


Batman Vs. Superman Trailer
 

The new Batmobile as well as the Batman, Superman and Wonder Woman Batman Vs. Superman costumes are currently on display at the Las Vegas Licensing Expo.

Check out some images below.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

Synopsis:

Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.

 

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Movie News

Batmobile Spotted On Suicide Squad Set

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Following mention of the Batmobile three weeks ago, now check out images of the Batmobile spotted in Toronto on the set of the Suicide Squad movie.

It’s unknown exactly how Batman and the Batmobile will work their way into the movie, but the Joker and Harley Quinn were recently spotted speeding down the streets of Toronto as well following their domestic squabble scene.

Is Batman in hot pursuit?

Also check out batmobile pics from the MCM London Comic-Con and the Batman: Arkham Knight Batman exhibit.

Updated: with video of Jared Leto and Margot Robbie driving the “Jokermobile.”

Update #2: Batmobile in pursuit of Joker video.

Update #3: HD video of the Batmobile in Toronto hits the net.

Suicide Squad” has an August 5, 2016 release date directed by David Ayer starring Will Smith as Deadshot, Jared Leto as the Joker, Margot Robbie as Harley Quinn, Cara Delevingne as Enchantress, Jai Courtney as Boomerang, Joel Kinnaman as Rick Flag, Viola Davis as Amanda Waller, Adam Beach as Slipknot, Karen Fukuhara as Katana, Adewale Akinnuoye-Agbaje as Killer Croc, Jay Hernandez as El Diablo, and Scott Eastwood in an unknown role.

 

Stop driving my car #jaredleto#margotrobbie#suicidesquad#toronto#joker

A video posted by @__lkw on

 

Batmobile!! #batman #suicidesquad #joker #darkknight #toronto #batmobile

A video posted by ERNstagram (@ernievicente) on

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Movie Trailers

Watch Awesome Fan-Made Justice League: Gods Among Us Trailer

Watch an awesome fan-created super trailer for “Justice League: Gods Among Us.”

There is some really nice footage included which uses Chris Pine as Green Lantern, Gal Gadot as Wonder Woman, Ray Fisher as Cyborg, Dwayne Johnson as Black Adam and Jesse Eisenberg as Lex Luthor.

Footage is also taken from the various DC TV shows including using Stephen Amell from Arrow, Grant Gustin from The Flash, and the young Bruce Wayne from Gotham.

YouTuber SouperboyX also manged to use movie footage from Green Lantern, Man of Steel and The Dark Knight in addition to the new Batman Vs. Superman trailer.

DC’s Justice League Part 1 movie is slated for a 2017 release directed by Zack Snyder.

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Movie News

Ben Affleck In Batsuit Suicide Squad Set Image

We get our first live look at Ben Affleck in the new Batman costume as Affleck is on the Suicide Squad Set in Toronto.

It’s not a full reveal as the crew is doing its best to hide the actor from the public’s eyes.

Affleck was also spotted as Bruce Wayne, and locals said they spotted the Batmobile.

It’s unknown how involved Batman is in the movie, but it looks to be larger than previously thought.

Suicide Squad” has an August 5, 2016 release date directed by David Ayer starring Will Smith as Deadshot, Jared Leto as the Joker, Margot Robbie as Harley Quinn, Cara Delevingne as Enchantress, Jai Courtney as Boomerang, Joel Kinnaman as Rick Flag, and Viola Davis is playing Amanda Waller.

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Movie News

New Look At Ben Affleck as Batman From Batman Vs Superman IMAX Poster

Check out a new look at Ben Affleck as Batman.

For the new Batman Vs. Superman IMAX trailer, WB released a new Batman poster, which was covered by the Superman logo.

Now a black-and-white as well as full color version has become available.

It’s unclear if the images are legit as the black-and-white pic comes from a Blu-Ray forum and the other a poster website.

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“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

Trailer:

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Movie News

WB’s Justice League Universe Under Pressure To Perform

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Warner Bros. is feeling the pressure from Hollywood and investors in regards to its planned Justice League shared universe, according to an article at THR.

With Disney and Marvel Studios being such a success, will WB be able to follow along a similar path and match the near $7 billion that Disney has generated since 2008 with the Marvel movies?

While Marvel has Kevin Feige at the helm, WB seems to be leaderless as shake-ups recently occurred which saw Jeff Robinov (Dark Knight Trilogy, Harry Potterleaving for Sony and Kevin Tsujihara coming on board. Tsujihara, at the recent CinemanCon, even seemed to mention he might not be with WB in the near future. Add to that, the failure of the Green Lantern movie and the lukewarm reception to Man of Steel only fueling the fire, and WB’s shared Justice League universe isn’t a sure bet.

The article at THR specifically questions both the Wonder Woman and Aquaman movies in development. Director Michelle MacLaren recently departed Wonder Woman over creative differences where it became known that WB has five separate writers working on scripts for the film (now said to be down to two), which apparently doesn’t sit too well with Hollywood agents that rep the writers. An insider said the process on Wonder Woman is “unorthodox” with still another adding it “felt like they were throwing shit against the wall to see what stuck.” Regarding Aquaman, the article states WB has three separate writers on the movie, with it said the the writing process is on hold until WB is “ready to proceed.” 

“Marvel has been an unbelievable platform for Disney to build and foster franchises,” BTIG analyst Richard Greenfield said. “The question for Warners is, can they replicate that strategy using DC?” 

“They just haven’t been thorough about their whole world and how each character fits and how to get the most out of each writer’s time by giving them direction,” said a rep with knowledge of the process, according to the article. “Obviously, Marvel’s very good at that.” 

“You can’t just give it to a filmmaker,” said a reported Marvel insider. “You have to give it to someone who has an institutional knowledge of these characters.”

It’s not all doom and gloom for WB though, as Zack Snyder is said to have presented his vision for the DC Cinematic Universe to investors which analyst Michael Nathanson found “very impressive.” However, Nathanson did say he is taking a careful approach.

“Embedded in my earnings forecast [for Time Warner] is some estimate of success for DC, but I would say we’re conservative in our outlook,” he said. “I’m not giving anyone credit for a movie until we see the product.”

DC Movie Universe schedule:

Batman v Superman: Dawn of Justice  (March 25, 2016)

Suicide Squad (August 5, 2016)

Wonder Woman starring Gal Gadot (2017)

Justice League Part One  (2017)

The Flash starring Ezra Miller (2018)

Aquaman starring Jason Momoa (2018)

Shazam starring Dwayne Johnson as Black Adam (2019)

• Justice League Part Two directed by Zack Snyder (2019)

Cyborg starring Ray Fisher (2020)

Green Lantern (2020)

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Movie News

Ben Affleck in Toronto For Suicide Squad; Jared Leto Teases Bizarro?

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It looks like rumor that Ben Affleck’s Batman will appear in Suicide Squad is now confirmed as the actor has landed in Toronto. 

Affleck was spotted arriving in Toronto as images have surfaced.

In addition, Jared Leto has posted a new image of himself revealing his Joker physique wear we see the actor wearing a Superman shirt. Interestingly enough, Leto took the pic of himself in a mirror – causing the Superman logo to be reversed, which is the Bizarro logo. 

Update: The shirt top is actually a Superboy tank top…

Update #2: Ben Affleck as Bruce Wayne on the set of Suicide Squad image set surfaces.

Check out the pics below.

Suicide Squad” has an August 5, 2016 release date directed by David Ayer starring Will Smith as Deadshot, Jared Leto as the Joker, Margot Robbie as Harley Quinn, Cara Delevingne as Enchantress, Jai Courtney as Boomerang, Joel Kinnaman as Rick Flag, and Viola Davis is playing Amanda Waller.

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Movie News

Gal Gadot Wonder Woman Costume In Color

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Earlier today saw the Batman Vs. Superman Batmobile revealed as part of the Batman 75th anniversary exhibit which also featured the new costumes from the movie of the new Caped Crusader, the Man of Steel and Wonder Woman.

We have already seen both the Batman and Superman costumes, but this is the first time that the Gal Gadot Wonder Woman costume is available to view in color.

We also see the shield and lasso.

Check out the pics from the exhibit:


 

Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

Trailer:

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Movie News

Watch: DeAndre Jordan Batmobile & Ben Affleck Batsuit Video

Warner Bros. has unveiled video of the new Batmobile in addition to details of the new Ben Affleck Batsuit.

NBA star DeAndre Jordan was lucky enough to be given a special tour of the Batman 75th Anniversary exhibit.

The Ben Affleck Batman has a physically bigger frame than Superman; Batman has steel knuckles and steel-toe boots – “so this is much more of the grappling Batman.”

The new Batmobile raises when it’s doing jumps and then goes lower to the ground when doing cruising scenes, and has a machine gun turret.

Check out video above and some pics:

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“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

Trailer:

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Movie News

Batman Vs. Superman Trailer: An Intense Breakdown Image By Image

WB and Zack Snyder recently released the Batman Vs. Superman trailer.

Below you can check out some thoughts and speculations on the various scenes.

Overall, I felt the trailer did it’s job by giving us a first look at the Ben Affleck Batman and setting up why Batman fights Superman.

The trailer has been getting mixed reviews online by fans. Personally, I felt it was a bit dark, and I am desperately hoping by the end of the movie that Superman gets looked at as an inspiration and a hero. 

Our movie reviewer, Lawerence Napoli, felt the trailer was trying to be dark and “edgy” similar to Man of Steel, but that it “lacked those certain moments of inspiration and light.” Lawrence didn’t like how “Batfleck, Batman and ‘darkness all over’ highjacked the franchise, and just like that, the whole planet hates Superman.” Lawrence also thinks the trailer means Snyder might be “pulling a Watchmen” again.

Our comic book reviewer, Chris “The Doc” Bushley, felt it was “way too f’n dark!” Chris said Superman needs to offset Batman’s darkness, and that “it looks like they just made an Injustice movie!”

Now on to the breakdown…

 

The trailer opens up with darkness and asks: “Is it really surprising that the most powerful man in the world should be a figure of controversy…” 

Obviously this is a reference to Man of Steel as well as setting up the rest of the trailer (and guessing the movie). On one hand, Superman saved everyone, but on the other, is he to blame? After all, if there was no Superman, there would have been no Zod. In addition, obviously the most powerful man would be the most controversial as everyone will have an opinion as to what he should be and do. Should he be a dictator and tyrant that tells people what they should do? Or should he lead by example? Should he lead at all?

 

The first scene of the movie is of Metropolis and the Superman statue, possibly at the Zod battle scene (similar to World Trade Center site). If you recall, a set image landed online revealing part of the statue – meaning it’s real – and now we know that Snyder used practical effects for the movie.

What this tells us is that following Man of Steel, the city (or whomever) thanked Superman for saving the city and the world, so they erected a Superman statue.

The scene also has the following dialogue: “We as a population on this planet have been looking for a savior” (with “savior” giving an echo sound effect). Again, the question rises: Should Superman be our savior? And in exactly what way? Is he here to take care of every one of us? You could argue this has similar political arguments with those who feel the government(s) should be the savior of the people. The narration concludes leading to this image of Henry Cavill as Superman:

 

Correct me if I’m wrong, but I think this is Superman at a parade for the Mexican Day of the Dead. I think that is what the black and white make-up represents (and not The Purge 2, lol). So we can guess Superman does something super in Mexico, with the people rushing to him. The imagery (at least to me) is also similar from Man of Steel when Superman had the Zod vision of himself in the black suit and all the skulls – obviously signifying death (and from the narrated lead-in above, possibly meaning “Superman our savior will lead to death”).

