Lanterns Writer Studied Woke Watchmen Backlash — Then Did It All Over Again

Lanterns Writer Studied Woke Watchmen Backlash — Then Did It All Over Again

UPDATE 9/4: She says the anxiety is over and the plan worked — Baden Kelly now tells THR the abuse debate was what the room wanted, and asks fans to stick with John Stewart.

UPDATE 9/2: The cast is saying it out loud now — a Lanterns star ties Episode 3 to Kamala Harris and “the consequences of not trusting a black woman”.

The Lanterns Episode 3 blowup didn’t sneak up on the people who made it.

The night “OutKast” aired — hours before the backlash eruptedTheWrap published an interview with the episode’s writer, Vanessa Baden Kelly, conducted five days earlier.

She was already bracing for it.

‘Even if a million people hate it’

Baden Kelly told the outlet she spent the morning of the interview scrolling old Reddit threads full of negative reviews of 2019’s Watchmen.

That wasn’t idle scrolling. It was research, and look at the show she picked.

Watchmen was co-creator Damon Lindelof’s own woke HBO series, the one that opened on the 1921 Tulsa massacre and built its story around race and white supremacy. And for all the Emmys it collected, it never got a second season.

Her reasoning: that show got plenty of hate at the time, and it still ended up being decorated.

So, in her words, “even if a million people hate (‘Lanterns’), that’s OK.”

Sit with that.

The writer of the most controversial episode of the season did her homework on the last time a Lindelof DC show divided the audience, and decided a million haters was an acceptable price.

And if the one-and-done comparison sounds familiar, the Lanterns cast already says it’s “at peace” if Season 2 never happens.

Then the episode dropped, and the fanbase delivered.

Aaron Pierre and Laura Linney in Lanterns Episode 3
Aaron Pierre and Laura Linney in Lanterns Episode 3

‘This is who John Stewart’s always been’

Baden Kelly also made clear she’d seen the “woke” complaints about the show before the episode aired, including fans posting 1970s John Stewart panels in the replies.

Her takeaway from those panels ran the other direction: “this is who John Stewart’s always been.”

She’s pointing at 1971’s Green Lantern #87, the Dennis O’Neil/Neal Adams issue that introduced John as one of DC’s first Black superheroes — visually modeled on Sidney Poitier, politically engaged from page one — with a conservative Hal Jordan as the foil who gets proven wrong.

Here’s the thing, though: the 1971 receipts don’t answer the actual complaint.

The problem isn’t that John Stewart is Black, outspoken, or politically aware. That’s been part of the character since 1971. The problem is that Lanterns rewrites his entire origin around race, making white privilege the reason Hal passes the ring’s test, John’s father fails it, and John is ultimately engineered to replace him.

Hal Jordan holds it because he’s a white man who, according to the episode’s logic, has the privilege to move through life without fear. John’s father, the first choice, loses it because he’s a Black man who doesn’t.

Then John’s family spends decades trying to correct that outcome, with John raised and conditioned toward eventually taking Hal’s place, as laid out in our review.

That’s where the 1971 comparison breaks down.

The original John Stewart wasn’t engineered to become a Green Lantern. The Guardians identified him as a worthy candidate because of the man he already was. John was offered the role, accepted the ring, and immediately proved why they had chosen him.

In Lanterns, his path to the ring has been turned into a decades-long conditioning experiment designed to correct what happened to his father at the hands of a white man.

That’s not merely updating John Stewart’s politics. It’s rewriting the foundation of why John Stewart becomes Green Lantern.

Aaron Pierre in Lanterns episode 3
Aaron Pierre in Lanterns episode 3

‘The episode makes it 100% explicit’

Don’t take our word for what the episode is doing.

Peter Jordan (@peterjordan), an account with over a million followers, laid it out in posts translated from Portuguese: “The episode makes it 100% explicit that Hal Jordan was a white man, and that because of this he was privileged in his career, society, etc.”

“The entire lore of John Stewart in the series is that Hal destroyed his family’s life because he was ‘privileged,'” he continued, with John destined to take the ring in Hal’s place as reparations to his father, who was chosen first.

In his read, John Sr. losing the ring is framed as structural racism the ring failed to account for, so the Guardians re-run the process by having John “programmed” from birth to become the better Lantern and replace Hal.

The cost: “Everything special about John Stewart came from his GENES and TRAINING since childhood, nothing about character and emotional depth” — nothing about being chosen for the man he is, which he calls the most important element of the lore.

“The series really wants to make this a racial showdown and stir up controversy,” he added, arguing the comics have explored racial and social issues with these characters for decades without needing to trash the Green Lantern lore to do it.

The new origin is new on purpose

The interview also confirms, from the creators’ own mouths, that this origin was invented for the show.

Baden Kelly described John’s comics backstory as thin — a Marine father in some versions, activist parents in others — so the writers’ room built its own, centered on what it means for a Black man to get the ring, comparing John’s upbringing to the way Tiger Woods and the Williams sisters were trained from childhood to be the best.

Co-creator Damon Lindelof compared handling comic book canon to handling plutonium, then added that sticking strictly to it means “there’s kind of no fun and creativity and originality in that.”

J. Alphonse Nicholson, who plays John Stewart Sr., said the failed-recruitment scene is about who has the privilege to move through life without fear, the same framing behind the episode line from John’s mother: “Do you understand how unfair it is to ask a Black man in America if he’s afraid?”

So when our review called the mythology stripped down and rewritten, that wasn’t fan paranoia. Per the people who made it, that was the assignment.

This origin is headed to the big screen

And it isn’t staying on HBO Max.

TheWrap notes Aaron Pierre carries this exact John Stewart — new origin and all — into Man of Tomorrow next summer.

About Matt McGloin

Matt McGloin is the editor-in-chief and publisher of Cosmic Book News, the independent entertainment news site he founded in 2008. He covers movies, comics, TV, video games and pop culture and has reported major industry scoops over the years, including revealing the Avengers: Endgame title ahead of its official announcement. Through Cosmic Book News, he helped Marvel Comics promote Guardians of the Galaxy and Nova through exclusive previews, artwork, and interviews, with the site also quoted in solicitations and on comic covers. He also reported on Marvel’s Daredevil: Born Again retooling before it was later confirmed by the trades.

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