Next we hear various quotes, with the first being from American astrophysicist Neil deGrasse Tyson: “We are talking about a being whose various existence challenges our own sense of priority in the universe.”

When Tyson states “being,” there is another voice over. I can’t quite make it out, but at least to me it sounds like “Damien.” I’m not sure what that means other than an Omen reference, or “demon,” or Batman’s son, Damien (again, no clue).  Update: It’s “Alien.”

Following Tyson stating “existence” a woman’s voice states: “They are not telling us the truth.”

Following Tyson stating “priority,” it sounds as if voices are stating: “This is our place planet.”

Tyson stating “universe” leads into the following:

 

We see that the image (Superman saving a Soviet rocket) challenges humanity’s place in the universe as it’s shows an alien doing something humans can’t do. This is sort of waking humanity up to the fact they aren’t the center of the universe. This could be representative of humanity once mistakenly believing the Earth was the center of the universe. It’s the sun that is the center of our Solar System – or Superman, the Last Son, is the center of the universe.

Update: The rocket also has “300” referencing the movie.

A man’s voice then states: “Human beings have a horrible track record of following people with great power.”

A female voice says “tragedy” directy after “record of.”

A second female voice states “power corrupts” as soon as the man stated “power.”

This can obviously be read as: following people with great power causes tragedy.

The female voice then states “And absolute power corrupts absolutely” (update: possibly voiced by Holly Hunter) with a second female voice interjecting “terror” and “chaos.”

Which leads to:

 

Now there is a lot going on in this image. For one, it shows soldiers bowing before Superman. Notice the Superman shield patches on their arms? They are a part of “Superman’s army.” As I stated in a previous article, I am guessing they are an independent faction who worship Superman or view him as their savior (which references the above: “We as a population on this planet have been looking for a savior.”) They also appear to be wearing black masks to conceal their identity and black clothes. I’m guessing Superman is here to whoop their ass for doing some bad stuff in his name. They see the Man of Steel come down in their bunker and immediately bow before Superman (referencing Zod’s own demand “bow before Zod“). I’m also guessing this is Snyder taking a dig toward the Christian conservative right groups, i.e. they are “militant” and “domestic terrorists.” The image also has a heavy Nazi feeling with the helmets. Perhaps the bigger question: Who is the leader of Superman’s Army? Another interesting aspect of the image is that it’s similar to the Injustice Gods Among Us video game.

Check it out:

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The scene ends and goes dark with: “Maybe he is just a guy trying to do the right thing.”

Next, a closer look at the Superman statue is shown with the following said, which looks to be said by Jesse Eisenberg’s Lex Luthor: “We know better now, don’t we?” Again, this is a reference to the above image being representative of Superman as a dictator (leader of the Nazis, Hitler, or whatever dictator) as “we know better now” because we already lived it (those who forget history are condemned to repeat it.)

The same voices that stated above, “This is our planet,” now can be heard stating, “He’s out of control.” This is the anti-Superman crowd (set pics revealed people picketing against Superman) declaring, “This is our planet. [Superman] is out of control [something must be done].”

Lex Luthor continues with, “Devils don’t come from hell beneath us. They come from the sky.”

Between Luthor’s two statements, what sounds like an elderly man saying, “A brother warrior,” can be heard. More than likely, this is some sort of “priest” that is part of Superman’s army. Superman is their “brother warrior” in their fight against – whatever they feel Superman and themselves are fighting against.

Following Luthor stating “[Devils] come from the sky” the following image appears:

 

Superman is the devil from the sky. He is the false savior, the false god (at least Luthor is trying to convince people that). 

Another voice says: “The world has been so caught up in what he can do” – and then a closer look at the Superman statue is shown – with it questioned, “That no one has asked what he should do.”

This is more repetition of the savior theme: Should Superman be our savior and tell us what to do? Or for that matter: Should we be telling Superman what to do (referencing the end Man of Steel scene with General Swanwick where Superman tells him they will never control him).

The anti-Superman voices then chant,”Go home! Go home. Go home!” –  which means Superman (you alien) go home back to Krypton; with the following then shown:

 

And this is the end of the first half of the trailer, which introduced us to Superman being looked at as the bad guy (though we did apparently get two images of Superman “saving the day” in Russia and Mexico). 

Now it’s the Batman half of the trailer, which is kicked off by Jeremy Irons voice speaking as Alfred.

“That’s how it starts,” Alfred says, right before the above image goes black. 

 

We get our first look at Ben Affleck as Bruce Wayne. Now this is it, our first impressions are made from this image and what comes next. 

Alfred continues, “The fever. The rage.”

The camera zooms in on Bruce – “The feeling of powerlessness,” Alfred says.

Bruce is looking at the Batman costume:

 

Bruce Wayne felt powerless when he couldn’t stop his parents’ death. Batman gives him power (interesting: now that there is a super man, does that make Wayne again feel powerless?).

“That turns good men cruel,” Alfred concludes.

Alfred full words: “That’s how it starts. The fever. The rage. The feeling of powerlessness. That turns good men cruel.”

Now is this just a reference to Bruce Wayne? It probably can be looked at as a reference to how humanity is feeling as well, and especially Lex Luthor

The trailer then cuts away to the Superman shield “in 2016” image:

 

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We then go into the following:

I believe this might be Wayne Manor. Set pics revealed that Bruce Wayne has been staying at a cabin or house by a lake. If it’s Wayne Manor, obviously it’s been vacated for a while as we see graffiti all over the place. Easter Eggs include the Riddler question mark, and maybe “Joe” is a reference to the Joker (Joe being an alias of the Joker in the comics).

Update: There is a Wonder Woman Easter Egg as well with “Aphrodite” (under the Riddler question mark) as Aphrodite was the creator of the Amazons and Wonder Woman. It’s also possible the above scene takes place at an abandoned subway station.

 

Next the following is shown:

I believe what is happening is that the flying object is a drone and not the Batwing. It’s a drone attacking some sort of warehouse on Gotham River. Of course, it could very well be the Batwing, and I’m wrong.

We then see the Batmobile for the first time:

 

The trailer makes it look as if the drone (or whatever) is firing on the Batmobile (maybe they did this intentionally to make us question whether it’s the Batwing above).

 

More of the Superman logo is shown leading to our first look at Ben Affleck as Batman:

It’s not a crystal clear image of Affleck as Batman, but Batman appears to “rising” from the “terror” and “chaos” (recall the above).

 

More Superman logo imagery is then shown taking us to:

Batman on top of the world.

We saw the earlier image of Superman in the sky, and now we see Batman in the sky. This represents the two being rivals and probably also that Gotham is Bruce Wayne’s city.

Remember what Luthor said? 

“Devils don’t come from hell beneath us. They come from the sky.”

Not only is Superman a devil, but Batman is another devil.

This represents, eventually, Lex Luthor against all the superheroes and the “dawn of justice” (the Justice League are devils, too).

We also see that Batman is holding a rifle, another nod to Miller’s The Dark Knight Returns, in which Batman uses a rifle to fire a grappling hook from one building to another.

 

We then see the Batman suit that Bruce uses to battle Superman.

It’s a rather interesting look. Not only is it borrowed from Frank Miller’s The Dark Knight Returns, but what is it telling us? More than likely, Batman is using some sort of night vision. Or is it possible that Batman knows Superman may be able to see different light spectrums – perhaps this is some sort of device that will cloak Batman or interfere with Superman’s vision? We see Batman is heavily armored. Is it made of some special material? Is it armor from the Kryptonians? Batman also appears to be wearing a cape (or maybe some sort of parachute device). Questions: Does Batman even know the extent of Superman’s powers? This appears to be their first meeting – is Batman even wearing this suit because of Superman or is this a chance encounter? Did Batman don the suit and purposely try to find Superman (perhaps creating some false emergency to lure him)?

Another question: Is this even a new suit for Batman? It appears already to be battle-damaged (this is a veteran Batman), and this appears to be first Batman/Superman encounter. This might just be Batman’s “heavy hitter” suit that he uses to take on the big bad villains (i.e. Killer Croc and such).

 

Batman is looking up in the air at a hovering Superman:

Recalling Luthor: “Devils don’t come from hell beneath us. They come from the sky.”

 

“Tell me,” Batman demands of Superman, leading to the following:

Look how small Batman looks. Look how small the human looks from the super man’s perspective.

“Do you bleed?” Batman asks.

Bruce Wayne’s voice is scrambled through a voice modulator (Arrow did it first!). Does Batman know about Superman’s super hearing? Or does Bruce Wayne always use a voice-changer when he is Batman (and then we never have to hear “swear to me” again!).

Bruce Wayne questioning, “Tell me. Do you bleed?” is an obvious reference to Superman being an alien as well as asking if he is a god (do gods bleed red?) and probably a reference to Shakespeare (“If you prick us, do we not bleed?”). 

 

Superman comes down to the ground.

Now this is another interesting image.

Here we see the back of Batman, with what appears to be the cape.

We see Superman has come down to Batman’s level – they are both no longer in the sky.

We see Superman has come down, yes, he is part of this world and humanity.

What do we also see?

It shows Superman kneeling before Batman. The trailer ends with Superman just about to get up, but not fully standing. I found it to be an interesting aspect as the other image showed the humans kneeling before Superman. Here at least, Superman, looks humble.

 

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The trailer then goes dark, and Batman says, “You will.”

So Batman says: “Tell me. Do you bleed red? You Will.”

Them be fighting words!

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“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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TV News

SyFy Greenlights Matt Damom & Ben Affleck’s “Incorporated”

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Syfy announced it has greenlit to pilot Incorporated, a futuristic espionage thriller from Matt Damon and Ben Affleck’s Pearl Street Productions, CBS Television Studios and Universal Cable Productions.

Set in a future where companies have unlimited power, Incorporated tells the story of executive Ben Larson, forced to change his identity in order to infiltrate a cut-throat corporate world, to save the woman he loves. In the process, he will take on the entire system – with deadly consequences.

Created by David and Alex Pastor (Selfless, The Last Days), who wrote and will direct the pilot, the dystopian future of the show reflects contemporary trends: the growing influence of corporations and private interests in Washington, the slow but steady dismantling of the public sector, and the increase of an amazing amount of wealth by an ever shrinking minority. Incorporated will explore these issues via suspense, action, complex characters and a dark sense of humor, plunging viewers into a future world where the ethical boundaries that we know have been completely redrawn.

Ted Humphrey (The Good Wife) will serve as executive producer/showrunner, with Damon, Affleck and Jennifer Todd also executive producing. Pearl Street Film’s Margaret Chernin will serve as associate producer.

“Syfy is working with the best talent in the business to develop the most provocative and smart science fiction programming, and we are delighted to be partnering with Matt, Ben and Jennifer, along with the creative minds of the Pastor brothers and Ted on this pilot,” said Dave Howe, President, Syfy. “Incorporated is an electrifying example of what science fiction does best: holding a mirror to present realities and projecting forward to a recognizable future in which we face the impact and consequences of our actions.”

Said Damon and Affleck: “Incorporated provides us distinct insight into a world dictated by our decisions today. Viewers will delve into the intricacies of our future, one that we are constantly warned of, but as a society have not yet explored. We believe this is an important and timely story to tell and can think of no one better to guide us into this than David, Alex and Ted.”

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Movie News

Ben Affleck Will Be Able To Turn Head As Batman

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It’s learned the redesign of the new Batman suit for Batman Vs. Superman will make the costume more comfortable and flexible for Ben Affleck.

Costume designer Michael Wilkinson, who also worked on Man Of Steel, told fashionista.com that getting the new Batman suit right was paramount to director Zack Snyder.

“That’s actually one of the first things that Snyder mentioned to me in one of our initial meetings,” Wilkinson said. “It’s a very important thing to Zack that the Batsuit would be comfortable and very flexible, but then would be able to perform in a very natural and forceful way. So a lot of incredible engineering went into the development of the new black cowl.”

Interestingly enough, when Ben Affleck was cast as the new Batman, Christian Bale’s advice for Affleck was “to tell the costume designer to make sure the cowl doesn’t feel like the Joker is sitting on your shoulders every time you try to turn your head.”

Bale also said it took three people 20 minutes to take the cowl off of his head and that he found it “ridiculously unheroic” when he needed help to “take a pee.”

So actually it sounds as if Zack Snyder is going for a more realistic approach for his new Batman costume than even Christopher Nolan’s approach, and the Batman costume has come a long way from the Michael Keaton design, which had no neck movement at all.

Update: THR has further comments from Wilkinson where it doesn’t sound as if the new Ben Affleck costume is all that more convenient.

“It does involve multiple costumers,” admitted costume designer Michael Wilkinson, adding that turning the actor into the DC Entertainment superhero is “not the sort of thing that I could just sit in Ben’s trailer and he gets into it himself. It’s a six-handed operation.” 

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Ben Affleck Confirms Senator Patrick Leahy For Batman Vs. Superman (Video)

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Ben Affleck recently testified at a Senate Hearing to discuss foreign aid and diplomacy for Congo.

While addressing the committee, Affleck confirmed that Senator Patrick Leahy has a role in Batman Vs. Superman.

“To Senator Leahy, I would be remiss if I did not acknowledge my co-star in Batman,” Affleck said. “The role is marginally smaller than mine but I understand you’re quite good.” 

The Vermont Democrat was previously rumored for the movie, and Batman Vs. Superman does have scenes set in Washington D.C.

Patrick Leahy also appeared in 1997’s Batman and Robin, 2008’s The Dark Knight, and 2012’s The Dark Knight Rises.

Affleck makes the statement around the 1:45 mark in the following video.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

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Movie News

Jason Momoa Talks Aquaman, Batman vs. Superman & Justice League

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Jason Momoa is set to play the King of the Seven Seas on the big screen come March 2016 in Batman Vs. Superman.

Momoa also stars in The Red Road TV series that airs on Sundance TV. While doing press for the series, Momoa talks about his DC slate and Aquaman.

Jason Momoa notes he didn’t shoot any action scenes for Batman Vs. Superman and looks forward to the Justice League movie for that; Momoa also says he doesn’t have a big role in Batman Vs. Superman as it’s their movie (via EW).

No, we haven’t done too much on the action yet. You know, Justice League is still quite a ways away. But I’m looking forward to it. Henry’s a sweetheart, Ben is a badass, so I’m really looking forward to when we all shoot Justice League.

Well, it’s Batman and Superman, it’s not my movie. It’s the first time in history to have them both on the screen together, and I’m just excited to see those two up there.  

Momoa also talks about the big Aquaman poster reveal that took everybody and the internet by storm.

That was a shocker for sure. It was supposed to be a surprise in 2016, so it definitely helps [our show]. I’ve been holding that secret for a long time. Zack Snyder called me up and said, “I’m posting this picture now.” He’s just a genius and I love him to death. He sent it over and we’re in the middle of the editing suite for the thing I’m doing right now, and we all freaked out, man. It was so amazing to see it come out.  

Momoa says Aquaman will be amazing with lots of surprises on the way.

The whole mythology of Aquaman is pretty amazing. There’s so many things to tell, and there’s a whole backstory that’s just amazing. There’s a lot of surprises coming. I think, yeah, he’s been cast aside. But, um [laughs] times are going to change now, buddy.

Batman Vs. Superman has a March 25, 2016 release; Justice League is due out in 2017, with Aquaman in 2018.

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Movie News

Watch: Ben Affleck, Matt Damon & Chris Evans On Deflategate

The Super Bowl happens to be this Sunday, but hasn’t come without controversy as the AFC Championship game between the Colts and Patriots saw almost a dozen footballs discovered with less air than what’s mandated.

In what has become known as “Deflategate,” the accusation is that the Patriots used deflated balls to give themselves an advantage as a softer ball in colder weather makes it easier to throw, catch and hold.

The Patriots, Coach Belichick and quarterback Tom Brady have denied the allegations, and the NFL is still looking into the matter.

While we still don’t know what the cause of “Deflategate” is, Jimmy Kimmel is on top of things.

Various Hollywood stars take credit for “Deflategate” above including Matt Damon, Ben Affleck, John Krasinski, Chris Evans, Steven Tyler, Eli Roth, Dicky Barrett and Bill Simmons. 

Personally, I think “Deflategate” is the reason the Patriots have continued to win the AFC East and beat the Bills.

Chris Evans also has a Super Bowl bet going with Chris Pratt.

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Movie News

Suicide Squad Rumors Include Karl Urban and More

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Another day, another batch of Suicide Squad rumors.

With Tom Hardy bailing on the role of Rick Flag, names of actors said to be in contention have been hitting the net.

The latest comes from JoBlo, who states Karl Urban is being eyed for the role of a younger Rick Flag.

Apparently, Suicide Squad may have Rick Flag Sr. and Jr.; up for Rick Flag Sr. is said to be Ed Harris and Max Martini.

General Lane, Lois’ father, is also mentioned, with Gary Sinise possibly up for that role, which as noted would be a nice connection to Man of Steel and Superman.

Joe Manganiello is again said to be the first choice for Deathstroke; new details mention Deathstroke is a hired assassin competing with the Suicide Squad and not a part of the team.

The Joker is said to be inspired by Hannibal Lecter with scars all over his body from battles with Batman. It’s said The Joker plays mind games with people and twists their minds.

Info for the Enchantress states the character is “really powerful” and is instrumental in the film’s prison riot/breakout finale.

The Batman cameo that was previously rumored is said to feature Batman on a security camera, with an appearance by Ben Affleck dependent on his schedule.

I’ll also throw out that Jesse Eisenberg is rumored to appear as Lex Luthor, and how he could fit in the movie is that he partners up with the head of the Suicide Squad, Amanda Waller, as they both don’t like the Justice League (got the idea from watching the Justice League cartoon last night).

Suicide Squad has an August 6, 2016 release directed by David Ayer starring Jared Leto as The Joker, Will Smith as Deadshot, Jai Courtney as Boomerang, Margot Robbie as Harley Quinn, Cara Delevingne as Enchantress and Viola Davis is said to be up for Amanda Waller.

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Movie News

Amy Adams Has One Scene With Ben Affleck In Batman Vs. Superman

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Amy Adams recently discussed playing Lois Lane in Batman Vs. Superman where she revealed she has only one scene with new Batman Ben Affleck.

“I was only in one scene with him, I think I’m allowed to say that,” Adams said, reports The Telegraph. “So I didn’t get to see much, but what I saw was fantastic.”

Adams also says Ben Affleck as Batman and Bruce Wayne will be different than any of the previous incarnations.

“He is going to be his own unique thing. He’s got a wonderful quality and a great body of work,” she said.

Amy Adams continues with mention of working on the movie and with some of the cast.

“It should be a lot of fun. It was a lot of fun for me,” Adams offered. “We’re not allowed to speak about it, but I just want to tell everybody everything. I’ve spoken about working briefly with Gal [Gadot] as Wonder Woman and Ben as Batman and had a wholly positive experience. And teaming up with Zack [Snyder], Henry [Cavill] and Lawrence Fishburne again is so much fun. I like playing Lois, it’s a real privilege for me. I never really expected it.

“I can’t wait to see it. Just the part I’ve seen looks really exciting,” Adams said.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

For more news on the “Man of Steel” and related movies head on over to the Cosmic Book News Superman movie hub.

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Movie News

Batman & Ben Affleck Rumored For Suicide Squad

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It’s being speculated/rumored that Batman will appear in the Suicide Squad movie.

A blogger for Forbes is stating he is hearing Batman and Ben Afflek may appear at the end of Suicide Squad involved with The Joker, which would lead into solo Batman films also starring The Joker.

A second rumor that surfaced says the Joker will escape from prison in the Suicide Squad movie.

If we put two and two together, we see how Batman is involved.

The rumor isn’t all that original as the Joker escaping from prison with Batman in pursuit follows Frank Miller’s The Dark Knight Returns graphic novel storyline, which is the inspiration for Batman Vs. Superman.

The blogger does note, of course, that nothing is set in stone.

Jared Leto is set to play The Joker and recently stated that “Batman is Dead” when a fan remarked that Batman is an unseen hero.

Tom Hardy is also said to have left Suicide Squad, possibly over not agreeing with the amount of screentime for his character, Rick Flagg, and disliking the script.

Suicide Squad has an August 6, 2016 release directed by David Ayer.

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Movie News

New Joker Jared Leto Says Batman Is Dead?!

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2016 will see the new Joker, played by Jared Leto, in the Suicide Squad movie.

It’s not been confirmed the movie will feature Batman, but Joker is already up to his old tricks.

While participaing in a chat on Vyrt, a fan mentioned that Batman was an unseen hero.

Leto’s reply to the fan?

“Batman is dead.”

Obviously, Jared Leto doesn’t mean Batman is really dead, but more than likely Leto is just talking smack meaning that there is a new Joker in town.

New Batman Ben Affleck debuts in Batman Vs. Superman, which hits March 25, 2016. Suicide Squad featuring Jared Leto as the Joker hits five months later. I wonder if Zack Snyder will reference Joker in Batman Vs. Superman?

Suicide Squad has an August 6, 2016 release directed by David Ayer.

(image source: Deviant Art)

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Movie News

Batman Vs. Superman Fights Described & More Details

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We learn details about the fights in Batman Vs. Superman from stuntman/choreographer Guillermo Grispo.

Grispo has worked as a fight coordinator on the likes of Zack Snyder’s Man of Steel, 300: Rise of an Empire and also on Kingsman: The Secret Service, Riddick and the Legend of Hercules.

While Christopher Nolan used a form of martial arts known as Keysi for his Batman Trilogy, Grispo is trained in more traditional forms of martial arts including Aikido and Ju-Jitsu, both of which stem from original Japanese martial arts. In addition, Grispo is knowledgeable with the Japanese sword, Russian Sambo, Filipino Boxing, fencing, knife handling and Kempo.

Grispo participated in an interview with the Argentinean website Los Andes. Below are some of the details (translated).

Grispo says Warner Bros. is very strict and he cannot say much, but there should be no surprise if he does say that Batman and Superman face off in the film. He says the fight is one of the most important sequences in the film, which he was actively involved in designing. The Batman Vs. Superman fight features a series of punches/fights and physical movements put together with his partner, Ryan Watson.

Grispo goes on to state that you would think Batman would have no chance, that Superman would crush Batman like a bug. He says, but when you see the movie it will makes sense, and there is a clever explanation behind the Batman Vs. Superman confrontation that at first seems completely disadvantageous for Batman.

Grispo says Batman will fight the way that he has always dreamed to see him fight. Batman is a character so prepared in martial arts that he can do many things, but it’s not usually taken advantage of. Grispo then goes on to state that he wasn’t happy with how Christopher Nolan handled the action scenes in The Dark Knight Trilogy, stating the action scenes “are not very good” both from a technical viewpoint of martial arts – due to the choreography and mismanagement of camera.

Grispo continues stating not to get him wrong, Nolan is a great filmmaker – he takes off his hat to him – but it seems to him that Nolan did not taking the time required for the fights, as they have to be shocking. Grispo says Zack Snyder loves to prepare, which is a luxury.

Grispo then states there will be a big difference between how Batman fights in Batman Vs. Superman compared to the Nolan movies.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

For more news on the “Man of Steel” and related movies head on over to the

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Movie News

Batman Vs. Superman Will be Cinematic History Says Henry Cavill (Video)

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Henry Cavill recently appeared at the British equivalent of the Oscars, with the BAFTAs, where the Man of Steel talked a bit about Batman vs. Superman and Ben Affleck.

In the following interview, which looks to be ripped from the Daily Mail, Cavill notes he hasn’t kept up much with what has been going on in the world due to being in Michigan for Batman Vs. Superman.

“To be honest, I’ve been kind of living in the dark, “Cavill said. “I’ve been in the wilds of Michigan shooting Batman v. Superman, and I have not been up to date on anything, so I’m slowly slowly catching up on stuff.

“It’s Zack Snyder. So it’s going to be a visual spectacle,” Cavill responded when asked what fans can expect from Batman Vs. Superman. “And it’s cinematic history. We are doing Batman. We are doing Superman. And it’s all happening at the same time. Fingers crossed, it turns out to be as exciting as I think it is.”

Cavill is also asked about giving advice to Ben Affleck.

“We are talking about Ben Affleck, here. I don’t need to give him any advice,” Cavill said. “The guy is a legend. The guy does his own thing. He’s great. He’s fantastic.”

So who wins between Batman and Superman?

“I can’t tell you that.”

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

For more news on the “Man of Steel” and related movies head on over to the Cosmic Book News Superman movie hub.

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Movie News

Henry Cavill Addresses Batman Vs. Superman “Enter The Knight” & Avengers

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Henry Cavill is currently attending the BAFTAs in the UK where he was asked about the recent rumor that stated Batman Vs. Superman would be two parts with the first, “Enter The Knight,” being released October 2015.

The tweets below reveal that Henry Cavill stated Batman Vs. Superman won’t be released in two parts.

Cavill also addresses taking on Ben Affleck and Batman, as well as The Avengers.

“Batman v Superman: Dawn of Justice” has a March 25, 2016 release starring Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Amy Adams as Lois Lane, Laurence Fishburne as Perry White, Diane Lane as Martha Kent, Jeremy Irons as Alfred, Jesse Eisenberg as Lex Luthor, Ray Fisher as Cyborg with Callan Mulvey, Holly Hunter and Tao Okamoto in new character roles for the film. Justice League is to follow directed by Zack Snyder as well.

For more news on the “Man of Steel” and related movies head on over to the Cosmic Book News Superman movie hub.

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TV News

Robert Downey Jr., Chris Evans, Ben Affleck, The Flash Win Big At People’s Choice Awards

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The winners of the 2015 People Choice Awards were announced tonight with Robert Downey Jr., Chris Evans, Ben Affleck and The Flash winning big.

Robert Downey Jr. took home two awards with Favorite Movie Actor and Favorite Dramatic Movie Actor, which marks four consecutive People’s Choice Awards for RDJ.

Chris Evans won for Favorite Action Movie Actor.

The Flash won Favorite New TV Drama.

Ben Affleck was awarded the Humanitarian Award this year, with fellow Batman Vs. Superman star Amy Adams presenting.

Check out video footage below as well.

Here is the complete list of winners:

MOVIES

Favorite Movie 
Maleficent

Favorite Movie Actor 
Robert Downey Jr.

Favorite Movie Actress 
Jennifer Lawrence

Favorite Movie Duo 
Shailene Woodley & Theo James in Divergent

Favorite Action Movie
Divergent

Favorite Action Movie Actor
Chris Evans

Favorite Action Movie Actress
Jennifer Lawrence

Favorite Comedic Movie
22 Jump Street

Favorite Comedic Movie Actor
Adam Sandler

Favorite Comedic Movie Actress
Melissa McCarthy

Favorite Dramatic Movie
The Fault in Our Stars

Favorite Dramatic Movie Actor
Robert Downey Jr.

Favorite Dramatic Movie Actress
Chloë Grace Moretz

Favorite Family Movie
Maleficent

Favorite Thriller Movie
Gone Girl

TELEVISION

Favorite TV Icon 
Betty White

Favorite TV Show
The Big Bang Theory

Favorite Network TV Comedy
The Big Bang Theory

Favorite Comedic TV Actor
Chris Colfer

Favorite Comedic TV Actress
Kaley Cuoco-Sweeting

Favorite Network TV Drama
Grey’s Anatomy

Favorite Dramatic TV Actor
Patrick Dempsey

Favorite Dramatic TV Actress
Ellen Pompeo

Favorite Cable TV Comedy
Melissa & Joey

Favorite Cable TV Drama 
Pretty Little Liars

Favorite Cable TV Actor 
Matt Bomer

Favorite Cable TV Actress 
Angie Harmon

Favorite TV Crime Drama 
Castle

Favorite Crime Drama TV Actor 
Nathan Fillion

Favorite Crime Drama TV Actress 
Stana Katic

Favorite Network Sci-Fi/Fantasy TV Show 
Beauty and the Beast

Favorite Cable Sci-Fi/Fantasy TV Show 
Outlander

Favorite Sci-Fi/Fantasy TV Actor 
Misha Collins

Favorite Sci-Fi/Fantasy TV Actress 
Kristin Kreuk

Favorite Competition TV Show 
The Voice

Favorite Daytime TV Host 
Ellen DeGeneres

Favorite Late Night Talk Show Host 
Jimmy Fallon

Favorite Dramedy 
Orange Is the New Black

Favorite TV Duo 
Nina Dobrev & Ian Somerhalder

Favorite TV Character We Miss Most 
Sandra Oh as Cristina Yang on Grey’s Anatomy

Favorite Actor In A New TV Series 
David Tennant

Favorite Actress In A New TV Series 
Viola Davis

Favorite Sketch Comedy TV Show 
Saturday Night Live

Favorite Animated TV Show 
The Simpsons

Favorite New TV Comedy
Jane the Virgin

Favorite New TV Drama
The Flash

MUSIC

Favorite Male Artist
Ed Sheeran

Favorite Female Artist
Taylor Swift

Favorite Group
Maroon 5

Favorite Breakout Artist
5 Seconds of Summer

Favorite Male Country Artist
Hunter Hayes

Favorite Female Country Artist
Carrie Underwood

Favorite Country Group
Lady Antebellum

Favorite Pop Artist 
Taylor Swift

Favorite Hip-Hop Artist
Iggy Azalea

Favorite R&B Artist
Pharrell Williams

Favorite Album
x – Ed Sheeran

Favorite Song
“Shake It Off” – Taylor Swift

Humanitarian Award
Ben Affleck

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Movie News Reviews

Movie Review: Gone Girl (2014)

2014’s Fall Film Season Is Here!

A Film Review of Gone Girl

 

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David Fincher’s latest thriller starring Batfleck (aka Ben Affleck) and Rosamund Pike is the first exceptional film for the fall season which sets an appropriately devilish tone as we approach Halloween for a story layered with thought provoking plot, twists, surprises, shock, awe and an unscrupulous need to take a shower after watching.  Although the gist of this story revolves around a nightmare scenario for relative newlyweds, the fact is its paranoia thrusts its greasy palms into society’s chest cavity considering the commentary being made concerning the national media’s coverage of various kidnappings across the USA.  Thank goodness we have a 24 hour news cycle to keep every living room with a flat screen hard wired to some of the most gruesome and perplexing tragedies that only the most singular slices of Americana can bring home as family entertainment. 

Despite being a dialogue driven drama, there is plenty of meat to this hearty meal; namely the smart character dynamics, an escalating tone of suspense and cliché obliterating plot twists and resolutions.  The viewer may be reintroduced to some common troupes of the “disappeared, who-dun-it, he said/she said” in the first 30 to 40 minutes, but the rest of the film sets the audience up with familiarity specifically to yank the rug out from under us.  The audience is constantly on edge and being thrown for a loop as nothing plays out as it traditionally would.  Although I designate this as a plus, some may find the twists a tad far-fetched, but either way, this movie will unsettle and may even send some viewers home needing to be cuddled in the fetal position by someone they truly love and trust (or do they? Muah, ha, ha!).

Before I continue singing the praises of the cast and crew of this film, it must be noted that the primary strength of this film is its screen story and script which happened to be written by the author of the original novel for which this film was adapted: Gillian Flynn.  Obviously, it’s a major convenience to have the originator of a certain piece of fiction being as involved with an adaptation as possible, but despite all of the intangible benefits of this kind of cooperation, it is an uncommon practice for studios which may or may not have something to do with a bunch of board room tools knowing more about a story than the person that actually wrote it.  Gillian crafts a suspenseful drama that translates very well to the screen with a story that is conscious of murder mysteries and unexplained disappearances that have been popularized in various forms of fiction as well as documented in a variety of news coverage.  The cast of characters are all presented in stereotypical fashion for what seems like a garden variety mystery, but the story couldn’t play out any further from that.  What makes all of the twists much more impactful is the wrench time put into setting up opposite presumptions; you know the ones that allow the audience to figure it all out before the halfway mark in the film.  These instances lull the audience into thinking the obvious culprits will be found out for committing the same blundering mistakes they have for every crime drama ever conceived.  With circumstances and character status in constant flux, the audience will find that they love to hate and hate to love every single character by the time the end credits roll.  Of course, this is only made possible thanks to characters that reveal much more depth as individuals as every minute passes.  In a genre for an industry that is so desperately fused to “the formula,” it is refreshing to experience a story that’s much more interested in breaking rules than obeying them.

Viewers beware: a severe lack of action is this film’s primary weakness.  We may all know David Fincher for Fight Club, Se7en and The Game, but rest assured this film has even less action than The Girl with the Dragon Tattoo.  This may instantly turn off the male demographic, but to that I say “Hey!  Summer is over.  It’s time to get your psychological freak on!”  What helps this film even less is the overall vanilla setting of suburban Missouri.  Sure, scenes are almost always changing, but their combined lack of visual flair (save for one or two) makes them all blend together.  Visual and special effects are also virtually nil, but there is one scene towards the film’s climax where a special effect salvo gets dumped all over the audience that pays off quite well considering its shocking timing.  Long story short: Gone Girl isn’t about eye candy; it’s about mind jobs and emotional spasms.

With this kind of film, one must have his or her cast firing on all cylinders and I can confirm this is certainly the case despite my never having been a particular fan of one Mr. Ben Affleck.  I’ll admit to somewhat nefarious motivations for seeing this film in that the trailers seemed to setup Affleck as either the antagonist or at the very least the subject of ridicule and rejection.  Yes, the thought of that genuinely amused me because he hasn’t exactly been called upon to play the part of the punching bag in any of his films.  However, Affleck meets this particular challenge with the casual, matter of fact confidence of a truly innocent man or the actual mastermind behind it all.  Sure, he plays Nick Dunne, a prodigal son of Missouri who apparently has no ability to rediscover an accent that he may not ever have had, but his character’s “likeability” is a lynchpin to both the plot and the moment to moment experience for the audience.  The fact that Affleck delivers nuanced performances that shrieks both guilt and innocence throughout the film completely bolsters the mystery and uncertainty.  I found the chemistry he shares with onscreen sister Margo Dunne (Carrie Coon) to be a series of welcome breaks to the ever building intensity which does much to generate sympathy for the Dunne’s while generating specific instances of further incrimination as the film progresses.  Affleck’s Everyman performance is superior to his previous contributions thanks to conscious decisions to play scenes in different (yet subtle) ways to keep the audience guessing.

Rosamund Pike may have been circulating in the Hollywood pipeline for a while, but she has finally found a signature role for which she is completely deserving of every bit of praise as well as a potential Oscar nomination for her performance as Amy Dunne, the titular “Gone” girl.  As with Affleck, conscious choices are being made in tandem between Rosamund and director David Fincher to present a full spectrum character from inspired enchantress to loving wife to chilling ice princess (and everything in between).  Ms. Pike’s ability to shift gears at will is masterful, and the fact that she retains such consistent demeanor in virtually every scene is absolutely confounding to the audience because it makes her character impossible to read.  She commands the audience’s attention both in her active scenes as well as her voice over narration of the events as various journal entries are read to the audience to provide instantaneous back story and exposition which fills in the details as circumstances develop.  There is a moment near the middle of the film where Amy’s perspective wrestles control from husband Nick where a thick veil of mystery is removed and almost changes the end game of the film into something much more predictable.  Luckily, Rosamund’s performance continues to hold enough back to retain the right level of intrigue with the audience to keep us all guessing even at that point as to who did what, who is guilty, what just happened and how it could all possibly end.

The supporting cast is equally deserving of the praise I’ve already given its two leads.  Right off the bat, I’ve got to say that Tyler Perry’s performance as attorney Tanner Bolt is easily the best I’ve seen of him as an actor for presenting a character that is as dynamic as he is entertaining and charismatic.  Carrie Coon’s Margo Dunne is the most sympathetic character in this film as she masterfully sells the victim of circumstance thanks to her proximity to the key players.  Let’s just say her performance demonstrates a text book example of how to deliver “frustration” in film.  Kim Dickens approaches Detective Rhonda Boney with an even balance of rational investigator, small town yokel and sincere do-gooder.  Her performance reflects enough authority and confidence during the investigation of a crime without becoming overbearing and annoying.  Neil Patrick Harris’ contribution as Desi Collings presents a supremely effective (and creepy) wild card to the entire drama who’s sheer presence evokes a level of discomfort that is vital to the plot’s mystery and always raises suspicion with the audience.

Gone Girl is not your average thriller because it is a story designed to take you to familiar places from a plot perspective, but it leaves the audience in the abandoned alley ways of the unexpected, unnerving and downright repulsive.  This overall strategy makes a relatively simple plot much more captivating.  Labeling this film as a cautionary tale to married couples does the story a bit of a disservice because it could be applied to the relationship between any two individuals as a psychological experiment in what anyone could rationalize if pushed to their emotional breaking point.  The two and a half hour runtime gives the audience an added window to equally disturbing and mind bending circumstances that would have been otherwise completely dropped and left to the audience’s imagination once the central plot resolved and the reason for this is that it doesn’t really resolve.  There’s enough of an open ending to allow for a multitude of “what if’s,” but make no mistake, a hopeful storybook is a possibility removed from the negotiating table.  This film is an exceptional mystery that is disturbing, graphic and above all, incredibly uncomfortable.  If the viewer is up for that kind of emotional gut check, I couldn’t recommend a better film.  You’ll never have a better time being made to feel so bad. 

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Marvel Movie News Reviews

Who Leads DC’s and Marvel’s Cinematic Realities?

Divergent Adaptation

Who Leads DC’s and Marvel’s Cinematic Realities?

By Lawrence Napoli

 

Ah!  What a great time to be a fan of comics and movies.  The cinematic creation of characters once thought far too larger than life to portray on the silver screen due to the limitations of technology has become one of (if not the best of) the marquee staples of Americana Pop Culture in recent years.  Comic book film adaptations have not only set this country on fire, but they have been fascinating the global audience as well, and it shows at the box office.  Those who know DC and Marvel as comic book companies primarily know them for their characters, fewer know them by the individuals that created their respective icons and fewer still know them for the writers and artists that make their characters relevant today.  Regardless of where the comic book industry has been financially from the distant past and/or recent past, there is no question that the movement of Hollywood adaptations of super-heroes continues to be a boom for everyone that owns the rights.  So if these films are so popular and continue to boost the visibility of various franchises, which individual is ultimately responsible?

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We know Christopher Nolan masterminded The Dark Knight Trilogy, we know Joss Whedon is behind Avenger films as well as Marvel’s Agents of S.H.I.E.L.D., we know that Robert Downey Jr. is Iron Man, and we know that Bat-Fleck is happening for Batman vs. Superman or World’s Finest or [insert title here] and we know that both companies are aiming at an expanded universe where their respective characters coexist in an ever-evolving reality.  But who’s really in command?  Who’s bringing it all together?  Sure, all the businesses involved with super-hero adaptations each have their nameless-faceless board of directors that are held responsible for decisions by their stock holders, but the choice to go in one direction or the other, veto power, day to day operations, coordination, communication and unification of this cellular network of films is being made by real individuals.  These individuals bridge the gap between the corporate conglomerate and the artists of production.  Without their knowledge of the material, business savvy, political skills and organizational aptitude, none of these films get made – or rather, none of these films get made well.  These people are the most responsible for pleasing (or inciting) fanboys and girls around the world, and they are also the first to be fired or rewarded when the receipts are all tallied up.

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Marvel’s man is Kevin Feige.  He got his start as an associate producer for the first X-Men film due to his extensive knowledge of the Marvel Universe and has gone on to produce virtually every Marvel character adaptation since 2000: Sam Raimi’s Spider-Man trilogy, Daredevil, the X-Men trilogy, The Punisher, Blade: Trinity, Elektra, both Fantastic Four films as well as all of Marvel’s recent Avenger “Phase X” films.  We could debate the merits and failings of each and every one of these films, but they all (basically) made money and were obviously successful enough for those doing the hiring to continue to involve Feige at the highest level of decision-making for film production.  Simply glancing at his résumé suggests that Feige was thinking about birthing a unified cinematic reality for Marvel’s characters long ago, and he would be one of the few individuals to have enough production experience to think about its creation in practical terms.  When Iron Man was released in 2008, this theory took its first steps into reality.  Despite the fact that the screenplay was written by the collective of Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway, it was this film’s post credit scene that paved the way for The Avengers.  This must be attributed to Kevin Feige because none of Iron Man’s writers have gone on to be involved with any level of production for any subsequent Marvel film. 

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Of course, the eventual wunderkind that would be Marvel’s Avengers was only a glimmer in the eye of anyone who knew Nick Fury and what “The Avengers Initiative” could possibly represent.  But it was also beyond a foregone conclusion for Feige himself because there was no public knowledge of contractual obligation for franchise expansion in any direction outside of Robert Downey Jr. which meant nothing more than more Iron Man films.  Who knows what was really agreed to behind closed doors (and at what point in time?), but the future teasing in the post credits of The Incredible Hulk (2008), Thor (2009), Iron Man 2 (2009) and Captain America: The First Avenger (2011) continued to prove in each film that audiences liked the interconnectivity of these (seemingly) unrelated plots and characters.  In many ways, the teases overshadowed the fact that all of these films from different directors and writing teams were successful by themselves, but had they not been, fewer would care about any sort of unification.  One of Kevin Feige’s best attributes as a leader in this industry is the respect and courtesy he shows for the writers, directors, cast and crew he works with and has done so with the “Phase 1” films.  More often than not, studio execs will throw their weight around to the point that it denigrates the production, but Feige is constantly credited (most notably by Joss Whedon) for providing leadership and direction without slapping on the creative shackles.

Introducing a massive franchise like The Avengers has proven to be successful in being introduced a bit at a time to audiences in a crescendo that built towards a pretty standard-issue “alien invasion of Earth” scenario, but let’s be frank.  The whole movie could have been the Avengers going out for shwarma and people would still have fan-gasmed because there they are: all together.  Big name actors playing big name characters and all in the same movie is a huge deal and completely beyond the minds of studio executives of yesteryear.  Feige organized this effort between multiple films as intuitively as possible and as practically as possible. Simply acknowledging their existence in the same space as in “by the way, this too is happening over here,” is much less maintenance than designing a complex plot from the very first film as the “unifying force.”  This too might have worked, but would unnecessarily marry one film to the other and the problems experienced in one might be inherited by a future production. 

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Yes, that’s right; I’m talking about the Ed Norton recast for the Dr. Banner/Hulk character.  This situation is one likely reason for the audience not having seen a second Hulk film prior to The Avengers, and recasting a major role could have been a significant monkey wrench to the gears of this unified franchise. Who knows if that problem was ultimately money, politics or ego; the man was replaced by Mark Ruffalo, and he did a great job.  Had Ruffalo whiffed, we’d all be hearing no end of it from every critic working in every media outlet in the Western world.  I like Ruffalo as an actor, but I didn’t really have an opinion of him replacing Norton other than I’d rather have established continuity maintained, but The Avengers film put the actor into many successful opportunities for the audience to like his Banner to the point that this recast has been practically forgotten.  This is thanks to Joss Whedon, who in turn thanks Feige, who was knee-deep in the Norton situation, and their combined efforts made the necessary adjustments in the subsequent film to reconcile everything.  That’s some uncharacteristically efficient leadership in Hollywood which is known for dragging its feet through the political muck of “creative differences.”  Kevin Feige may be the unifying force for the Avengers Initiative, but he shows his leadership almost every day with interviews and public appearances and whenever people have questions, he has answers.  I’m not sure his position as President of Marvel Studios requires him to do this, but his visibility and confidence suggests a master plan at work.

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So what about DC?  They have every bit the intriguing roster of characters as Marvel and (so far) have demonstrated an equally high dedication to enlist big Hollywood names and attach them to franchise pillars for multiple films.  This seems to be carbon-copied right out of Marvel’s playbook, but casting news for the Man of Steel sequel and its elusive title is evidence that the strategy for introducing its characters in a unified reality to audiences will be taking a completely different approach than Marvel Studios.  It remains to be seen if audiences will buy into this strategy or not because the first film hasn’t been made, but who’s there to answer that question?  Who’s there to lay our insecurities to rest?   This person was a tad more difficult to track down due to the fact that this DC movement is only in its infant stages and the only news out there to comment on is a growing cast for a film years from completion.  At first I looked at the closest corporate counterpart to Kevin Feige.  Diane Nelson is President of DC Entertainment and President & Chief Content Officer of Warner Bros. Interactive Entertainment.  According to DC’s website, “Nelson is charged with leading the efforts to fully realize the power and value of DC Entertainment’s rich portfolio of stories and characters, including such cultural icons as Batman, Superman and Wonder Woman, across all media and platforms.”

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First, I’d like to point out the order in which “DC’s icons” are placed as per Nelson’s title description (yep, Batman is #1).  Second, her title and description sounds like someone ideal in bridging the gap between the comic book people and the movie making people, right?  As it turns out, someone established more firmly on the Warner Bros. side of the equation will be overseeing DC’s adaptation expansion.  He is Greg Silverman the President of Creative Development and Worldwide Production for Warner Bros. and according to the WB’s website, “In this role, he has full oversight of Warner Bros. Pictures’ development activities, global production and budget.”  He began in Hollywood as a lowly craft services worker for indy films but eventually became an assistant at Tri-Star and Mandeville Films and eventually a production executive at Mad Chance.  He got his start at Warner Bros. in 1997 being a junior production executive for The Matrix, A Perfect Murder and Cats & Dogs.  WB credits him for “shepherding” the success of 300 (2006), The Dark Knight (2008), The Hangover (2009), and Inception (2010).

Silverman’s visibility is still on the low end with only his interview with Variety being his major public comments regarding “Batman vs. Superman?” and/or the franchise moving forward in which he addresses several concerns.

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Regarding Ben Affleck:

“We knew going in that we had more information than the general public had.  We knew what the take of the movie was; we knew what the character was going to be.  We don’t take these decisions lightly.  We thought about everybody – brand new people, established people.  Ben is the perfect guy to play this role.”

Regarding Batman and Superman’s interaction:

“They both will be wearing suits, there are capes involved, there will be action, there will be excitement.”

Regarding Wonder Woman:

“Wonder Woman is an amazing character.  I think it’s a great opportunity both for box office success, but also to have an amazingly powerful female superhero.” 

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Again, I note that this is merely the beginning for DC adapted unification and based on that, Silverman seems to be saying all the right things so far.  Nothing’s too committal, nothing’s specific and everything is going to turn out all right.  It’s your standard politician or rather, executive response.  If however, one is looking for a more personalized commentary regarding this next production, Zack Snyder is your man and has been at every stage of this production because every cast member revealed thus far has been a hot button topic.  Personally, I don’t care for some of the decisions that have been made so far, but I do respect Snyder stepping up to the plate when it really isn’t, technically, his job to do so.  When I first started hearing Snyder defend Affleck, I wondered if Snyder was the guy who really had all the answers or if he was just simply the only guy that had any authority in this new DC filmic reality to date.  If Silverman has been in place prior to Man of Steel and Snyder’s involvement moving forward will only be related to Superman related films then the latter is true and Snyder was the only one at the time to face the firing squad of public scrutiny.  If, however, Zack Snyder’s role expands to even that of a producer for any additional DC ancillary films, the significance of Greg Silverman as an individual directing this movement is greatly diminished and the true maestro will be revealed.

As a fan of movies and comics, I could care less about who’s making what call in regards to which movie, but I do care about seeing good movies, and I care even more when I see bad ones (especially when the potential was there for greatness).  If things go well, the right individuals ought to be praised.  If not … well you know what happens then.  So far, DC’s and WB’s leadership is feeling itself out and being only so forthcoming with the details this early, and that’s as it should be.  However, it still feels like this whole thing rests on Zack Snyder’s shoulders and many out there have him and Goyer fitted for pine boxes (figuratively, of course) should all of these interesting production and casting choices result in what is assumed to be a sub-standard envisioning of the Dark Knight and the Blue Boy Scout getting their hero on in the same movie.  Studio exec’s (unlike Kevin Feige) that stay out of the limelight tend to reap rewards with zero risk because their association with given productions is obscured.  I think Greg Silverman would be doing his own projects and people a big favor by getting out there a little more and putting on the best face he can to charm the pants off some reporters.  Then, if in two years time, whether Batman vs. Superman booms or busts, no one will accuse him personally of not making a better effort to sell the film.  But again, maybe this is what separates the Kevin Feiges from the Greg Silvermans?  It’s not for me to tell him how to run his business, but I don’t want him to fail, I don’t want this franchise to fail, and I certainly don’t want this film to fail.  The Justice League can be every bit as amazing as The Avengers.

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That being said, here is where I personally stand in regards to this Batman vs. Superman film as of 2/8/2014.  This is my unlucky 7:

1) I don’t like most of the cast decisions regarding the newcomers to this franchise.  Everyone returning from Man of Steel is fine and Jeremy Irons couldn’t mess up Alfred even if he showed up completely drunk and high for every day of principal photography (that would sure be a different take on Mr. Pennyworth).

2) I think Henry Cavil is being done a great disservice by having to play second fiddle to a bigger actor and a better character in Bat-Fleck for the sequel that used to be his franchise.

3) I think another chapter in Superman’s tale (solo) would have done more to establish the perils of this new DC cinematic universe than teasing the rest of the Justice League sooner than later.

4) I think Warner Bros. studio executives are forcing this massive cameo extravaganza prematurely because they see the X-Men franchise doing it for 20th Century Fox and the Spider-Man franchise doing it for Sony Pictures – and they want that money ASAP!

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5) If someone were to describe Jesse Eisenberg’s character based on the fact he’s playing it and how he’ll be a tattooed skinhead that will “earn” his wealth and intelligence on the mean streets of Metropolis, there’s no way I would have guessed him to play Lex Luthor.  Every previous manifestation of that character is much higher status than that of a street thug – and then there’s the whole Jesse Eisenberg is playing a street thug, thing (editor’s note: rumored).

6) With each new development, I lose more and more interest with this franchise because decisions are seemingly being made just for the sake of being different: different from Marvel, different from its comic book roots, different from Tim Burton, Chris Nolan and Richard Donner.  

7) I would reiterate Kevin Feige’s advice to the DC/WB powers that be in regards to their adaptation movement and that is: “have confidence in the characters, believe in the source material, don’t be afraid to stay true to all of the elements of the characters no matter how seemingly silly or crazy they are.”  

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Movie News Reviews

Op-Ed: A Response To Ben Affleck Batman Nerd Rage & Why Heath Ledger Argument Doesn’t Work

This One is for Brandon

Responding to Affleck Love and Nerd Rage

By: Lawrence Napoli

 

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Oh internet; you truly are the last bastion of pure democracy. I suppose it makes sense to turn debating things as frivolous as casting calls into an absolute war of the words where no cheap shot will be left untaken and numerous lines will be crossed. The blanket of anonymity emboldens us all, and though it may give the individual courage to speak up where personal insecurities would otherwise keep the one mute, it has a tendency to inspire reckless behavior riddled with negative energy. Perhaps trashing other people’s opinions and perspectives acts as some twisted catharsis, but I’ve never felt pure glee by engaging in it.

Recently some readers took issue with my op-ed concerning my displeasure over Ben Affleck being cast as Batman for the Man of Steel sequel and presumably, all Justice League tie-ins for the foreseeable future.

First of all, that was (as this is) an op-ed which according to the Online Etymology Dictionary is defined as a page of a newspaper opposite the editorial page, usually devoted to personal opinion columns.
It was not an essay making an argument against sending financial aid to countries that appear to be acting against the interests of the US. It was a raw, emotional, soap box moment where I expressed a personal opinion that Affleck is not the right choice for Batman. A choice like that leaves too many questions for me regarding the future of these DC adaptations because the shear inclusion of that character in Superman’s sequel undercuts Kal-El’s own importance. That combined with the debacle that was Green Lantern plus the lack of some teaser, tie-in or reference to this new DC universe independent of Nolan’s trilogy at the end of Man of Steel makes me think there still is no master plan for the movement. Until that changes, “it’s the end” of those films for me.

Second, pinpointing The Town and Argo as proof positive that Affleck will clearly be an excellent Batman is as opinionated as my use of those examples to suggest the opposite.
In both of those productions, Affleck was placed in multiple seats of power and influence as a co-writer, director and lead actor. Is he somehow not going to use those opportunities to showcase himself in the best possible light? I liked both of those films, and I reviewed them here on Cosmic Book News, but until he has been confirmed as the director of Justice League and every other ancillary title where Batman will appear, he’ll have to start taking direction. Affleck and Snyder will certainly have moments of disagreement in their future endeavor as they are both bringing different experiences and ideas to the table. The danger lies in Affleck potentially responding in the way of the prima donna, and then press releases citing “creative differences” occur, people walk off sets and in the meantime, the production gets sandbagged. The Town and Argo are not proof that he can listen to someone else in authority over him to adjust a performance for the better of the film, not just the actor. He was the authority in those films.

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Third, let’s examine the comparisons with Michael Keaton’s Batman and Heath Ledger’s Joker as further proof positive that Affleck’s Batman will be just as unexpectedly successful.
Tim Burton’s Batman may have followed Richard Donner’s Superman, but it is the Dark Knight’s adaptation in 1989 that created the contemporary model of using big Hollywood names in the active, title roles for superhero films in the future as opposed to only support roles like Marlon Brando’s Jor-El. “Big” defined every level of this production and for Tim Burton, a man whose previous production credits only included Pee-Wee’s Big Adventure (1985) and Beetlejuice (1988), it could be understood that the pressure was on. We could have wound up with Mel Gibson, Kevin Costner, Charlie Sheen, Pierce Brosnan, Tom Selleck or Bill Murray, but producer Jon Peters liked Keaton’s edginess, and Burton’s familiarity with the actor certainly didn’t hurt. Yes, the fans blew up back then as they are now, but the main difference in the situations (besides the history between the director and lead actor) is that the production hired Batman co-creator Bob Kane as a creative consultant. If you can’t trust the character’s creator, who can you trust? Batman/Superman should have similar DC heavy weights like Geoff Johns or Scott Snyder as regulars on set, in the writer’s room and right now researching plot development, but as of now, anyone else’s involvement in these DC films are rumored at best. Sure, Johns failed Green Lantern as a co-producer, but I believe Affleck would respect actual DC writers if not his own film’s staff if push came to shove. This production requires supervision and/or support.

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As for Heath Ledger, the parallels are once again uncanny. Clearly he was cast against type where films like 10 Things I Hate About You, The Patriot and A Knight’s Tale had him on the path of the classic, Hollywood leading man. But then he starred in films like Monster’s Ball and Brokeback Mountain, and those were considerably riskier roles for a young actor who would eventually perish before his prime. Ben Affleck’s filmography is layered with classic, Hollywood leading male roles depicting him as the love interest, the tough guy or the arrogant power monger; i.e. fairly unchallenging work for a good looking dude to pull off. Nothing about the Joker as a role suggests the use of some formula for casting or performance in order for it to be successful, but then news reports concerning Ledger’s preparation process hit the press prior to his death which was equal parts disturbing and impressive. In an interview with Empire Magazine he stated, “I sat around in a hotel room in London for about a month, locked myself away, formed a little diary and experimented with voices . . . I ended up landing more in the realm of a psychopath – someone with very little to no conscience towards his acts.” That diary has since been revealed to the public demonstrating the obsessive immersion he subjected himself to so as to deliver the Joker unlike anyone before. Yes, working out two hours a day is impressive for Affleck to shape up for Batman, but his character will never be a physical match for Superman. I don’t expect his preparation to involve hanging out in caves or interviewing orphans who were victims of violent crimes, but something a little more mundane like researching with LA’s CSI would sway me more as to his seriousness for the role because it would at least get him in the right detective mindset (assuming that’s the kind of Batman we’ll even see).

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Fourth, I’d like to address my opinion of Ben Affleck in general based on his career’s mixed bag of roles, his overbearing personality that comes out in shows like Real Time with Bill Maher and his less than gracious Oscar acceptance speech with Matt Damon for Good Will Hunting.
I also don’t like the fact that his ability to direct has been identified as some transcendent skill set unique from any other director and has nothing to do with the all-star actors that fill his casts like Jeremy Renner, Chris Cooper, Jon Hamm, John Goodman and Alan Arkin. Before we’re all ready to crown Affleck as the next American Auteur, let’s recognize that his opportunity to direct is specifically due to his being cast as the star, and his star equates to very specific dollars and cents for studios. He’s the money choice. He’s the corporate choice, and that above every other reason is why he is the next Batman. You may not agree with any of these statements, but they are reasonable enough to not like anyone or anything in particular.

Not once did I say that I hate him. Not once did I make some bigoted comment regarding him personally. Not once did I incite anyone else to join in on dedicated bashing like signing that petition to President Obama to remove Affleck from Batman. Heck, I never even said he was a bad actor. He’s simply not my cup of tea and I feel he doesn’t have the intimidation factor and mature mind set needed for Batman. That’s not a fact, it’s an opinion. Facts are as follows: He is an actor, he gets paid lots of money and he will make so much more being Batman.

Now I’d like to take this opportunity to thank our live caller, Brandon for his comments and discussion during CosmicBookNews’ first live podcast. He represents the best of what debates over pop culture can be. His comments were intelligent, entertaining, and although we didn’t agree on everything, nothing got personal and nothing got nasty. I’m not even going to reference the negative comments to my own article in order to address real concerns over the death threats being issued on Facebook pages for Man of Steel concerning this casting situation. I honestly do not know what people are thinking by sinking to that level and it clearly represents the worst of what actual nerd rages are capable of. It’s just a comic book adaptation for crying out loud. Even if people are joking, and even if they don’t really mean it, that is totally out of bounds. Commentary like that is an embarrassment to civilized society. Change that. It’s not commentary; it’s verbal vomit. So once again, I say to Brandon good looks, we appreciate your opinions and invite you to join us again for another live podcast.

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Movie News Reviews

Op-Ed: Ben Affleck As Batman Is The End Of DC

This is the END, DC!

Attempting to comprehend “Why?!?”

By: Lawrence Napoli

 

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It’s Thursday night, August 22, 2013, and I just found out that Ben Affleck will be the next Batman in the sequel to Man of Steel as well as what I presume will be DC’s efforts moving forward to culminate in Justice League. Let that sentence percolate for a moment. Ben F*CKING Affleck!?!? Here’s a pro tip: count to ten, take a breath, in the nose, out the mouth. Needless to say, but I am extremely disappointed in this decision. Nothing (and I mean NOTHING) in this actor’s repertoire indicates that he would, could or should be Batman in a serious adaptation of that character’s license on the silver screen. I’ll delve into my opinion about this debacle later, but first I need to make some predictions about what this means for DC shamelessly attempting to recapture The Avengers in a bottle.

1) Established media entities will universally praise this move.
Affleck, love him or hate him, happens to be an A-list, popular name whose attachment to any film production can send budgets through the roof and potential ticket sales of seemingly obscure films in the same direction. He’s a regular on GQ, he’s a tabloid darling, and thanks to Argo he not only has “street cred,” but finally something significant to distinguish himself from Matt Damon’s more esteemed body of work. DC, Dune Entertainment, Syncopy and Warner Bros. are making this decision entirely about money, but the false assumption is that Affleck has this effect for this kind of serious comic book adaptation. In the one, previous stint Affleck had with starring as a superhero: Daredevil, that production had a budget of $78 million dollars in 2003 and its GLOBAL take at the box office was just under $180 million. This is NOT an example of “showing me the money!”

2) Bat Fans, Bloggers, Fan Websites and anything else remotely grassroots will universally pan (or at least raise a serious eyebrow at) this move.
The die-hard fan (a.k.a. fanboy) is instrumental in turning these comic book movies into legit challengers to Avatar’s all time money record. They’re the ones that pump movies they like incessantly (and for free) on the internet, attend multiple screenings and contribute to a fever pitched word of mouth campaign to do the kind of things The Avengers did. Core fans don’t care very much for Affleck because everything about his persona reeks of Shannon who worked at The Fashionable Male in Mallrats. He’s comes off as arrogant, narcissistic, over privileged and completely devoid of an ounce of genuine humility. You know, he’s the kind of guy that beat up the comic book geeks and nerds in high school. Yeah, this decision should go over really well with them.

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3) Superman vs. Batman and Justice League by extension will be out-earned, outperformed and out-classed by the Marvel Films.
DC is already at a distinct disadvantage with making Superman the center piece of their movement because that character’s godlike immunity makes him difficult to connect with contemporary audiences. Green Lantern was so awful that DC would rather have everyone completely forget that it ever happened. Nobody gives a damn about Aquaman. No woman (save for Lucy Lawless in her prime) could do Wonder Woman justice. And no one (outside of “the core”) knows about Flash, Martian Manhunter or Cyborg. DC’s most valuable character is the one they’ve already made seven movies with, and Christian Bale’s performance is recognized by many to be the “best Bat” to date. Oh, and Bale happens to be an Academy Award winning actor.

4) Zack Snyder is going to be constantly hitting every media outlet to pump up Affleck as Batman and tell nay-sayers to shut up. 
“(Affleck) has the acting chops to create a layered portrayal of a man who is older and wiser than Clark Kent and bears the scars of a seasoned crime fighter, but retain the charm that the world sees in billionaire Bruce Wayne. I can’t wait to work with him.”
– Zack Snyder. 

Expect to see unending remixes of this last statement for the next two years. By the way, if you were looking for a translation for that quote, it goes something like this: “Forget your apprehensions concerning this casting call; Ben Affleck is the perfect Batman because the studio told me so, and I couldn’t identify a real actor even if Hugh Jackman punched me in the face.” Okay, so that’s a bit of an exaggeration, but seriously, what was Snyder thinking with that? “Scars of a seasoned crime fighter,” implies the aforementioned humility factor that a career spent personifying arrogant bastards is pretty much incapable of depicting.

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5) Everyone will suddenly pine for Superman snapping Batman’s neck in the movie.
This has a lot to do with prediction #2. Frank Miller’s, The Dark Knight Returns has that infamous showdown between Batman and Superman that has had every comic book aficionado salivating over Batman’s ability to overcome any odds and defeat any adversary put before him. People like Batman because he’s dark, deductive, mortal and flawed, and Superman was depicted as a brain-washed boy scout in that comic. Affleck is not an underdog though; he’s a front-runner and people want to see him get taken down a peg or two. Ergo, Henry Cavill needs to melt his face off with heat vision. Perhaps this is all an elaborate scheme by DC to make Superman their #1 guy in the eyes of the fans: by neutering Batman with Affleck.

I’m sure other things will happen like fans picketing theatres, or petitions to bring back Christian Bale. Heck, I wouldn’t be surprised if people hit up Kickstarter to put real money behind the serious opposition to this decision, but the fact of the matter is that this casting decision is the furthest from a slam dunk and it astounds me that no one calling the shots for DC’s film adaptations gave this a serious thought. Not once did I ever consider Affleck to be a legitimate contender for this role because he’s simply way too high-profile for it. What motivates an actor who’s already made millions and could give two shits if people don’t like his performance? I simply do not know, but actors who have neither of those are more likely to deliver a better performance and that’s what it should really be about.

The one thing I’d really like to know is what Affleck’s boy, Kevin Smith has to say about this. I’m sure he’s polishing his knee pads for the man now that the decision’s been made, and it’s out there for everyone to discuss, but I’d want to know what he’d say behind closed doors before any rumors concerning his casting were ever conceived.

I know I should be a more mature, reasonable and responsible journalist in regards to expressing my opinion on this matter, but I simply never cared for Ben Affleck, any of his films, his association with J-Lo, and his (generally speaking) smarmy attitude. I care even less for him now that he’s been tapped to be my favorite vigilante. I realize I should reserve all judgment until the film comes out, but that would be difficult seeing how I am giving serious thought to boycotting DC’s films from this point on.

Make mine Marvel!

Related: Op-Ed: A Response To Ben Affleck Batman Nerd Rage & Why Heath Ledger Argument Doesn’t Work

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Movie News Reviews

2013 Oscars: Results, Opinions & Fallout

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Oscar Fallout 2013

What the hell just happened?

By: Lawrence Napoli

 

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What can I say?  Oscar night is a magical night.  It’s my Super Bowl night and I was really anticipating the results of this evening because the films up for contention were much more interesting from top to bottom than last year.  I was also intrigued to see how Seth MacFarlane would host such a gala event and his selection makes a lot of sense, right?  He’s been celebrated for being the ring master behind Family Guy that has delivered countless laughs that poke fun at anything and everything, but particularly, the “ridiculousness” of American pop culture.  In a way, his selection is quite ironic because The Academy Awards represent a hallmark in Americana that he wouldn’t mind completely ripping into for its elitism, shallowness, and plasticized prima facie.  However, this stage represents an opportunity for his irreverent comedy to keep this show fresh and significant to the movie patrons of the future.  Considering the extra attention this evening is receiving for the political films that are the frontrunners this evening, I fully expect a Brian Griffin moment from Seth where he makes an observation that is neither too hilarious, nor too poignant and everyone pauses for consideration.  That being said, Seth will either soar with the eagles or crash and burn and melt and leave a really bad smell afterwards.  How did it turn out?  Read on Cosmic Book News faithful, read on.

[Red carpet observation: What was the deal with all the white girls getting the memo regarding the requirement to show up with equally white dresses?  Noteworthy exceptions to this were Jennifer Anniston, Catherine Zeta Jones and Nicole Kidman.]

 

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Opening Ceremony

I really appreciated Seth’s rip on The Artist right off the bat.  It also didn’t take long for Seth to get a few “ooo” moments for the jokes he made: Chris Brown/RhiannaAnd then Captain Kirk appears?  Ok so, it led into Seth’s first musical number (pre-recorded, but pretty funny about all the women we saw the boobs of), but the little dance number between Channing Tatum and Charlize Theron was unexpected, but completely adorable.  Then Daniel Radcliffe, Joseph Gordon-Levitt and Seth perform a short rendition of “High Hopes.”  Obviously Harry Potter has Broadway skills, but who knew Robin could sing, too?  This led to a skit of MacFarlane hitting on Sally Field in a “Flying Nun” costume.  Meh.

 

Octavia Spencer presents Best Supporting Actor – Christoph Waltz for Django Unchained

Big surprise #1.  I really was not expecting this and I’m pretty sure no one else did either, but I guess someone has to continue feeding the Taratino machine that sweet sustenance of credibility.  Shame on me, I didn’t see Django Unchained yet, but I’ve heard nothing but mixed reviews concerning it.  That’s not a knock on Christoph Waltz who is deserving of such recognition based on the excellence he displayed in Inglorious Basterds.  Still, this may be a sign to come that Lincoln the pre-show favorite to win it all, might be snubbed all together.   

 

Paul Rudd and Melissa McCarthy present Best Animated Short Film – Paperman (John Kahrs).

What is it with comedians being earmarked for animated presentations?  What is it with them totally flubbing what they have to say in the process?  Rudd and McCarthy should have just played it straight because Paperman was one of the best animated shorts I’ve ever seen because it was quite touching in its simplicity and inspiring in its fantasy.

 

Best Animated Feature Film – Brave

What a surprise.  Disney Pixar takes the category made for Disney Pixar films.  Yawn.  Moving on.

 

The Avengers Assemble!  And they present Best Cinematography – Life of Pi (Claudio Miranda)

Please do take a box office bow, gentlemen.  But where are the mighty Thor and the seductive Black Widow?  Excellent live chemistry was displayed by the group in attendance led by Tony Stark himself.  I just wished they could have been given more time to do their thing.  Guess I’ll just have to wait for The Avengers 2.  Good for Life of Pi, but the cinematography had better look great when the whole film is practically CGI.

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They also present Best Visual Effects – Life of Pi (Bill Westenhofer and co.)

I’m sure glad they brought The Avengers on the stage to be completely ignored by The Academy.  I get the distinct impression that something very weird is happening and that weirdness could be Life of Pi winning a heck of a lot more than it was projected.  Cue the orchestra for its first awkward play-off for a long running acceptance speech.  The Jaws theme completely drowned out Westenhofer just in time for the camera to cut to Nicole Kidman who frowned in disapproval for the classless move.  Still, everyone should have a go to “wrap up” comment to avoid being cut off.

 

Jennifer Aniston and Channing Tatum present Best Costume Design – Anna Karenina (Jacqueline Durran)   

Jen welcomes Chan to the waxed actors club.  Didn’t really need to know that one, but I’m glad a period piece won this award because they’re made to do exactly that.

 

Best Makeup and HairstylingLes Misérables (Lisa Westcot and Julie Dartnell)

Production value was big, big, business for Les Miz.  Costumes in that film were very well done and I expect Oscar gold in production design for this film as well.

 

Halle Berry presents the 50th Anniversary of James Bond

A nice little video montage of Bond’s greatest moments on film was nice, but nothing a freshman in college couldn’t compile on Final Cut Pro.  But then Shirley Bassey comes out of the floor to sing the Goldfinger theme quite masterfully; so much so that her rendition surpasses the original in every, single way.  You go girl!  Standing O: deserved!  Hopefully we get more of this with Adele waiting in the wings to do the Skyfall theme.

 

Kerry Washington and Jaime Fox present Best Live Action Short Film – Curfew (Shawn Christensen). 

I understand the need to thank The Academy for supporting the more obscure categories such as this, but it would be better if The Academy showed some real love to this category by making some comprehensive programs for those interested to actually see these little nuggets of gold.

 

Best Documentary Short – Inocente (Sean and Andrea Fine). 

So, the subject of this documentary was homeless last week and so shame on Hollywood for not getting artists like her seen and heard?  How about shame on humanity for allowing atrocity like hunger and homelessness to exist anywhere!  Look, I’m happy they won, but let’s have some solutions before pointing fingers.

 

Ben Affleck thanks Seth for the constant ribbing and presents Best Documentary Feature – Searching for Sugar Man (Malik Bendjelloul and Simon Chin).

I’m glad that the one documentary that didn’t cover absolutely depressing material won, but I really hate the Jaws theme being used (AGAIN) to play people off their speeches.  It’s starting to get annoying.

[Best MacFarlane joke of the night so far: “The cast of Prometheus tells us, what the hell was going on there?”]

 

Jennifer Garner and Jessica Chastain present Best Foreign Language Film – Amour (Austria).

Yay Austria, but then Seth MacFarlane thanks the orchestra and there’s a moment where everyone thought he was joking about it as they played behind his presentation.  One word: awkward.

 

Catherine Zeta Jones performs All That Jazz

If her singing was, in fact, live singing, then color me impressed.  If she was just lip syncing it, oh well, everyone’s doing it and I’m less impressed.  Still, she had to record it at some point.

 

Jennifer Hudson sings a number from Dream Girls

This number certainly sounded live because we could all hear her breaths as she swung the mic dramatically away from her mouth.  Jennifer’s a professional singer and she won an Academy Award for acting as a singer in this movie, so it better be live because it certainly kicked all sorts of ass.

 

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The cast of Les Misérables performs together.

I really enjoyed the staging of this musical number which incorporated everyone’s entrance (and I mean EVERYONE) as they rallied around One Day More.  Yeah, yeah, Russell Crowe still did his thing, but they sounded great as a collective.  Screw you Adam Lambert.  If you thought they were so terrible, get all your friends together and make your own musical adaptation. 

 

Mark Walhberg and Ted present Best Sound Mixing – Les Misérables (Andy Nelson and co.). 

I guess Ted had to do all the comic heavy lifting because Marky Mark was having none of it.  It makes all the sense in the world that a film requiring the balance between sound, dialogue, sound effects and background music would win this award.  No other film had such a heavy sound mixing burden.

 

Best Sound Editing – WTF?  (No BS, but a tie?)  Zero Dark Thirty and Skyfall.

I can’t remember a tie for an Oscar in recent memory and it only ever happened twice before: once in 1932 for the best actor and a second time in 1968 for best actress.  And now it’s a third . . . for best sound editing? 

 

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Christopher Plummer presents Best Supporting Actress – Anne Hathaway

Sitting next to her Les Miz costar, Hugh Jackman, Anne makes a nice gesture acknowledging every other nominee as well as the Wolverine himself.  She got so much hype for winning this award, but it was hype well deserved because it was an amazing performance. 

 

Sandra Bullock presents Best Film Editing – Argo (William Goldenberg)

It took a while for Argo to make any kind of splash but here it is.  And speaking of firsts, people winning their first awards seems to be the theme of the evening.  This doesn’t look good for the likes of Daniel Day Lewis.

 

Adele performs Skyfall

So we all know this song will win the Oscar later on in the evening right?  I’d just like to make note of the fact that Adele sings so well in that voice when she’s as British as the day is long.  Regardless, it was another inspired performance by a “true” singer which is actually better than the recorded version for the film.

 

Daniel Radcliffe and Kristen Stewart present Best Production Design – Lincoln (Rick Carter and Jim Erikson).

Another Oscar frontrunner picks up its first award and although this film did not involve any fantastic settings or highly stylize set pieces, the effectiveness of the production design was no less impactful.  By the way, if Stewart injured herself some way, why is she determined to hobble around like the walking dead (pun intended)?  Her constant grimacing was kind of annoying, so let’s get her some assistance and I don’t just mean from the Actor’s Studio. 

 

George Clooney presents In Memoriam

The obvious somber moment of the evening plays out like normal, but then opens up to Barbara Streisand singing Memories as only she can.  All that can be said is that she gave us all a beautiful and heartfelt performance.  Streisand is the epitome of dignity and class.

 

Some of the cast of Chicago present Best Musical Score – Life of Pi (Mychael Danna).

Chalk up another for the Ang Lee’s production, but it is unfortunate that no one on his cast or crew can pronounce his name correctly.  Pi is seems unstoppable at this point.

 

Best Original Song – Adele’s Skyfall

Good for Adele, but once again, no surprise here.  Anyone else signing this song, however, doesn’t bring the attention required to take home the victory. 

 

Charlize Theron and Dustin Hoffman present Best Adapted Screenplay – Argo (Chris Terrio).

Argo’s writer makes the first political statement of the evening giving a nod to nonviolent means of solving international problems.  Perhaps that message will get across to the US government, but it is not this day.

 

Best Original Screenplay – Django Unchained (Quentin Tarantino).

Nice leather tie Q.  It was an interesting move to thank the power of his characters for his writing.  Although I will say that this year’s films were certainly better overall than last year’s, but I’m not necessarily thinking that this year was, in fact, the year for the writers.  Battleship and John Carter still happened this past year.  What about them?

 

Michael Douglas and Jane Fonda present Best Director – Ang Lee (Life of Pi).

Yes!  More redemption for the terrible Hulk.  With so many awards going Pi’s way, this really wasn’t a surprise.  Thanking Taiwan is interesting in that it’s dangerously close to thanking our good buddies in China who are having a blast hacking our databases for industrial espionage, crushing our economy with slave labor and probably prepping for WW III.  How much money do you think Lee’s production paid his two crews in India and Taiwan?

 

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Jean Dujardin presents Best Actress – Jennifer Lawrence (Silver Linings Playbook).

Holy *ucking sh*t!  Don’t get me wrong, I love Jennifer, but wow.  She had the hype, she had The Hunger Games and she has the whole of Hollywood eating out of the palm of her hand.  She is talented, she is capable, but she better not screw up the good fortune she’s found early on in her career.  Many actors have long careers with zero recognition and honorary Oscars do not count.  Christopher Plummer taught me that.  Good for you Jennifer, but you still have two more Hunger Games to muddle through.

 

Meryl Streep presents Best Actor – Daniel Day Lewis.

About damn time!  The most deserving winner for the most perfect category: this man became Abraham Lincoln.  No one else can claim this level of immersion.  Daniel offered up the best acceptance speech of the evening with a good dose of comedy.  Cheers Daniel!  Keep making and taking incredible roles.  

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Jack Nicholson presents Michele Obama who both present Best Picture – Argo (Ben Affleck and co.).

Ben’s co-producers took a specific time out to thank and re-thank Ben Affleck for his directing contributions to the film as a final “stick it” to The Academy.  Argo is deserving of this victory because of the story.  Please refer to my review concerning the historical accuracy of the actual event, but I don’t care if it was or wasn’t.  I want to be entertained and if the story is compelling enough, I will do research to find the “real” real story.   

 

The Host?

Let’s make this quick.  Seth did not sink or swim.  He did not exactly impress, but he did a respectable job.  All of his jokes simply took jabs at anyone in attendance and I was expecting some evolution of that strategy during the show.  It wasn’t terrible, but it got boring at times.  He did not succumb to the temptation of breaking into Family Guy voices at all.  That’s saying something, I guess.

 

The Big Loser

Zero Dark Thirty.  This movie should have gone home with absolutely nothing because sharing a tie for best sound editing, of all categories, seems like a door prize.  James Bond took home more Oscars than Kathryn Bigelow’s production this year.

 

The Big Winner

This was a little more difficult to arbitrarily designate, but it has to be Argo.  Certainly Life of Pi won a lot and for a while, it looked like it could go all the way.  But, the controversy of Argo as a production makes for a better story, right?  If it were nominated for more categories, it probably would have taken home more gold.  I’m just glad Affleck didn’t bust into his kegger acceptance speech from Good Will Hunting.  He came close, but pulled it back.

 

The Wrap Up

There were some twists and turns, some surprises and “no duh’s,” but overall I think this was a successful Academy Awards.  It’s still too long and there’s no way to address this issue without seriously thinking about cutting categories that get live presentations during the show or perhaps losing the musical performances.  I’d prefer the former because the performances really do add quality entertainment value.  At the same time, I really hate the orchestra playing people off with Jaws.  How about adding an “enhanced experience” for people to follow at home on their computers, tablets or smart phones to experience some of the trimmed fat in future shows?  

Did your favorites win?  Does The Academy have a clue?  Do you just want Jennifer Lawrence’s phone number?  Hollywood can still make amazing films when it wants to, so hopefully we can see better films at the theatres and when that happens, I hope to see you at the movies.

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